strange and random happenstance

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, British Country House, Colin Hargreaves, Competition, Historical Fiction, Klimpt, Lady Emily, Love Triangle, Murder, Realness, Sacher Tortes, Sisi, Strauss, Tasha Alexander, Vienna

A Fatal Waltz by Tasha Alexander
Published by: William Morrow Paperbacks
Publication Date: May 20th, 2008
Format: Paperback, 304 Pages
Rating: ★★★★★
To Buy

Not every country house party ends in murder, but this one will. Oh, if only Emily had had the sense to stay home. But no, she agreed to come to the home of a man she detests in order to support her dear friend Ivy. Ivy's husband Robert needs the political support of their odious host, Lord Fortescue, if he's going to make it in government. The only bright spot in the whole endeavor is that Emily gets to spend the weekend with Colin Hargreaves, her fiancé. But that bright spot is soon eclipsed by the Austrian Countess Kristiana von Lange. Kristiana makes it very clear that she and Colin have a past, possibly a present, and maybe a future, and there's nothing that Emily can do about it. This leaves Emily impotent with rage as Kristiana insinuates herself into the political talks among the men after dinner while Emily, trying to keep Ivy's best interests in mind, demurs and retires with the women, much to Lord Fortescue's approbation. In fact leaving the dinner table is the only thing Emily has done right in the eyes of their host. Emily's hackles are raised and another guest, Mr. Harrison, conveniently has a plan to get back at Lord Fortescue.

If Emily hadn't been so turned around by Kristiana, maybe she would have realized that Mr. Harrison didn't have her best interests at heart and maybe Emily could have seen there was a murderer among them. Instead their host is shot dead and dear Ivy's husband Robert is arrested for the murder. Once back in London Emily tries to piece together the information she has at hand with rumors and suppositions. Robert even gives her a few clues and everything points to a nefarious plot in Vienna. Emily can't exonerate Robert from London, so she packs up her bags, grabs her trusty sidekicks, Jeremy, Cecile, and Cecile's odious dogs, and heads to the town of her romantic rival. Little does she know that she is being followed by Mr. Harrison and her beloved Colin. And though she loathes to do it, she approaches Kristiana for help, which is denied. Kristiana will only help if Emily will forfeit all claims to Colin, something Emily knows, deep in her heart, she could never do. As the danger mounts and Emily makes alliances with the oddest assortment of artists and villains, she worries that she will be unable to save Robert, herself, or Colin. Could this be the end of all of them?

There's a realness to this installment that deepens your connection to Emily and her world. Up until this point it's not that her world was shallow, but that the stories dealt with situations that weren't too far removed from the world Emily inhabited. She was investigating her own little sphere of the world and crimes that were closely adjacent to it, maids that might be murderers. We've seen the strictures and the societal surface one must maintain, but at the same time it felt more in the realm of romanticized historical fiction with the denouement tied up nicely with a bow. Yet Victorian times weren't all fluff, there were real concerns, real problems, and here we are digging deeper into those issues and forging a stronger connection to Emily as Emily herself forms a stronger connection to the world around her. The first time this struck me was when Lord Fortescue has the hundreds and hundreds of birds from their shoot laid out for display during lunch. This excess, this cruelty to animals, this is the real world the landed gentry inhabited and exploited. House parties weren't wonderful social gatherings, they were sanctioned murder, even if your host didn't bite the big own.

Then there's the death fog Emily remembers engulfing London when she was a child. The poverty, the anarchists, every little thing makes Emily's world more real. Her world is grounded in truth, in a world we can see every night when we turn on the news. She is no longer sheltered, she is becoming an educated woman who we can relate to more than even before when she was just a pampered princess destined to marry royalty, if her mother had had a say in it. As Tasha writes in her afterward, this introduction of the horrors of the world is being done purposefully to make Emily a socially conscious being. And in becoming socially conscious Emily herself is becoming more real to us. Sure, we all occasionally dream of the life Emily had, being blissfully ignorant and free to flounce around the house being indulgent, but a fantasy can not last in the long run. Lady Emily's adventures would have no long term sustainability. There's only so many wrongfully accused kitchen maids a series can contain, and by expanding Emily as a person you expand her horizons. Therefore a series that could have petered out a few volumes in is releasing it's thirteenth volume this fall.

All this realness means that there is real danger and real consequences. Yes, we've had death and danger before, but Emily treated it breezily, it was there but it would be overcome and there would be no consequences except for the guilty. Here the danger is palpable. The threat of Mr. Harrison and his bullet calling cards, while yes, a little like something a Bond villain would do, upsets Emily's world of luxurious hotels and Sacher Tortes. Having to make alliances with anarchists who are dangerous themselves and are scared of Mr. Harrison gives you an idea as to this man's villainy. And while I knew there were more books in the series, I couldn't help but be drawn in and think, as Colin and Emily were, that they might not survive. This question being raised makes Emily and us realize the true dangers of Colin's job. He has faced this kind of situation again and again. In fact Kristiana hints that that is why she never left her husband for Colin, because the distraction of a wife could endanger him. Which makes Emily wonder, is Colin in her life worth the constant risk of losing him? Can she live like this? Real danger means you might not want to have to face the answers to real questions.

But for the longest time Emily views Kristiana as a far bigger danger to her and Colin's happiness than the looming specter of death. While I could groan at the introduction of a love triangle, this one never falls into the typical tropes. There was something fun about Emily having competition for Colin. You knew, deep in your heart, that Colin could never stray. At least not now that he's met Emily. But that doesn't discount the importance of this woman in his past or her powers over him in the present. Every chance she got Kristiana was pulling on Emily's strings and getting just the rise out of her she wanted. Historical Fiction with a romantic bent seems to always marry off their couples in too rapid a fashion and then have a happily ever after that only occasionally sees bumps of the romantic kind. That's why I love that Tasha hasn't married off Colin and Emily just yet. There's more believability that Kristiana is a threat. There's a playfulness in this what-if scenario. Competition can bring out the best in people, but not with Emily in this instance. It brings out all her bad qualities, and again, it makes her more real, more relatable. That Lady Emily Ashton could get her hackles up over her true love? Just shows it can happen to any of us.

Though for all it's realness, the most important aspect of A Fatal Waltz to me is it's most memorable character, the city of Vienna itself! I've never been and oddly enough have never really given much thought to this city that was literally the center of an artistic and cultural revolution, but now I want to pack my bags and go. Right. Now. Of course I'd prefer to go in winter with the snow falling in beautiful drifts as Emily enjoyed it, but as long as I can go to all the cafes and walk all the streets I think I could find true enjoyment. But alas, I don't know if such famous personages would be peopling the cafes. So could I literally get a time machine and go when Emily went? To see Klimt paint and dance to a Strauss waltz actually conducted by Strauss! To visit Sisi, the Empress Elisabeth of Austria, though I have a feeling I'd need to take Cecile with me to get that invite. Even if I didn't know how well traveled Tasha is, you can tell in reading the book that Tasha has been there, she's walked in Emily's steps before she even put pen to paper. This just makes the city so real that as I said earlier, it's a character onto itself! It's not just buildings, but memorable people and a feeling, something that makes you want to go back there even if you've never been because somehow Tasha has made this city an old friend.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Fatal Waltz, Alexander Autumn, British Country House, Colin Hargreaves, Competition, Historical Fiction, Klimpt, Lady Emily, Love Triangle, Murder, Realness, Sacher Tortes, Sisi, Strauss, Tasha Alexander, Vienna

Fire Touched by Patricia Briggs
Published by: Ace
Publication Date: March 8th, 2016
Format: Hardcover, 352 Pages
To Buy

The official patter:
"Mercy Thompson has been hailed as “a heroine who continues to grow and yet always remains true to herself.”* Now she’s back, and she’ll soon discover that when the fae stalk the human world, it’s the children who suffer...

Tensions between the fae and humans are coming to a head. And when coyote shapeshifter Mercy and her Alpha werewolf mate, Adam, are called upon to stop a rampaging troll, they find themselves with something that could be used to make the fae back down and forestall out-and-out war: a human child stolen long ago by the fae.

Defying the most powerful werewolf in the country, the humans, and the fae, Mercy, Adam, and their pack choose to protect the boy no matter what the cost. But who will protect them from a boy who is fire touched?"

The highlight of every year, a new Patricia Briggs book! 

Lady Midnight by Cassandra Clare
Published by: Margaret K. McElderry Books
Publication Date: March 8th, 2016
Format: Hardcover, 720 Pages
To Buy

The official patter:
"The Shadowhunters of Los Angeles star in the first novel in Cassandra Clare’s newest series, The Dark Artifices, a sequel to the internationally bestselling Mortal Instruments series. Lady Midnight is a Shadowhunters novel.

It’s been five years since the events of City of Heavenly Fire that brought the Shadowhunters to the brink of oblivion. Emma Carstairs is no longer a child in mourning, but a young woman bent on discovering what killed her parents and avenging her losses.

Together with her parabatai Julian Blackthorn, Emma must learn to trust her head and her heart as she investigates a demonic plot that stretches across Los Angeles, from the Sunset Strip to the enchanted sea that pounds the beaches of Santa Monica. If only her heart didn’t lead her in treacherous directions…

Making things even more complicated, Julian’s brother Mark—who was captured by the faeries five years ago—has been returned as a bargaining chip. The faeries are desperate to find out who is murdering their kind—and they need the Shadowhunters’ help to do it. But time works differently in faerie, so Mark has barely aged and doesn’t recognize his family. Can he ever truly return to them? Will the faeries really allow it?

Glitz, glamours, and Shadowhunters abound in this heartrending opening to Cassandra Clare’s Dark Artifices series."

I almost want to read this to see what season of Buffy she's ripping off now. Almost.

The Perfectly Proper Paranormal Museum by Kirsten Weiss
Published by: Midnight Ink
Publication Date: March 8th, 2016
Format: Paperback, 288 Pages
To Buy

The official patter:
"When Maddie Kosloski's career flatlines, she retreats to her wine-country hometown for solace and cheap rent. Railroaded into managing the local paranormal museum, she's certain the rumors of its haunting are greatly exaggerated. But a new ghost may be on the loose. A fresh corpse in the museum embroils Maddie in murders past and present.

With her high school bully as one of the officers in charge, Maddie doubts justice will be served. When one of her best friends is arrested, she's certain it won't be.

Maddie grapples with ghost hunters, obsessed taxidermists, and the sexy motorcyclist next door as outside forces threaten. And as she juggles spectral shenanigans with the hunt for a killer, she discovers there truly is no place like home."

Paranormal cozy heading your way!

Forest of Memory by Mary Robinette Kowal
Published by: Tor.com
Publication Date: March 8th, 2016
Format: Paperback, 96 Pages
To Buy

The official patter:
"Katya deals in Authenticities and Captures, trading on nostalgia for a past long gone. Her clients are rich and they demand items and experiences with only the finest verifiable provenance. Other people’s lives have value, after all.

But when her A.I. suddenly stops whispering in her ear she finds herself cut off from the grid and loses communication with the rest of the world.

The man who stepped out of the trees while hunting deer cut her off from the cloud, took her A.I. and made her his unwilling guest.

There are no Authenticities or Captures to prove Katya’s story of what happened in the forest. You’ll just have to believe her."

Some new Mary Robinette Kowal to tide me over till her new book comes out this summer? Yes please!

Sisi by Allison Pataki
Published by: The Dial Press
Publication Date: March 8th, 2016
Format: Hardcover, 464 Pages
To Buy

The official patter:
"For readers of Philippa Gregory, Paula McLain, and Daisy Goodwin comes a sweeping and powerful novel by New York Times bestselling author Allison Pataki. Sisi tells the little-known story of Empress Elisabeth of Austria-Hungary, the Princess Diana of her time, in an enthralling work of historical fiction that is also a gripping page-turner.

Married to Emperor Franz Joseph, Elisabeth—fondly known as Sisi—captures the hearts of her people as their “fairy queen,” but beneath that dazzling persona lives a far more complex figure. In mid-nineteenth-century Vienna, the halls of the Hofburg Palace buzz not only with imperial waltzes and champagne but with temptations, rivals, and cutthroat intrigue. Feeling stifled by strict protocols and a turbulent marriage, Sisi grows restless. A free-spirited wanderer, she finds solace at her estate outside Budapest. There she rides her beloved horses and enjoys visits from the Hungarian statesman Count Andrássy, the man with whom she’s unwittingly fallen in love. But tragic news brings Sisi out of her fragile seclusion, forcing her to return to her capital and a world of gossip, envy, and sorrow where a dangerous fate lurks in the shadows.

Through love affairs and loss, dedication and defiance, Sisi struggles against conflicting desires: to keep her family together, or to flee amid the collapse of her suffocating marriage and the gathering tumult of the First World War. In an age of crumbling monarchies, Sisi fights to assert her right to the throne beside her husband, to win the love of her people and the world, and to save an empire. But in the end, can she save herself?

Featuring larger-than-life historic figures such as Bavaria’s “Mad King Ludwig” and the tragic Crown Prince Rudolf, and set against many of Europe’s grandest sites—from Germany’s storied Neuschwanstein Castle to England’s lush shires—Sisi brings to life an extraordinary woman and the romantic, volatile era over which she presided."

If you don't know who Sisi is, why are we even talking? Get thee to a bookstore!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Allison Pataki, Buffy, Cassandra Clare, Cozy, Fire Touched, Forests of Memory, Kirsten Weiss, Lady Midnight, Mary Robinette Kowal, Mercy Thompson, Patricia Briggs, Sisi, The Perfectly Proper Paranormal Museum

The Fortune Hunter by Daisy Goodwin
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: July 29th, 2014
Format: Hardcover, 480 Pages
Rating: ★★★
To Buy

Charlotte Baird is a bit of an odd duck, even for an heiress. She would rather spend her time taking photographs and manipulating them then hunting for a suitable husband. That all changes when she meets Bay Middleton. This suave horseman sweeps her off her feet and steals her heart. But her brother and prospective sister-in-law are adamant to show her that Bay is an entirely unsuitable match. Charlotte could marry a Duke and to settle for the best seat in the county? It seems such a waste. Though Fred and Augusta's disapproval might not be so altruistic as to save Charlotte from a fortune hunter as it is to keep the wealth at their own disposal. For Bay's part he genuinely loves Charlotte but he is torn. He has been asked to pilot Sisi, the Empress of Austria, for the hunting season, and there's a connection between him and this royal that can not be denied. Yet, in order to win Charlotte, he must indeed deny Sisi.

I was never the girl who wanted a pony. Girls of a certain age split distinctly along the equine obsession line. Me, I wasn't a horse girl. Oh, I had plenty of friends in grade school who were obsessed and spent every day at school talking about the weekend when they'd get to ride their ponies. Not me. I can literally count the number of times I have been on a horse on one hand. One delicate fragile hand that I was convinced a horse would love to bite the fingers off of. See, while I wasn't a horse girl, my grandparents did live in the country so I got to visit their neighbor's horse Dr. Pepper all the time and feed him grass and tremble with fear as his teeth chomped down on the stalks in that death clamp. I know he would never have hurt me, but that experience combined with my inane classmates practically guaranteed that I would never want a pony; a state I'm sure my mom was happy with having grown up in the country with seriously horse obsessed girls.

The reason for me mentioning this predilection of mine is that The Fortune Hunter, while ostensibly about romance and intrigue, comes down to horses in the end. Bay and his horse Tipsy, the Grand National, the hunting, Sisi and her riding ability, all of this adds up to a fair amount of horse for one book. Yet, despite not being a horse person, I did not lose interest. Daisy makes the subject of horses approachable and not alienating. They weren't just there to be another facet of our characters, they were a driving force of these characters.

Unlike my insipid classmates going on about their pretty ponies, Daisy has crafted this story so that when Tipsy is mentioned you don't tune out. She doesn't dwell on irrelevant details and what a pretty mane Tipsy has, instead Tipsy is elevated to a character just as important as Queen Victoria or Charlotte herself. I became invested in the horsier aspects of the story because the horses were integral to the story in a way that made sense. Daisy's writing made you feel that she knows what she's talking about but writes in such a way as to keep you interested, and for a subject I'm not invested in usually, I was drawn into this book.

The reason I liked Daisy's previous book, The American Heiress, is that not everything was wrapped up tidily with a bow in the end. Life isn't simple or easy, but complicated and messy, and sometimes I crave that reality in a book. Sometimes books can be a little too far fetched and focusing on the HEA, but how often does that happen to us? Yet in the case of The Fortune Hunter I found this looser ending not as satisfying. The main reason for this is the timeline brought about by the historical note at the end of the book. In The Fortune Hunter, Bay and Sisi's relationship is shown to flame and burn out over the course of one hunting season.

While I knowing conflating events is common to help the narrative, the fact that their relationship, whatever it actually was in real life, actually lasted for five years makes the season of passion ring false. Yes, Charlotte and Bay didn't marry until he had severed ties from Sisi, but this was a long five years later. I'm sorry, I just can't get beyond this five years. Five years means a lot more then what we saw and changes so much that the interpretation of events that Daisy has written would be drastically altered by the true timeline. While I enjoyed the story I would have liked it to maybe reflect reality a little closer, or at least left me ignorant of the truth unless I had searched it out... which, in fairness to my own predilections, I would have and we'd be having this same discussion. So, I guess we're stuck in a loop.

The photography interest Daisy "gave" to Charlotte is an aspect of the story I greatly enjoyed. Not only was this able to advance the plot and also show Charlotte the "truth" that she was blinding herself from, but it's logical historically, unlike those five years, grumble. During the Victorian era there were so few hobbies that were viewed as permissible to ladies of quality. Photography was one of these, though a little on the outer edges, mainly because of the damage it could do to your skin with the developing of the prints. But what I found most interesting wasn't so much Charlotte's photography, but her manipulation of the images, viewing people as animals.

While to some this might seem macabre, the truth is the most common and acceptable hobby for Victorian women was photocollage. I few years back I went to an exhibit at The Art Institute of Chicago called "Playing with Pictures: The Art of Victorian Photocollage." This show was of Victorian women's photo albums wherein they painted ducks and had photographs of their family member's heads on the bodies. Butterflies with cameos on the wings. The weirder the more likely they'd do it. Work that is so reminiscent of what Charlotte did that it struck a cord so true that Charlotte and I understood each other, which is the greatest thing a character in a book can do; connect with you.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bay Middleton, Daisy Goodwin, Empress of Austria, Happily Ever After, Historical Fiction, Horses, Photocollage, Photography, Sisi, The American Heiress, The Art Institute of Chicago, The Fortune Hunter, Victorian