Showing posts with label Mata Hari. Show all posts
Showing posts with label Mata Hari. Show all posts

Wednesday, June 22, 2022

Book Review - Lauren Willig's The Orchid Affair

The Orchid Affair by Lauren Willig
Published by: Berkley
Publication Date: January 20th, 2010
Format: Paperback, 496 Pages
Rating: ★★★★★
To Buy

Laura Grey has had it being a governess. She has just graduated from the Selwick Spying Academy and is off to France to do her bit to fight the revolution. Of course she just happens to be going to France in the very role she was trying to escape, that of governess. Laura, or more precisely, Laure Griscogne, has been away from her homeland since her parents died and left her orphaned and having to take care of herself in the only way possible, by rearing other people's children. Though when she started she was but a child herself. Now she has two new charges, the children of Andre Jaouen, a man the Pink Carnation is desperate to know more about, especially because he works in the Abbaye Prison with that most odious of men, Delaroche. But when you spend most of your time taking care of the children in a large and desolate house and rarely spying at keyholes and sneaking messages to the Pink Carnation through various booksellers, it's hard to see the value in your work. But there is more to Jaouen than meets the eye. He has connections within the artistic community that Laura's family was once in the center of. Laura was once the child of a somebody, a great poetess. Andre is having a hard time rectifying this stern, prim governess, with the loose and wanton Paris saloons of pre-revolutionary France. All the while Laura is herself having a hard time rectifying this rather attractive bespectacled man with that of a hardened revolutionary who wants to kill all the aristos he can find. But when both their missions unexpectedly collide around a man who could restore the French monarchy they have to decide whether it is best to let animosities and allegiances fall by the wayside and trust their instincts and growing attraction to each other. Plus sneaking through the countryside as travelling performers can't be as hard as it sounds...

The eighth installment in Lauren Willig's cannon of Pink Carnation books takes us right back to the heart of what this series is about; spying. Even if with a little Commedia it's, as the author puts it so well, "like The Sound of Music… meets Mata Hari." We are back within the courts of Napoleon and the streets of Paris, where blood might run at any moment, and the reality of the horrors that await in the Abbaye Prison are a real threat, not comfortably located on the other side of the channel. While the previous books have all had spies in various locals with various flower monikers, this one feels the closest to the legacy of the Scarlet Pimpernel; with our heroine in enemy territory, with barely an ally, and no ally that she can get to without a bookstore or an effusive poet. Speaking of said poet... we get nice little cameos from some of the Pink cast, but they are just the icing on the cake, what makes this book soar are the new characters of Andre and Laura, which even readers new to the series can enjoy without the previous installments. Every book since the first has been a pairing off of a previous hero or heroine with someone new or some old friend, but not in this case. Here we have a blank canvas ripe for the painting. Miss Grey has only had a few brief and enigmatic references which have given her no illumination. Laura has a rich and complicated past that was filled with sumptuousness and luxury and is now contained within harsh grey stays. Andre has also had a life that was once filled with love and an artistic wife, instead he now has to change ideals and live a sparse and paired down life. Both these two have spent a life hiding who they really are and masking what they want and feel. I felt such an instant connection with both of them, just waiting with baited breath for Laura to realize this man could not possibly be evil, even if he is French, they aren't all Delaroches. How Lauren is able to continually expand her Pink universe with each subsequent book astonishes me. One day we wonder who is that lady at the Selwick Spy School, books later, she is flesh, she is whole and wonderful. While the books do build on each other to form a perfect shelf in my library, they also are wonderfully contained little jewels of stories that you just want to go back to again and again, which I am so happy to do with Lauren this time. I didn't want the book to end. It is a feeling I am used to with Lauren's books.

Wednesday, January 5, 2022

Book Review 2021 #10 - Lauren Willig's The Orchid Affair

The Orchid Affair by Lauren Willig
Published by: Berkley
Publication Date: January 20th, 2010
Format: Paperback, 496 Pages
Rating: ★★★★★
To Buy

Laura Grey has had it being a governess. She has just graduated from the Selwick Spying Academy and is off to France to do her bit to fight the revolution. Of course she just happens to be going to France in the very role she was trying to escape, that of governess. Laura, or more precisely, Laure Griscogne, has been away from her homeland since her parents died and left her orphaned and having to take care of herself in the only way possible, by rearing other people's children. Though when she started she was but a child herself. Now she has two new charges, the children of Andre Jaouen, a man the Pink Carnation is desperate to know more about, especially because he works in the Abbaye Prison with that most odious of men, Delaroche. But when you spend most of your time taking care of the children in a large and desolate house and rarely spying at keyholes and sneaking messages to the Pink Carnation through various booksellers, it's hard to see the value in your work. But there is more to Jaouen than meets the eye. He has connections within the artistic community that Laura's family was once in the center of. Laura was once the child of a somebody, a great poetess. Andre is having a hard time rectifying this stern, prim governess, with the loose and wanton Paris saloons of pre-revolutionary France. All the while Laura is herself having a hard time rectifying this rather attractive bespectacled man with that of a hardened revolutionary who wants to kill all the aristos he can find. But when both their missions unexpectedly collide around a man who could restore the French monarchy they have to decide whether it is best to let animosities and allegiances fall by the wayside and trust their instincts and growing attraction to each other. Plus sneaking through the countryside as travelling performers can't be as hard as it sounds...

The eighth installment in Lauren Willig's cannon of Pink Carnation books takes us right back to the heart of what this series is about; spying. Even if with a little Commedia it's, as the author puts it so well, "like The Sound of Music… meets Mata Hari." We are back within the courts of Napoleon and the streets of Paris, where blood might run at any moment, and the reality of the horrors that await in the Abbaye Prison are a real threat, not comfortably located on the other side of the channel. While the previous books have all had spies in various locals with various flower monikers, this one feels the closest to the legacy of the Scarlet Pimpernel; with our heroine in enemy territory, with barely an ally, and no ally that she can get to without a bookstore or an effusive poet. Speaking of said poet... we get nice little cameos from some of the Pink cast, but they are just the icing on the cake, what makes this book soar are the new characters of Andre and Laura, which even readers new to the series can enjoy without the previous installments. Every book since the first has been a pairing off of a previous hero or heroine with someone new or some old friend, but not in this case. Here we have a blank canvas ripe for the painting. Miss Grey has only had a few brief and enigmatic references which have given her no illumination. Laura has a rich and complicated past that was filled with sumptuousness and luxury and is now contained within harsh grey stays. Andre has also had a life that was once filled with love and an artistic wife, instead he now has to change ideals and live a sparse and paired down life. Both these two have spent a life hiding who they really are and masking what they want and feel. I felt such an instant connection with both of them, just waiting with baited breath for Laura to realize this man could not possibly be evil, even if he is French, they aren't all Delaroches. How Lauren is able to continually expand her Pink universe with each subsequent book astonishes me. One day we wonder who is that lady at the Selwick Spy School, books later, she is flesh, she is whole and wonderful. While the books do build on each other to form a perfect shelf in my library, they also are wonderfully contained little jewels of stories that you just want to go back to again and again, which I am so happy to do with Lauren this time. I didn't want the book to end. It is a feeling I am used to with Lauren's books.

Monday, March 30, 2020

Tuesday Tomorrow

Nancy Drew: The Curse by Micol Ostow
Published by: Simon Pulse
Publication Date: March 30th, 2020
Format: Hardcover, 272 Pages
To Buy

The official patter:
"Based on the TV series Nancy Drew, the most-watched new show on the CW!

In this prequel novel, the beloved teen sleuth investigates a sinister, once-dormant curse that may be threatening her town once more. This is Nancy Drew for today, perfect for fans of Riverdale, The Chilling Adventures of Sabrina, and Stranger Things!

A curse is just a mystery dressed up in a sharp, stern warning. And everyone knows that I love a mystery.

Nancy Drew isn’t one for ghost stories. So when the annual Horseshoe Bay Naming Day celebration is threatened by eerie warnings of an old curse, Nancy is sure someone - someone human - is behind them. And no way is she letting this person stand in the way of her best friend, Daisy, finally getting her day in the spotlight as the lead in the much-anticipated Naming Day reenactment.

But as Nancy begins investigating, the so-called marks of the curse become bolder...and more sinister. A vandalized locker and ominous notes are one thing, but soon enough lives - including Nancy’s own - are at stake. Though the dreams and eerie visions plaguing Nancy are certainly just products of her own mind...right?

All old towns have their traditions and histories, but as Nancy will soon discover, they don’t always tell the whole story."

OK, so I'm addicted to the new Nancy Drew and thankfully while new episodes might be MIA for awhile I have a tie-in novel! 

Jane Goes North by Joe R. Lansdale
Published by: Subterranean Press
Publication Date: March 30th, 2020
Format: Hardcover, 232 Pages
To Buy

The official patter:
"Jane has lost her job at the laundry due to a ketchup package she forgot to remove from an expensive item, and her prospects look dim. To top off matters, her younger sister, who lives up north, and who Jane has problems with, is getting married and has mailed her an invitation that Jane believes was sent due to her sister not expecting her to be able to come. A long bout of sibling rivalry makes Jane all the more determined to go, even if her car has gone to hell. To make the journey, Jane forms an uncomfortable alliance with a grumpy, one-eyed, weight-lifting lady named Henry, who may or may not abandon her along the way, and has plans to see a doctor Henry claims can renew her sight. Add past memories of a sexual dalliance with a drunk preacher in the back lot of the church across from her house, an infamous naked run along a creek bank, failed marriages, including an ex-husband that has a bit of goat ardor, and with a shoe full of money, Jane and Henry hit the road. They meet up with modern slavers, panty snatchers, disabled thieves with a sense of grandeur, a country singer named Cheryl who is on the downhill slide, and a quest for the world's greatest toaster that can toast four slices of bread all at once, or in sequence, and has a clock on it. It's one incredible quest consisting of rides in cow trailers, a stolen car, and a convertible, a pirate outfit for children, and what will become a unique friendship."

Who doesn't want a little Joe R. Landsdale right now?

The Gobblin' Society by James P. Blaylock
Published by: Subterranean Press
Publication Date: March 30th, 2020
Format: Hardcover, 176 Pages
To Buy

The official patter:
"For more than thirty years, James P. Blaylock has enthralled and delighted readers with a series of stories, novels and novellas featuring Langdon St. Ives, adventurer, man of science, Victorian gentleman. The best of these, such as Beneath London, Lord Kelvin's Machine, and The Aylesford Skull are among the most stylish, consistently witty entertainments of recent years. The Gobblin' Society, the latest episode in St. Ives's colorful career, belongs very much in that company. The story begins with an inheritance. Following a protracted legal battle, Alice St. Ives, Langdon's wife, has come into full possession of Seaward, the house left to her by her late Uncle Godfrey, a man with a number of bizarre proclivities. Heartened by this good fortune, Alice, Langdon and their surrogate son Finn prepare to take possession of the house. From this point forward, events spin out of control, taking on a madcap logic of their own that is exhilarating and - in typical Blaylock fashion - often quite funny. What follows is, in a sense, a tale of two houses. The first, of course, is Seaward, a “rambling, eccentric old house” with it its history, its secrets, its priceless accumulation of volumes of arcane lore. The other is a neighboring house known, for good reasons, as “Gobblin' Manor,” home base of The Gobblin' Society, a “culinary establishment” with its own peculiar - and very dark - traditions. In the course of an event filled few days, St. Ives and his cohorts will encounter smuggling, mesmerism, kidnapping, cannibalism and murder. It is, in other words, a typical—and typically eccentric - Langdon St. Ives adventure. Like its predecessors, this latest extravaganza is fast-paced, unpredictable, and a thorough delight to read. Few novelists evoke the essence of Victorian England as successfully as Blaylock. Fewer still bring such wit, style, and propulsive narrative talents to the task. In The Gobblin' Society, Blaylock has given vibrant new life to one of his signature creations. The result is a gift both for Blaylock's longtime fans, and for newcomers lucky enough to come along for this astonishing - and thoroughly enjoyable - ride."

Is it wrong that I'm all in on this book because I want to live in that house of the cover, no matter what goes on there?

The Sisters Grimm by Menna von Praag
Published by: Harper Voyager
Publication Date: March 30th, 2020
Format: Hardcover, 448 Pages
To Buy

The official patter:
"The critically acclaimed author of The House at the End of Hope Street combines love, mystery, and magic with her first foray into bewitching fantasy with a dark edge evocative of V.E. Schwab and Neil Gaiman.

Once upon a time, a demon who desired earthly domination fathered an army of dark daughters to help him corrupt humanity...

As children, Goldie, Liyana, Scarlet, and Bea dreamed of a strange otherworld: a nightscape of mists and fog, perpetually falling leaves and hungry ivy, lit by an unwavering moon. Here, in this shadowland of Everwhere, the four girls, half-sisters connected by blood and magic, began to nurture their elemental powers together. But at thirteen, the sisters were ripped from Everwhere and separated. Now, five years later, they search for one another and yearn to rediscover their unique and supernatural strengths. Goldie (earth) manipulates plants and gives life. Liyana (water) controls rivers and rain. Scarlet (fire) has electricity at her fingertips. Bea (air) can fly.

To realize their full potential, the blood sisters must return to the land of their childhood dreams. But Everwhere can only be accessed through certain gates at 3:33 A.M. on the night of a new moon. As Goldie, Liyana, Scarlet, and Bea are beset with the challenges of their earthly lives, they must prepare for a battle that lies ahead. On their eighteenth birthday, they will be subjected to a gladiatorial fight with their father’s soldiers. If they survive, they will face their father who will let them live only if they turn dark. Which would be fair, if only the sisters knew what was coming.

So, they have thirty-three days to discover who they truly are and what they can truly do, before they must fight to save themselves and those they love."

Because I love me anything a little Brothers Grimm...

Double Blind by Sara Winokur
Published by: Anchor House Publishing
Publication Date: March 30th, 2020
Format: Kindle, 280 Pages
To Buy

The official patter:
"A young boy disappears in the chill of North Iceland. Twenty years later, a mysterious poem lands on the desk of his twin sister Brynja, a forensic geneticist, and rekindles her hopes that her brother might be alive. As Brynja unravels the clues, more poems arrive, each bearing dire consequences for those who receive them: the guard of the medieval manuscript of Icelandic sagas that possibly has the answer to her burning question, the prime minister’s secretary, the local pastor."

Language, literature, and murder intertwined to make me one happy reader.  

Murder at the Mena House by Erica Ruth Neubauer
Published by: Kensington
Publication Date: March 30th, 2020
Format: Hardcover, 288 Pages
To Buy

The official patter:
"Well-heeled travelers from around the world flock to the Mena House Hotel - an exotic gem in the heart of Cairo where cocktails flow, adventure dispels the aftershocks of World War I, and deadly dangers wait in the shadows...

Egypt, 1926. Fiercely independent American Jane Wunderly has made up her mind: she won’t be swept off her feet on a trip abroad. Despite her Aunt Millie’s best efforts at meddling with her love life, the young widow would rather gaze at the Great Pyramids of Giza than into the eyes of a dashing stranger. Yet Jane’s plans to remain cool and indifferent become ancient history in the company of Mr. Redvers, a roguish banker she can’t quite figure out...

While the Mena House has its share of charming guests, Anna Stainton isn’t one of them. The beautiful socialite makes it clear that she won’t share the spotlight with anyone - especially Jane. But Jane soon becomes the center of attention when she’s the one standing over her unintentional rival’s dead body.

Now, with her innocence at stake in a foreign country, Jane must determine who can be trusted, and who had motive to commit a brutal murder. Between Aunt Millie’s unusual new acquaintances, a smarmy playboy with an off-putting smile, and the enigmatic Mr. Redvers, someone has too many secrets. Can Jane excavate the horrible truth before her future falls to ruin in Cairo...and the body count rises like the desert heat?"

Egypt! Need I say more?

The Woman of a Thousand Names by Alexandra Lapierre
Published by: Atria Books
Publication Date: March 30th, 2020
Format: Hardcover, 640 Pages
To Buy

The official patter:
"From the internationally bestselling author of the “fascinating epic” (Associated Press) Between Love and Honor comes a rich, sweeping tale based on the captivating true story of the Mata Hari of Russia, featuring a beautiful aristocrat fighting for survival during the deadly upheaval of the Russian Revolution.

Born into Russian aristocracy, wealth, and security, Moura never had any reason to worry. But in the upheaval of the Bolshevik Revolution, her entire world crumbles. As her family and friends are being persecuted by Vladimir Lenin’s ruthless police, she falls into a passionate affair with British secret agent Sir Robert Bruce Lockhart. But when he’s abruptly and mysteriously deported from Russia, Moura is left alone and vulnerable.

Now, she must find new paths for her survival, even if it means shedding her past and taking on new identities. Some will praise her tenderness and undying loyalty. Others will denounce her lies. But all will agree on one point: Moura embodies Life. Life at all cost.

Set against the volatile landscape of 20th-century Russia, The Woman of a Thousand Names brings history to vivid life in a captivating tale about an extraordinary woman caught in the waves of change - with only her wits to save her."

Because every once in awhile you feel a little Russian. 

Once and Future Volume 1 by Kieron Gillen, Dan Mora, and Tamra Bonvillain
Published by: BOOM! Studios
Publication Date: March 30th, 2020
Format: Paperback, 160 Pages
To Buy

The official patter:
"When a group of Nationalists use an ancient artifact to bring a villain from Arthurian myth back from the dead to gain power, retired monster hunter Bridgette McGuire pulls her unsuspecting grandson Duncan, a museum curator, into a world of magic and mysticism to combat the deadly secrets of England’s past that threaten its very future.

When a group of Nationalists use an ancient artifact to bring a villain from Arthurian myth back from the dead, retired monster hunter Bridgette McGuire pulls her unsuspecting grandson Duncan, a museum curator, into a world of magic and mysticism to defeat a legendary threat. Now the two must navigate the complicated history of the McGuire family, all while combating the deadly secrets of England’s past that threaten its very future.

New York Times bestselling writer Kieron Gillen (The Wicked + The Divine, Star Wars) and Russ Manning Award-winning artist Dan Mora (Buffy The Vampire Slayer, Klaus) explore the mysteries of the past, the complicated truths of our history and the power of family to save the day...especially if that family has secret bunkers of ancient weapons and decades of experience hunting the greatest monsters in Britain’s history!"

Kieron Gillen from Doctor Aphra and Dan Mora from Hexed!?! YAS!

Friday, January 13, 2017

Book Review 2016 #5 - Mata Hari's Last Dance

Mata Hari's Last Dance by Michelle Moran
Published by: Touchstone
Publication Date: July 19th, 2016
Format: Hardcover, 272 Pages
Rating: ★★★★★
To Buy

The woman formerly known as Lady Margaretha MacLeod has come to Paris to reinvent herself. Styled as Mata Hari, the "Eye of the Dawn," she has been trying to get work in the various dance halls. But she is too exotic, too foreign. Little do they know she's just a girl from the Netherlands who can spin a tale. At the last place she auditions, the disreputable L'Ete, she is once again turned away, but her luck is about to change. Edouard Clunet, a respectable and successful lawyer saw her dance and wants to act as her agent. The dance halls aren't the place for Mata Hari, she needs a select and refined audience, one Edouard can introduce her to. Her first production is for Clunet's client, Guimet, who has built a library to house his extensive collections and wants to have a ceremony with two hundred guests to open his Place d'Iena. Mata Hari's dance is a sensation. Her storytelling, her risque dances, they electrify the audience and soon she is coveted by all of Paris to perform at their function. But Clunet is clever, he only chooses the best venues with the best hosts, concerned just as much with Mata Hari's image as with her abilities.

Soon Mata Hari is performing one of a kind shows for the Rothschilds, Jeanne de Loynes, and Givenchy. Her habit to also occupy her host's bed lets Mata Hari accumulate beautiful possessions and living quarters, those that her pricey performance fees don't quite stretch to. She is the name on everyone's lips, so of course she is given opportunities beyond Paris which she jumps at. Madrid, Berlin, never did she think she'd play such lavish locations! But now that she has everything she could ever have wanted she realizes what she misses most, that which she ran away from. Her daughter, Jeanne Louise, whom she left behind with her husband when she fled after the death of their son. She has spent so much of her life telling tales and reinventing herself that to open up to Edouard, to tell him a truth, raw and painful, is a revelation. Her success will continue longer than she ever imagined, but it's her past she can never recapture that she wants most. As time goes on her habits with her lovers and her ability to spin a yarn will catch up to her with the most dire of consequences. Everyone has to face the music in the end.

When I was younger I didn't quite know who Mata Hari was. But then again, being told of a great courtesan doesn't seem like the kind of tale you'd tell as a bedside story to a child. So I had these wild ideas about who she was. A seductress, a storyteller, and a spy, all with the most amazing outfits. Someone out of The Arabian Nights like Scheherazade. Someone from antiquity when Gods walked among the deserts. A grand heroine of myth. The truth is she'd probably like the myth in my mind. It wasn't until much later that I learned the truth of her tragic life. Ironically I didn't learn about Mata Hari in any history class but in the episode of The Young Indiana Jones Chronicles that was written by Carrie Fisher, which should have been subtitled "Indy Gets His Groove On." Here was the beginning of the truth I never knew. The woman I thought relegated to dusty tomes was a "spy" during the first world war! While there are those who'd argue that this is old, to me, if a person was alive in the same century I was born that's pretty recent news. Gone were The Arabian Nights delusions and in their place was this woman who defied convention and died for the greater good.

I think where my erroneous impressions of Mata Hari came from was the fact she was a courtesan. Courtesans seem of an older era, when Kings walked through Versailles and a Maharajah took a woman to bed bedecked with jewels. When you think of the turn of the past century when a woman slept around or had a lover she was a mistress or worse. But mistress doesn't do Mata Hari justice. Neither does any of the more derogatory slurs that could be mentioned. She was a true courtesan. She was well educated, skilled, and able to tell the most intoxicating stories. So she accepted gifts of jewels and property, these were never payment, they weren't even really a transaction of any kind, more a thank you for a good seduction. She lived outside the expectations of society. Or at least the expectations of a woman in society. She acted more like a man when it came to whom she took to bed. It was all about desire, hers and theirs, and if they happened to look really fabulous in a uniform, all the better.

By living outside of the proscribed norms it was interesting in how I related to Mata Hari. As in, I didn't relate to her AT ALL. I mean, sure spending a night on your back or a day dancing to be draped in jewels might be some people's ideal life, just not mine. The truth is, she's not the most likable person. It's not just that her morals don't jive with mine, it's something more, something deep down that while I can be fascinated by her I would never like her. In fact, I found it interesting that Mata Hari kind of reminded me of Linda Radlett from Nancy Mitford's The Pursuit of Love. They are both very acquisitive beings who like the finer things in life and don't scruple when it comes to what they want to do. While I like to view myself as carving out my own life, I'd never go for such a drastic trailblazing method. But that is what makes Mata Hari so interesting. She goes big or goes home. More than that though she really knows how to craft a tale. Her lies are so intoxicating and fascinating, that while you might balk at her life choices, you have to admire her style.

Where Moran's storytelling surpasses Mata Hari's is in showing the real purpose of all Mata Hari's storytelling, to mask her pain. Mata Hari's life growing up as Margaretha Zelle, later MacLeod, wasn't the smoothest of journeys to be sure. The situations that she was forced into by the abandonment of her family at a young age eventually resulting in her early marriage would be events best forgotten. When this is compounded by the death of her beloved son you can see why she ran away and rewrote her own story. Many people would give anything to be able to rewrite their past, even pasts not nearly as traumatic as that lived by Mata Hari. A new city, a new name, a new past. She did a marvelous job reinventing herself and creating a legend. But legends are rarely relatable. Through her writing Moran lets us see behind the veil and while you might never quite come to terms with and like Mata Hari, you really feel for her. Her struggles, her pains, her decisions, even the atrocious ones, you just get it, and that's what historical fiction is about, connecting to another person in another place and time.

As for whether Mata Hari was killed because she was a spy? Well, I'm not of the harsh opinion Wikipedia holds that she was too naive and stupid to be a double agent. Because if anything her reinvention shows that she was a clever woman who knew what she wanted and got it. I agree with Moran's inference that Mata Hari's downfall was a judgment on her as a person versus any knowledge or secrets she might have held. Mata Hari didn't fit into the standard mold. She was a woman who lived her life as she wished. Certain men in power couldn't handle this. The world was at war and people were expected to toe the line and behave or all would be lost. Mata Hari went from being a juicy topic of conversation used to titillate to a wanton woman who was out to steal your husband. She was judged for what she did and paid the ultimate price. So what if men did what she did all the time, she was a woman and therefore her death was for the greater good. Yes, her ability to spin stories did come back to bite her on the ass, because she had a honeyed tongue and could make anything sound like truth so how could you believe a word she said? But what this book made me realize is that her story still resonates. She was a woman who lived her life outside of societies expectations and paid for it. Therefore I give you Mata Hari, a true feminist icon! She died for the cause, and can that be said about Isadora Duncan?

Friday, September 16, 2016

Book Review - Mata Hari's Last Dance

Mata Hari's Last Dance by Michelle Moran
Published by: Touchstone
Publication Date: July 19th, 2016
Format: Hardcover, 272 Pages
Rating: ★★★★★
To Buy

The woman formerly known as Lady Margaretha MacLeod has come to Paris to reinvent herself. Styled as Mata Hari, the "Eye of the Dawn," she has been trying to get work in the various dance halls. But she is too exotic, too foreign. Little do they know she's just a girl from the Netherlands who can spin a tale. At the last place she auditions, the disreputable L'Ete, she is once again turned away, but her luck is about to change. Edouard Clunet, a respectable and successful lawyer saw her dance and wants to act as her agent. The dance halls aren't the place for Mata Hari, she needs a select and refined audience, one Edouard can introduce her to. Her first production is for Clunet's client, Guimet, who has built a library to house his extensive collections and wants to have a ceremony with two hundred guests to open his Place d'Iena. Mata Hari's dance is a sensation. Her storytelling, her risque dances, they electrify the audience and soon she is coveted by all of Paris to perform at their function. But Clunet is clever, he only chooses the best venues with the best hosts, concerned just as much with Mata Hari's image as with her abilities.

Soon Mata Hari is performing one of a kind shows for the Rothschilds, Jeanne de Loynes, and Givenchy. Her habit to also occupy her host's bed lets Mata Hari accumulate beautiful possessions and living quarters, those that her pricey performance fees don't quite stretch to. She is the name on everyone's lips, so of course she is given opportunities beyond Paris which she jumps at. Madrid, Berlin, never did she think she'd play such lavish locations! But now that she has everything she could ever have wanted she realizes what she misses most, that which she ran away from. Her daughter, Jeanne Louise, whom she left behind with her husband when she fled after the death of their son. She has spent so much of her life telling tales and reinventing herself that to open up to Edouard, to tell him a truth, raw and painful, is a revelation. Her success will continue longer than she ever imagined, but it's her past she can never recapture that she wants most. As time goes on her habits with her lovers and her ability to spin a yarn will catch up to her with the most dire of consequences. Everyone has to face the music in the end.

When I was younger I didn't quite know who Mata Hari was. But then again, being told of a great courtesan doesn't seem like the kind of tale you'd tell as a bedside story to a child. So I had these wild ideas about who she was. A seductress, a storyteller, and a spy, all with the most amazing outfits. Someone out of The Arabian Nights like Scheherazade. Someone from antiquity when Gods walked among the deserts. A grand heroine of myth. The truth is she'd probably like the myth in my mind. It wasn't until much later that I learned the truth of her tragic life. Ironically I didn't learn about Mata Hari in any history class but in the episode of The Young Indiana Jones Chronicles that was written by Carrie Fisher, which should have been subtitled "Indy Gets His Groove On." Here was the beginning of the truth I never knew. The woman I thought relegated to dusty tomes was a "spy" during the first world war! While there are those who'd argue that this is old, to me, if a person was alive in the same century I was born that's pretty recent news. Gone were The Arabian Nights delusions and in their place was this woman who defied convention and died for the greater good.

I think where my erroneous impressions of Mata Hari came from was the fact she was a courtesan. Courtesans seem of an older era, when Kings walked through Versailles and a Maharajah took a woman to bed bedecked with jewels. When you think of the turn of the past century when a woman slept around or had a lover she was a mistress or worse. But mistress doesn't do Mata Hari justice. Neither does any of the more derogatory slurs that could be mentioned. She was a true courtesan. She was well educated, skilled, and able to tell the most intoxicating stories. So she accepted gifts of jewels and property, these were never payment, they weren't even really a transaction of any kind, more a thank you for a good seduction. She lived outside the expectations of society. Or at least the expectations of a woman in society. She acted more like a man when it came to whom she took to bed. It was all about desire, hers and theirs, and if they happened to look really fabulous in a uniform, all the better.

By living outside of the proscribed norms it was interesting in how I related to Mata Hari. As in, I didn't relate to her AT ALL. I mean, sure spending a night on your back or a day dancing to be draped in jewels might be some people's ideal life, just not mine. The truth is, she's not the most likable person. It's not just that her morals don't jive with mine, it's something more, something deep down that while I can be fascinated by her I would never like her. In fact, I found it interesting that Mata Hari kind of reminded me of Linda Radlett from Nancy Mitford's The Pursuit of Love. They are both very acquisitive beings who like the finer things in life and don't scruple when it comes to what they want to do. While I like to view myself as carving out my own life, I'd never go for such a drastic trailblazing method. But that is what makes Mata Hari so interesting. She goes big or goes home. More than that though she really knows how to craft a tale. Her lies are so intoxicating and fascinating, that while you might balk at her life choices, you have to admire her style.

Where Moran's storytelling surpasses Mata Hari's is in showing the real purpose of all Mata Hari's storytelling, to mask her pain. Mata Hari's life growing up as Margaretha Zelle, later MacLeod, wasn't the smoothest of journeys to be sure. The situations that she was forced into by the abandonment of her family at a young age eventually resulting in her early marriage would be events best forgotten. When this is compounded by the death of her beloved son you can see why she ran away and rewrote her own story. Many people would give anything to be able to rewrite their past, even pasts not nearly as traumatic as that lived by Mata Hari. A new city, a new name, a new past. She did a marvelous job reinventing herself and creating a legend. But legends are rarely relatable. Through her writing Moran lets us see behind the veil and while you might never quite come to terms with and like Mata Hari, you really feel for her. Her struggles, her pains, her decisions, even the atrocious ones, you just get it, and that's what historical fiction is about, connecting to another person in another place and time.

As for whether Mata Hari was killed because she was a spy? Well, I'm not of the harsh opinion Wikipedia holds that she was too naive and stupid to be a double agent. Because if anything her reinvention shows that she was a clever woman who knew what she wanted and got it. I agree with Moran's inference that Mata Hari's downfall was a judgment on her as a person versus any knowledge or secrets she might have held. Mata Hari didn't fit into the standard mold. She was a woman who lived her life as she wished. Certain men in power couldn't handle this. The world was at war and people were expected to toe the line and behave or all would be lost. Mata Hari went from being a juicy topic of conversation used to titillate to a wanton woman who was out to steal your husband. She was judged for what she did and paid the ultimate price. So what if men did what she did all the time, she was a woman and therefore her death was for the greater good. Yes, her ability to spin stories did come back to bite her on the ass, because she had a honeyed tongue and could make anything sound like truth so how could you believe a word she said? But what this book made me realize is that her story still resonates. She was a woman who lived her life outside of societies expectations and paid for it. Therefore I give you Mata Hari, a true feminist icon! She died for the cause, and can that be said about Isadora Duncan?

Wednesday, January 19, 2011

Book Review - Lauren Willig's The Orchid Affair

The Orchid Affair by Lauren Willig
Published by: Dutton
ARC Provided by Dutton
Publication Date: January 20th, 2010
Format: Hardcover, 416 Pages
Challenge: Historical Fiction
Rating: ★★★★★
To Buy
Laura Grey has had it being a governess. She has just graduated from the Selwick Spying Academy and is off to France to do her bit to fight the revolution. Of course she just happens to be going to France in the very role she was trying to escape, that of "governess."  Laura, or more precisely, Laure Griscogne, has been away from her homeland since her parents died and left her orphaned and having to take care of herself in the only way possible, by rearing others children, though when she started she was but a child herself. Now she has two new charges, the children of Andre Jaouen, a man The Pink Carnation is desperate to know more about, especially because he works in the Abbaye Prison with that most odious of men, Delaroche. But when you spend most of your time taking care of the children in a large and desolate house and rarely spying at keyholes and sneaking messages to The Pink Carnation through various booksellers, it's hard to see the value in your work. But there is more to Jaouen then meets the eye. He has connections within the artistic community that Laura's family was once in the center of. Laura was once the child of a somebody, a great poetess. Andre is having a hard time rectifying this stern, prim governess, with the loose and wanton Paris saloons of pre-revolutionary France. All the while Laura is having a hard time rectifying this rather attractive bespectacled man with that of a hardened revolutionary who wants to kill all the aristos he can find. But when both their missions unexpectedly collide around a man who could restore the French monarchy, they have to decide whether it is best to let animosities and allegiances fall by the wayside and trust their instincts and growing attraction to each other. Plus sneaking through the countryside as travelling performers can't be as hard as it sounds?

The newest in Lauren Willig's ever expanding cannon of Pink Carnation books takes us right back to the heart of what this series is about. Spying. Even if with a little Commedia it's, as the author puts it so well, "like The Sound of Music… meets Mata Hari." We are back within the courts of Napoleon and the streets of Paris, where blood might run in the streets at any moment, and the reality of the horrors that await in the Abbaye Prison are a real threat, not comfortably located on the other side of the channel. While the previous books have all had spies in various locals with various flower monikers, this one feels the closest to the legacy of The Scarlet Pimpernel; with our heroine in enemy territory, with barely an ally, and no ally that she can get to without a bookstore or an effusive poet. Speaking of said poet... we get nice little cameos from some of the Pink cast, but they are just the icing on the cake, what makes this book soar are the new characters of Andre and Laura, which even readers new to the series can enjoy without the previous installments. Every book since the first has been a pairing off of a previous hero or heroine with someone new or some old friend, but not in this case. Here we have a blank canvas ripe for the painting, Miss Grey has only had a few brief and enigmatic references which have given her no illumination. Laura has a rich and complicated past that was filled with sumptuousness and luxury and is now contained within harsh grey stays. Andre has also had a life that was once filled with love and an artistic wife, instead he now has to change ideals and live a sparse and paired down life. Both these two have spent a life hiding who they really are and masking what they want and feel. I felt such an instant connection with both of them, just waiting with baited breath for Laura to realize this man could not possibly be evil, even if he is French, they aren't all Delaroches. How Lauren is able to continually excel at each subsequent book astonishes me. While they do build on each other to form a perfect shelf in my library, they also are wonderfully contained little jewels of stories that you just want to go back to again and again, which Lauren does do. One day we wonder who is that lady at the Selwick Spy School, years later, she is flesh. She is whole and wonderful and I didn't want the book to end. I hope when you get your hands on a copy you'll feel as I do. And if you hate the new cover, you don't have to keep in on the book.

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