Showing posts with label Michelle Dockery. Show all posts
Showing posts with label Michelle Dockery. Show all posts

Wednesday, April 21, 2021

Season 29 - The Turn of the Screw (1999-2000)

One night back in undergrad two of my friends and I decided to go rent a movie. Remember video stores? Full of all those wonderful films yet somehow kind of grubby. We were walking from Rivendell (no really, my friend Matt lived in a big purple housing co-op named Rivendell) to the local video store a few blocks away. On the way there we found over $20 in cash on the ground that some drunk college student had obviously dropped. So dinner and a movie was on said drunk college student who was probably pissed in more ways than one when they found out. Four Star Video was known for it's rather indie pics. You could find basically anything there that was offbeat. After much toing and froing we decided on the Ethan Hawke/Kyle MacLachlan version of Hamlet and The Turn of the Screw, because Colin Firth. I'm not sure how far we got into Hamlet before it was ejected, but could have been twenty minutes could have been a thousand years. And that, my friends, is why you always rent two movies when you go out in case one is an absolute stinking pile of shit. Well, we didn't fair that well with The Turn of the Screw either. None of us had actually read the story, so we were all unprepared for the whole evil wins ending. What's more, and in fact more to the point of why it failed to meet our expectations is that Colin Firth was in the first five minutes and then never seen again. That's false advertising that is putting his name first! And yes, after this debacle my friends said I should pay them for having to sit through videos dubbed my choices... but they were free! And more importantly we did put it to a vote! But looking back, while The Turn of the Screw isn't my favorite ghost story out there this is the best direct adaptation there is, because at least they didn't throw in a weird insane asylum/murder conviction plotline like the 2009 version with Michelle Dockery did. So if you're looking for a faithful adaptation of The Turn of the Screw you can't go wrong with Jodhi May and Pam Ferris who are superb actors, but if you're looking for the best adaptation out there check out The Haunting of Bly Manor instead.       

Saturday, April 25, 2015

Pink Carnation Spotlight - Michelle Dockery (Laura Grey)

From the moment I first delved into Laura Grey's story in The Orchid Affair there was only one actress in my mind who could bring this character to life. Someone with the looks, the attitude, and the acting chops.

Name: Michelle Dockery

"Dream" Character Casting for the Lauren Willig Miniseries: Laura Grey

First Impression: The first thing I ever saw Michelle in was her second ever screen credit in the adaptation of Terry Pratchett's Hogfather. She literally killed it as Susan, DEATH's granddaughter and a governess, and by it I mean the monsters under the bed disturbing her charges with a poker. Quite literally the definition of stoic and unshakable governess.

Why they'd be the perfect actor for the Lauren Willig Miniseries: Well, aside from the whole governess angle, she has this ability to appear perfectly calm and collected, like she's wearing a mask or armor, but when she starts to soften, you realize all the emotions that mask was hiding. I can't think of anyone who can portray that stoic resolve that melts when she finds love. Plus, she's good with a poker.

Lasting Impression: Seriously, Hogfather people. There was no way it was anything but memorable and awesome, even if Going Postal is still the best Pratchett adaptation out there.

What else you've seen them in: Um Downton Abbey anyone? Most popular British import show to the US ever? Michelle has also been in a few crime shows like Waking the Dead, Heatbeat, and Dalziel and Pascoe, but for those of the Masterpiece Theatre fandom, you've most likely seen her in The Hollow Crown, Anna Karenina, Return to Cranford, or The Turn of the Screw. Only some of those I'd recommend... but at least The Turn of the Screw was a little more inventive then most adaptations and didn't tease you with Colin Firth.

Can't believe it's them: Michelle has a little role in Fingersmith, which isn't the best adaptation of the book, but it was fun to see her first role on screen.

Wish they hadn't: Seriously, this is a hard choice between Red Riding and Return to Cranford. Red Riding was just all around bleak with almost indecipherable accents loosely following events around the Yorkshire Ripper. But I think the crown goes to Return to Cranford, which was just atrocious. All the characters had personality transplants from the first series and the book, and then both Michelle AND Tom Hiddleston were underused, both with ridiculous haircuts to boot, see the picture above.

Bio: Michelle seems to have been made for the stage, starting young and then going to the Guildhall School of Music and Drama in London, getting her first television job the year after she graduated in the adaptation of Sarah Waters's Fingersmith. But she's never fully left the stage, appearing in such wide ranging productions as His Dark Materials, Pygmalion, and Hamlet. She is often on stage for singing as well, being a jazz singer who has performed and collaborated with her Downton Abbey co-star, Elizabeth McGovern and her band, Sadie and the Hotheads. But it's was truly her role as Lady Mary in Downton Abbey that launched her to fame in 2010. At least fame hasn't damped her sense of humor, as you can see in this fabulous Lady Mary spoof, Tough Justice.

Friday, December 4, 2009

Hogfather Adaptation

Hogfather
Based on the book by Terry Pratchett
Release Date: December 17th, 2006
Starring: Ian Richardson, David Jason, Michelle Dockery, Marc Warren, Nigel Planer, Tony Robinson, Terry Pratchett
Rating: ★★★
To Buy

Having just finished reading Terry Pratchett's Hogfather awhile back, I decided it was time to give the miniseries another chance. I'd only ever watched the first part of the two part adaptation and felt a little lost, having only just started reading Discworld. Then after the dreadful adaptation of The Color Magic (dreadful for the horrendous miscasting of Rincewind, he's supposed to be young-ish, tall and skinny, in other words, not David Jason, aka a short 69 year old). I was hesitant to watch Hogfather in the chance that something would really piss me off (still bitter about David Jason, especially because I thought Sean Astin would be awful and he turned out to be good). But overall this was wonderfully cast and perfectly done if not for DEATH. The problem is technical, nothing else. Ian Richardson was superb as the voice of DEATH, it's DEATH's appearance I have qualms with. In my mind, my interpretation of Terry Pratchett's DEATH is very nebulous, lots of cloak and a vague creepy chilling sensation that overcomes you. Yes he's a seven foot tall skeleton, but the less seen, the creepier, like Jaws. The fact that you can never quite put your finger on what bothers you when you're in his presence, just that you want to get away. Taking a character that I akin to something you see out of the corner of your eye and literally making him a seven foot tall kind of cartoony skeleton does not work. It looks comical and not in the least bit scary. The rest of the cast, in particular Marc Warren as Teatime and Michelle Dockery as Susan were so perfectly cast you feel they ARE the characters.

Aside from DEATH, I just had the feeling that this was a sub-par adaptation of one of the best Pratchett books. But the thing is, upon reflection, I don't think there really is a way to make a successful Pratchett adaptation. The way his books are written don't lend themselves to a visual translation that's to be broadcast fortnightly. I think this might be the lack of overall narrative exhibited in his writing. There is an arc and an end point but it's the little side journeys that matter, the little revelations he makes along the way that are culled for an adaptation. And the thing is, once all these little moments are cut here and there the overall feel is different, the lose of faith and the need for belief that are so integral to this book seems almost non existent in the miniseries. It was ok, just not the brilliance one associates with Pratchett. Although not to fully discount the adaptation, there was one moment of perfection which had me on the floor laughing. But first a history lesson, so you can fully appreciate the joke and not think I'm insane, anymore than you already do: Ian Richardson's most famous role ever was Frances Urquhart in the House of Cards trilogy. His most famous line: "You might think that, but I could not possibly comment." You can only imagine my glee when DEATH said this to his faithful henchman Albert! Brilliant! Look for it, it's in part one.

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