Showing posts with label Vienna. Show all posts
Showing posts with label Vienna. Show all posts

Monday, March 27, 2023

Tuesday Tomorrow

A House with Good Bones by T. Kingfisher
Published by: Tor Nightfire
Publication Date: March 28th, 2023
Format: Hardcover, 256 Pages
To Buy

The official patter:
"A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family.

"Mom seems off."

Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone.

She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out.

But stepping inside, she quickly realizes home isn't what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she's the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above.

To find out what's got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried."

Did someone say Southern Gothic as a pop out from behind the rose bushes hiding the teeth?

White Cat, Black Dog by Kelly Link
Published by: Random House
Publication Date: March 28th, 2023
Format: Hardcover, 272 Pages
To Buy

The official patter:
"Seven ingeniously reinvented fairy tales that play out with astonishing consequences in the modern world, from one of today's finest short story writers - MacArthur "Genius Grant" fellow Kelly Link, bestselling author of the Pulitzer Prize finalist Get in Trouble.

Featuring illustrations by award-winning artist Shaun Tan.

Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers - characters on the hunt for love, connection, revenge, or their own sense of purpose.

In "The White Cat's Divorce," an aging billionaire sends his three sons on a series of absurd goose chases to decide which child will become his heir. In "The Girl Who Did Not Know Fear," a professor with a delicate health condition becomes stranded for days in an airport hotel after a conference, desperate to get home to her wife and young daughter, and in acute danger of being late for an appointment that cannot be missed. In "Skinder's Veil," a young man agrees to take over a remote house-sitting gig for a friend. But what should be a chance to focus on his long-avoided dissertation instead becomes a wildly unexpected journey, as the house seems to be a portal for otherworldly travelers - or perhaps a door into his own mysterious psyche.

Twisting and turning in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable - these stories remind us once again of why Kelly Link is incomparable in the realm of short fiction."

I'm not the biggest fan of short fiction, but Kelly Link is always an exception to any rule.

The Best of Catherynne M. Valente, Volume One by Catherynne M. Valente
Published by: Subterranean Press
Publication Date: March 28th, 2023
Format: Hardcover, 800 Pages
To Buy

The official patter:
"The celebrated author of Fairyland, Space Opera, and much more, Catherynne M. Valente is also known for her stunning prose and captivating worldbuilding. From life on Mars to the zombified streets of Augusta, Maine, she has taken readers on unforgettable journeys for two decades. Subterranean Press is proud to present: The Best of Catherynne M. Valente, Volume One, the first comprehensive collection of Valente's short fiction, soaring through eighteen years of pushing the edges of storytelling. Among her award-winning stories, you'll find everything from melancholy robot girls to Eurydice and Orpheus; from detectives in Purgatory to time-traveling squirrels to a very different Santa Claus; from the grey coast of Washington to Alice's Wonderland. Valente's work is an open, beating heart, ready to welcome you in to its darkness and its light."

And you've got 800 pages of it!

Emma's Dragon by M. Verant
Published by: Acerbic Press
Publication Date: March 28th, 2023
Format: Paperback, 376 Pages
To Buy

The official patter:
"The award-winning fantasy reinvention of Jane Austen continues.

Emma Woodhouse needs a dragon. Her life depends on it. But Emma's dragon is claimed...by Elizabeth Darcy.

When Emma Woodhouse meets newly wed Elizabeth, a brush of their gloved hands unmasks the Darcys' fantastic secret. Emma has discovered Yu nchi, the deadly dragon coveted by both Emperor Napoleon and England's Secretary of War.

Luckily, secrets are nothing new for Emma. She has her own: a deathbed promise, and a clever plan to achieve it. The Darcys' power, forbidden to her, might even help.

But clever plans can go astray. As treason stalks a royal ball, an avenging queen rises to ravage England. Survival rests on a fabled alliance: Emma and her secrets, Elizabeth and her dragon, and the magical music of Mary Bennet and Georgiana Darcy.

Will Emma, Elizabeth, and Mary unravel the mystery of the great wyves in time to save England and themselves?

Emma's Dragon is the second book in the award-winning Jane Austen Fantasy series. This boldly original story is filled with magical dragons, strong heroines, and a brilliantly reimagined Regency that challenges barriers of class, race, and love.

Don't miss this thrilling, romantic fantasy."

I just found out about this series and with my love of all things Regency Magic I feel like my life is now complete.

The Fairy Bargains of Prospect Hill by Rowenna Miller
Published by: Redhook
Publication Date: March 28th, 2023
Format: Paperback, 416Pages
To Buy

The official patter:
"In this enchanting historical fantasy about sisterhood and self-discovery, a woman does everything she can to help her sister escape her husband - perfect for fans of C. L. Polk, Mary Robinette Kowal, and Marie Brennan.

There is no magic on Prospect Hill - or anywhere else, for that matter. But just on the other side of the veil is the world of the Fae. Generations ago, the first farmers on Prospect Hill learned to bargain small trades to make their lives a little easier - a bit of glass to find something lost, a cup of milk for better layers in the chicken coop.

Much of that old wisdom was lost as the riverboats gave way to the rail lines and the farmers took work at mills and factories. Alaine Fairborn's family, however, was always superstitious, and she still hums the rhymes to find a lost shoe and to ensure dry weather on her sister's wedding day.

When Delphine confides her new husband is not the man she thought he was, Alaine will stop at nothing to help her sister escape him. Small bargains buy them time, but a major one is needed. Yet, the price for true freedom may be more than they're willing to pay."

What would be the cost of freedom to the Fae?

Her Lost Words by Stephanie Marie Thornton
Published by: Berkley
Publication Date: March 28th, 2023
Format: Paperback, 448 Pages
To Buy

The official patter:
"From A Vindication of the Rights of Woman to Frankenstein, a tale of two literary legends - a mother and daughter - discovering each other and finding themselves along the way, from USA Today bestselling author Stephanie Marie Thornton.

1792. As a child, Mary Wollstonecraft longed to disappear during her father's violent rages. Instead, she transforms herself into the radical author of the landmark volume A Vindication of the Rights of Woman, in which she dares to propose that women are equal to men. From conservative England to the blood-drenched streets of revolutionary France, Mary refuses to bow to society's conventions and instead supports herself with her pen until an illicit love affair challenges her every belief about romance and marriage. When she gives birth to a daughter and is stricken with childbed fever, Mary fears it will be her many critics who recount her life's extraordinary odyssey...

1818. The daughter of infamous political philosopher Mary Wollstonecraft, passionate Mary Shelley learned to read by tracing the letters of her mother's tombstone. As a young woman, she desperately misses her mother's guidance, especially following her scandalous elopement with dashing poet Percy Bysshe Shelley. Mary struggles to balance an ever-complicated marriage with motherhood while nursing twin hopes that she might write something of her own one day and also discover the truth of her mother's unconventional life. Mary's journey will unlock her mother's secrets, all while leading to her own destiny as the groundbreaking author of Frankenstein.

A riveting and inspiring novel about a firebrand feminist, her visionary daughter, and the many ways their words transformed our world."

Two women who transformed the world, they just happened to be mother and daughter.

Lone Women by Victor LaValle
Published by: One World
Publication Date: March 28th, 2023
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Blue skies, empty land - and enough wide-open space to hide a horrifying secret. A woman with a past, a mysterious trunk, a town on the edge of nowhere, and a bracing new vision of the American West, from the award-winning author of The Changeling.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It's locked at all times. Because when the trunk opens, people around Adelaide start to disappear.

The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader. Dragging the trunk with her at every stop, she will become one of the "lone women" taking advantage of the government's offer of free land for those who can tame it - except that Adelaide isn't alone. And the secret she's tried so desperately to lock away might be the only thing that will help her survive the harsh territory.

Crafted by a modern master of magical suspense, Lone Women blends shimmering prose, an unforgettable cast of adventurers who find horror and sisterhood in a brutal landscape, and a portrait of early-twentieth-century America like you've never seen. And at its heart is the gripping story of a woman desperate to bury her past - or redeem it."

What's in the trunk Adelaide? WHAT'S IN THE TRUNK!?!

Hotel of Secrets by Diana Biller
Published by: St. Martin's Griffin
Publication Date: March 28th, 2023
Format: Paperback, 416 Pages
To Buy

The official patter:
"Diana Biller's Hotel of Secrets is chock full of banter-filled shenanigans, must-have-you kisses, and romance certain to light a fire in the hearts of readers everywhere.

During ball season, anything can happen - even love.

It's ball season in Vienna, and Maria Wallner only wants one thing: to restore her family's hotel, the Hotel Wallner, to its former glory. She's not going to let anything get in her way - not her parents' three-decade-long affair; not seemingly-random attacks by masked assassins; and especially not the broad-shouldered American foreign agent who's saved her life two times already. No matter how luscious his mouth is.

Eli Whittaker also only wants one thing: to find out who is selling American secret codes across Europe, arrest them, and go home to his sensible life in Washington, DC. He has one lead - a letter the culprit sent from a Viennese hotel. But when he arrives in Vienna, he is immediately swept up into a chaotic whirlwind of balls, spies, waltzes, and beautiful hotelkeepers who seem to constantly find themselves in danger. He disapproves of all of it! But his disapproval is tested as he slowly falls deeper into the chaos - and as his attraction to said hotelkeeper grows."

Ball season in Vienna? YES!

Intrigue in Istanbul by Erica Ruth Neubauer
Published by: Kensington
Publication Date: March 28th, 2023
Format: Hardcover, 288 Pages
To Buy

The official patter:
"In Agatha Award-winning author Erica Ruth Neubauer's fourth wanderlust-inspiring historical mystery, it's 1926 and the adventures of vibrant, young American widow Jane Wunderly send her to Istanbul, Turkey, where the search for her archeologist father unravels secrets tied to a mysterious relic from the Ottoman Empire...

Istanbul, 1926: After her historian father makes a clandestine journey abroad, Jane and the dapper Mr. Redvers trace his footsteps while signs of danger loom back home in the United States. They're greeted at their destination by Aunt Millie and unsettling news: Professor Wunderly was on a mission to locate the lost heart of Sultan Suleiman the Magnificent - a legendary relic from the Ottoman Empire said to possess potent mystical powers - then vanished completely, leaving behind his unpacked luggage, a perplexing riddle, and an eerie mystery Jane must solve to keep her loved ones safe.

What starts off as a clear-cut investigation becomes an intercontinental game of cat and mouse as Jane realizes a gang of nameless figures have been stalking her every move from Turkey to Hungary. And it seems even helpful friends can't be trusted for long when a man is stabbed to death on the Orient Express to Budapest. With Redvers by her side and few clues to rely on, Jane’s desperate search for her father leads to centuries-old secrets and an unidentified enemy who could make her disappear like the missing Sultan's heart..."

Gotta support local authors!

Play the Fool by Lina Chern
Published by: Bantam
Publication Date: March 28th, 2023
Format: Paperback, 320 Pages
To Buy

The official patter:
"A cynical tarot card reader seeks to uncover the truth about her friend's mysterious death in this delightfully clever whodunit, "a delicious blend of suspense and madcap humor" (Library Journal, starred review).

For Katie True, a keen gut and quick wit are just tools of the trade. After a failed attempt at adulting in Chicago, she's back in the suburbs living a bit too close to her overbearing parents, jumping from one dead-end job to the next, and flipping through her tarot deck for guidance. Then along comes Marley.

Mysterious, worldly, and comfortable in her own skin, Marley takes a job at the mall where Katie peddles Russian tchotchkes. The two just get each other. Marley doesn't try to fix Katie's life or pretend to be someone she's not, and Katie thinks that with Marley's friendship, she just might make it through this rough patch after all. Until the day when Katie, having been encouraged by Marley to practice soothsaying, reads the cards for someone who stumbles into her shop. But when she sneaks a glance at his phone, she finds more than intel to improve her clairvoyance. She finds a photo. Of Marley. With a gunshot wound to the head.

The bottom falls out of Katie's world. Her best friend is dead? Who killed her? She quickly realizes there are some things her tarot cards can't foresee, and she must put her razor-sharp instincts to the ultimate test. But Katie's recklessness lands her in the crossfire of a threat she never saw coming. Now she must use her street smarts and her inner Strength card to solve Marley's murder - or risk losing everything."

I'm always here for the mystical and murder!

The Quarantine Princess Diaries by Meg Cabot
Published by: Avon Impulse
Publication Date: March 28th, 2023
Format: HPaperback, 336 Pages
To Buy

The official patter:
"Mia Thermopolis knows just what to do in a crisis: Rule.

During the Covid-19 pandemic, a section of the diary of Princess Mia Thermopolis of Genovia fell into the hands of Meg Cabot, the Princess's royal biographer.

As reported in media outlets such as Entertainment Weekly, The Mary Sue, Refinery 29, Bustle, and more, from March until June of 2020, sixteen entries of the princess's diary were leaked onto Ms. Cabot's blog, to the delight of over a million fans.

In these entries, titled The Coronavirus Princess Diaries, the princess recorded her most heartfelt emotions while dealing with her husband's quarantine after exposure to the virus; her personal (and political) battles while imposing health restrictions on her small European nation; life during lockdown (even in as idyllic a location as a palace on the Riviera); and of course, dealing with her demanding royal family, especially her grandmother.

Since then, readers have been clamoring for more chapters of Mia's coronavirus diary...and here they are at last: The Quarantine Princess Diaries include not only the previously released entries (now edited and updated with new content), but two hundred more pages of entirely original, never-before-seen entries, including the princess's worries over a possible royal affair; a showdown between Mia and Grandmère over the latter's intended nuptials; the eventual development and distribution of a groundbreaking intranasal vaccine for every citizen in Genovia; and, as always, a royally happy ending.

After all we've been through, what could be more comforting for any lover of royal romance than snuggling up with a brand new installment of the diary of Mia Thermopolis, the princess who started it all?"

So excited to be back with Mia... But I kind of wish it was the third movie...

Bayou Beloved by Lexi Blake
Published by: Berkley
Publication Date: March 28th, 2023
Format: Paperback, 336 Pages
To Buy

The official patter:
"When a woman returns home to Louisiana's Butterfly Bayou, her high school crush finally notices she exists, in a small-town contemporary romance from New York Times bestselling author Lexi Blake.

Quaid Havery always planned to follow in his father's footsteps. He went to law school and then came home to take over his dad's legal practice. Being the only lawyer in small-town Papillon, Quaid is pretty sure he's seen everything. After all, he was once asked to sue an alligator for defamation of character. He's prepared for anything the town can throw at him, until he encounters Jayna Cardet. She's gorgeous, smart, funny, and unlike any woman he's met before.... Except he has.

Jayna never thought she'd return to Papillon, but when her life gets turned around she must learn to live in the close-knit community again. She certainly never dreamed she would practice law in her little town, but she finds herself in the courtroom, and the opposing counsel is her former high school crush, Quaid. It wouldn't be so bad if the man had developed a beer belly, but Quaid is more handsome than ever. And instead of ignoring her like he did in high school, he's made it plain that he wants to get to know her.

Thus begins a courtship destined to end in a wedding or a war. Either way, the locals are popping some corn and eagerly awaiting the outcome."

Hallmark meets all your high school reunion fantasies in one!

Wednesday, January 16, 2019

Book Review 2018 #5 - Tasha Alexander's A Fatal Waltz

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Wednesday, October 10, 2018

Book Review - Tasha Alexander's A Fatal Waltz

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Friday, February 19, 2016

Book Review - Natasha Solomons's The House at Tyneford

The House at Tyneford by Natasha Solomons
Published by: Plume
Publication Date: December 27th, 2011
Format: Paperback, 368 Pages
Rating: ★★★
To Buy

Vienna is Elise's home. There all the trappings of the glittering life she leads seem immutable. She will always go to the opera house to hear her mother Anna sing. She will always be jealous of her sister Margot's musical talents that form a special bond between Margot and Anna. She will always take pride in her father Julian, the "strange" writer. Because her life is for always. Until it isn't. Vienna is no longer safe for Jews. Margot's husband has gotten a job in California and they are to leave shortly; Anna and Julian are waiting for visas to go to New York. But Elise poses a problem. The plan is for Anna and Julian to send for her once they get to New York, but they are too scared to leave her behind. Therefore they decide that their best option is for Elise to go into service as a maid in England. There she will be safe until she can join her family in America. She gets a job in Dorset at Tyneford for a Mr. Rivers. The house seems cut off from the rest of the world and so different from the life she left behind.

Elise struggles not just with her tasks but with her English, feeling isolated from all that she held dear. The life she is living isn't what she expected and the other servants don't make her feel welcome. She just doesn't fit. She wasn't raised to be a servant, yet she doesn't quite belong upstairs either. She is living in limbo just hoping to hear from her family. Yet with the arrival of Mr. Rivers's son Kit life becomes easier and more complicated at the same time. Kit helps Elise with her English and his presence makes her work easier to bear. Though it is apparent to everyone that they are falling in love and this upstairs, downstairs romance is problematic to say the least. As the world descends into chaos with the outbreak of World War II the world that they knew will be destroyed. Elise struggles to hold onto this new life she has grown to love all while holding out hope that her family will join her and life can be as it was. Little does Elise know nothing will ever be the same again, even this new life she has come to love.

When writing a book you can't set out to write a classic. Your book attains that status over time, it's not something that you, as the author, have any control over. You just don't and if you can't accept this perhaps you shouldn't be a writer. Moreover, when writing a book it's best to not emulate a classic but to find your own voice. Your book will never be that classic you so want to replicate and I have never believed the old saying that imitation is the sincerest form of flattery. Therefore I had problems connecting with The House at Tyneford. Solomons so wanted her book to be Du Maurier's classic Rebecca that at times you feel as if she is trying to drive the point home with a blunt instrument. The thing about aping Du Maurier is that more than any other author there is no one like her so you should never try. She has an effortless way of describing her surroundings so that the lush and verdant foliage leap off the page. Solomons flowers lay limply in the hot sun. But the number one thing you shouldn't do is call out what you were attempting to do by having your characters go and see the Hitchcock adaptation of Rebecca! Solomons would occasionally find her own footing to fall over the big illuminated arrows showing how she could never be Du Maurier.

The House at Tyneford isn't a book for subtlety. It's not just the Du Maurier debacle, it's that Solomons paints her story with big strokes trying to capture the epicness of her narrative. That her story is a microcosm of what is being played out on the world stage is obvious, she just didn't need to make it so obvious. It was the day to day struggles and the relationships forged between the characters that I was most drawn to, and yet as the narrative progressed this is what she left by the wayside in favor of grand gestures. When all the players leave Tyneford for the last time it's as if Solomons decided to severe all ties with this world and these people we have come to love. We never learn the fate of any of Elise's fellow servants. We don't even get any insight into Elise's life after Tyneford. Because to Solomons this doesn't matter. It would be too finicky and delicate, not bold and brash enough. This is, after all, a book that loves wallow in the Freudian cigar imagery. Yes, sometimes a cigar is just a cigar... but not when Solomons is writing.

But then again, having your entire story be an updating of Cinderella... well, that doesn't take much imagination now does it? Which lead me to start thinking about the Cinderella story. Here it fits more than most, because it isn't a simple rags to riches fable, it's love and comfort to drudgery to rescue. This is exactly the trajectory that Elise's life takes. And while I do love a happily ever after and a restoring of the status quo, when does this trope get played out? When do we say enough with the fairy tales give me something more real. Yes, you could say that this is more real with Elise and her plight, but still, the ending makes it fairy tale airy fairy. The heart of what I'm getting at is is Cinderella played out? I'm sure Kenneth Branagh would probably totally disagree with me because his adaptation last year is the highest grossing film he's ever done. But I really would like something new, some new twist. I would have liked to have heard Solomons voice coming through in this book instead of her trying to emulate other voices.

Despite some of the more cookie cutter aspects of The House at Tyneford, there are interesting concepts that are raised. Most of them aren't necessarily expanded on, but then again, I dwell in books and therefore a passing line can provide hours of thought. I found it interesting when the butler, Mr. Wrexham, said to Elise "you are to be the end of us all." While it's a bit doom and gloom coming from this very upright man I wonder was it so much Elise that he meant or was it what she symbolized. Was Elise a symptom of the end of the country house era or a cause? In other words, with the war creating all these refugees that then sought service in English country houses was it the war that ended this way of life, or was it the people displaced by war who upset the system from the inside? Personally, I think it was the war forever irreparably changing the landscape, but then again, in this instance, being the events at Tyneford, I would say that it was Elise. Yes their life would have change, but not in the same way. Therefore in this place and this time it's Elise.

Now that I've brought up the war in a little more detail I'd like to tackle something that irked me. Throughout the book Solomons does a great job connecting Elise and music, in fact you can't help say her name without thinking of the Beethoven composition. Music to Elise is her family and what they represent. When she leaves Vienna with the viola with Julian's manuscript hidden inside she is given a tangible and musical connection to those she loves. When one thinks of World War II and string instruments one cannot help but think of John Williams's haunting theme for Schindler's List as performed by Itzhak Perlman. At the very end of The House at Tyneford there is a composition written in honor of Elise's family, The Novel in the Viola: Concerto in D Minor for Viola and Orchestra. My problem is here we aren't given the chance to use our imagination. We aren't allowed to picture music and lasting resonance like that written by John Williams. There is an actual score and on Solomons website you can listen to it being preformed. It's not just that it's lackluster, it's that it makes something in the book so finite. Books need to have room for the readers to interpret. To bring their own experiences. To write the music and make it so uninspired takes away from the rest of the story.

The sad fact is I liked this book in spite of itself. Solomons undermines her own writing time and time again and if it wasn't for little things here and there I would write it off as a Du Maurier pastiche. It was the little things that made me like it. My most favorite moment was an aside by Kit when talking about his mother who died when he was four. He said that he no longer remembered her. He knew that he should because he was old enough. He even remembered events that she was a part of only she was no longer there. It was as if she had been cut out of the memories. This touched a nerve with me. There are people I have lost and in particular one wonderful kitty. I worry that I am forgetting, I worry that I am rewriting my own story. He has been gone so long that I can't remember the day to day. The way he felt on my lap. It's like there's this emptiness that he used to fill and he's been so entirely removed that I can't remember him. I can see why Elise writes down her story and places it in the viola. She didn't want to have this happen because she knew that at some point it must. It happened to Kit and she doesn't want it happening to her memories of him. A bittersweet thought. But then this book is filled with the bitter meeting the sweet.

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