strange and random happenstance

Persuasion by Jane Austen
Published by: Max Press
Publication Date: 1818
Format: Hardcover, 255 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Anne Elliot is to be pitied. It's not just that her father and eldest sister are vain foolish creatures who care only for rank and money it's that these traits led them to convince Anne to break her engagement to Commander Frederick Wentworth, thinking he would amount to nothing. Seven years later there is finally peace, though not in Anne's heart. She still loves Frederick Wentworth, now a Captain and a wealthy man. Yet she knows she will never be lucky enough to get a second chance to be his wife. Instead she is to move with her family to Bath. They have been forced to give up their ancestral seat of Kellynch Hall due to their straitened circumstances. And in a twist of fate their home is to be let to Captain Wentworth's sister and brother-in-law. What's more Anne is to spend some time with her younger sister Mary at Uppercross, a mere three miles from Kellynch Hall, delaying the painful separation from home and yet seeing it in the hands of strangers who might have become Anne's family! Mary married Charles Musgrove, whom initially paid court to Anne, whom Charles's two sisters, Henrietta and Louisa, would have rather their brother had married. It's Henrietta and Louisa who become the center of the social life around Uppercross as Captain Wentworth visits his sister and decides that one of these two fine ladies will become his wife. Not only has Anne lost the love of her life but she must now watch him court another, her own bloom faded. Though the course of love is never smooth, Louisa meets with a tragic accident which tears at the soul of Captain Wentworth while Anne meets her father's heir, her cousin Mr. Elliot, who sets his sights on Anne's heart, a heart that is receptive to his advances at first. Can Anne find love again after so many years being thwarted? And who will win her heart? The old flame or the new?

For certain reasons Persuasion is the one book by Austen I'm least likely to turn to when needing an Austen fix. This has nothing to do with the book itself and everything to do with the 1995 adaptation. While for most adaptations I'm able to appreciate them to varying extents and then leave them behind, I just can't with Persuasion. To me the adaptation and the book are one. I find this ridiculous. I really don't know where this came from. When I re-read Pride and Prejudice I don't always see Colin Firth! He might be the best Mr. Darcy but depending on my mood Mr. Darcy could be any number of very good Darcys out there. Yet Captain Wentworth is Ciarán Hinds and Anne Elliot is Amanda Root and Mr. Elliot is Samuel West. And here's the thing; I HATE them all in this adaptation. It's not that they're wrong for the roles per se, it's just that my mind actually revolts at this casting, or maybe it's the directing, I just can't. Amanda Root with that emotionless placidity and those horribly high collared dresses, Samuel West with his smarm, and Ciarán Hinds? Just all the no. Now this isn't like my seething hatred of the 1999 adaptation of Mansfield Park, because nothing will ever match that, this is just the actors entering my subconscious and making the book less than. Because the book is brilliant and if I could just somehow succeed at untangling the two it seriously would better my literary life and I would be ever so grateful for purifying my love of Austen. Perhaps intense therapy by watching the 2007 version over and over again might help? Yet the irony of it all is that unlike Frances O'Connor I actually really like the three leads. In other things obviously. In fact I quite admire Ciarán Hinds, just never as a romantic lead. As for Samuel West? He really has grown on me over the years, plus if I ever get annoyed with him I can just watch him getting killed in Howards End and we're all good. As for Amanda Root she redeemed herself with The Forsyte Saga. Now if only I could have the book be the book and the movie be the movie!

I will say I succeeded far better this time around at trying to make this separation a reality. "Forcing" myself to think of Rupert Penry-Jones was very helpful. But more than that it's how having re-read Austen's entire oeuvre in such quick succession I was struck by how mature her writing had become and all other issues faded away. This makes it all the more heartbreaking that she died so young seeing what her writing could have evolved into. Her six books are all classics, but with Persuasion we see Austen at the top of her game. She's a more confident writer, willing to take narrative risks and in the end creating what I think is her most approachable book for modern readers. Where this really shines is in the almost stream of conscious panicked flow of her thoughts when she encounters Captain Wentworth again for the first time. Even if Andrew Davies in his introduction hadn't pointed this observation out to me I know I would have latched onto it and other moments like it. There's something about these sections that pulse with life. It captures to an extent not just how you think when under pressure but it's almost as if Austen has perfectly captured what it's like to be in the midst of a panic attack. The whooshing of time and thoughts, the way time expands and contracts, the rushed half composed thoughts just pushing against you: [A] thousand feelings rushed on Anne, of which this was the most consoling, that it would soon be over. And it was soon over. In two minutes after Charles's preparation, the others appeared; they were in the drawing-room. Her eye half met Captain Wentworth's, a bow, a curtsey passed; she heard his voice; he talked to Mary, said all that was right, said something to the Miss Musgroves, enough to mark an easy footing; the room seemed full, full of persons and voices, but a few minutes ended it. Charles shewed himself at the window, all was ready, their visitor had bowed and was gone, the Miss Musgroves were gone too, suddenly resolving to walk to the end of the village with the sportsmen: the room was cleared, and Anne might finish her breakfast as she could.

Who couldn't feel for Anne in that moment? The crush and press of all those people in the room and knowing that "the one" was among them. Much like Mansfield Park we, as readers, are in an interesting position having not been there for the courtship of our hero and heroine. "The One" has already been found and the love is already there. But here it's more unique in that it was lost. Anne is a different kind of heroine to any of Austen's previous heroines. She found love at a young age but was dissuaded and therefore lost the love of her life. Unlike Darcy who is rejected by Elizabeth their love wasn't cemented so a similarity of situations doesn't exist. All Austen's heroines have at some time thought they have lost the love of their lives but unlike Anne they haven't had to wait almost a decade for a happily ever after. If you start to lose hope after a few months, imagine the pain bearing this weight year after year? She lost everything to care for her family, to tend to the duty due to the Elliot name and yet by some miracle she is given a second chance. She is past her prime, as can not be said enough by Austen as she tells of the faded bloom that Anne once possessed, and yet there is hope from the ashes. She regains her beauty as she regains the belief that Captain Wentworth hasn't forsaken her. Their love is just as strong if not stronger. It has endured. And while I begrudge the 1995 adaptation I do agree with it's tagline as "A Fairy Tale for Adults." This isn't about finding perfect happiness as a young teenager, this is about love enduring, how even when you're at the age when society has written you off as being hopeless with regards to finding a mate it can still happen. Seeing as I'm not the teenager I was when I first picked up Persuasion being told that it can still happen is a magical message indeed. I will of course ignore the fact that they met while teenagers and that Anne's older sister named Elizabeth is probably on the shelf forever. See, I can delude myself in some regards!

With Austen's more mature authorial voice she's also willing to tackle more "real world" problems. She began this in Mansfield Park by actually deigning to talk about the war and here she continues that and compounds it with depictions of licentiousness, poverty, and illness. So while she might still rush her endings she is braver in depicting the larger world around her through the filter of the drawing room instead of having anything untoward happen off book and open to interpretation. Which brings me to the Musgroves. While one could make fun of the Musgroves as being a family that tends to fall and injure themselves, a lot, I see this as just a vehicle in which Austen is showing the precarious nature of health in that day and age. At this time in her life Jane was probably thinking quite a lot on life and death as she was slowly dying herself. Unlike in other books where deaths are just backstory here they're more present, more real. Death is the end of any story, happy or otherwise. Maybe it's just the fact that health care is constantly in the news that this aspect of Persuasion struck me so forcibly, but life was precarious. Life is still precarious. Yes, we have had amazing advancements in medical care but there is still suffering, there is still lack of access, there are still people like Anne's friend Mrs. Smith! Poor and in pain and trying to reclaim some of their lives. And Mrs. Smith is herself an interesting character. How exactly are we meant to deal with her? She was Anne's equal now fallen on hard times. Therefore she deserves our pity. And yet... This and yet is because she withholds key information from Anne and only decides to tell her when she thinks it will bring herself gain. This is all water under the bridge and Mrs. Smith is congratulated as helping reunite the happy couple and she gets the help she needed. But she got it in such a scheming way that I still don't know what to make of her. And here is the power of Austen. Complex characters that make us think. I might in the end not like Mrs. Smith, but I pity her and admire her balls.

The characters though I can never admire on any level are Anne's father and her eldest sister Elizabeth. Sir Walter and Elizabeth are perhaps the most self-centered vainglorious characters Austen has ever written. And the thing is, I don't think she wrote them as comedic relief, no matter how hard you laughed when hearing how many mirrors Sir Walter had in his dressing room or how he will only observe people under natural light. I believe that she wrote them to be a social commentary on Bath. If you've read anything about Austen's life you know she lived in Bath for a time and that she hated every moment of it. In Northanger Abbey we get a taste of Bath life but all the characters are passing through. They've only made Bath their temporary destination. They are tourists, nothing more, and it's not these people that Austen seeks to lambaste. It's those who have chosen Bath as their permanent residence. Whether she's commenting on the town because of the type of people it draws or on the people themselves, one thing is certain, as Austen has written Anne's family they are true denizens of Bath. When Kellynch has to be given up Bath is the obvious choice, for personality type more than for financial straits. Here Sir Walter and Elizabeth can glory at all the people who want to be near them and they in turn can fawn over their Dalrymple cousins. It's a symbiotic relationship of people who are leeches in a town that leeches your will to life. It's no wonder Anne hates the town so much, who wants to be around a swarm of self-centered assess who long to be trendsetters whom everyone follows? No thank you. As for the whole "Anne losing her bloom" perhaps it was a combination of Bath coupled with the lose of Captain Wentworth. Bath sucked Austen's will to write and it was her fallow period, therefore it's no wonder when reclaiming her voice she decided to shout to the rooftops her hatred of the Roman town.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Adaptation, Andrew Davies, Anne Elliot, Bath, Bicentenary Ball, Captain Wentworth, Colin Firth, Frances O'Connor, Jane Austen, Mansfield Park, Maturity, Northanger Abbey, Persuasion, Pride and Prejudice

"I Go Uncertain of My Fate" is a piece that is different than all the rest I've done and is actually my most recent. The difference isn't just medium here. This piece starts a shift of the entire series which I hope to continue in future pieces by actually mixing and matching vintage illustrations by the brothers Brock from different sources. While this piece might take it's title and the female figure from Persuasion the little feline companion is actually from Sense and Sensibility. My idea is to use the brothers Brock's consistent style and illustrate new scenes from the works of Austen by interchanging figures from different Austen books but also other books the brothers illustrated. This way I'd not only be bringing my own interpretation of the scene not just through medium choice and omissions, but through new and unique compositions. Stepping even further out of their shadow and trying to make this art even more my own instead of a one-sided collaboration. And while I could say that the reason I chose Anne looking back over her shoulder at a cat instead of at the letter Captain Wentworth is imploring her to read is so she can meditate on her past and the cat is just a friend this would be only half the truth. Because the whole truth is I totally made this piece to showcase the cat and everything else just fit into that narrative. As for the medium? Yes, you're not imagining it, I did embroider it. Well, cross-stitch with some alterations. The hardest aspect of this was actually scaling the piece. I wanted the figure to be the same size as all the figures that came before so this took some time and then I translated that into cross-stitch squares. Only the image was a little blocky, almost pixelated at the edges. So I went over the squares pulling them into a more linear shape. So for those people who have asked me for a pattern... yeah, it's a pattern that only worked to an extent and then my artistic nature and experimentation took over. Sorry.

Posted by Miss Eliza at 2:55 AM 0 comments  

Labels: Anne Elliot, Bicentenary Ball, Brocks, Captain Wentworth, Cats, Cross-Stitch, Embroidery, I Go Uncertain of My Fate, Illustration, Jane Austen, Pattern, Persuasion, Sense and Sensibility

There are places you see pictures of and think, there, I want to go to there. That is how it is with me and Lyme Regis. The water crashing against the Cobb is, to me, what it should be like when you visit the coast. Yes, much can be said about a nice beach, but unless you have some wind and great crashing waves, well, do you really feel the power of the ocean? Lyme Regis is made all the more desirable as a travel destination by it's literary connections. John Fowles's The French Lieutenant's Woman as well as Tracy Chevalier's Remarkable Creatures about fossil hunter Mary Anning are set there. But of course it's the connection to Jane Austen and Persuasion that make it a sacred site to me. When the company from Uppercross sets out for Lyme Regis little do they know how it will change all their fates. This is where Anne's bloom begins to return. This is where she first sets eyes on her cousin Mr. Elliot. While much sorrow is attached to this trip because of Louisa's fall, this is the place where Captain Wentworth starts to realize that Anne still has a hold on his heart and that Louisa's accident might forever destroy his chances of regaining Anne's hand. Lyme Regis is the linchpin of their happily ever after and therefore should not be missed by the true Janeite.

But what is really interesting about Lyme Regis is that unlike other Austen travel sites this one would be approved of by Jane herself! While Bath is a must, Jane hated Bath. And other locations where often just visited in her mind, but Lyme Regis? Jane visited Lyme Regis at least twice, once in 1803 and again the next summer in 1804. By the way she describes Lyme Regis in Persuasion you can feel her love for the place coming through. Her esteem is pouring off the page: the Cobb itself, its old wonders and new improvements, with the very beautiful line of cliffs stretching out to the east of the town, are what the stranger's eye will seek; and a very strange stranger it must be, who does not see charms in the immediate environs of Lyme, to make him wish to know it better... these places must be visited, and visited again, to make the worth of Lyme understood. Thankfully Lyme Regis has not shied away from their Austen connection and their Literary Lyme Walking Tours are now officially Jane Austen Tours! They operate several types of Jane Austen Tours, from short tours to day tours, from Lyme Regis all the way to Bath and any other city by arrangement. But as this post is about Lyme Regis, perhaps I'd start there, standing on the Cobb.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Anne Elliot, Bath, Bicentenary Ball, Captain Wentworth, Fossils, Jane Austen, John Fowles, Literary Landmark, Lyme Regis, Persuasion, Remarkable Creatures, The Cobb, The French Lieutenant's Woman, Tracy Chevalier

Persuasion by Jane Austen
Published by: Max Press
Publication Date: 1818
Format: Hardcover, 255 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Anne Elliot is to be pitied. It's not just that her father and eldest sister are vain foolish creatures who care only for rank and money it's that these traits led them to convince Anne to break her engagement to Commander Frederick Wentworth, thinking he would amount to nothing. Seven years later there is finally peace, though not in Anne's heart. She still loves Frederick Wentworth, now a Captain and a wealthy man. Yet she knows she will never be lucky enough to get a second chance to be his wife. Instead she is to move with her family to Bath. They have been forced to give up their ancestral seat of Kellynch Hall due to their straitened circumstances. And in a twist of fate their home is to be let to Captain Wentworth's sister and brother-in-law. What's more Anne is to spend some time with her younger sister Mary at Uppercross, a mere three miles from Kellynch Hall, delaying the painful separation from home and yet seeing it in the hands of strangers who might have become Anne's family! Mary married Charles Musgrove, whom initially paid court to Anne, whom Charles's two sisters, Henrietta and Louisa, would have rather their brother had married. It's Henrietta and Louisa who become the center of the social life around Uppercross as Captain Wentworth visits his sister and decides that one of these two fine ladies will become his wife. Not only has Anne lost the love of her life but she must now watch him court another, her own bloom faded. Though the course of love is never smooth, Louisa meets with a tragic accident which tears at the soul of Captain Wentworth while Anne meets her father's heir, her cousin Mr. Elliot, who sets his sights on Anne's heart, a heart that is receptive to his advances at first. Can Anne find love again after so many years being thwarted? And who will win her heart? The old flame or the new?

For certain reasons Persuasion is the one book by Austen I'm least likely to turn to when needing an Austen fix. This has nothing to do with the book itself and everything to do with the 1995 adaptation. While for most adaptations I'm able to appreciate them to varying extents and then leave them behind, I just can't with Persuasion. To me the adaptation and the book are one. I find this ridiculous. I really don't know where this came from. When I re-read Pride and Prejudice I don't always see Colin Firth! He might be the best Mr. Darcy but depending on my mood Mr. Darcy could be any number of very good Darcys out there. Yet Captain Wentworth is Ciarán Hinds and Anne Elliot is Amanda Root and Mr. Elliot is Samuel West. And here's the thing; I HATE them all in this adaptation. It's not that they're wrong for the roles per se, it's just that my mind actually revolts at this casting, or maybe it's the directing, I just can't. Amanda Root with that emotionless placidity and those horribly high collared dresses, Samuel West with his smarm, and Ciarán Hinds? Just all the no. Now this isn't like my seething hatred of the 1999 adaptation of Mansfield Park, because nothing will ever match that, this is just the actors entering my subconscious and making the book less than. Because the book is brilliant and if I could just somehow succeed at untangling the two it seriously would better my literary life and I would be ever so grateful for purifying my love of Austen. Perhaps intense therapy by watching the 2007 version over and over again might help? Yet the irony of it all is that unlike Frances O'Connor I actually really like the three leads. In other things obviously. In fact I quite admire Ciarán Hinds, just never as a romantic lead. As for Samuel West? He really has grown on me over the years, plus if I ever get annoyed with him I can just watch him getting killed in Howards End and we're all good. As for Amanda Root she redeemed herself with The Forsyte Saga. Now if only I could have the book be the book and the movie be the movie!

I will say I succeeded far better this time around at trying to make this separation a reality. "Forcing" myself to think of Rupert Penry-Jones was very helpful. But more than that it's how having re-read Austen's entire oeuvre in such quick succession I was struck by how mature her writing had become and all other issues faded away. This makes it all the more heartbreaking that she died so young seeing what her writing could have evolved into. Her six books are all classics, but with Persuasion we see Austen at the top of her game. She's a more confident writer, willing to take narrative risks and in the end creating what I think is her most approachable book for modern readers. Where this really shines is in the almost stream of conscious panicked flow of her thoughts when she encounters Captain Wentworth again for the first time. Even if Andrew Davies in his introduction hadn't pointed this observation out to me I know I would have latched onto it and other moments like it. There's something about these sections that pulse with life. It captures to an extent not just how you think when under pressure but it's almost as if Austen has perfectly captured what it's like to be in the midst of a panic attack. The whooshing of time and thoughts, the way time expands and contracts, the rushed half composed thoughts just pushing against you: [A] thousand feelings rushed on Anne, of which this was the most consoling, that it would soon be over. And it was soon over. In two minutes after Charles's preparation, the others appeared; they were in the drawing-room. Her eye half met Captain Wentworth's, a bow, a curtsey passed; she heard his voice; he talked to Mary, said all that was right, said something to the Miss Musgroves, enough to mark an easy footing; the room seemed full, full of persons and voices, but a few minutes ended it. Charles shewed himself at the window, all was ready, their visitor had bowed and was gone, the Miss Musgroves were gone too, suddenly resolving to walk to the end of the village with the sportsmen: the room was cleared, and Anne might finish her breakfast as she could.

Who couldn't feel for Anne in that moment? The crush and press of all those people in the room and knowing that "the one" was among them. Much like Mansfield Park we, as readers, are in an interesting position having not been there for the courtship of our hero and heroine. "The One" has already been found and the love is already there. But here it's more unique in that it was lost. Anne is a different kind of heroine to any of Austen's previous heroines. She found love at a young age but was dissuaded and therefore lost the love of her life. Unlike Darcy who is rejected by Elizabeth their love wasn't cemented so a similarity of situations doesn't exist. All Austen's heroines have at some time thought they have lost the love of their lives but unlike Anne they haven't had to wait almost a decade for a happily ever after. If you start to lose hope after a few months, imagine the pain bearing this weight year after year? She lost everything to care for her family, to tend to the duty due to the Elliot name and yet by some miracle she is given a second chance. She is past her prime, as can not be said enough by Austen as she tells of the faded bloom that Anne once possessed, and yet there is hope from the ashes. She regains her beauty as she regains the belief that Captain Wentworth hasn't forsaken her. Their love is just as strong if not stronger. It has endured. And while I begrudge the 1995 adaptation I do agree with it's tagline as "A Fairy Tale for Adults." This isn't about finding perfect happiness as a young teenager, this is about love enduring, how even when you're at the age when society has written you off as being hopeless with regards to finding a mate it can still happen. Seeing as I'm not the teenager I was when I first picked up Persuasion being told that it can still happen is a magical message indeed. I will of course ignore the fact that they met while teenagers and that Anne's older sister named Elizabeth is probably on the shelf forever. See, I can delude myself in some regards!

With Austen's more mature authorial voice she's also willing to tackle more "real world" problems. She began this in Mansfield Park by actually deigning to talk about the war and here she continues that and compounds it with depictions of licentiousness, poverty, and illness. So while she might still rush her endings she is braver in depicting the larger world around her through the filter of the drawing room instead of having anything untoward happen off book and open to interpretation. Which brings me to the Musgroves. While one could make fun of the Musgroves as being a family that tends to fall and injure themselves, a lot, I see this as just a vehicle in which Austen is showing the precarious nature of health in that day and age. At this time in her life Jane was probably thinking quite a lot on life and death as she was slowly dying herself. Unlike in other books where deaths are just backstory here they're more present, more real. Death is the end of any story, happy or otherwise. Maybe it's just the fact that health care is constantly in the news that this aspect of Persuasion struck me so forcibly, but life was precarious. Life is still precarious. Yes, we have had amazing advancements in medical care but there is still suffering, there is still lack of access, there are still people like Anne's friend Mrs. Smith! Poor and in pain and trying to reclaim some of their lives. And Mrs. Smith is herself an interesting character. How exactly are we meant to deal with her? She was Anne's equal now fallen on hard times. Therefore she deserves our pity. And yet... This and yet is because she withholds key information from Anne and only decides to tell her when she thinks it will bring herself gain. This is all water under the bridge and Mrs. Smith is congratulated as helping reunite the happy couple and she gets the help she needed. But she got it in such a scheming way that I still don't know what to make of her. And here is the power of Austen. Complex characters that make us think. I might in the end not like Mrs. Smith, but I pity her and admire her balls.

The characters though I can never admire on any level are Anne's father and her eldest sister Elizabeth. Sir Walter and Elizabeth are perhaps the most self-centered vainglorious characters Austen has ever written. And the thing is, I don't think she wrote them as comedic relief, no matter how hard you laughed when hearing how many mirrors Sir Walter had in his dressing room or how he will only observe people under natural light. I believe that she wrote them to be a social commentary on Bath. If you've read anything about Austen's life you know she lived in Bath for a time and that she hated every moment of it. In Northanger Abbey we get a taste of Bath life but all the characters are passing through. They've only made Bath their temporary destination. They are tourists, nothing more, and it's not these people that Austen seeks to lambaste. It's those who have chosen Bath as their permanent residence. Whether she's commenting on the town because of the type of people it draws or on the people themselves, one thing is certain, as Austen has written Anne's family they are true denizens of Bath. When Kellynch has to be given up Bath is the obvious choice, for personality type more than for financial straits. Here Sir Walter and Elizabeth can glory at all the people who want to be near them and they in turn can fawn over their Dalrymple cousins. It's a symbiotic relationship of people who are leeches in a town that leeches your will to life. It's no wonder Anne hates the town so much, who wants to be around a swarm of self-centered assess who long to be trendsetters whom everyone follows? No thank you. As for the whole "Anne losing her bloom" perhaps it was a combination of Bath coupled with the lose of Captain Wentworth. Bath sucked Austen's will to write and it was her fallow period, therefore it's no wonder when reclaiming her voice she decided to shout to the rooftops her hatred of the Roman town.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Adaptation, Andrew Davies, Anne Elliot, Bath, Bicentenary Ball, Captain Wentworth, Colin Firth, Frances O'Connor, Jane Austen, Mansfield Park, Maturity, Northanger Abbey, Persuasion, Pride and Prejudice

Courting Magic by Stephanie Burgis
Published by: Five Fathoms Press
Publication Date: August 10th, 2014
Format: Kindle, 105 Pages
Rating: ★★★★★
To Buy

Kat has fought countless magical battles but she has never had to face the horror of making her debut in society. Her sisters have taken her coming out in hand and have the top modiste creating Kat's wardrobe, much to Kat's chagrin; there are too many pins! But her first ball is looking like it just might be interesting. There is a thief making a swath through the ton by impersonating famous personages and making off with jewels and other valuables. It is a magical crisis that is to be stopped. In order to hide the investigation Kat and three other male magicians will go to the ball with the three men paying court to Kat and posing as eligible husbands. Problem is Kat would actually really like one of them to be her husband. Alexander, the by-blow of the last head of her Order, awoken her heart years ago and she has found that despite their very different statuses in the world that he just might be her true love. But can love overcome society's strictures? Well, Kat's never played by society's rules anyway!

Do you ever finish a series and think, I wonder what the characters will be like in the future? What will they be like in five or ten or twenty years? Rarely in literature are we given this luxury to pop into their future lives just for a quick glimpse after the book or series of books ends. If it does happen at all it's usually squeezed into an afterword that is more frustrating then illuminating. This is why I think television shows sometimes do the gimmicky "what happened to all of our characters in the years to come" flash forwards in the last five minutes of their series finale, human's insatiable need to have closure. Rarely are these quick impressions satisfying. There is no development, no time to have one last adventure, just an addendum thrown to us as a bone. That is why I am so grateful for Courting Magic. When the Kat, Incorrigible series ended we got a tiny glimpse of what Kat's HEA might be, but being only thirteen, well, she wasn't ready to be out in society let alone be married. Yet there was a wistfulness and a longing that just maybe we could one day find out about Kat's own HEA.

Skip forward two years and Stephanie is giving fans what they hoped for. The problem with Courting Magic is that it doesn't fit neatly into the series, it's short, and I don't think it could even be considered middle grade, being more romantic and definitely the most Austenesque of all Kat's adventures. But that's what I love about the age in publishing we live in. Sure, we can complain all we want about the rise of the e-reader and the downfall of printed books, but before this era would Kat's story have been given closure? NO! It couldn't be published traditionally, for the aforementioned reasons, and how else could we have gotten it? Bless authors willing to embrace new mediums in order to tell the story the way they want to. I'm not going to go on a rant about technology here, I just really want to point out that sometimes technology is there for a reason and helps us, here we got closure.

While this whole series has been about love, familial love, and of course the marriages of Angeline and Elissa, Kat being younger and our protagonist, we didn't get the swoon worthy love that Austen was known for. Kat's story here is more typical Austen, coming out in society, a ball, and a proposal. Throw in some stumbling blocks, aka Alexander's status in society, and it's a very typical Regency love story. Kat is anything but typical. So of course, throw in magic, a sweet and hilarious reunion with the magically tainted Cousin Lucy, a cringe worthy run in with the Prince Regent, a couple of awkward dances, a thief worthy of the Pink Panther movies, and the bad guys being caught and you get the perfect blend of Austen and Kat. Not to mention a last minute reversal of fortune and Kat has her ideal HEA!

But what I wholeheartedly embrace is that Kat's HEA is anything but typical, in true Kat fashion. Firstly, she ends up with someone who has the same career path as she does, saving England by using magic. This means that Kat doesn't have to ever hide who she is let alone have to choose between her duty and her heart; that would destroy Kat and we can't have that. Secondly it's her true love! And no, she didn't double check with her mother's spell, she just knows. The moment she first met Alexander it was fate, but having them reconnect years later, sigh, it's almost as satisfying as when Anne Elliot and Captain Wentworth finally get their HEA! But the clincher for me was that in her enthusiasm to finally end up with Alexander Kat inadvertently was the one to propose. She always has been a mold breaker, and I'm happy to read that a few years down the line that that hasn't changed.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Captain Wentworth, Courting Magic, HEA, Jane Austen, Kat Incorrigible, Kindle, Persuasion, Pink Panther, Prince Regent, Regency, Regency Magic, Stephanie Burgis

Today is just a BBC Miniseries news day. Shortly after I announced that we had an airdate set for Return to Cranford, PBS then followed it up with a DVD release date! On January 19th you could be the proud owner of the next chapter in the village of Cranford. My guess is that they will split the show up onto two consecutive Sunday nights, the 10th and the 17th of January, with the release on the 19th, as they have been known to do in the past. Great news for those who love repeat viewings of classic miniseries, which this is sure to be.

Need more details? Other than the fact it's 180 minutes and will have a 20 minute featurette called "Cranford in Detail." Let's look to the press release for "the official patter":

"Judi Dench, Imelda Staunton, Francesca Annis and Julia McKenzie return in the Emmy-winning drama based on the novels by Elizabeth Gaskell. Miss Matty's house is full of life and bustle. Her dream of having a child in the house has been realized in the birth of Tilly, daughter of her maid Martha and carpenter Jem. Elsewhere, the shadow of the railway still looms, but the line has been halted five miles outside of Cranford - a disaster as far as Captain Brown is concerned.

Meanwhile, as Mr. Buxton returns to town with his son, William, and his niece, Erminia. Miss Matty becomes concerned about another young person - Peggy Bell - who lives in an isolated cottage with her mother and domineering brother. She decides to intervene and engineers an invitation that will bring the four young people together. But when tragedy strikes, she fears she has opened a Pandora's box that Cranford will never recover from."

But not only was there Cranford news today... oh no! We also got Jane Austen Emma news! I recently reviewed (yesterday is recent right?) the new adaptation, indicating that it would be shortly stateside... well the wait to know when is over. I know the wait since yesterday has been unbearable for you! Anyway, the DVD will be out February 9th. Indicating that it will air sometime after Cranford and before the release date, around the 24th (confirmed on their facebook page, and yes, they have a facebook page, kind of shocking) till the 7th, indicating to me that they might be doing some "creative editing" to make it three one hour hour and twenty minute episodes versus four one hour... they do like there "creative editing," having done some heavy handed things in recent memory just to fit it in it's time slot or remove objectionable content... Prime Suspect anyone? Or all Captain Wentworth's scenes in Lyme Regis in the new Persuasion! But that's another rant, not the fun filled, yeah Emma that I'm here to announce. So yeah Emma! Can't wait for the extras either, hopefully that costume special will explain why they made Jodhi May all boxy.

Till the next announcement! I'm sure there can't be anymore today! Can there?

Posted by Miss Eliza at 10:54 PM 1 comments  

Labels: Captain Wentworth, Cranford, Elizabeth Gaskell, Emma, Francesca Annis, Imelda Staunton, Jane Austen, Judi Dench, Julia McKenzie, PBS, Prime Suspect, Return to Cranford