Book Review - Elly Griffiths's The Vanishing Box
The Vanishing Box by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: November 2nd, 2017
Format: Kindle, 368 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)
Max Mephisto and his daughter Ruby may be top billing at the Brighton Hippodrome for the holiday season but if Max ever wanted a clear sign that variety is on it's way out he need look no further than the rest of the bill. To be on the bill with a tawdry tableau act of "living statues" perfectly posed so as to skirt the nudity laws is lowering to say the least. But the salacious act might have one benefit, in the very attractive Florence Jones. There's no doubt about it, she's turned Max's head with her Cleopatra tableau and her forthright attitude. She's the type of woman who is the total package, a woman who has Max thinking about the future and marriage. He has been comfortably ensconced with Mrs. M since he left the cold attic room of his landlady's house for her bed but Florence is the type of woman whom you have passionate sex with at a hotel under assumed names in the middle of the day while contemplating the future. They might both be entangled with others, Florence being a kept woman to her show's producer, Vic Cutler, and Max with Mrs. M, but their attraction goes beyond what they are both getting out of their current relationships. In other relationship news Edgar is starting to drift from Ruby. They have been engaged for so long now that it seems unlikely they will ever be married. Something Emma wouldn't mind in the least. But affairs of the heart will have to take a backseat to murder. A young florist named Lily has been slain. Two of the girls from the tableau show were sharing digs with her. What the police don't want people to know is that Lily was posed. Like a classical tableau. In fact, she was posed like a famous painting. But she wasn't in show business despite her digs. In fact it was Lily's mother who was in show business and recommended the digs to her daughter. Could Lily's murder have something to do with the show at the Hippodrome? When Vic Cutler turns up dead it seems a foregone conclusion. Which means, who could be next? Are Ruby and Max in danger? Or someone closer to Edgar's heart?
The Vanishing Box is the turning point for this series. What was predominately a male dominated series is shifting to a female dominated series and in order for that transition to be complete the Emma and Ruby problem has to be laid to rest. Which means it's time for a showdown. Ever since she first appeared on the page I've been rooting for Emma, we've all been rooting for Emma. She's the perfect match for Edgar. Ruby is glamorous, standoffish, and keeps Edgar at a remove, never confirming a date for their wedding or even admitting they are engaged because she knows her life goals are so different from his. So obviously they were never going to work and Emma and Edgar are endgame. What I took issue with was here Elly Griffiths backpedals on Edgar and Ruby's true feelings for each other. We're supposed to believe that deep down Edgar has always loved Emma and that Ruby actually deeply cares about Edgar and is sad their relationship has come to an end? I don't know what books the author thought she was writing, but this wasn't what was going on. Yes, humanizing Ruby is necessary. She can't live up on that pedestal forever, but she could have locked down Edgar at any time and she chose not to. That was her choice. Don't rewrite it mawkishly to be some sort of unrequited or doomed love affair because I am not buying it. Especially with the bigger themes at play here. The Emma and Ruby dynamic feeds into how women are viewed by society. With the tableau we are shown a world in which women are nothing more than objects. They are there to be looked at and lusted after. But they don't have any agency. Whereas Emma is a woman with nothing but agency. She has a job and goals and is breaking away for societal expectations. With the humanization of Ruby we see her moving from an ideal, in particular Edgar's ideal, to an actual living and breathing person who is more similar to Emma than Emma would probably like to admit. The Vanishing Box fits perfectly into it's era and women's liberation. Women are no longer just the focus of men's gazes. They are cops and magicians and florists and writers and on and on. Yet the killer views them as the feminine ideal. The male feminine ideal. Which is why I love when the women take over the tableau show. They were exploited by men, but now, in control, they say what is and isn't permissible. Women finally have the power. But does that mean we have to say goodbye to Edgar and Max? Only time will tell.
The Blood Card by Elly Griffiths
