Friday, November 20, 2009

Twilight Time

Well, unless you've somehow found yourself in a cave for the last year or so, I'm sure you know all about the rabid fan following of Twilight. Of course... if you've been in a cave I'm not sure they have Wi-Fi or DSL, so you wouldn't really be reading this then... But suffice it to say, everyone has probably had an encounter with these Twihards... If not, look to your local cinemas today, there will be squealing, fainting and all around swooning, the likes of which The Beatles and Elvis would be jealous of (they also crashed movietickets.com and have made this the best preselling movie of all time). Personally, I enjoyed the first movie enough to be willing to see the second... of course I hated the books. They're absurd, badly and extremely overwritten with florid prose and typos aplenty. But a book that takes a significant investment in time is nothing compared to 90 minutes of fluff you can watch to laugh at. I'm going, I expect to enjoy myself as I climb over the teens who've passed out on the floor from sheer over-excitement. Maybe I should bring some smelling salts? But then again, they would just repeat the swoon... best to leave them unconscious and enjoy the movie in peace. Also for those who have different feelings towards vampires (like Buffy does, if you discount Spike and Angel)... this parody is for you!

Thursday, November 19, 2009

Your Favorite Books Brought to Life - Cranford News Redux

Today is just a BBC Miniseries news day. Shortly after I announced that we had an airdate set for Return to Cranford, PBS then followed it up with a DVD release date! On January 19th you could be the proud owner of the next chapter in the village of Cranford. My guess is that they will split the show up onto two consecutive Sunday nights, the 10th and the 17th of January, with the release on the 19th, as they have been known to do in the past. Great news for those who love repeat viewings of classic miniseries, which this is sure to be.

Need more details? Other than the fact it's 180 minutes and will have a 20 minute featurette called "Cranford in Detail." Let's look to the press release for "the official patter":

"Judi Dench, Imelda Staunton, Francesca Annis and Julia McKenzie return in the Emmy-winning drama based on the novels by Elizabeth Gaskell. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realized in the birth of Tilly, daughter of her maid Martha and carpenter Jem. Elsewhere, the shadow of the railway still looms, but the line has been halted five miles outside of Cranford - a disaster as far as Captain Brown is concerned.

Meanwhile, as Mr. Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty becomes concerned about another young person - Peggy Bell - who lives in an isolated cottage with her mother and domineering brother. She decides to intervene and engineers an invitation that will bring the four young people together. But when tragedy strikes, she fears she has opened a Pandora's box that Cranford will never recover from."

But not only was there Cranford news today... oh no! We also got Jane Austen Emma news! I recently reviewed (yesterday is recent right?) the new adaptation, indicating that it would be shortly stateside... well the wait to know when is over. I know the wait since yesterday has been unbearable for you! Anyway, the DVD will be out February 9th. Indicating that it will air sometime after Cranford and before the release date, around the 24th (confirmed on their facebook page, and yes, they have a facebook page, kind of shocking) till the 7th, indicating to me that they might be doing some "creative editing" to make it three one hour hour and twenty minute episodes versus four one hour... they do like there "creative editing," having done some heavy handed things in recent memory just to fit it in it's time slot or remove objectionable content... Prime Suspect anyone? Or all Captain Wentworth's scenes in Lyme Regis in the new Persuasion! But that's another rant, not the fun filled, yeah Emma that I'm here to announce. So yeah Emma! Can't wait for the extras either, hopefully that costume special will explain why they made Jodhi May all boxy.

Till the next announcement! I'm sure there can't be anymore today! Can there?

Your Favorite Books Brought to Life - Cranford News

What's that I hear? Could it be really good news for those Cranford devotees out there? Why yes it is. Due to the overwhelming popularity of Cranford, PBS is astonishingly doing something that benefits us viewers. Since when has PBS ever done this? But in a move worthy of a chess master...to appease the masses starting on December 20th Cranford will be repeated till... wait for it... Return to Canford airs on January 10th! Kicking off the new Masterpiece No-Longer-Theater Classics season! Mere days after airing in England we will get the new season, thankfully no longer called Cranford 2. I hate being patient... and luckily for us stateside, PBS is granting us our Christmas wish!

Book Review - Eoin Colfer's Artemis Fowl

Artemis Fowl: Artemis Fowl Book 1 by Eoin Colfer
Published by: Miramax
Publication Date: April 2001
Format: Paperback, 277 Pages
Rating: ★★★
To Buy

Artemis Fowl is in a dire financial situation, his father is missing and his mother has suffered a mental breakdown, while the Fowl fortunes have dwindled making them (gasp) millionaires. But the conniving boy genius has thought of a fool proof plan to get the Fowls firmly ensconced back in the billionaires club. Artemis, along with Butler and Butler's wrestling loving younger sister, Juliet, are going to con the fae. Step one is easily accomplished, getting one of the fae's personal books that has all their cultural and magical knowledge. Step two takes some time, but it doesn't take long for a boy with a mind like Artemis' to crack the book's code using a little bit of imagination with a little Egyptian hieroglyphics and a lot of computer skills. The final step takes even longer, waiting for the right time and place...but eventually they find a fairy low on power and kidnap her to hold for ransom. Because Artemis' end goal is he just wants the Leprechaun's gold...and not that gold of legend, but the LEP squad's ransom fund. Because the fae have not been hiding underground wasting their time living in the past. Oh no! Shalali carrying and pot o'gold toting fairies are a thing of the past. They've got the newest in technology with everything from computers to strap on wings. They are techno fairies in the extreme, with Foaly, their centaur, as their one stop IT squad. The fairy that Artemis happens to capture is none other than Holly of the LEPrecon division of underground police. She's the squad's first female officer and she's got to do her best. So getting captured is not exactly something that will keep her employed for long, especially after that night's incident in Italy with the troll. Luckily her boss, Commander Root holds a soft spot for Holly and he and Foaly make it their goal to get her back safely. The stakes set, the two parties converge on Fowl manner outside Dublin. This is a simple hostage negotiation like any other, only with fairies. Each side tries to one up or out smart the other, but in the end can they both get what they want? Will they work together or back-stab each other? And can Artemis really do what has never been done by any mortal before?

As other reviewers have aptly stated, this is Die Hard with fairies. Take away all the magic and it's a very simple hostage plot. Now add back in the techno savy fairies and you have a book that took me a really long time to get into. My problem was I really like Artemis and his evil machinations, but the fairies just pissed me off. There is so much time spent on the minutiae of the fairies' gadgets that you don't really get to like or know the characters for a long time. Plus for a society that is so technologically advanced they spend way to much time harping on the destruction that the "Mud People," aka humans, wreak on the world. Isn't it all the cars and computers and electronics that cause this destruction...the same things the fairies are using IN ABUNDANCE under the Earth's crust? Hypocritical much? I think unless these are run differently than our gadgets then the fairies are just as much to blame...and please Eoin Colfer, do not take this as an invitation to explain in even more detail pointless fairy techobabble!

I picked this book up in anticipation of the new Hitchhiker's book that Colfer wrote. I was going to a signing of his (you can read all about how that went here), and I wanted to be mildly informed of his other works. Plus I really wanted to see what kind of writer he is and how his style might lend itself to Adams' writing style. I think it might work...I probably will pick up a few more books in this series down the road too, after I read And Another Thing. Because despite almost putting down this book several times, once the hostage standoff started I began to enjoy myself, which I didn't think I would. While the technojargon got to be too much, the characters did become interesting. The fairies kind of went from overly annoying to more just there, but the humans, fascinating! Artemis is so complex. He's such a wounded traumatized genius with parental issues. I kept thinking he was of a Joss Whedon ilk, the likes of Warren Meers or Fray's twin brother. I'm really interested to see how he matures and what kind of evil genius he becomes...extremely evil or Dr. Horrible evil? Plus the "files" indicate that his ways are not quickly mended. Bring on the evil!

Wednesday, November 18, 2009

Another Emma Adaptation

Emma
Based on the book by Jane Austen
Release Date: November 30th, 2009 (Region 2), TBD (Region 1)
Starring: Romola Garai, Johnny Lee Miller, Michael Gambon, Jodhi May, Tamsin Greig, Blake Ritson, Christina Cole
Rating: ★★★★
To Buy (UK)

You may remember back in August I had a mini rant about the Andrew Davies Emma Adaptation. This was a very flawed adaptation, but I don't think anyone could have succeeded given only 90 minutes to tell the story and labored with a creepy Mr. Knightly. But lucky for us Austen fans the BBC loves to constantly redo the classics. Therefore we've finally been given an adaptation of Emma which had the time to tell the story! Four glorious episodes, four glorious hours so that they don't relegate Mr. Woodhouse to a chair and only vaguely reference him (which once you cast Michael Gambon, you'd be hard pressed to do!) I think that this adaptation was the best so far, and for all you naysayers out there, it's an adaptation, of course they're allowed to fiddle with it! And you know what? The little bit of fiddling made Emma that little bit more relatable without deviating from the Austen script.

I'm going to ruminate a little here before becoming lazy and just doing a bullet point yeah/nay list. While every adaptation has Emma as her own little queen of the castle, a spoiled brat who always gets her way and views people as her own private dolls, none have really addressed how this came to be. This adaptation tackled more the psychological impacts of great events on the characters. All around the same time, the Bateses lost all their money, the first Mrs. Churchill died and Emma's own mother died. While we learn about this stuff in the book, more as just bare facts, they never really go into the impact. The Bateses, besides losing everything, loose the little girl they love. Frank is sent away from the person who loves him most and Emma and her sister become shut-ins due to their father's paralyzing fear that he might loose them too. These are all profoundly sad incidents that are pushed aside in most adaptations because Emma's a little scheming matchmaker. But the loneliness of these events shape the rest of their lives. Then when Emma, through her own doing, loses Mrs. Weston, the woman who became her mother, she is truly alone. She might be the queen of the castle, but it's a sad castle with a shut-in she loves dearly, but a shut-in none the less. This adaptation brings a little humanity to Emma by showing her as coping bravely with the loneliness of her life by being outgoing and scheming. While Austen purists might say "but that's not the book." Who's to say really? There is nothing done in this adaptation that isn't supported by the text! Emma, despite her youth, never leaves home, never leaves her father, so she has never seen anything but her own little world consisting of Highbury. A lonely existence no matter how little there was to distress or vex her. I can't help but also wonder about how much Jane Austen actually put of herself in Emma. A character Austen was quoted as saying: "no one but myself will much like." Perhaps she, in her close family circle was very much like Emma, all show with an undercurrent of sadness.

Things I loved:
Mr Woodhouse's clothing. He looked like Frank Lloyd Wright ready to brave the elements. Totally hilarious.

Johnny Lee Miller. He's a quite, kind of goofy Mr. Knightly. But you really believe he would take care of his estate and property, as well as his people well.

Romola Garai's smile. Just infectious, mischievous and totally Emma!

When Harriett, as a Greek maiden, steals Elton's pencil while trying to maintain her pose. So funny, plus she's so selfconscious while also trying to be unobserved.

Mr. Elton. Blake Ritson was able to out smarm Alan Cumming! That alone is worth the watching of this miniseries.

The actress Christina Cole's (Mrs. Elton's) character was murdered in the TV Show Hex by the actress who plays Jane Fairfax... too, too funny... and yet somehow completely appropriate!

Mr. Woodhouse and Doctor Perry's scene with the cake at the Weston wedding. And to think Doctor Perry took the leftovers home!?!

Box Hill. Never has there been a more awkward outing!

I want the Woodhouse's house. The gardens in back are so pretty and just a little Georgian.

Mrs. E on a donkey! Don't need to say more, it's just that. Mrs. E + Donkey = Hilarity!

Problems:
Christina Cole as Mrs. E. She could have pushed it further, but I think this problem was all in the writing.

Mrs. Weston's clothes. They were very boxy and stiff. I'm not sure if this was due to how she would "fill out" later on or just to show her lower rank.

Mr. John Knightly...funny, yes, slightly mean, most definitely.

Mr. Knightly dances with Harriet. This was just not set up right, like the slight on her was not so obvious and therefore tried to compensate with a few too many significant glances.

Mrs. Bates. One line at the end? What the hell? She was like a piece of furniture, never used but always lugged around. More of a prop piece for her belabored daughter than a character in the show.

People who complain the vernacular was too modern (this being a problem I have with other bloggers and reviewers!) It was the book's dialogue people! Like those people I sat behind in the theater when I went to the Gwyneth version of Emma, "that ending was SOOO Hollywood!" WTF! It's so Austen!

And a final note, it has been confirmed that this is part of the 2010 Masterpiece Classic lineup!

Tuesday, November 17, 2009

In My Mailbox

So here I am prattling on yesterday about how excited I am for the new Theodosia book and what should arrive in my mailbox today? That's right! Thanks to felicitous serendipity I have the new Theo book in my hands. (Also felicitous serendipity goes by the name of Houghton Mifflin if you were interested). So many hard decisions now... should I abandon what I'm currently reading and go for Theo or should I wait, finish what I'm reading then do a quick re-read of all the previous Theo books and then crack open the new one... such a hard decision... how ever will I decide... as she reaches for Eyes of Horus...

The Guild Season 3, Episode 11: LAN Off

<br/><a href="http://www.bing.com/videos/watch/video/the-guild-episode-11-lan-off/y0g5hgdl?fg=sharenoembed" target="_new" title="&#39;The Guild&#39; Episode 11: LAN Off">Video: 'The Guild' Episode 11: LAN Off</a>

Monday, November 16, 2009

Doctor Who - Waters of Mars

Time Lord victorious... but remember pride goes before the fall and the 10th Doctor's song is coming to an end... no matter how much I hope that it wouldn't. In the third of the much touted Doctor Who specials that are bringing the 10th Doctor's time with us to an end we finally get a somewhat relevant special. I have, personally, never been a fan of the Russell T. Davies specials. He seems to be under the delusion of us wanting to see some sort of variation on disaster movies, like The Towering Inferno. Therefore the specials are usually fluff, not very important in the canon, roll out the guest stars (Kylie anyone) add some fire and let's see what happens. Until now. "The Waters of Mars" was oddly good, closer to the dreamed of 5th season instead of cramming all the guest stars possible into David Tennant's few remaining episodes. Of course there is the obligatory guest star with Lindsay Duncan, but I doubt many people are going, "OMG, it's Servilia of the Junii from Rome!" Or likewise, "Lady Bertrum from the worst ever adaptation of Mansfield Park"... except for me of course... But the action, obviously, takes place on Mars. (This episode will air stateside on the 19th of December)

Coming up in the next paragraph, as River Song would say: "Spoilers!"

Lindsay Duncan plays Adelaide, the head of Bowie Base One, the first off planet colonization of humans. The thing is, like Pompeii, what happens on November the 21st, 2059 is a set point in time. The Doctor can't interfere. Of course, he did interfere with Pompeii, and of course it turned out that he had to cause it. But the chain of events is already in motion here. The Doctor must leave. Whatever caused the destruction on Bowie Base on this day must be allowed to happen. Adelaide's death is a fixed point that will shape history. But the Doctor makes a terrifying choice, and choice that could change everything. The Doctor is who he is because he obeys the laws of time, the laws of his people. But he comes to the conclusion that if he is the last, there's no one there to say he's wrong. He decides to save those he can. The horror he faces as he walks away and hears the agonizing death screams of the crew make him snap. Even though he has to walk away, he doesn't. This one act leads him to be above all, to no longer be a monitor of time, but the master of it. Nothing stands in his way... he could save Rose, he could save Donna, he could no longer be alone. Nothing stands in his way except Adelaide. She who realizes the mania that has taken ahold of him. She who realizes that he thinks he's better than everyone. She stops him.

With Adelaide's death the Doctor realizes that he has gone too far. He was on the path to becoming the master. The fear of his impending death has him so scared that he's lashing out at time itself. He knows the inevitable is here. I think this is the best special so far, in that it actually tells an important story. This is a Doctor we've never seen before. He never turns his back. We see the desperation that has gripped the Doctor. He knows he can't stop what's coming, and though he should have left this fixed point on Bowie Base alone, the mania that gripes him seems to indicate that he believes that perhaps, if he can change what should and couldn't be changed, perhaps his future will be different as well. But when the realization hits that it's the end of the line, as he kneels in the snow and pleads to Ood Sigma... I hope his final story is worthy of what a great Doctor he was.

Also for you Doctor Who freaks out there, anyone else notice that one of the crew was also on a Sarah Jane episode? "Warriors of the Kudlak" anyone? And if you religiously watch Confidential... Russell is SO wearing Steed's coat from The Avengers, and Danny Hargreaves eventually makes an appearance near the end describing the 14ft explosion he rigged. And as a final treat... the trailer for the end...

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