strange and random happenstance

Even if you weren't prescribed a rest cure for your postpartum depression so you can get back to your wifely duties that have nothing to do with the house when you have a spinster sister-in-law and everything to do with opening your legs, six weeks in the Bertha Mason suite with bars on the windows and a bed clamped to the floor would drive you round the bend. And that is exactly what happens here. The Yellow Wallpaper was written by Charlotte Perkins Gilman in 1892 and strongly portrays what it is to be a woman, especially a woman under the "care" of her husband. Who happens to be a doctor. And if you're a woman you know exactly how inept doctors are when it comes to women's health, more so during the Victorian era. This adaptation is Henry James meets Alice's Adventures in Wonderland with some Shirley Jackson and Angela Carter on the side. And yes, I know that only one of those predates this story, but the other authors, in particular Jackson and Carter, can be seen to be profoundly influenced by Gilman so it makes sense that in adapting the earlier work the later would influence it. There's a definite ouroboros effect going on here. What I find most fascinating about this adaptation is that someone at the BBC obviously watched The Company of Wolves and followed it up with Dreamchild and went, OK, now this is what we want to do, but without any budget, anybody have any ideas? And someone went, well, have you read Charlotte Perkins Gilman's The Yellow Wallpaper? Woman menaced by wallpaper? I think we can manage that! They transplanted the story to England and created something that really needs to be seen to be believed. I mean, more than anything it felt like an episode of A Ghost Story for Christmas. Consummate British actors in a creepy house with an ambiguous ending? Yes, very much A Ghost Story for Christmas. But sadly not one of the stellar ones, more like the ones that got the series cancelled in the late seventies. There were parts where I felt "The Ice House" was being channeled. Especially when the husband was going on about pollination. At least there weren't any plants making oddly detailed holes in widows. Overall I felt like it skipped a step in the telling of this tale. The wife has an active imagination and left to her own devices and the company of only the wallpaper she cracks. But it didn't feel gradual, it felt like instantaneous insanity. Like, the visions she was experiencing, the pent-up energy, just exploded from overstimulation. I think this needed to be longer, expanded, so that her break with reality is earned. Though where this adaptation was really let down was in the special effects. I really don't think there was any way to save this show once she's making out with her doppelganger that has emerged from the wallpaper. OK, it's more of an embrace, but it's still weird. It's not the imagery, it's the eighties music video bad special effects that ruins it. Earlier there had been a terrifying reveal of eyes in the wallpaper. Because they are a practical effect they still shock. Over time practical effects will weather technology changes more than any "special effects" of the day. So yes, this does have merit, but it is also sadly very dated. Though not in regard to women's rights.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Ghost Story for Christmas, Alice's Adventures in Wonderland, Angela Carter, BBC, Charlotte Perkins Gilman, Fifty-Five Years a Masterpiece, Henry James, Rest Cure, Shirley Jackson, Special Effects, The Yellow Wallpaper

Underland by Robert Macfarlane
Published by: W.W. Norton and Company
Publication Date: May 2nd, 2019
Format: Hardcover, 496 Pages
Rating: ★★★
To Buy

Humankind has had such an impact on the world it is now a designated epoch, the Anthropocene. Robert Macfarlane takes it on himself to look at the forgotten realms of the Earth and see how they have been impacted by humankind and in turn how they have impacted us. Macfarlane takes eleven journeys to come to grips with the underland. Because that is where our history is, in deep time. With all that history laid bare the question is posited, are we really the caretakers that the Earth deserves? Humans have been around for such a short amount of time and yet the damage we have done is incalculable. Starting near his home his first journey takes him to the cave systems in the Mendips in Somerset. There he wonders if the Earth might just swallow him whole. The mental strain of the dangers he's about to face become apparent. He's not just taxing himself physically on these journeys, but mentally. He is placing himself at the mercy of the Earth and the Earth isn't kind to those who journey where they shouldn't. In Boulby, Yorkshire, he visits a mine that's so deep that it goes under the North Sea where Dark Matter is studied. So far underland as to be undisturbed by the disturbances of man. But the underland can also be studied above ground. The trees of Epping Forest have an understory beneath the forest that lets them communicate using fungi, a wood wide web if you will. Having experienced in England some of the great natural and manmade conduits to the underland he visits France and perhaps one of the most famous underground spaces in the world, the Paris Catacombs. There are the sections that are for tourists, but that isn't what he's interested in. He's reached out to urban explorers, those who map the terrain of abandoned buildings and have therefore taken a great interest in the Catacombs. Those who illegally tour the mines of Paris which were built for the access of workers are called cataphiles. They take Macfarlane on a journey he will never forget. Rooms that haven't been seen in hundreds of years and modern graffiti that seems to exist solely to say, I was here. The underland is vast, there are starless rivers, nuclear dumps, caves that can only be accessed at certain times of the year. Robert Macfarlane tasks himself to record it all, to pass on what he's learned, and to teach us to be better stewards of this amazing planet.

For me I had a problem with a disconnect between what this book was sold as and what it actually is. Underland was said to deliver "an epic exploration of the Earth's underworlds as they exist in myth, literature, memory, and the land itself." What I really connected to in that teaser was the myth and literature part. Which Robert Macfarlane never really addresses. I mean, come on! Book girl here wants to hear all about the underworld in literature. He barely touches on Alice's Adventures in Wonderland, and that one is just a gimme! What about all the tales of the realms of fairies being underground? Underhill anyone anyone? Bueller? Bueller? Fairy Mounds? Fairy Forts? I mean seeing as this book is about the magic of the Earth and what it means to people I think an exploration of how we've peopled that land in our myths and fairy tales would be quite important. But again, the book was sold as something it was not. The problem being my expectations were repeatedly crushed. I kept thinking, oh, the next section, that will be the section I've been waiting for. And if never was. Therefore I think that this book would be better on a reread. I'd have no expectations because I know what it's about and they'd be reigned in. The problem is I'm rather claustrophobic, and well, I don't know if I could read this book again. If there's one thing I'd tell anyone who was about to read this book, besides ranting about literary tradition being omitted, is that if you are even slightly claustrophobic you can not read this book. My Dad has a friend who told him he had to read this book, knowing that my claustrophobia is nothing compared to my Dad's, I laughed and laughed and said he can never read this book. Ever. I even thought, maybe I could find a section he could read... But no. Claustrophobics, run away run away. And I just realized I reached the point in my review where I'm just doing odd movie quotes so will move this along, no more Monty Python. The other problem I faced was while this is a whole interconnected narrative it's basically broken down into stories. Short stories. I don't really like short stories. There's no consistency. So while I loved "Invisible Cities (Paris)," "Red Dancers (Lofoten, Norway)" left me cold. The journeys he went on were so diverse that his writing style was inconsistent and annoying. To me. I can see why others found it magical, I just found it highly competent. Which, trust me, is a compliment.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice's Adventures in Wonderland, Anthropocene, Claustrophobic, Deep Time, Earth, Fairy Tales, For the Love of Book Clubs, Literature, Paris Catacombs, Robert MacFarlane, Underground, Underland, Urban Explorers

The Search for WondLa by Tony DiTerlizzi
Published by: Simon and Schuster
Publication Date: September 21st, 2010
Format: Hardcover, 496 Pages
Rating: ★★★★
To Buy (different edition than one reviewed)

Eva Nine has spent her entire life in an underground sanctuary. For twelve years she has been raised by "Muthr," Multi-Utility Task Help Robot 06, and hasn't wondered much about the world outside the sanctuary's eight rooms. Though she finds an image printed on cardboard that makes her question what the outside world contains. The image appears to be of a young girl with another human and a robot with words above them apparently spelling out "WondLa." Could there be others like her out there? Other humans with robot companions? Soon she will be thrust into that world when her sanctuary is attacked by a large creature named Besteel. Muthr gets left behind as Eva Nine flees for her life. She wanders the forest looking for safety and finds another sanctuary identical to her own. Only this one has been abandoned save for a Cærulean, Rovender Kitt, who is taking refuge in the remains. Sadly Besteel catches up to Eva Nine and her and her new companion are captured. Besteel is a Dorcean bounty hunter seeking out specimens for Queen Ojo's Royal Museum in Solas. Eva Nine and Rovender Kitt are brought to his camp, containing countless other specimens. But Eva Nine doesn't plan to be a embalmed and put on display in a museum. She and Rovender Kitt stage a successful escape, gaining Otto, a giant tardigrade, as their new traveling companion. Returning home Eva Nine finds Muthr in the wreckage and they are able to repair her and the unlikely crew decide to head out in search of clues as to what became of the human race. Which means traveling to Solas and the museum that wants Eva Nine as a specimen. It will be a harrowing journey, but in the end Eva Nine will have some answers. She will find her Wondla.

In the before times when I went to conventions and saw people I loved going to WisCon. I mean, who doesn't want to go to a science fiction convention with a feminist agenda? The authors I have met there over the years have filled my bookish heart with glee. But one aspect of the con I loved more than any other was the arcs you were able to get your hands on. They'd be on a large table and they all cost a dollar. Though prized arcs often ended up in the Tiptree Auction, named after famed science fiction author James Tiptree Jr., the pen name of Alice Bradley Sheldon. In my second year attending I had recently devoured the entirety of The Spiderwick Chronicles and I saw this book in the auction that seemed to conflate the titles of children's classics The Wonderful Wizard of Oz and Alice's Adventures in Wonderland hopefully creating a new classic written AND illustrated by Tony DiTerlizzi of Spiderwick fame. I needed The Search for WondLa but was worried I wouldn't win because I had to put in an absentee bid because I couldn't be there for the auction. But someone knew I needed a win and I was surprised to find out that I was the winning bidder when I showed up to the final day of the convention. And the thing is, I was right about the title, to an extent. He was setting out to make a modern classic on par with The Wonderful Wizard of Oz and Alice's Adventures in Wonderland, only heavier on Oz. But the real takeaway is that he succeeded magnificently. It's not just the two-tone illustrations reminiscent of W.W. Denslow that are spot on. But the story feels timeless. There's the joy and wonder of what a child experiences the first time they encounter something new. As a kid I loved exploring museums, and when Eva Nine sees history all in one place for the first time, I felt that connection to my childhood. In that moment I was Eva Nine. But by far the best scene is at the very end. In an homage to the original Planet of the Apes when Eva Nine discovers that what she has been holding onto as a talisman is the cover of The Wonderful Wizard of Oz while in the remains of the main branch of The New York Public Library I actually cried. I knew it was coming but somehow it still shocked me. And that's what the best stories do, make us so invested that even if we see what's coming it hits us hard and it becomes a part of us.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice's Adventures in Wonderland, For the Love of Book Clubs, New York Public Library, Planet of the Apes, The Search for Wondla, The Spiderwick Chronicles, The Wonderful Wizard of Oz, Tony DiTerlizzi, WisCon

The Seep by Chana Porter
Published by: Soho Press
Publication Date: January 21st, 2020
Format: Kindle, 216 Pages
Rating: ★★
To Buy (different edition than one reviewed)

No one knows what will happen when the aliens invade. Is it the end of the world? Or the beginning of a strange new one? Trina and her partner Deeba were hosting one of their epic dinner parties to usher in whatever the future would bring. They loved to find just the perfect pairings of guests to inspire new friendships that would last a lifetime. But this time was different because the very water they were drinking would change the definition of what a lifetime is. The water was making them one with the aliens. They were creating a symbiotic relationship that would make the world a better place. No more war or poverty or death. Those who killed themselves would never know the utopia The Seep had brought. With their new lives Trina becomes an artist and then a performer, any and all of her dream careers become a reality resulting in her becoming a doctor. While her wife Deeba makes magnificent films. Their lives are perfect, The Seep has made it so. Only Deeba sees the truth, Trina isn't happy, she hasn't been happy for some time. There's only so many times you can make love and watch TV and eat ice cream before it becomes stagnant. The Seep has given them the gift of long life and change and Deeba wants to change. She wants to shed the life she has built and start again. She wants to be reborn as a baby with Trina as her mother. Trina is destroyed by this revelation. They made a commitment to each other, to be there, to love each other forever in different permutations when they married. Trina never thought her love for Deeba would last, but it hasn't just lasted, it's grown stronger. She cannot live in a world without Deeba. But now Deeba is gone, being raised by a kind family in the south of France and Trina is an alcoholic. She doesn't go to work, she doesn't pull her weight, she is a blight on The Seep's perfect world. A chance encounter will send her on a journey. She must accept that things change or she must do what she's thought of many, many times before, and end her long life.

The Seep has pretensions to be something it's not. It wants to be a different kind of alien invasion story but ends up being nothing more than basic. A basic science fiction trope; aliens arrive and want to make us happy and perfect but they can't grasp that suffering is what makes us human. But Chana Porter could have taken it in a different direction. There are characters, like Deeba, who see that they could have a life without trauma and jump at the chance, even if her request of Trina is unconscionable. This could have sparked a conversation about humans and their belief that suffering is somehow part of the journey when it doesn't have to be. Instead we suffer through the misery of Trina's journey. We're trapped with a depressive suicidal alcoholic who can not come to grips with the fact that change is part of life. When Trina asks another character to never change they rightly respond that that's "a very cruel thing to ask of anyone." That line had a sort of Alice's Adventures in Wonderland vibe, a truth spoken to the ignorant in a moment of revelation on her journey. And that is why I didn't outright hate this book, there are moments that have brilliance and such depth that I want to explore them because the author didn't seem to understand where her focus should be in this short narrative. I'm thinking in particular when her friend and fellow performer Horizon says that his face isn't his face but that of his dead lover who was a person of color while he himself is really white. That revelation again goes back to what makes us human, what makes us who we are, and while exposing him is part of Trina's journey, there seems to be so much left unsaid about appropriation. I wanted the deeper parts of Alice's journey not the visuals of a hookah smoking caterpillar. And there are so many visuals of the utopia that allows grass to be carpet and people to have horns that the human message is lost. And I can't help feeling that these characters are just so insufferably entitled that I would have gladly read about anyone else. You don't care about them. They are loosely drawn and while the opening and closing dinner parties are assuredly written, I kept thinking, but I would never want to be there. I do not like these people and never will. They are too precious for words.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alcoholic, Alice's Adventures in Wonderland, Alien Invasion, Appropriation, Chana Porter, Change, Deeba, Entitled, For the Love of Book Clubs, Horizon, Human Nature, LGBTQ, Suicidal, The Seep, Trauma, Trina, Utopia