Book Review - Neil Gaiman and Terry Pratchett's Good Omens
Good Omens by Neil Gaiman and Terry Pratchett
Published by: HarperTorch
Publication Date: 1990
Format: Paperback, 412 Pages
Rating: ★★★★
To Buy
Crowley and Aziraphale have quite literally been there since the beginning. Man, woman, garden, snake. Crowley was the snake, Aziraphale was wielding the flaming sword while guarding the gates of Eden, but please don't ask about where the sword is now. But nowadays Crowley has the car and the suave clothes that befit his side while Aziraphale collects books. What else is there to do when you're waiting for the world to end? The Nice and Accurate Prophecies of Agnes Nutter, Witch predicted it all back in 1655. And that's not the nice that indicates the end of the world next Saturday is a good thing, it's the other, more "precise" kind. It's going to happen. Everything has been put in place, the "horsemen" are assembling, the time has come for the uprising of evil to herald the end of days. If only there hadn't been that little mix up with the son of Satan a few years back. Because if things had gone to plan it would have been a nice and smooth end to the world, instead it's complicated. Of course some of that was on purpose. Crowley and Aziraphale aren't sure whose side they're on because they rather like the world as it is, even if any tape left overly long in a car will start blaring Freddie Mercury and Queen. So they formed a plan. Crowley was meant to switch the son of an American diplomat with the Antichrist. Which he did. He and Aziraphale then posed as benevolent beings in this boy's life so that good and evil had an equal chance when the end days came. But not even their plan has gone to plan because the baby was switched again. Because the real Antichrist is a boy named Adam Young who has grown up in the perfect idyll of Lower Tadfield, Oxfordshire. Which means now that the Apocalypse is nigh the race is on to find the real Antichrist. But Crowley and Aziraphale aren't the only ones looking for Adam. There's Anathema Device, the descendant of Agnes Nutter, and Newton Pulsifer, a descendant of the Witchfinder who burned Agnes at the stake and the only current recruit to the Witchfinder Army. With time against them they all end up working together in ways they never would have thought. But can you go up against a witch who always knew what was going to happen? Or can you thwart the omens?
I first picked up Good Omens when it was rumored that Neil Gaiman would be stopping by the 2011 North American Discworld Convention here in Madison, Wisconsin. I found it kind of lacking. Too many characters, too many dated jokes, an ending that was more whimper than bang. I love Gaiman and Pratchett but I was not sure I loved them together. Then Neil made his magnificent appearance with Pratchett and their stories, their friendship, breathed new life into the story for me. I could see what they were trying to do which didn't really happen for me when reading the book. I was too busy figuring out who was who and who wrote which section. After that talk I decided that I should, in the near future, reread it with this newfound appreciation. Of course given my reading habits the near future turned into eight years. But at least it wasn't a whole decade! The main reason I picked it up again is because the book had been adapted by Amazon and David Tennant and Michael Sheen were starring as Crowley and Aziraphale, a more perfect casting I could never imagine. So I reread the book and I enjoyed it doubly as much as I previously did. I still had issues, I still think there are too many characters and sometimes the little vignettes staged to get a certain joke across instead of adding to the narrative take away from the overall structure of the book. Because this book doesn't flow. It's setup after setup and some work and some don't. Which leads me to inevitably talk about the adaptation, which did a good job of fixing some problems while adding in new ones. Who hired Frances McDormand to narrate? She was horrible. But ignoring Frances McDormand, which I admit is hard to do, the adaptation was the opportunity to fix the book and, for the most part, fix it they did. In particular the third episode "Hard Times" which chronicles the friendship of Crowley and Aziraphale through the ages is one of the best hours of television you will ever watch. It is two people who are genuinely friends playing two characters who, despite being on opposite sides of the celestial war, are genuinely friends. It ALL comes down to friendship, and that is a good thing.
Any fan of Good Omens or it's two authors will know the turbulent history of trying to get an adaptation of it made. Years and years of trouble and strife all for it to finally come together only because of Terry's death. His death hit me hard, it was one of the only times I've cried for an author and not because of something they've written. And Neil promised Terry that Good Omens would happen. Almost two year's after Terry's death it was announced that Neil himself was adapting the book to be a six part miniseries for Amazon that would be released in 2019. Later that year Michael Sheen and David Tennant (listed alphabetically using David's stage name) joined as the two leads. The show is jammed with the cream of the crop of British guest stars, so much so some people didn't notice a few recognizable Americans snuck in there as well. The show, like the book, is uneven. And don't get me started on France McDormand's narration as God. Never has someone so talented phoned in their performance so epicly. The show would be almost 100% better if they just edited her out. A lesson they took to heart in season two. Yet for me, and for most fans, the heart of the show is the relationship between Aziraphale and Crowley. Season one's best episode is "Hard Times" and all it is is their relationship through the ages. And it is priceless. Because the friendship and love isn't just between the two characters but between the two actors. Michael and David have become the best of friends, so much so that during lockdown they created and starred in the award winning Staged, which is a fictionalized look at their lives. Therefore the second season of Good Omens had high expectations, because now EVERYONE knew that not only where the leads best friends but they shipped their characters. This show is unapologetically gay and fan service to the max, but that's why there is a second season, because of the fans. Season two works better than season one because it's on a smaller, more intimate scale. The main cast is just a handful of characters and it's all about finding love. Which makes all the Jane Austen references so perfect, even if she was secretly a criminal and to Crowley's shock, an author. But the show still has pacing problems. We spent way too much time with Job, but thankfully Aziraphale having the meat sweats distracted me a bit there, and I could have used even more Jon Hamm. Seriously, I hated his character in season one, but an amnesiac angel let him lean into his comedic abilities which he should seriously do more often. Has everyone seen A Young Doctor's Notebook? Because if not you should get on that right away. And for some reason, no matter how much I do love her, Miranda Richardson just didn't work. But all my problems fell away with the final two episodes. The whole show is about how people in power don't want you to ask questions. They don't want you to think that something they are against is a possibility, so an angel and a demon falling in love? It's the greatest protest you could stage. And stage it they did. So damn beautifully. That HEA was well earned. Sadly it wasn't for Aziraphale and Crowley. Which means if we don't get a season three someone will be hurt. It will probably be me.
