Book Review - Lauren Willig's The Orchid Affair
The Orchid Affair by Lauren Willig
Published by: Berkley
Publication Date: January 20th, 2010
Format: Paperback, 496 Pages
Rating: ★★★★★
To Buy
Laura Grey has had it being a governess. She has just graduated from the Selwick Spying Academy and is off to France to do her bit to fight the revolution. Of course she just happens to be going to France in the very role she was trying to escape, that of governess. Laura, or more precisely, Laure Griscogne, has been away from her homeland since her parents died and left her orphaned and having to take care of herself in the only way possible, by rearing other people's children. Though when she started she was but a child herself. Now she has two new charges, the children of Andre Jaouen, a man the Pink Carnation is desperate to know more about, especially because he works in the Abbaye Prison with that most odious of men, Delaroche. But when you spend most of your time taking care of the children in a large and desolate house and rarely spying at keyholes and sneaking messages to the Pink Carnation through various booksellers, it's hard to see the value in your work. But there is more to Jaouen than meets the eye. He has connections within the artistic community that Laura's family was once in the center of. Laura was once the child of a somebody, a great poetess. Andre is having a hard time rectifying this stern, prim governess, with the loose and wanton Paris saloons of pre-revolutionary France. All the while Laura is herself having a hard time rectifying this rather attractive bespectacled man with that of a hardened revolutionary who wants to kill all the aristos he can find. But when both their missions unexpectedly collide around a man who could restore the French monarchy they have to decide whether it is best to let animosities and allegiances fall by the wayside and trust their instincts and growing attraction to each other. Plus sneaking through the countryside as travelling performers can't be as hard as it sounds...
The eighth installment in Lauren Willig's cannon of Pink Carnation books takes us right back to the heart of what this series is about; spying. Even if with a little Commedia it's, as the author puts it so well, "like The Sound of Music… meets Mata Hari." We are back within the courts of Napoleon and the streets of Paris, where blood might run at any moment, and the reality of the horrors that await in the Abbaye Prison are a real threat, not comfortably located on the other side of the channel. While the previous books have all had spies in various locals with various flower monikers, this one feels the closest to the legacy of the Scarlet Pimpernel; with our heroine in enemy territory, with barely an ally, and no ally that she can get to without a bookstore or an effusive poet. Speaking of said poet... we get nice little cameos from some of the Pink cast, but they are just the icing on the cake, what makes this book soar are the new characters of Andre and Laura, which even readers new to the series can enjoy without the previous installments. Every book since the first has been a pairing off of a previous hero or heroine with someone new or some old friend, but not in this case. Here we have a blank canvas ripe for the painting. Miss Grey has only had a few brief and enigmatic references which have given her no illumination. Laura has a rich and complicated past that was filled with sumptuousness and luxury and is now contained within harsh grey stays. Andre has also had a life that was once filled with love and an artistic wife, instead he now has to change ideals and live a sparse and paired down life. Both these two have spent a life hiding who they really are and masking what they want and feel. I felt such an instant connection with both of them, just waiting with baited breath for Laura to realize this man could not possibly be evil, even if he is French, they aren't all Delaroches. How Lauren is able to continually expand her Pink universe with each subsequent book astonishes me. One day we wonder who is that lady at the Selwick Spy School, books later, she is flesh, she is whole and wonderful. While the books do build on each other to form a perfect shelf in my library, they also are wonderfully contained little jewels of stories that you just want to go back to again and again, which I am so happy to do with Lauren this time. I didn't want the book to end. It is a feeling I am used to with Lauren's books.
First Impression: The first thing I ever saw Michelle in was her second ever screen credit in the adaptation of Terry Pratchett's 
Lasting Impression: Seriously, Hogfather people. There was no way it was anything but memorable and awesome, even if Going Postal is still the best Pratchett adaptation out there. 
Can't believe it's them: Michelle has a little role in Fingersmith, which isn't the best adaptation of 
Bio: Michelle seems to have been made for the stage, starting young and then going to the Guildhall School of Music and Drama in London, getting her first television job the year after she graduated in the adaptation of Sarah Waters's Fingersmith. But she's never fully left the stage, appearing in such wide ranging productions as His Dark Materials, Pygmalion, and Hamlet. She is often on stage for singing as well, being a jazz singer who has performed and collaborated with her Downton Abbey co-star, Elizabeth McGovern and her band, Sadie and the Hotheads. But it's was truly her role as Lady Mary in Downton Abbey that launched her to fame in 2010. At least fame hasn't damped her sense of humor, as you can see in this fabulous Lady Mary spoof, 
