Showing posts with label Natasha Solomons. Show all posts
Showing posts with label Natasha Solomons. Show all posts

Monday, October 22, 2018

Tuesday Tomorrow

The Light Between Worlds by Laura E. Weymouth
Published by: HarperTeen
Publication Date: October 23rd, 2018
Format: Hardcover, 368 Pages
To Buy

The official patter:
"What happens when you return to the real world after being in a fantastical one like Narnia? This YA debut by Laura E. Weymouth is perfect for fans of Melissa Albert’s The Hazel Wood and Lev Grossman’s The Magicians.

Six years ago, sisters Evelyn and Philippa Hapwell were swept away to a strange and beautiful kingdom called the Woodlands, where they lived for years. But ever since they returned to their lives in post-WWII England, they have struggled to adjust.

Ev desperately wants to return to the Woodlands, and Philippa just wants to move on. When Ev goes missing, Philippa must confront the depth of her sister’s despair and the painful truths they’ve been running from. As the weeks unfold, Philippa wonders if Ev truly did find a way home, or if the weight of their worlds pulled her under.

Walking the line between where fantasy and reality meet, this lyrical and magical novel is, above all else, an exploration of loss and healing, and what it means to find where you belong."

I'm a fan of The Magicians!

West by Edith Pattou
Published by: HMH Books for Young Readers
Publication Date: October 23rd, 2018
Format: Hardcover, 528 Pages
To Buy

The official patter:
"In the sequel to the beloved high fantasy East, Rose sets off on a perilous journey to find her true love when he goes missing in a thrilling tale of danger, magic, adventure, and revenge.

When Rose first met Charles, he was trapped in the form of a white bear. To rescue him, Rose traveled to the land that lay east of the sun and west of the moon to defeat the evil Troll Queen. Now Rose has found her happily-ever-after with Charles—until a sudden storm destroys his ship and he is presumed dead. But Rose doesn’t believe the shipwreck was an act of nature, nor does she believe Charles is truly dead. Something much more sinister is at work. With mysterious and unstoppable forces threatening the lives of the people she loves, Rose must once again set off on a perilous journey. And this time, the fate of the entire world is at stake."

There's a sequel to East!?!

The Case of the Hidden Daemon by Lucy Banks
Published by: Amberjack Publishing
Publication Date: October 23rd, 2018
Format: Paperback, 352 Pages
To Buy

The official patter:
"Still recovering from the case of a serial killer spirit in Lyme-Regis, Dr Ribero’s agency is soon confronted with an even greater threat: a reckless cult conspiring with an ancient and powerful Daemon to open a permanent spirit door so that spirits have unfettered access to the human realm. Having just witnessed the lethal consequences uncontrolled spirits can have on the unsuspecting, the agency joins forces with several others to prevent the cult from unleashing chaos and ending the world’s fragile protection from dangerous spirits."

October Gothic goodness!

House of Gold by Natasha Solomons
Published by: G.P. Putnam's Sons
Publication Date: October 23rd, 2018
Format: Hardcover, 448 Pages
To Buy

The official patter:
"From the New York Times bestselling author of The House at Tyneford, an epic family saga about a headstrong Austrian heiress who will be forced to choose between the family she's made and the family that made her at the outbreak of World War I.

Vienna, 1911. Greta Goldbaum has always dreamed of being free to choose her own life's path, but the Goldbaum family, one of the wealthiest in the world, has different expectations. United across Europe, Goldbaum men are bankers, while Goldbaum women marry Goldbaum men to produce Goldbaum children. Jewish and perpetual outsiders, they know that though power lies in wealth, strength lies in family.

So Greta moves to England to wed Albert, a distant cousin. Defiant and lonely, she longs for connection and a place to call her own. When Albert's mother gives Greta a garden, things begin to change. Perhaps she and Albert will find a way to each other.

But just as she begins to taste an unexpected happiness, war is looming and even the influential Goldaums can't alter its course. For the first time in two hundred years, the family will find themselves on opposing sides and Greta will have to choose: the family she's created or the one she was forced to leave behind.

A sweeping family saga from a beloved and New York Times bestselling author, House of Gold is Natasha Solomons's most dazzling and moving novel yet."

The House at Tyneford was a book that has really stuck with me over the years, so I'm very excited to read Natasha's Solomons's newest work.

Go to My Grave by Catriona McPherson
Published by: Minotaur Books
Publication Date: October 23rd, 2018
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Donna Weaver has put everything she has into restoring The Breakers, an old bed and breakfast on a remote stretch of beach in Galloway. Now it sits waiting―freshly painted, richly furnished, filled with flowers―for the first guests to arrive.

But Donna's guests, a contentious group of estranged cousins, soon realize that they’ve been here before, years ago. Decades have passed, but that night still haunts them: a sixteenth birthday party that started with peach schnapps and ended with a girl walking into the sea.

Each of them had made a vow of silence: “lock it in a box, stitch my lips, and go to my grave.”

But now someone has broken the pact. Amid the home-baked scones and lavish rooms, someone is playing games, locking boxes, stitching lips. And before the weekend is over, at least one of them will go to their grave."

A new Catriona McPherson book means a new book for my bookshelf.

The Travelling Cat Chronicles by Hiro Arikawa
Published by: Berkley
Publication Date: October 23rd, 2018
Format: Hardcover, 288 Pages
To Buy

The official patter:
"A life-affirming anthem to kindness and self-sacrifice, The Travelling Cat Chronicles shows how the smallest things can provide the greatest joy.

We take journeys to explore exotic new places and to return to the comforts of home, to visit old acquaintances and to make new friends. But the most important journey is the one that shows us how to follow our hearts...

An instant international bestseller, The Travelling Cat Chronicles has charmed readers around the world. With simple yet descriptive prose, this novel gives voice to Nana the cat and his owner, Satoru, as they take to the road on a journey with no other purpose than to visit three of Satoru's longtime friends. Or so Nana is led to believe...

With his crooked tail--a sign of good fortune--and adventurous spirit, Nana is the perfect companion for the man who took him in as a stray. And as they travel in a silver van across Japan, with its ever-changing scenery and seasons, they will learn the true meaning of courage and gratitude, of loyalty and love."

I've been in need of some new cat literature since Chi's Sweet Home came to an end.

Banana Sunday by Paul Tobin and Colleen Coover
Published by: Oni Press
Publication Date: October 23rd, 2018
Format: Paperback, 112 Pages
To Buy

The official patter:
"Banana Sunday, the classic story by Eisner Award-winning Bandette co-creators Paul Tobin and Colleen Coover, is now presented in full color, with a brand-new introduction and bonus materials!

Kirby Steinberg is having a bit of trouble fitting into her new school. Sure, there's the usual problems associated with being from "somewhere else," but this time the new kid also happens to be the guardian for three talking primates. Chuck, the professorial orangutan. Knobby, the love-stricken spider monkey. Go-Go, the befuddled golden gorilla. These primates have learned to speak, thanks to the scientific processes of Kirby's father. Or have they? What's their real story? That's what Nickels—Kirby's new best friend and unfortunately dedicated school reporter—would like to discover. Can Kirby find time to develop a relationship with Martin, the dashing nerd? Steer clear of Skye, the high school's #1 pillar of arrogance? Keep Knobby, Chuck and Go-Go from causing untold catastrophes? And, above all, will Kirby be able to hide the real origin of these three simians from Nickels? Oh, probably not."

I ADORE Paul Tobin and Colleen Coover's Bandette, and until there's another collection I am pleased to say I have Banana Sunday!

Super Chill by Adam Ellis
Published by: Andrews McMeel Publishing
Publication Date: October 23rd, 2018
Format: Paperback, 120 Pages
To Buy

The official patter:
"From former Buzzfeed illustrator Adam Ellis comes a collection of autobiographical comics that follows a year in the artist s life.

Adam’s comics deal with weightier topics like seasonal affective disorder and struggles with self-esteem, while also touching on the silly and absurd like his brief, but intense obsession with crystals. With a bright, positive outlook and a sense of humor, Super Chill tells a story that is both highly relatable and intensely personal."

After this last year everyone should know Adam Ellis from his Dear David experience on Twitter. He's comics are far less interesting but still worth a look.

Charmed: Magic School by Katy Rex
Published by: Dynamite Entertainment
Publication Date: October 23rd, 2018
Format: Paperback, 104 Pages
To Buy

The official patter:
"Charmed, the supernatural television sensation, returns in an all-new tale of magic and mystery... but this time, the adventures of the Halliwell Sisters are told as manga!

Delia, a young girl with blossoming and uncontrollable supernatural powers, accidentally unleashes her powers in a school. A danger to herself and others, she draws the attention of Phoebe, Piper, and Paige - three witches with experience managing innate abilities! With their help, Delia begins to make a new life for herself... but magic has a way of getting out of control, and it's only a matter of time before this incredibly powerful novice draws the unwanted attention of sinister forces!"

That's right witches! Charmed is back!

Forever Nerdy by Brian Posehn
Published by: Da Capo Press
Publication Date: October 23rd, 2018
Format: Hardcover, 304 Pages
To Buy

The official patter:
"A memoir of growing up and remaining a nerd by beloved comedian, actor, and writer Brian Posehn.

Brian Posehn is a successful and instantly recognizable comedian, actor, and writer. He also happens to be a giant nerd. That's partly because he's been obsessed with such things as Dungeons & Dragons, comic books, and heavy metal since he was a child; the other part is because he fills out every bit of his 6'7'' frame. Brian's always felt awkward and like a perpetual outsider, but he found his way through the difficulties of growing up by escaping into the worlds of Star Wars, D and D, comics, and by rocking his face off. He was a nerd long before it was cool (and that didn't help his situation much), but his passions proved time and again to be the safe haven he needed to persevere and thrive in a world in which he was far from comfortable.

Brian, now balls deep in middle age with a wife, child, and thriving career, still feels like an outsider and is as big a nerd as ever. But that's okay, because in his five decades of nerdom he's discovered that the key to happiness is not growing up. You can be a nerd forever and find success that way because, somehow along the way, the nerds won.

Forever Nerdy is a celebration of growing up nerdy and different. This isn't Brian's life story, just some bizarre and hilarious stories from his life, along with a captivating look back at nearly fifty years of nerd culture. Being a nerd hasn't always been easy, but somehow this self-hating nerd who suffered from depression was able to land his dream job, get the girl, and learn to fit in. Kind of. See how he did it while managing to remain forever nerdy."

Wait, is Brian the only one with true nerd cred on The Big Bang Theory!?! 

Friday, February 19, 2016

Book Review - Natasha Solomons's The House at Tyneford

The House at Tyneford by Natasha Solomons
Published by: Plume
Publication Date: December 27th, 2011
Format: Paperback, 368 Pages
Rating: ★★★
To Buy

Vienna is Elise's home. There all the trappings of the glittering life she leads seem immutable. She will always go to the opera house to hear her mother Anna sing. She will always be jealous of her sister Margot's musical talents that form a special bond between Margot and Anna. She will always take pride in her father Julian, the "strange" writer. Because her life is for always. Until it isn't. Vienna is no longer safe for Jews. Margot's husband has gotten a job in California and they are to leave shortly; Anna and Julian are waiting for visas to go to New York. But Elise poses a problem. The plan is for Anna and Julian to send for her once they get to New York, but they are too scared to leave her behind. Therefore they decide that their best option is for Elise to go into service as a maid in England. There she will be safe until she can join her family in America. She gets a job in Dorset at Tyneford for a Mr. Rivers. The house seems cut off from the rest of the world and so different from the life she left behind.

Elise struggles not just with her tasks but with her English, feeling isolated from all that she held dear. The life she is living isn't what she expected and the other servants don't make her feel welcome. She just doesn't fit. She wasn't raised to be a servant, yet she doesn't quite belong upstairs either. She is living in limbo just hoping to hear from her family. Yet with the arrival of Mr. Rivers's son Kit life becomes easier and more complicated at the same time. Kit helps Elise with her English and his presence makes her work easier to bear. Though it is apparent to everyone that they are falling in love and this upstairs, downstairs romance is problematic to say the least. As the world descends into chaos with the outbreak of World War II the world that they knew will be destroyed. Elise struggles to hold onto this new life she has grown to love all while holding out hope that her family will join her and life can be as it was. Little does Elise know nothing will ever be the same again, even this new life she has come to love.

When writing a book you can't set out to write a classic. Your book attains that status over time, it's not something that you, as the author, have any control over. You just don't and if you can't accept this perhaps you shouldn't be a writer. Moreover, when writing a book it's best to not emulate a classic but to find your own voice. Your book will never be that classic you so want to replicate and I have never believed the old saying that imitation is the sincerest form of flattery. Therefore I had problems connecting with The House at Tyneford. Solomons so wanted her book to be Du Maurier's classic Rebecca that at times you feel as if she is trying to drive the point home with a blunt instrument. The thing about aping Du Maurier is that more than any other author there is no one like her so you should never try. She has an effortless way of describing her surroundings so that the lush and verdant foliage leap off the page. Solomons flowers lay limply in the hot sun. But the number one thing you shouldn't do is call out what you were attempting to do by having your characters go and see the Hitchcock adaptation of Rebecca! Solomons would occasionally find her own footing to fall over the big illuminated arrows showing how she could never be Du Maurier.

The House at Tyneford isn't a book for subtlety. It's not just the Du Maurier debacle, it's that Solomons paints her story with big strokes trying to capture the epicness of her narrative. That her story is a microcosm of what is being played out on the world stage is obvious, she just didn't need to make it so obvious. It was the day to day struggles and the relationships forged between the characters that I was most drawn to, and yet as the narrative progressed this is what she left by the wayside in favor of grand gestures. When all the players leave Tyneford for the last time it's as if Solomons decided to severe all ties with this world and these people we have come to love. We never learn the fate of any of Elise's fellow servants. We don't even get any insight into Elise's life after Tyneford. Because to Solomons this doesn't matter. It would be too finicky and delicate, not bold and brash enough. This is, after all, a book that loves wallow in the Freudian cigar imagery. Yes, sometimes a cigar is just a cigar... but not when Solomons is writing.

But then again, having your entire story be an updating of Cinderella... well, that doesn't take much imagination now does it? Which lead me to start thinking about the Cinderella story. Here it fits more than most, because it isn't a simple rags to riches fable, it's love and comfort to drudgery to rescue. This is exactly the trajectory that Elise's life takes. And while I do love a happily ever after and a restoring of the status quo, when does this trope get played out? When do we say enough with the fairy tales give me something more real. Yes, you could say that this is more real with Elise and her plight, but still, the ending makes it fairy tale airy fairy. The heart of what I'm getting at is is Cinderella played out? I'm sure Kenneth Branagh would probably totally disagree with me because his adaptation last year is the highest grossing film he's ever done. But I really would like something new, some new twist. I would have liked to have heard Solomons voice coming through in this book instead of her trying to emulate other voices.

Despite some of the more cookie cutter aspects of The House at Tyneford, there are interesting concepts that are raised. Most of them aren't necessarily expanded on, but then again, I dwell in books and therefore a passing line can provide hours of thought. I found it interesting when the butler, Mr. Wrexham, said to Elise "you are to be the end of us all." While it's a bit doom and gloom coming from this very upright man I wonder was it so much Elise that he meant or was it what she symbolized. Was Elise a symptom of the end of the country house era or a cause? In other words, with the war creating all these refugees that then sought service in English country houses was it the war that ended this way of life, or was it the people displaced by war who upset the system from the inside? Personally, I think it was the war forever irreparably changing the landscape, but then again, in this instance, being the events at Tyneford, I would say that it was Elise. Yes their life would have change, but not in the same way. Therefore in this place and this time it's Elise.

Now that I've brought up the war in a little more detail I'd like to tackle something that irked me. Throughout the book Solomons does a great job connecting Elise and music, in fact you can't help say her name without thinking of the Beethoven composition. Music to Elise is her family and what they represent. When she leaves Vienna with the viola with Julian's manuscript hidden inside she is given a tangible and musical connection to those she loves. When one thinks of World War II and string instruments one cannot help but think of John Williams's haunting theme for Schindler's List as performed by Itzhak Perlman. At the very end of The House at Tyneford there is a composition written in honor of Elise's family, The Novel in the Viola: Concerto in D Minor for Viola and Orchestra. My problem is here we aren't given the chance to use our imagination. We aren't allowed to picture music and lasting resonance like that written by John Williams. There is an actual score and on Solomons website you can listen to it being preformed. It's not just that it's lackluster, it's that it makes something in the book so finite. Books need to have room for the readers to interpret. To bring their own experiences. To write the music and make it so uninspired takes away from the rest of the story.

The sad fact is I liked this book in spite of itself. Solomons undermines her own writing time and time again and if it wasn't for little things here and there I would write it off as a Du Maurier pastiche. It was the little things that made me like it. My most favorite moment was an aside by Kit when talking about his mother who died when he was four. He said that he no longer remembered her. He knew that he should because he was old enough. He even remembered events that she was a part of only she was no longer there. It was as if she had been cut out of the memories. This touched a nerve with me. There are people I have lost and in particular one wonderful kitty. I worry that I am forgetting, I worry that I am rewriting my own story. He has been gone so long that I can't remember the day to day. The way he felt on my lap. It's like there's this emptiness that he used to fill and he's been so entirely removed that I can't remember him. I can see why Elise writes down her story and places it in the viola. She didn't want to have this happen because she knew that at some point it must. It happened to Kit and she doesn't want it happening to her memories of him. A bittersweet thought. But then this book is filled with the bitter meeting the sweet.

Monday, December 28, 2015

Tuesday Tomorrow

The Song of Hartgrove Hall by Natasha Solomons
Published by: Plume
Publication Date: December 29th, 2015
Format: Paperback, 416 Pages
To Buy

The official patter:
"A captivating novel that evokes the author’s New York Times bestseller The House at Tyneford .

Natasha Solomons’s breathtaking new novel has it all: a love triangle, family obligations, and rediscovering joy in the face of grief, all set against the alluring backdrop of an English country estate perfect for fans of Downton Abbey.

It's a terrible thing to covet your brother’s girl.

New Year’s Eve, Dorset, England, 1946. Candles flicker, a gramophone scratches out a tune as guests dance and sip champagne— for one night Hartgrove Hall relives better days. Harry Fox-Talbot and his brothers have returned from World War II determined to save their once grand home from ruin. But the arrival of beautiful Jewish wartime singer Edie Rose tangles the threads of love and duty, and leads to a devastating betrayal.

Fifty years later, now a celebrated composer, Fox reels from the death of his adored wife, Edie. Until his connection with his four-year old grandson - a music prodigy – propels him back into life, and ultimately to confront his past. An enthralling novel about love and treachery, joy after grief, and a man forced to ask: is it ever too late to seek forgiveness?"

Yes please! Also, it may just be a part of 'Downton Denial" next year...

The Rogue Not Taken by Sarah MacLean
Published by: Avon
Publication Date: December 29th, 2015
Format: Paperback, 432 Pages
To Buy

The official patter:
"Lady Sophie’s Society Splash.

When Sophie, the least interesting of the Talbot sisters, lands her philandering brother-in-law backside-first in a goldfish pond in front of all society, she becomes the target of very public aristocratic scorn. Her only choice is to flee London, vowing to start a new life far from the aristocracy. Unfortunately, the carriage in which she stows away isn’t saving her from ruin . . . it’s filled with it.

Rogue’s Reign of Ravishment!

Kingscote, “King,” the Marquess of Eversley, has never met a woman he couldn’t charm, resulting in a reputation far worse than the truth, a general sense that he’s more pretty face than proper gentleman, and an irate summons home to the Scottish border. When King discovers stowaway Sophie, however, the journey becomes anything but boring.

War? Or More?

He thinks she’s trying to trick him into marriage. She wouldn’t have him if he were the last man on earth. But carriages bring close quarters, dark secrets, and unbearable temptation, making opposites altogether too attractive . . ."

Oh, new series, yes please!

Murder Most Malicious by Alyssa Maxwell
Published by: Kensington
Publication Date: December 29th, 2015
Format: Hardcover, 304 Pages
To Buy

The official patter:
"In post–World War I England, Lady Phoebe Renshaw and her lady's maid, Eva Huntford, step outside of their social roles and put their lives at risk to apprehend a vicious killer. . .

December 1918: As a difficult year draws to a close, there is much to celebrate for nineteen-year-old Phoebe Renshaw and her three siblings at their beloved family estate of Foxwood Hall. The dreadful war is finally over; eldest daughter Julia's engagement to their houseguest, the Marquis of Allerton, appears imminent; and all have gathered to enjoy peace on earth, good will toward men.

But the peace of Foxwood Hall is shattered on the morning of Boxing Day, when the Marquis goes missing. Not entirely missing, however, as macabre evidence of foul play turns up in gift boxes given to lady's maid Eva Huntford and a handful of others. Having overheard her sister and the Marquis in a heated exchange the night before, Lady Phoebe takes a personal interest in solving the mystery.

As the local constable suspects a footman at Foxwood Hall, Phoebe and Eva follow the clues to a different conclusion. But both young women will need to think outside the box to wrap up this case--before a cornered killer lashes out with ill will toward them. . ."

And another new series that looks like such fun! Murder, mayhem, a country estate! So yes, maybe I'm a bit country house obsessed... but all these books can fill that void.

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