Showing posts with label American Dream. Show all posts
Showing posts with label American Dream. Show all posts

Wednesday, March 27, 2024

Book Review - Nathanael West's The Day of the Locust

The Day of the Locust by Nathanael West
Published by: EFE Books
Publication Date: 1939
Format: Kindle, 206 Pages
Rating: ★
To Buy (different edition than one reviewed)

Tod Hackett is looking for inspiration. He wants to do a great painting, it's what his Ivy League education demands, but moving west to Hollywood means his skills are only useful in scenic work on films. Not exactly work that has depth and meaning, which is what could be said for the town and it's denizens. The more people he meets the more he realizes that Hollywood is full of frauds and wannabes with eyes full of hatred. He wants to capture this in his great work, "The Burning of Los Angeles." He wants to watch the town burn and immortalize the conflagration. In his apartment complex there is the full array of the Hollywood unwashed, the failed dreamers, the bookmakers, the screenwriters, and the failed actresses. Faye Greener is a failed actress, though she'd never admit as much. She's just doing what she needs to to get by until her big break. Tod becomes obsessed with Faye. He wants Faye but she always keeps him at a distance which results in him fantasizing of taking her by force. It's Tod's obsession with Faye that keeps him constantly in her orbit. He is stuck in a twilight world of hangers-on. Faye plays her men off each other. She seems to get far more enjoyment from their anger than their attentions. There's Earle, an ersatz cowboy, Miguel, a fake Native American, and most importantly, Homer Simpson. Homer came west for his health, one of those who come to California to die, and has ended up supporting Faye. It's unclear what he gets from the relationship other than pain and heartbreak. All these people scrap and fight in Homer's house in the valley. There's brawls and violence and cockfights and pornography. This group of people is endemic of what is happening in Hollywood and one night it all boils over. Homer tries to leave, there's an incident with a precocious child actor who has been taunting him and Los Angeles burns. Just as Tod envisioned.

A book needs to have something going for it, a compelling plot, compelling characters, or a compelling message. If you have all these things, all the better, if you have none of them, you have The Day of the Locust. I know, you could argue with me that it does have several messages, the deevolution of man to animals instincts, that California is where the American Dream goes to die, that it was a clarion call to take heed of the rise of fascism, but guess what? I don't care. This isn't an introduction to literature class where we sit around and justify this book as a Classic with a capital "C." This is nothing more nor less than a study in entropy with such violence against women that it is triggering to read. Tod again and again has rape fantasies. He plainly states that "[n]othing less violent than rape would do" in his pursuit of Faye. That isn't love, that is violent obsession. And I'm sorry, but that doesn't make him a quicky character, that makes him a sexual predator. I can't get past this. Tod is the epitome of all the characters in this book, horrible people living lurid lives. These are not people I want to read about because these are not people I want to spend time with. Have you ever been at a party you didn't want to go to and you don't really know anyone at and then all of a sudden the atmosphere shifts and you realize not only do you really not want to be there but that it could be dangerous? Well that's The Day of the Locust. I mean, maybe if it was eloquently written there could have been some redeeming factor. I think you can gather already that there was not. Nathanael West can write descriptions but when it comes to action? Oh, the cockfight and the riot are such a mess that they literally did not make sense. There was one section of the book where Tod goes to a party and for a second I was confused, the writing was assured, the story made sense, and then I realized that it was completely lifted from The Great Gatsby, female tennis pro and all, but with a lurid pornography twist. In an interesting aside, West was good friends with F. Scott Fitzgerald, and the day after F. Scott died of a heart attack Nathanael West ran a stop sign that killed both him and his wife. A cruel person would say that perhaps West had no more reason to live because he had no more work to rip-off... But I'm not quite that cruel, unlike the other reviewers who said that The Day of the Locust was overly praised because of West's death before he was even forty. I will just say this book was not for me and no matter how people praise Miss Lonelyhearts there's not a chance in hell I'm ever reading it.

Friday, June 5, 2020

Book Review - F. Scott Fitzgerald's The Great Gatsby

The Great Gatsby by F. Scott Fitzgerald
Published by: Penguin
Publication Date: 1925
Format: Hardcover, 198 Pages
Rating: ★★★
To Buy

Nick Carraway has moved east to sell bonds in New York City. Because that's what young men do to make money right? Move east and sell bonds. But living out on Long Island he has an advantage across the bay. His wealthy former classmate from Yale, Tom Buchanan, lives in a luxurious house with his wife Daisy, who just happens to be Nick's cousin. At Nick's first dinner at their home he meets Jordan Baker, a rather infamous golfer, and gets ringside seats to the drama of the Buchanan household. There's trouble in paradise as Tom's mistress has the gall to call during the dinner hour! Of course, being old classmates, Nick is drawn into Tom's extramarital activities, and it isn't long before Nick is partying in the couple's love nest in the city where Myrtle's sister is insisting to Nick that Tom and Myrtle are miserable in their marriages and if it wasn't for Daisy being a Catholic there'd be two divorces and one marriage faster than you can blink. Nick can't be sure of this assertion and soon his life is about to be complicated by even more intrigue. He's going to be brought into Jay Gatsby's orbit. Jay Gatsby is Nick's infamous neighbor. Infamous for his parties and his secretive past. Everyone comes to his parties and yet no one ever sees him. Nick is about to see a lot of him as he brings Nick into his world and into his greatest regret, losing Daisy, the love of his life. He asks Nick to be a go-between. Of course fearing rejection he uses his own go-between, Jordan Baker. The request is simple enough, can Nick invite Daisy to his humble abode, only to have Gatsby swing in and take them to his manse next door? Nick is glad to help, especially as it's Jordan asking, and soon, like Daisy, he is under Gatsby's spell. But as Gatsby and Daisy's courtship from before the war proves, love and wooing never go smooth. Soon Tom realizes what is happening and there is a great reckoning that not everyone survives. That is the price of wealth and woo.

The Great Gatsby is light on plot with little depth and an unreliable narrator and for those very reasons it has become a classic. Other than a distinct "Americanness" and much rumination on the American Dream, everything is open to interpretation. Can we believe a word Nick says? Probably not. Can we blame Gatsby for how he made his fortune in order to woo the woman he loves? Depends on how he really got his money... which the characters themselves like to discuss ad nauseam. Can the valley of ashes be real or is it just a metaphor? You can literally read anything you want into this book. I was strongly reminded in the laborious and best skipped introduction of certain friends of mine who can talk for hours on end about the color symbolism in 2001: A Space Odyssey. What red means in one shot, followed by the blue of another. If they had a desire to, which I'm sure they don't, they could go into the symbolism of color that larders the pages of this book. The green light at the end of Daisy's dock, the golden sheen coming off Gatsby, all of it can be taken as something or nothing. The green could be tied to Daisy and how her voice is full of money. The green could be her openness to Gatsby's return. His golden sheen could be an outward aura of his wealth or a reference to the golden calf from the Bible and all the symbolism that weights him down because of that. In fact, though I never took a high school class that actually read The Great Gatsby, I can see why it's a popular one to teach. There is so much that can be drawn out of this book literally anything any student says is a possible interpretation. There is no wrong answer where it comes to The Great Gatsby! In fact, here's my weird little interpretation. I think The Great Gatsby is the inspiration for the TV series Remington Steele. Now prove me wrong! You literally can't. Steele is a man of infinite style whose past is dubious and who embodies the American Dream. He may or may not have tragedy in his past and as for that past, it shifts and changes with each retelling. Who knows, he might also have medals for heroic service as well as the known warrants for his arrest. This is how much this one book has become a part of the American consciousness that a popular TV show from the 80s could draw meaning form it for a modern audience and make it continually relevant. The Great Gatsby is a book for the ages.

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