Season 47 - The Collection (2017)
Why was this on PBS!?! No really, I want to know, why was this on PBS!?! It was made by Amazon. It was released on Amazon. It was still on Amazon when PBS aired it eight months after it dropped and instead of having to wait seven weeks to realize this series was going nowhere you could have sat on your couch for almost seven hours and come to the same conclusion. This is actually worse than when Masterpiece randomly airs feature films because at least in some of those cases, especially in the early nineties, people didn't have access to those films. So while it felt like cheating just airing someone else's work, at least it was with the interest of their viewers in mind. Whereas here!?! Everyone has access to Amazon. Literally everyone. I could have forgiven them this weird decision if the show actually was something. But it isn't. This show is nothing. The Collection has an amazingly talented cast but the story, what was the story!?! Was it about the Sabine fashion house being Nazis collaborators? Was it about the family's complete ineptitude at covering up a murder? Which makes me think that they couldn't have been collaborators because they were just too damn stupid and they so would have been caught. You don't bury a body in the backyard of a house you own! And then, when it's discovered, you don't move it! Nothing here is straightforward. Everything is told in the most roundabout and confusing manner possible. For example, one of the girls in the seamstress shop secretly had a baby. Yet the father of the baby appears to be the closeted brother played by Tom Riley who's the genius behind the house's designs. How did he hook up with a woman? Especially when his current boy toy is fertilizing his mother's garden in the country? Well, your guess is as good as mine. Because, they don't tell us. Even if this show hadn't been rightly cancelled I don't think they would have ever given us answers. They were too interested in things looking pretty, the costumes just so, the photographs in the vein of Funny Face, just right. The irony of a show about fashion being all surface isn't lost on me. Though I honestly think it's lost on them. I really think they thought they were making something important, something of worth, something that made a statement. That statement was look how easy it is to waste Amazon's money. The only thing I am here for is that we are firmly in the era where Frances de la Tour is choosing her roles based on how much she gets to sit around and what delicious foods she gets to eat. She's doing a Maggie Smith, with just as barbed a tongue, but a lot more noms. Vanity Fair, Professor T, she's just living her best life. Sadly, this show wasn't up to her abilities, but at least I could take solace that at least someone enjoyed this series, because I sure as hell didn't.
