strange and random happenstance

The Adventuress by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 13th, 2015
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Jeremy, the Duke of Bainbridge, has dedicated his life to achieving the title of the most useless man in England. He wants to live a life of semi-debauchery and avoid all the society mothers trying to snare him for their daughters. He knows he will have to wed eventually, his younger brother Jack would never forgive him if he inherited the Dukedom due to Jeremy's licentious lifestyle. But Jeremy claims his dear friend Lady Emily holds his heart, and since she is happily married, his finding connubial bliss is never going to happen. Emily sees his infatuation as nothing more than hyperbole and is proven right when Jeremy falls victim to the wiles of an American buccaneer. Amity Wells is the dream woman, she might even be more debauched than Jeremy! She knows what he needs even before he does. So what if she's a little loud, a little beyond the pale, she's the girl for Jeremy. A girl who Emily realizes she will never be friends with within minutes of meeting her. Yet Jeremy is Emily's oldest and dearest friend and for him she will make an effort. She will stick her courage to the sticking place and celebrate his engagement in the extravagant manner to which Amity is accustomed.

Amity plans a grandiose engagement party on the French Riviera with her parents footing the bill. There are excursions everyday, on land and on sea, nightly walks along La Croisette, delicious dinners, and sumptuous breakfasts. Amity even prides herself on organizing a lads night for Jeremy and his friends at the local casino where there will be dancers direct from Paris. Though that particular festivity ends differently than anyone expected, with Jeremy's friend, Chauncey Neville, dead in Jeremy's suite of an apparent suicide. Emily isn't convinced this dear, sweet man would have ended his life in such a fashion. Yet Emily's husband Colin tells her that with suicide it's not like their murder investigations, they aren't neatly wrapped up, there will always be questions which they will never know the answers to. Emily isn't sure. Even if Colin doesn't want to investigate she feels it necessary to start a discreet investigation. This will at least distract her for the forced joviality of those remaining after Mr. Neville's funeral and Amity's brother Augustus who puts her on edge. But soon weird things start to happen to discredit Emily. Could she be getting close to a truth someone wants hidden? Or does Amity just want her out of the way?

Years and years ago I became obsessed with this miniseries I kept stumbling upon on one of the higher cable channels in the middle of the night. I had no idea what it was called because I would always find it after the opening credits and would usually fall asleep before the end credits rolled. Remember, this was the nineties. Not everyone had computers they could access and find the answers they sought in an instant. As for my trusty TV Guide, well... it didn't list the higher channels in some sick game it liked to play with me where it loved to leave me in ignorance. And yes, I fully believe it was sentient and thought this was funny. Therefore I spent years in ignorance clutching to the few facts I knew. The miniseries starred Carla Gugino, the star of the Thanksgiving Pauly Shore classic Son in Law, and that the house from the Brideshead Revisited miniseries was in it. It turns out I was watching the 1995 adaptation of Edith Wharton's unfinished novel The Buccaneers. The story is about four eligible and wealthy young American girls who go to England to marry into the aristocracy. If I had known these women were called buccaneers perhaps I would have figured out the title earlier. But as it was, all I knew is I wanted to be one, despite not being the daughter of a robber barren. I could become British through an advantageous marriage! And yes, this dream is still with me.

My obsession with these young buccaneers is what enthralled me with Tasha's The Adventuress. I was getting to read a murder mystery with a buccaneer at the center, Amity Wells! Dream come true! Like Emily, there was something I instantly disliked about Amity, but at the same time I was drawn to her. The little chapters spaced between Emily's narrative showed a different side to Amity. Could Emily be an unreliable narrator in this instance? Could Amity really want to befriend Emily? Amity being so "American" as the Victorian Brits would put it left an interesting impression in my mind. She's very layered, making her a far more worthy adversary for Emily than some of her past cases gave her. This is a girl who has a secret, yet at the same time her desire for freedom and to get out from under her parents makes her almost reckless in the way she's willing to morph herself into Jeremy's perfect mate. This made me think of her as a kind of Victorian mean girl. She's outside the pack, but also setting the rules. It's an interesting dichotomy. I couldn't help thinking of her as Emma Roberts from American Horror Story or Scream Queens. She comes into any situation and can be either the ringleader or the victim depending on how she decides to play it. But underneath there's iron. She's getting her way and just playing her part to get it.

Though Amity's most interesting purpose within the story is not how she affects Emily as a person with all her Americanness, but how just her presence will forever change Emily's relationship with Jeremy. Even if Emily doesn't believe for an instant that Jeremy is hopelessly in love with her and is convinced he's using it as an excuse to avoid marriage, losing his constant attention and devotion that she is constantly plied with is a blow. She views that she is losing the Jeremy that she's always known. He's not flirting with her, he's not as attentive, he's not pissing off Colin with comments about how he and Em would make the perfect couple. In other words, his attentions are firmly on his fiance and Emily has to come to the cold hard conclusion that this annoys her. She liked being the center of Jeremy's world. She liked all the attention she was getting. Whenever she was feeling down Jeremy could boost her ego with a few remarks. And throughout the story she views this change as a negative. The fact is that Jeremy has grown up and Emily hasn't. You can see the lie clearly when Emily tells Amity that Emily's relationship with Jeremy will be in flux until it settles into the new pattern of them both being married. We've followed Emily on all her adventures and her behavior to Jeremy has never changed. Luckily for Em things turn out all right for her in the end.

But this change in Emily and Jeremy's relationship brings to the fore one very important question. Does Jeremy really love Emily? Yes, he obviously loves her as his closest and dearest friend as she does him, but could Emily be so blind that she's never realized that Jeremy is indeed in love with her? I think she is. What's more, I think Colin knows and is a bit exasperated that Emily, his astute wife who is able to see murder where everyone else sees suicide, can not see behind the flirtatious ways of Jeremy to see his real feelings are a deep and abiding love. I don't just have my observations that I've coupled with Colin's, oh no, for the first time in Amity's storyline we see how Jeremy felt about an incident that happened in A Fatal Waltz: "That kiss. That kiss. Could it be that, at last, he had found someone who could make him forget another kiss, on a cold day in Vienna? A kiss that ought never have happened, but that still consumed him, even after all these years?" He was CONSUMED by his kiss with Emily! CONSUMED! If he hadn't loved her before he obviously has been in love since that day and it makes me pity Jeremy and just want the best for him. To have a love that is never to be? He deserves some happiness. He deserves someone who loves him like Emily loves Colin. Oh, how my heart breaks for him.

And because I don't feel like ending this review on a sad "Poor Jeremy" note I'll end it on the Roman Feast that Amity was planning for the excursion to Nice and the visit to the ruins at Cimiez. Everyone was throwing themselves into this feast that would let them live in the decadent style of a Roman if just for a night. Well, everyone except Colin, who would not be caught dead in a toga, and Emily, who prefers Greece to Rome. There's a part of me that awhile back would have been all for it. I didn't know anything about Roman feasts, except vomitoriums, because obviously growing up kids remember the disgusting stuff. Within the story they mainly talk about the clothes and that eating is done while reclining, something I can never believe is good for the digestion. But I know OH so much more all thanks to Sue Perkins, Giles Coren, and their show, which used to be available on Hulu, The Supersizers. The Supersizers "went" to different time periods and "ate" different decades, and the weird title shift is what happened between season one and two. For the finale of season two they "ate" Ancient Rome. I was fully nauseated by the whole episode. Seeing as a feast might start with such "tasty" dishes as brain and rose petal patina I'm saying right now, you are NEVER getting me to EVER participate in any kind of authentic Roman Feast. You can see why Emily wants to stick to Greek foods!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, American Horror Story, Ancient Rome, Duke of Bainbridge, Edith Wharton, Emma Roberts, France, Love, Pauly Shore, Rome, Son in Law, Tasha Alexander, The Adventuress, The Buccaneers

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, British Country House, Colin Hargreaves, Competition, Historical Fiction, Klimpt, Lady Emily, Love Triangle, Murder, Realness, Sacher Tortes, Sisi, Strauss, Tasha Alexander, Vienna

The Adventuress by Tasha Alexander
Published by: Minotaur Books
Publication Date: October 13th, 2015
Format: Hardcover, 304 Pages
Rating: ★★★★★
To Buy

Jeremy, the Duke of Bainbridge, has dedicated his life to achieving the title of the most useless man in England. He wants to live a life of semi-debauchery and avoid all the society mothers trying to snare him for their daughters. He knows he will have to wed eventually, his younger brother Jack would never forgive him if he inherited the Dukedom due to Jeremy's licentious lifestyle. But Jeremy claims his dear friend Lady Emily holds his heart, and since she is happily married, his finding connubial bliss is never going to happen. Emily sees his infatuation as nothing more than hyperbole and is proven right when Jeremy falls victim to the wiles of an American buccaneer. Amity Wells is the dream woman, she might even be more debauched than Jeremy! She knows what he needs even before he does. So what if she's a little loud, a little beyond the pale, she's the girl for Jeremy. A girl who Emily realizes she will never be friends with within minutes of meeting her. Yet Jeremy is Emily's oldest and dearest friend and for him she will make an effort. She will stick her courage to the sticking place and celebrate his engagement in the extravagant manner to which Amity is accustomed.

Amity plans a grandiose engagement party on the French Riviera with her parents footing the bill. There are excursions everyday, on land and on sea, nightly walks along La Croisette, delicious dinners, and sumptuous breakfasts. Amity even prides herself on organizing a lads night for Jeremy and his friends at the local casino where there will be dancers direct from Paris. Though that particular festivity ends differently than anyone expected, with Jeremy's friend, Chauncey Neville, dead in Jeremy's suite of an apparent suicide. Emily isn't convinced this dear, sweet man would have ended his life in such a fashion. Yet Emily's husband Colin tells her that with suicide it's not like their murder investigations, they aren't neatly wrapped up, there will always be questions which they will never know the answers to. Emily isn't sure. Even if Colin doesn't want to investigate she feels it necessary to start a discreet investigation. This will at least distract her for the forced joviality of those remaining after Mr. Neville's funeral and Amity's brother Augustus who puts her on edge. But soon weird things start to happen to discredit Emily. Could she be getting close to a truth someone wants hidden? Or does Amity just want her out of the way?

Years and years ago I became obsessed with this miniseries I kept stumbling upon on one of the higher cable channels in the middle of the night. I had no idea what it was called because I would always find it after the opening credits and would usually fall asleep before the end credits rolled. Remember, this was the nineties. Not everyone had computers they could access and find the answers they sought in an instant. As for my trusty TV Guide, well... it didn't list the higher channels in some sick game it liked to play with me where it loved to leave me in ignorance. And yes, I fully believe it was sentient and thought this was funny. Therefore I spent years in ignorance clutching to the few facts I knew. The miniseries starred Carla Gugino, the star of the Thanksgiving Pauly Shore classic Son in Law, and that the house from the Brideshead Revisited miniseries was in it. It turns out I was watching the 1995 adaptation of Edith Wharton's unfinished novel The Buccaneers. The story is about four eligible and wealthy young American girls who go to England to marry into the aristocracy. If I had known these women were called buccaneers perhaps I would have figured out the title earlier. But as it was, all I knew is I wanted to be one, despite not being the daughter of a robber barren. I could become British through an advantageous marriage! And yes, this dream is still with me.

My obsession with these young buccaneers is what enthralled me with Tasha's The Adventuress. I was getting to read a murder mystery with a buccaneer at the center, Amity Wells! Dream come true! Like Emily, there was something I instantly disliked about Amity, but at the same time I was drawn to her. The little chapters spaced between Emily's narrative showed a different side to Amity. Could Emily be an unreliable narrator in this instance? Could Amity really want to befriend Emily? Amity being so "American" as the Victorian Brits would put it left an interesting impression in my mind. She's very layered, making her a far more worthy adversary for Emily than some of her past cases gave her. This is a girl who has a secret, yet at the same time her desire for freedom and to get out from under her parents makes her almost reckless in the way she's willing to morph herself into Jeremy's perfect mate. This made me think of her as a kind of Victorian mean girl. She's outside the pack, but also setting the rules. It's an interesting dichotomy. I couldn't help thinking of her as Emma Roberts from American Horror Story or Scream Queens. She comes into any situation and can be either the ringleader or the victim depending on how she decides to play it. But underneath there's iron. She's getting her way and just playing her part to get it.

Though Amity's most interesting purpose within the story is not how she affects Emily as a person with all her Americanness, but how just her presence will forever change Emily's relationship with Jeremy. Even if Emily doesn't believe for an instant that Jeremy is hopelessly in love with her and is convinced he's using it as an excuse to avoid marriage, losing his constant attention and devotion that she is constantly plied with is a blow. She views that she is losing the Jeremy that she's always known. He's not flirting with her, he's not as attentive, he's not pissing off Colin with comments about how he and Em would make the perfect couple. In other words, his attentions are firmly on his fiance and Emily has to come to the cold hard conclusion that this annoys her. She liked being the center of Jeremy's world. She liked all the attention she was getting. Whenever she was feeling down Jeremy could boost her ego with a few remarks. And throughout the story she views this change as a negative. The fact is that Jeremy has grown up and Emily hasn't. You can see the lie clearly when Emily tells Amity that Emily's relationship with Jeremy will be in flux until it settles into the new pattern of them both being married. We've followed Emily on all her adventures and her behavior to Jeremy has never changed. Luckily for Em things turn out all right for her in the end.

But this change in Emily and Jeremy's relationship brings to the fore one very important question. Does Jeremy really love Emily? Yes, he obviously loves her as his closest and dearest friend as she does him, but could Emily be so blind that she's never realized that Jeremy is indeed in love with her? I think she is. What's more, I think Colin knows and is a bit exasperated that Emily, his astute wife who is able to see murder where everyone else sees suicide, can not see behind the flirtatious ways of Jeremy to see his real feelings are a deep and abiding love. I don't just have my observations that I've coupled with Colin's, oh no, for the first time in Amity's storyline we see how Jeremy felt about an incident that happened in A Fatal Waltz: "That kiss. That kiss. Could it be that, at last, he had found someone who could make him forget another kiss, on a cold day in Vienna? A kiss that ought never have happened, but that still consumed him, even after all these years?" He was CONSUMED by his kiss with Emily! CONSUMED! If he hadn't loved her before he obviously has been in love since that day and it makes me pity Jeremy and just want the best for him. To have a love that is never to be? He deserves some happiness. He deserves someone who loves him like Emily loves Colin. Oh, how my heart breaks for him.

And because I don't feel like ending this review on a sad "Poor Jeremy" note I'll end it on the Roman Feast that Amity was planning for the excursion to Nice and the visit to the ruins at Cimiez. Everyone was throwing themselves into this feast that would let them live in the decadent style of a Roman if just for a night. Well, everyone except Colin, who would not be caught dead in a toga, and Emily, who prefers Greece to Rome. There's a part of me that awhile back would have been all for it. I didn't know anything about Roman feasts, except vomitoriums, because obviously growing up kids remember the disgusting stuff. Within the story they mainly talk about the clothes and that eating is done while reclining, something I can never believe is good for the digestion. But I know OH so much more all thanks to Sue Perkins, Giles Coren, and their show, which used to be available on Hulu, The Supersizers. The Supersizers "went" to different time periods and "ate" different decades, and the weird title shift is what happened between season one and two. For the finale of season two they "ate" Ancient Rome. I was fully nauseated by the whole episode. Seeing as a feast might start with such "tasty" dishes as brain and rose petal patina I'm saying right now, you are NEVER getting me to EVER participate in any kind of authentic Roman Feast. You can see why Emily wants to stick to Greek foods!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, American Horror Story, Ancient Rome, Duke of Bainbridge, Edith Wharton, Emma Roberts, France, Love, Pauly Shore, Rome, Son in Law, Tasha Alexander, The Adventuress, The Buccaneers

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, British Country House, Colin Hargreaves, Competition, Historical Fiction, Klimpt, Lady Emily, Love Triangle, Murder, Realness, Sacher Tortes, Sisi, Strauss, Tasha Alexander, Vienna