Showing posts with label Ethan Hawke. Show all posts
Showing posts with label Ethan Hawke. Show all posts

Friday, September 23, 2022

Moon Knight

Now while I am a big comic book fan I'm not really into the MCU. There are characters I like and characters I could do without. And I'm here with open arms for the X-Men. Just be nothing like the movies that have come before. Though Hugh Jackman is welcome back anytime. And I have a shocking confession, I have never watched nor plan to watch Avengers: Endgame. Which is problematic on many levels because that movie is so important to the building of Marvel's multiverse and the roll out of whatever phase we are now in. We're in Phase Four right? Right? So the truth of the matter is that the more entwined the universe is becoming the less likely I am to engage with it. The only movie I am actually looking forward to is Guardians of the Galaxy Vol. 3... Kind of. I have Chris Pratt issues, as we all should. But there is one show I COULD NOT miss, and that was Moon Knight. Why? Well, Egypt and Oscar Isaac! I adore all things to do with Egyptian mythology and I adore Oscar Isaac, so this show was a no-brainer. I had to watch it. But here was the most amazing and welcome discovery when I started watching it, it stands alone. You don't need to be versed in the MCU lore, you don't need any other experience with anything Marvel. It stands completely on it's own and is marvelous. Everything you need to know about the world is given to you in a way that fully explains it without it feeling too much like exposition or like it's talking down to you. In fact, my father who sometimes has a hard time following the more fantastical shows I watch understood and loved this show. The world is wonderfully complete and is believable. Egyptian Gods have avatars who act on their behalf and Oscar Isaac and his three personalities act on behalf of Khonshu. That's it. Throw in another human who wants to be the avatar for a rather problematic God and you have the conflict for the series. But the real conflict is two of Oscar Isaac's personalities. The main personality, Marc Spector, developed another identity to protect himself from childhood abuse at the hand of his mother. The Steven Grant personality is Oscar at his most dorky, a lovely British mama's boy who is very much Oscar channeling some serious Bruce Campbell awkward Ash Williams energy. As one review said, the chemistry between Oscar Isaac and Oscar Isaac is amazing. If he doesn't win an Emmy for this he was robbed. And are we in an Ethan Hawke Renaissance? Because his role as Harrow was again perfection. I literally can't think of another actor who could have had the presence to match Oscar, but Ethan does it perfectly. In fact, this is a near perfect series, even the music. Oh, I hope we get more, but if this is all, it was done so so right.

Wednesday, April 21, 2021

Season 29 - The Turn of the Screw (1999-2000)

One night back in undergrad two of my friends and I decided to go rent a movie. Remember video stores? Full of all those wonderful films yet somehow kind of grubby. We were walking from Rivendell (no really, my friend Matt lived in a big purple housing co-op named Rivendell) to the local video store a few blocks away. On the way there we found over $20 in cash on the ground that some drunk college student had obviously dropped. So dinner and a movie was on said drunk college student who was probably pissed in more ways than one when they found out. Four Star Video was known for it's rather indie pics. You could find basically anything there that was offbeat. After much toing and froing we decided on the Ethan Hawke/Kyle MacLachlan version of Hamlet and The Turn of the Screw, because Colin Firth. I'm not sure how far we got into Hamlet before it was ejected, but could have been twenty minutes could have been a thousand years. And that, my friends, is why you always rent two movies when you go out in case one is an absolute stinking pile of shit. Well, we didn't fair that well with The Turn of the Screw either. None of us had actually read the story, so we were all unprepared for the whole evil wins ending. What's more, and in fact more to the point of why it failed to meet our expectations is that Colin Firth was in the first five minutes and then never seen again. That's false advertising that is putting his name first! And yes, after this debacle my friends said I should pay them for having to sit through videos dubbed my choices... but they were free! And more importantly we did put it to a vote! But looking back, while The Turn of the Screw isn't my favorite ghost story out there this is the best direct adaptation there is, because at least they didn't throw in a weird insane asylum/murder conviction plotline like the 2009 version with Michelle Dockery did. So if you're looking for a faithful adaptation of The Turn of the Screw you can't go wrong with Jodhi May and Pam Ferris who are superb actors, but if you're looking for the best adaptation out there check out The Haunting of Bly Manor instead.       

Friday, October 17, 2014

Book Review - Henry James's The Turn of the Screw

The Turn of the Screw by Henry James
Published by: Modern Library
Publication Date: 1898
Format: Paperback, 256 Pages
Rating: ★
To Buy

On Christmas Eve ghost stories are being told around the fire and Douglas says his will chill them to their very bones, but he will only tell it in the words of his friend, who at the time was a young governess. Douglas sends away for her journal, which she gave to him for safe keeping after her death, and when it arrives he begins the story. The young governess is hired by the attractive uncle of two children, Miles and Flora. He has them ensconced in the country at his estate in Essex and has no desire to be bothered in any aspect of their upbringing. Upon her arrival at Bly the governess is taken in by the angelic beauty of Flora, just as she will be by Miles when he is expelled from his boarding school and returned to Bly, an occurrence she cannot understand, due to his apparent perfection.

But soon their idyllic life is shattered by the appearance of two people. This man and woman seem to come and go as they will. After discussing them with the housekeeper, Mrs. Grose, she learns the female spectre is none other then her predecessor, Miss Jessel, and the male is Peter Quint, Miss Jessel's lover and another former employee. Only both of them are dead. The young governess is convinced they want the children and will do anything to achieve their nefarious goals from beyond the grave. But even if this is what is really happening can she stop them?

Much like the young heroine in The Turn of the Screw I had my head turned by a hansom man and visions of romance. Many many years ago my friends Matt and Becky and I were walking to the video store, you remember those, you could rent physical movies on these large clunky tapes that could get easily damaged and had to be rewound before returning. We were in the trashier section of our college campus and we found $40 on the ground. Knowing it was probably a drunken frat boy who had lost said money we pocketed it and used it to rent some movies.

After looking for ages we decided on two movies, the new Hamlet staring Ethan Hawke and The Turn of the Screw, because, well, Colin Firth. There was one thing all three of us could agree on, and that was Colin Firth is hot. Also the movie not sounding too much like a period piece, Matt agreed, and again, Colin Firth is hot. We lasted only about twenty minutes into Hamlet before we gave up, yes, it was that bad. But we did watch all of The Turn of the Screw... after this both my friends said I should pay them for having to watch the two movies because I had suggested them in the first place. We compromised by making me return them to the video store.

I was left with two thoughts after watching the movie, one, false advertising, you put Colin Firth's name as a star he should be in more then five minutes, and two, evil wins!?! No matter what your interpretation of events, it's evil, in some form, that is victorious. And as evil took root, I waited for Colin to reappear, and he never did. I fell for the same bait and switch as that young governess. Of course she was unwilling to ask him for aid in a time of need to show her reliability and fortitude, whereas I was all like, Colin, come back! Since then the BBC has made another version, this time with several stars from Downton Abbey, which again left me unsatisfied. For so many years I have been under this impression that The Turn of the Screw was this amazing classic that was being done an injustice by bad adaptation after bad adaptation. I now know that that isn't the case. The Turn of the Screw is just a badly written story with enough wiggle room to allow for many interpretations of the text.

In the final analysis the question isn't was the governess insane or were there supernatural forces at work, the question is, is this even readable? The answer is no. The writing in this book verges on the indecipherable. James took a lot of flack for his overwriting stories, and, I can see why. He has a tendency to not only write too much but write sentences that seem to turn back in on themselves so he talks himself out of his original idea. These long sentences with too many commas have a tendency to be the length of paragraphs, and in a few rare instances, pages long, always ending up in an entirely different place then where they started and becoming increasingly incoherent in the process.

If James can't be bothered to maintain a train of thought in a sentence it's no wonder the book is all over the place and ripe for adaptations that can take as many liberties as they want, because, let's face it, even James didn't know where his story was going. If it wasn't for the fact I knew the plot, well, I wouldn't have been able to figure it out by just reading it. I spent more time fighting to grasp onto the text and try to get some sense out of this book then any other book I've ever read. In the end I gave up to the inevitable and just let the text wash over me as my eyes glazed over and I prayed for the end.

But the inability of James to write coherently is nothing to his structural issues and his unsympathetic characters. Firstly, there is no suspense in this story. I'm not sure if this derives from his inability to set the stage or just the fact that I didn't care if all the characters died horrifically, but there was no jeopardy that made me want to keep reading. A ghost story should at the very least have some suspense, some ability to have the hair on your next rise up and question the sudden chill in the room. Now to the aspect that annoyed me most. James uses the "framing" device of having a group of friends sitting around the fire telling each other ghost stories on Christmas Eve. I have no problem with this, what I do have a problem with is that this "framing" device was left unfinished and in the end was more of a prologue.

To frame a story you need it at the beginning and the end, not just the beginning! I get that he might have wanted to end with the "shock value" of what happened to the insufferable Miles, but, well, the governess's story went on, she somehow got another job and came to meet Douglas and impart this story to him. How the hell did she get another job? Just, gaw! She was THE WORST GOVERNESS EVER and someone else employed her after this? Something shouldn't be labelled a classic because of the time you can spend discussing the text and delving into the deeper meanings, sometimes you're just thrusting your own ideas and meanings onto a text that doesn't deserve to be cherished, but deserves to be forgotten in the mists of time... or the mists that hide the spurious phantasms around Bly.

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