Showing posts with label Transphobia. Show all posts
Showing posts with label Transphobia. Show all posts

Wednesday, December 21, 2022

Book Review - Robert Galbraith's Troubled Blood

Troubled Blood by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 15th, 2020
Format: Hardcover, 944 Pages
Rating: ★
To Buy

Cormoran Strike and Robin Ellacott are presented with an intriguing case. Margot Bamborough disappeared in 1974. She was never found. Forty years later her daughter Anna just wants answers. She hires Cormoran and Robin to investigate the disappearance. If they turn up nothing within a year Anna has promised her wife that she will accept that she will never know what happened to her mother and move on with her life. The reason Anna reached out to Cormoran in particular is that him being a "celebrity" private investigator he might be able to interview the prime suspect in Margot's disappearance, Dennis Creed. Dennis Creed, known my the sobriquet The Essex Butcher, abducted, imprisoned, raped, and murdered at least seven women between 1968 and 1976. Margot's disappearance falling during his active years before his subsequent arrest and imprisonment in Broadmoor has always made him a person of interest. But he doesn't do interviews and he definitely doesn't answer questions. That might change if the person talking to him were famous. Creed loves publicity. But getting clearance to see Creed is going to take a while so Cormoran and Robin start by tracking down every single person directly and tangentially connected to the disappearance. This takes time as it's been over forty years. They also find leads that the cops missed, such as a connection to organized crime. But there are only so many times you can poor over the pages of The Demon of Paradise Park before you have to resort to sheer luck that a new clue will land in your lap. What's more is that Cormoran and Robin's personal lives are more out of control than ever before. Cormoran is often having to hare off to Cornwall at a moment's notice because his Aunt Joan, the woman who was more a mother to him than his own mother, is dying of Cancer. And as for his ex Charlotte, if she has her way she will really be out of his life for good this time. As for Robin, what should have been a fairly straightforward divorce from Matthew, seeing as he cheated on her, is turning into a nightmare. She wants to move on, get her money from the sale of their home, find a new signature scent, and start fresh. Will the two investigators find closure for themselves and their client or will they always be left wondering what went wrong?

When the initial buzz quickly rose to a clamor for Troubled Blood and it looked like J.K. Rowling was going all in on being a TERF I was willing to withhold my judgement until I had read the book. I fully admit she's a horrible human being but perhaps that didn't translate to her writing. Perhaps? Ever since I was young and first learned about Lewis Carroll I have been able, to an extent, to separate a book I love from the author. Of course it helps that in his case he's not profiting off my purchases. So I approached Troubled Blood with an open mind and quickly saw that all the reviews I've read have gotten it wrong. Yes, this book is transphobic. Yet the transphobia in this instance is a common murder mystery trope that needs to be retired wherein to lure in female victims a male will dress as a female so they feel safe until the realize they're not. Far more troubling to me was the homophobia, sexism, sexual harassment, and exploitation of the mentally handicapped. But again, while the way these topics were handled in the book physically repulsed me this isn't what we need to be talking about when we talk about this book. Because there's no way calling this book out on these atrocities will actually make J.K. Rowling sit up and take notice. She is unrepentant in her hate. So while yes, this book needs to be called out, she won't listen and just say it's part of "cancel culture." Therefore I want to change the narrative. This book isn't bad because of the deplorable author spewing her hate, it's just a badly written book and everything else is just extra shit piled on top. I have this feeling that when this book arrived at her publishers they realized she had finally gone all in on being a deplorable and no editor touched this book. They didn't want to wade into the cesspit that is everything about this book. The plot is boring. There is no driving force what with the case being a cold case. There is no jeopardy. Months go by between any developments and the plot just plods along. Also, why is Robin so obsessed with finding a new "signature scent?" I get that she's trying to leave her life with Matthew behind, but she's a PI, she's tailing people all the time, don't you think that a PI shouldn't announce their presence with a whiff of perfume? For an author and series I loved it took me over a month to force my way to the meandering finish. So please, hate on this book not just for the hate but for the bad writing, it's deserving of both.

Wednesday, August 18, 2021

Clarice

Firstly, a shout-out to the Fanibals who got #HannibalDeservesMore trending every Thursday when Clarice aired because this is a statement which I will never disagree with. But, the good news for Fanibals is that Clarice would in no way contradict or conflict with the continuation of Hannibal because this show doesn't take place in the present, like Hannibal, but right after the events of The Silence of the Lambs film, placing it firmly in 1992. So now that I've gotten those concerns addressed, lets talk Starling! From beginning to end this show had me on a roller coaster of emotions. There was a lot of bait and switch going on. You kind of expect a show following on the heels of The Silence of the Lambs to be about serial killers, and when at the end of the first episode they pull the rug out and are like, nope, it's about whistleblowers, it took me a few more episodes to lean into this new arc. Because this show doesn't really do "monster of the week." Each episode ties into the greater arc of what is going on with VICAP's investigation into Alastor Pharmaceuticals. So I had to embrace the whistleblowers and I heartily did. Because this isn't just relevant to now, but relevant to then. This was when Erin Brockovich was raising the alarm! And seriously, why have we stopped talking about Flint, Michigan, it's not like that magically got fixed? But Clarice also does an excellent job of discussing other issues of import that still matter, from sexism, to racism, to trauma, to transphobia. And what it did was eloquently handle transphobia. If you think about it, the original movie did a lot to make a monster out of Buffalo Bill because he was trans and as the trans character Julia Lawson played by Jen Richards puts it, this did a lot to hurt the trans community. Not just in the world of the show but in the real world. Her character arc over the three episodes she's on felt like an apology that we've been waiting a long time for and I applaud the show for leaning into the problematic source material versus just pretending it didn't exist. I do hope that this show is somehow able to continue because it is continually breaking down preconceptions and that makes it unique. Though I have to say circling back round to a serial killer by the end felt a little messy. If it wasn't for the amazing acting of Douglas Smith, previously killing it as Marcus Isaacson on The Alienist, it just wouldn't have worked.

Friday, March 22, 2019

Book Review - Edgar Cantero's Meddling Kids

Meddling Kids by Edgar Cantero
Published by: Doubleday
Publication Date: July 11th, 2017
Format: Hardcover, 336 Pages
Rating: ★★
To Buy

What if your life hinged on a single night? In 1977 the Blyton Summer Detective Club, a group of kids known locally to the inhabitants of Blyton Hills for foiling those up to no good, solved their final case. After that night the four kids drifted apart but were forever haunted by what happened during their final foray into crime solving. Usually the villain turned out to be someone in a rubber mask, but they weren't too sure about what happened with the fortune hunter they thwarted looking for the famous treasure in the Deboën Mansion. Something otherworldly was going on that night and it has stalked them ever since. The four precocious kids full of potential are long gone. More than a decade later those still alive are living lives of quiet desperation, slinging drinks, fleeing arrest warrants, and trying to forget in mental institutions. But Andy, she of the arrest warrants, is sick of always being on the run. She shows up on Kerri's doorstep and says it's up to them to find out what really happened that night at the Deboën Mansion. None of them can actually have a life without closure. Of course this means breaking Nate out of an asylum in Arhkam, Massachusetts, and hoping he can keep it together.

As they travel cross-county to the sleepy mining town in the Zoinx River Valley in Oregon where they spent every summer solving crimes the ghosts of their pasts haunt them. Nate more than most because the ghost of Peter, their erstwhile leader turned famous movie star who killed himself, is literally his constant companion. Why couldn't his companion be like Kerri's? An excitable Weimaraner would be way better than a ghost! Arriving back in Blyton Hills and holing up in Kerri's old bedroom, despite all the intervening years they feel like they used to; full of righteousness and possibilities. If only this were just a trip down memory lane and not a trip to uncover the darkness that lurks in the Deboën Mansion. Yet they are determined to solve their final case properly. To trek out to the Deboën Mansion on it's deserted island and lay the evil to bed. Only jumping back into their old investigative life isn't as easy as they thought. Knowing that something evil is lurking out there is far more terrifying to adults then to kids who think they are invincible. But they've come this far! What is a journey through abandoned mine shafts and looking into the true face of evil to being forever trapped in one night in 1977?

To me the biggest mystery of 2017 was that this book was wholeheartedly embraced by booksellers and readers everywhere. I don't think the origins of it's popularity could even be solved by the Blyton Summer Detective Club. Because the nostalgia factor just can't cut it when a book is this badly written and is so insensitive to LQBTQIA issues. This book brings nothing new or interesting to the table. The writing and action is repetitive. The characters flat. As for the Big Bad? Lovecraft did it better. So that leaves nostalgia as the only logical reason people picked up this book. Nostalgia is currently playing a huge role in popular culture and media. Just look to the behemoth successes of Stranger Things and the 2017 adaptation of It, which was so popular it (haha) is getting a sequel. But the reason I have chosen these two examples is they got it so right. They bring out all the feels of a kid growing up in the late seventies and early eighties and make it somehow fresh at the same time. Whereas the nonsensical Meddling Kids seems to just be wanting to tap into that cash cow without realizing you either get it right or go home. Edgar Cantero should have gone home.

The nostalgia Meddling Kids is attempting to cash in on is the continued love of all things Scooby-Doo. OK, here's the thing with me, I've spent my entire life worshiping Scooby-Doo. Perhaps in fact this is where my love of mysteries and all things Gothic started because rumor has it that shortly after I started saying "mommy" and "kitty" I started saying "Scooby-Doo." I even had a stuffed animal of Scooby-Doo that was literally bigger than me at the time my parents bought it. I fully believe that The New Scooby and Scrappy-Doo Show/The New Scooby-Doo Mysteries was the best incarnation of Scooby, because Fred and Velma were nixed, and if only Scrappy had met the fate Eddie Izzard suggested in his Dressed to Kill special it would have been perfection. Therefore I can, without a doubt in my mind, say that this isn't an homage to Scooby-Doo, this is just really badly written slash, aka a fanfiction subcategory pairing two male or two female characters together. This book is just Edgar writing prurient scenes of the Daphne and Velma characters for no reason other that to fulfill his own fantasies. Now I don't have a problem with fanfiction or with slash, what I have a problem with is when it's badly done and is sold as a book and is not available in some forum online, I'm looking at you Cassandra Clare. This does a disservice to nostalgia and makes it pornographic.

And for some reason this slash angle has resulted in making Kerri's hair another character. Andy has been in love with Kerri for forever and Kerri by the end of the book is willing to accept the love but not really reciprocate it, but that's an entirely different issue I have with the book. What this results in is that Andy watches the moods of Kerri's hair because it somehow embodies the essence of who Kerri really is. Andy's heightened awareness of Kerri's hair is like some weird spider-sense. I just call it Kerri's stupid ass "living" hair. If it was used once or twice, I wouldn't have had a problem with it, but again and again with the hair! The over the top descriptions of Kerri's hair get to the point where it's like a masturbatory fix for Andy. She can't just watch her hair but has to fetishize Kerri's hair. When I think of all the time wasted in this book that was in desperate need of some forward momentum spent on a character's hair it just enrages me. And what's more, I don't know what to do with this information. Why is it important? Did Edgar have a real thing about Daphne's hair on Scooby-Doo? Or does he just have a hair thing? I seriously am baffled by this choice and the fact no editor went, "What's with the hair Edgar?" But then again I had so many issues with this book if I had been it's editor I would have just thrown in on the trash heap.

Because the problematic crux of this book is that it is transphobic. At first I wasn't sure. Perhaps I was reading into something that wasn't there. Perhaps all the nasty asides about Andy wanting to be a boy was more a sign of the times, the book being set in 1990, and that Edgar figured that Andy being labelled as gay wasn't a mean enough taunt for the bullies to hurl at her. But the more this happened the more I was unnerved by the book. I started to read other reviews and saw that I wasn't the only one thinking this way. In fact, I missed something big right in front of my face. Edgar's first book, The Supernatural Enhancements, had some issues with pedophilia, and from everything I've heard about his newest book, This Body's Not Big Enough for the Both of Us deals with twincest, so I'm guessing it's a trend that his books handle big issues in a tactless manner... But that means it's even more important for the reader to call him out on this! He is a modern writer who has decided to set a book in a less enlightened time and he has a duty to be better. To call out the creeps and say that calling Andy a boy isn't right. But instead he builds it all to a reveal that shows his insensitivity and that for me makes it so that anyone who loves this book in my mind has a bigoted small-mindedness that I don't want to be around. On the surface it might look fine, but look deeper, find the monster in the lake... it's a whole lotta hate.

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