strange and random happenstance

Silverwolf by Jacey Bedford
Published by: DAW
Publication Date: January 3rd, 2017
Format: Paperback, 432 Pages
Rating: ★★★★★
To Buy

Will's ghost has been laid to rest and Ross feels like her life with Corwen is about to begin. And when you entwine your life with another you entwine yourself with their family as Corwen well knows after his escapades with Ross's family. Corwen has been estranged from his family, the Deverells of Denby Hall, Yorkshire, for many years. They couldn't come to grips with the fact that he turns into a wolf. Yet he always made sure they could contact him. And they finally have. Though perhaps a little later than they should have. A lot has changed in six years, his little sister Lily and his twin brother Freddie both turned out to be shapechangers as well, and in December their eldest brother Jonathan died resulting in their father having an apoplexy. Freddie should have stepped into the breach left by Jonathan's death but instead he fled to friends in London and now hasn't been heard from in four months. There's been no one to hold the family estate together and there's trouble at the mill. But first things first, the widow Rossalinde Sumner must be introduced to the family as Corwen's fiance. Which is an oddly joyous greeting and homecoming, with only some minor recriminations. Perhaps Corwen's father regrets how they ended things? With very little ability to communicate their problems might never be resolved, but Corwen can at least show his family that he is up to the task at hand. First there's the mill, which is being unscrupulously run, which Lily takes into hand. Then there's the bigger problem of Freddie... He was trying to reject his true nature, a dangerous undertaking. When they arrive at his lodgings in London they can see something bad has happened. With the rowenkind free and wild magic on the loose Walsingham has risen from the ashes to harness this new threat to his own advantage. Can they save Freddie from Walsingham's clutches? And if they do can they then save him from himself?

When the average reader thinks of Regency England they think of Jane Austen. More well read readers might also throw in Georgette Heyer and Julia Quinn. But these women all wrote about a very specific echelon of society. Everyone is, for the most part, financially secure, or at least has the prospects to be secure. In other words, it doesn't really reflect society as a whole it was a very specific slice of Regency life. It would take authors like Dickens and Gaskell to actually shine a light on the working class and the poor. And yet the Industrial Revolution which is so associated with their works was already underway. Which is why I so love this second volume in Jacey Bedford's Rowankind series, because it doesn't just draw on the drawing room aspect of society that was so often written about. In fact I would more associate this book with Elizabeth Gaskell than with Jane Austen. I couldn't help compare Silverwolf to Mary Barton and North and South. Very favorably I might add. We get to see the plight of the workers, the treatment of the rowankind, and an actual effort made to improve the lives of those who are dependent on the Deverell family. This volume is Downton Abbey meets Elizabeth Gaskell, or, because it's all about family drama in Yorkshire, this is Jacey Bedford doing her Barbara Taylor Bradford Emma Harte saga! I never wanted this book to end. But more importantly I could have just stayed at Denby Hall forever. I do love a big country house and a family business and compassionate people, but so many times they are a pale carbon copy of something truly original. And yes, for as much as I love Downton Abbey, it's just Upstairs, Downstairs in Yorkshire with a nicer house that's actually not in Yorkshire. Downton Abbey literally lifts plot points left and right. This world that Jacey Bedford has created is just so original and new. Old themes seen in a different light. And I just think I talked myself into re-reading this volume again. I seriously loved it so much, plus if someone were to ask what I was reading I could respond "trouble at t'mill" which everyone who's anyone knows that that's the start of Monty Python's Spanish Inquisition Sketch. And if there's one thing I love as much as family sagas, it's Monty Python.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Barbara Taylor Bradford, Corwen, Downton Abbey, Elizabeth Gaskell, Georgette Heyer, Jacey Bedford, Jane Austen, Julia Quinn, Mary Barton, North and South, Regency Magic, Ross Tremayne, Silverwolf, Yorkshire

Winterwood by Jacey Bedford
Published by: DAW
Publication Date: February 2nd, 2016
Format: Paperback, 424 Pages
Rating: ★★★★★
To Buy

Ross Tremayne hasn't seen her mother since Ross eloped with Will. What happened that night on the docks was because of her mother. Ross's father had promised Ross a ship, and she and Will took the Heart of Oak. It belonged to them. Her mother saw it differently. Seven years is a long time to hold a grudge and life doesn't turn out as you expect, just ask Will, dead these three years. Yet Ross comes to her mother's deathbed. She felt compelled to stand before the woman who called her a pirate's whore and prove once and for all that the woman who bore her no longer has power over her. Turns out the dying lady had a few surprises left aside from insulting Ross's sartorial choices. Not only is Ross's brother Philip dead in a duel, she bequeaths Ross a winterwood box, an inheritance and a curse in one. As Ross and her right hand man, minus a hand, Hookey, attempt to leave Plymouth, word has gotten out that Redbeard Tremayne is back and the Kingsmen are looking for "him." Their escape blocked they head back to the family home in hopes of "borrowing" some horses, only to find the house engulfed in flames and her mother's remaining rowankind servant, David, in need of an egress as well. The only place the three travelers can escape to is the dangerous Okewood. There the Green Man and his Lady hold sway. But they seem in a giving mood. The Lady imparts Ross's mother's biggest secret, David is actually Ross's half-brother. As for the winterwood box? That was forged in the time of Good Queen Bess to enslave the rowankind by taking away their memories of their homeland. It is Ross's destiny to right this ancient wrong. But there are forces in the Mysterium who want to stop Ross at any cost. The mysterious Walsingham is working with her brother Philip, who is very much alive, to retrieve the box for themselves. And they aren't playing by the rules. But Ross isn't fighting this battle alone, her loyal crew, the Fae, Will's ghost, and a mysterious man named Corwen are all willing to help her. But at what cost?

Growing up in the eighties, girls were basically told they fit in one of two categories, princess or tomboy. But as we all know no one fits perfectly into any category. Because I wanted to be a princess but also wanted to be a pirate. And if I was forced to choose I would have chosen pirate, obviously a subcategory of tomboy much like horse girl was a subcategory of princess. My mother was very much against me ever becoming a horse girl. Which brings me to Winterwood. I love this book. I love this book so much I can barely form my thoughts. But what I love most about this book is that it shows that a girl can dress elegantly and perform magic and meet the Fae while also being a pirate, the scourge of the high seas. Ross doesn't let anyone categorize her which is why it's hard to categorize this book. Yes, Winterwood is Historical Fantasy, but it's so much more, it's like Jacey Bedford looked at all the different kinds of Regency Magic that exist and thought, but why can't I have it all AND the kitchen sink? And that's what this book and this series is. It's everything! Sure there's Austen, but there's also Du Maurier with heavy Jamaica Inn vibes. Do you want high Fae fantasy? Well that's here too? Do you what a wolf shapechanger? That's here too, but be careful never to call him a werewolf, he is definitely not moon called but does kind of have a Geralt of Rivia vibe. So yes, this is over the top, this is magnificent, but I don't want you thinking it's just all fluff. Because with the plight of the rowankind and also how the society controls magic through the Mysterium, we're getting deeper issues of free will and the fight for equality. The rowankind's plight mirrors the abolition of slavery that was growing steam at this time in England. As this book is set in 1800 it was still seven more years until the slave trade was abolished, and make note, the trade alone was abolished, not the owning of slaves, that took until 1838. But the rowankind are an interesting conundrum. Their magical origin and their status means fight for their independence relies almost solely on Ross's shoulders. A task she doesn't take lightly. But it's a worthy fight that will play out over the course of this trilogy.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Abolition, Corwen, Daphne Du Maurier, Fae, Geralt, Heart of Oak, Historical Fantasy, Hookey, Jacey Bedford, Jamaica Inn, Jane Austen, Pirates, Princess, Regency Magic, Ross Tremayne, Rowankind, Tomboy, Winterwood

Rowankind by Jacey Bedford
Published by: DAW
Publication Date: November 27th, 2018
Format: Paperback, 473 Pages
Rating: ★★★★★
To Buy

When freed many of the rowankind took the Fae's offer to return to their homeland, Iaru. Yet there are those that stayed behind in Britain. They have made lives for themselves and have no desire to return to a homeland that they've never known. The humans though don't feel safe. They have treated the rowankind worse than slaves for hundreds of years and now those slaves have the power to fight back. And they are. In retaliation the humans are killing the rowankind. Reports of mass executions happening all over the country have reached the ears of the Fae and they want to take revenge. But Ross and Corwen beg the Fae council to let them attempt a diplomatic approach first before razing all of Britain. A major problem though is in educating the Fae that the world has changed. They have cloistered themselves in Iaru for so long they don't understand that being King isn't as powerful as it once was. The King has to answer to Parliament and they have to answer to the people. This will not be an easy fix and yet the Fae expect it to be. They expect Ross and Corwen to just walk up to the King and get him to make his subjects behave. In order to stop more bloodshed the couple are willing to attempt the impossible. And it really looks like it shall be impossible, George III isn't well, and the reason shocks Ross when she discovers it, the King has magic. Magic he isn't using. Much like Corwen's brother denying his wolf half, the King is denying his magic and it's making him very ill. Yet once contact is made Ross really hopes that they can reach some sort of agreement. But the Fae think they are taking too long and start demonstrating what they are capable of. If the populace was scared of a few rowankind with not much magic how are they going to feel about the Fae turning their beer into water and bringing about a blight to their crops? If everyone would just behave and trust each other for one minute perhaps everything will work out and Ross and Corwen can have their happy ending. Perhaps.

Rowankind doesn't really bring anything new to the table with regard to this trilogy but it does satisfactorily tie up all the loose ends. And there are many, from rescuing missing men to reinstating Gentleman Jim on his island. And there is also much politicking. Because the merging of two worlds, with magical citizens living in a nonmagical world, needs policies. There need to be laws to protect their rights and their bodies from harm. And it's a sad day when fictional Fae end up having more rights than many people do today. But that's just the world we live, and proves once again why I want to live in books and in particular this series. But while the politics do take center stage along with several notable politicians of the day, that's not all this book is about. We get one last piratical adventure, another shooting of London Bridge, a final Walsingham showdown, some more family drama, and lots of happily ever afters. Because this is fantasy and that means the good prevail, the bad fail, and everyone gets to sail off into the sunset. Plus there's just this wonderful message of the healing powers of love and that love is love. Ross is able to find love again even though she thought she never would after the death of her husband Will. Her brother David finds love with a rowankind servant Annie. Her brother-in-law is able to tame his beast due to the love of his partner Roland. Her Aunt Rosie reunites with her lost love Leo. Even the servants get in on the love with her maid Poppy marrying Yeardley. And, now that I think about it, this whole series is about finding your family, those who you love with your whole heart and soul. You don't have to be related by blood, I mean look what Ross had to do to her brother.... It's about finding your tribe. Be they pirates or pixies, when you find your people the world is so much better because they are there for you in good times and in bad and most importantly, they will fight for you and even help you burying the bodies. So here's a shout-out to all my family, I love you like I love books, and you know how much that is.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Britain, Corwen, Execution, Fae, Family, George III, HEA, Jacey Bedford, London Bridge, Love, Magic, Pirates, Politics, Regency England, Regency Magic, Ross Tremayne, Rowankind, Silverwolf, Trilogy, Winterwood

Rowankind by Jacey Bedford
Published by: DAW
Publication Date: November 27th, 2018
Format: Paperback, 473 Pages
Rating: ★★★★★
To Buy

When freed many of the rowankind took the Fae's offer to return to their homeland, Iaru. Yet there are those that stayed behind in Britain. They have made lives for themselves and have no desire to return to a homeland that they've never known. The humans though don't feel safe. They have treated the rowankind worse than slaves for hundreds of years and now those slaves have the power to fight back. And they are. In retaliation the humans are killing the rowankind. Reports of mass executions happening all over the country have reached the ears of the Fae and they want to take revenge. But Ross and Corwen beg the Fae council to let them attempt a diplomatic approach first before razing all of Britain. A major problem though is in educating the Fae that the world has changed. They have cloistered themselves in Iaru for so long they don't understand that being King isn't as powerful as it once was. The King has to answer to Parliament and they have to answer to the people. This will not be an easy fix and yet the Fae expect it to be. They expect Ross and Corwen to just walk up to the King and get him to make his subjects behave. In order to stop more bloodshed the couple are willing to attempt the impossible. And it really looks like it shall be impossible, George III isn't well, and the reason shocks Ross when she discovers it, the King has magic. Magic he isn't using. Much like Corwen's brother denying his wolf half, the King is denying his magic and it's making him very ill. Yet once contact is made Ross really hopes that they can reach some sort of agreement. But the Fae think they are taking too long and start demonstrating what they are capable of. If the populace was scared of a few rowankind with not much magic how are they going to feel about the Fae turning their beer into water and bringing about a blight to their crops? If everyone would just behave and trust each other for one minute perhaps everything will work out and Ross and Corwen can have their happy ending. Perhaps.

Rowankind doesn't really bring anything new to the table with regard to this trilogy but it does satisfactorily tie up all the loose ends. And there are many, from rescuing missing men to reinstating Gentleman Jim on his island. And there is also much politicking. Because the merging of two worlds, with magical citizens living in a nonmagical world, needs policies. There need to be laws to protect their rights and their bodies from harm. And it's a sad day when fictional Fae end up having more rights than many people do today. But that's just the world we live, and proves once again why I want to live in books and in particular this series. But while the politics do take center stage along with several notable politicians of the day, that's not all this book is about. We get one last piratical adventure, another shooting of London Bridge, a final Walsingham showdown, some more family drama, and lots of happily ever afters. Because this is fantasy and that means the good prevail, the bad fail, and everyone gets to sail off into the sunset. Plus there's just this wonderful message of the healing powers of love and that love is love. Ross is able to find love again even though she thought she never would after the death of her husband Will. Her brother David finds love with a rowankind servant Annie. Her brother-in-law is able to tame his beast due to the love of his partner Roland. Her Aunt Rosie reunites with her lost love Leo. Even the servants get in on the love with her maid Poppy marrying Yeardley. And, now that I think about it, this whole series is about finding your family, those who you love with your whole heart and soul. You don't have to be related by blood, I mean look what Ross had to do to her brother.... It's about finding your tribe. Be they pirates or pixies, when you find your people the world is so much better because they are there for you in good times and in bad and most importantly, they will fight for you and even help you burying the bodies. So here's a shout-out to all my family, I love you like I love books, and you know how much that is.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Britain, Corwen, Execution, Fae, Family, George III, HEA, Jacey Bedford, London Bridge, Love, Magic, Pirates, Politics, Regency England, Regency Magic, Ross Tremayne, Rowankind, Silverwolf, Trilogy, Winterwood

Silverwolf by Jacey Bedford
Published by: DAW
Publication Date: January 3rd, 2017
Format: Paperback, 432 Pages
Rating: ★★★★★
To Buy

Will's ghost has been laid to rest and Ross feels like her life with Corwen is about to begin. And when you entwine your life with another you entwine yourself with their family as Corwen well knows after his escapades with Ross's family. Corwen has been estranged from his family, the Deverells of Denby Hall, Yorkshire, for many years. They couldn't come to grips with the fact that he turns into a wolf. Yet he always made sure they could contact him. And they finally have. Though perhaps a little later than they should have. A lot has changed in six years, his little sister Lily and his twin brother Freddie both turned out to be shapechangers as well, and in December their eldest brother Jonathan died resulting in their father having an apoplexy. Freddie should have stepped into the breach left by Jonathan's death but instead he fled to friends in London and now hasn't been heard from in four months. There's been no one to hold the family estate together and there's trouble at the mill. But first things first, the widow Rossalinde Sumner must be introduced to the family as Corwen's fiance. Which is an oddly joyous greeting and homecoming, with only some minor recriminations. Perhaps Corwen's father regrets how they ended things? With very little ability to communicate their problems might never be resolved, but Corwen can at least show his family that he is up to the task at hand. First there's the mill, which is being unscrupulously run, which Lily takes into hand. Then there's the bigger problem of Freddie... He was trying to reject his true nature, a dangerous undertaking. When they arrive at his lodgings in London they can see something bad has happened. With the rowenkind free and wild magic on the loose Walsingham has risen from the ashes to harness this new threat to his own advantage. Can they save Freddie from Walsingham's clutches? And if they do can they then save him from himself?

When the average reader thinks of Regency England they think of Jane Austen. More well read readers might also throw in Georgette Heyer and Julia Quinn. But these women all wrote about a very specific echelon of society. Everyone is, for the most part, financially secure, or at least has the prospects to be secure. In other words, it doesn't really reflect society as a whole it was a very specific slice of Regency life. It would take authors like Dickens and Gaskell to actually shine a light on the working class and the poor. And yet the Industrial Revolution which is so associated with their works was already underway. Which is why I so love this second volume in Jacey Bedford's Rowankind series, because it doesn't just draw on the drawing room aspect of society that was so often written about. In fact I would more associate this book with Elizabeth Gaskell than with Jane Austen. I couldn't help compare Silverwolf to Mary Barton and North and South. Very favorably I might add. We get to see the plight of the workers, the treatment of the rowankind, and an actual effort made to improve the lives of those who are dependent on the Deverell family. This volume is Downton Abbey meets Elizabeth Gaskell, or, because it's all about family drama in Yorkshire, this is Jacey Bedford doing her Barbara Taylor Bradford Emma Harte saga! I never wanted this book to end. But more importantly I could have just stayed at Denby Hall forever. I do love a big country house and a family business and compassionate people, but so many times they are a pale carbon copy of something truly original. And yes, for as much as I love Downton Abbey, it's just Upstairs, Downstairs in Yorkshire with a nicer house that's actually not in Yorkshire. Downton Abbey literally lifts plot points left and right. This world that Jacey Bedford has created is just so original and new. Old themes seen in a different light. And I just think I talked myself into re-reading this volume again. I seriously loved it so much, plus if someone were to ask what I was reading I could respond "trouble at t'mill" which everyone who's anyone knows that that's the start of Monty Python's Spanish Inquisition Sketch. And if there's one thing I love as much as family sagas, it's Monty Python.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Barbara Taylor Bradford, Corwen, Downton Abbey, Elizabeth Gaskell, Georgette Heyer, Jacey Bedford, Jane Austen, Julia Quinn, Mary Barton, North and South, Regency Magic, Ross Tremayne, Silverwolf, Yorkshire

Winterwood by Jacey Bedford
Published by: DAW
Publication Date: February 2nd, 2016
Format: Paperback, 424 Pages
Rating: ★★★★★
To Buy

Ross Tremayne hasn't seen her mother since Ross eloped with Will. What happened that night on the docks was because of her mother. Ross's father had promised Ross a ship, and she and Will took the Heart of Oak. It belonged to them. Her mother saw it differently. Seven years is a long time to hold a grudge and life doesn't turn out as you expect, just ask Will, dead these three years. Yet Ross comes to her mother's deathbed. She felt compelled to stand before the woman who called her a pirate's whore and prove once and for all that the woman who bore her no longer has power over her. Turns out the dying lady had a few surprises left aside from insulting Ross's sartorial choices. Not only is Ross's brother Philip dead in a duel, she bequeaths Ross a winterwood box, an inheritance and a curse in one. As Ross and her right hand man, minus a hand, Hookey, attempt to leave Plymouth, word has gotten out that Redbeard Tremayne is back and the Kingsmen are looking for "him." Their escape blocked they head back to the family home in hopes of "borrowing" some horses, only to find the house engulfed in flames and her mother's remaining rowankind servant, David, in need of an egress as well. The only place the three travelers can escape to is the dangerous Okewood. There the Green Man and his Lady hold sway. But they seem in a giving mood. The Lady imparts Ross's mother's biggest secret, David is actually Ross's half-brother. As for the winterwood box? That was forged in the time of Good Queen Bess to enslave the rowankind by taking away their memories of their homeland. It is Ross's destiny to right this ancient wrong. But there are forces in the Mysterium who want to stop Ross at any cost. The mysterious Walsingham is working with her brother Philip, who is very much alive, to retrieve the box for themselves. And they aren't playing by the rules. But Ross isn't fighting this battle alone, her loyal crew, the Fae, Will's ghost, and a mysterious man named Corwen are all willing to help her. But at what cost?

Growing up in the eighties, girls were basically told they fit in one of two categories, princess or tomboy. But as we all know no one fits perfectly into any category. Because I wanted to be a princess but also wanted to be a pirate. And if I was forced to choose I would have chosen pirate, obviously a subcategory of tomboy much like horse girl was a subcategory of princess. My mother was very much against me ever becoming a horse girl. Which brings me to Winterwood. I love this book. I love this book so much I can barely form my thoughts. But what I love most about this book is that it shows that a girl can dress elegantly and perform magic and meet the Fae while also being a pirate, the scourge of the high seas. Ross doesn't let anyone categorize her which is why it's hard to categorize this book. Yes, Winterwood is Historical Fantasy, but it's so much more, it's like Jacey Bedford looked at all the different kinds of Regency Magic that exist and thought, but why can't I have it all AND the kitchen sink? And that's what this book and this series is. It's everything! Sure there's Austen, but there's also Du Maurier with heavy Jamaica Inn vibes. Do you want high Fae fantasy? Well that's here too? Do you what a wolf shapechanger? That's here too, but be careful never to call him a werewolf, he is definitely not moon called but does kind of have a Geralt of Rivia vibe. So yes, this is over the top, this is magnificent, but I don't want you thinking it's just all fluff. Because with the plight of the rowankind and also how the society controls magic through the Mysterium, we're getting deeper issues of free will and the fight for equality. The rowankind's plight mirrors the abolition of slavery that was growing steam at this time in England. As this book is set in 1800 it was still seven more years until the slave trade was abolished, and make note, the trade alone was abolished, not the owning of slaves, that took until 1838. But the rowankind are an interesting conundrum. Their magical origin and their status means fight for their independence relies almost solely on Ross's shoulders. A task she doesn't take lightly. But it's a worthy fight that will play out over the course of this trilogy.

Posted by Miss Eliza at 12:00 AM 1 comments  

Labels: Abolition, Corwen, Daphne Du Maurier, Fae, Geralt, Heart of Oak, Historical Fantasy, Hookey, Jacey Bedford, Jamaica Inn, Jane Austen, Pirates, Princess, Regency Magic, Ross Tremayne, Rowankind, Tomboy, Winterwood

Back in the before times, 2019 to be exact, someone, and I wish I could remember who so I could profusely thank them, asked me if I had read Jacey Bedford's Rowankind series. I had not and promptly bought the first book, Winterwood. And then the weirdest thing happened, Jacey Bedford emailed me. This never happens. This weird synchronicity where you buy a book and then out of nowhere the author emails you. Well I had magic to thank for that, Regency Magic! Jacey had heard about Regency Magic from Heather Rose Jones, the author of the Alpennia series who had participated in Regency Magic previously in 2016 and again in 2018. Jacey's Rowankind series had just been completed in the fall of 2018 and was wondering if I was interested in reviewing the series for Regency Magic. Um, of course I was! And on August 25th DAW set me the trilogy. Why do I know that date so specifically? Because another weird occurrence happened, one might even say it was a strange and random happenstance. On August 30th Carnival Row dropped on Amazon. The wonderfully Noir Steampunk show starring Orlando Bloom and Cara Delevingne enthralled me, but the character of Sophie Longerbane played by the actress Caroline Ford keep triggering something in my mind. I knew her from somewhere and IMDb wasn't helping. And that's when I put two and two together and realized she was on the cover of Jacey's books as Ross Tremayne! A fact that Jacey confirmed with the photographer shortly thereafter. All this just goes to show that it was fate all along that I'd pick up this series and fall in love with this wonderfully off the wall series with pirates, I mean privateers, and magic and Fae and goblins and history and I swear, just pick it up and be swept away by Ross's adventures. Because as fate has decreed, and by fate I mean DAW, I happen to have an extra copy of Winterwood and will be giving it away on Instagram this month!

Question: When did you first discover Jane Austen?

Answer: I was very late to the party. We had to do Northanger Abbey at school and though I didn't hate it as much as I loathed Dickens, I don't think it was taught very well. It took me a while to get over the way literature was presented in school. I didn't read Pride and Prejudice until I was in my early thirties. And then, of course, there were various movie or TV adaptations. It might have been the BBC version with Colin Firth and Jennifer Ehrle that reminded me to read it again. It seems to be shown pretty regularly, I did like the 2005 Matthew Macfayden film. There were some superb moments. The country dances were authentically sweaty and the Bennett farmyard suitably muddy. I loved the scene where Mum and the girls are lounging about and somebody sees Darcy approaching. The panicked flurry to tidy up both themselves and the room is manic and then by the time Darcy walks through the door they are all sitting primly as cool as cucumbers. Lovely.

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I think she'd be quietly amused by most of it, though probably a bit perplexed about the zombies.

Question: Where do you get your inspiration from?

Answer: The story ideas and the characters come from my own head, but the worldbuilding accretes as I dig deeper and deeper into the history of the period. I can't say that my inspiration comes from any one source. I have a mish-mash of images floating around in my brain that eventually gel into something tangible. When I'm researching, I tend to dip in and out of history books, and I spend a lot of time on Pinterest, collecting pictures of everything from costume and ships to pots and pans and to architecture. It all comes together gradually. The characters and the situation tend to come first and the worldbuilding second. But then the worldbuilding affects the story, too, so it's all interdependent. Even while I'm writing, I'm still researching to add authentic detail. You can't be sloppy on the history just because the story contains magic. It took me ages to research who commissioned the red coats for the British Army, and then to find out where they were made (and by whom). Goblin tailors in my book, but I needed to do the research to achieve verisimilitude, and write about a little Goblin sweatshop in London's East End.

Question: What makes the early 19th century mesh so well with magic?

Answer: It's a really interesting period: the Napoleonic Wars, George III's madness, the Industrial Revolution, bread riots, the age of sail, the echoes of the French Revolution which really put the wind up our politicians. They are frightened of the common people rising up, especially any of them imbued with magic. It's easy to slide magic into such turbulent times. For instance, in my Georgian trilogy (Winterwood, Silverwolf, and Rowankind) we eventually meet George III in the last book, and discover that his madness has a magical origin. Since no one really knows the actual cause (I believe Porphyria has been discounted, now) it's quite easy to offer a logical magical explanation.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: I wish I could tell you that I had it all worked out in advance, but I didn't. It grew organically because my heroine, Ross Tremayne, a cross dressing privateer captain, ended up on the high seas, almost by accident, when she eloped with Will Tremayne in one of her father's ships, a lovely tops'l schooner. Will died in an accident so as the book opens Ross has been widowed for four years and she's captaining the ship in Will's stead, supported by a crew of barely reformed pirates. They have letters of marque from the Crown to hunt down and capture (or sink) vessels supplying the French. Ross has weather magic, but her natural element is the land rather than the ocean, and so she's pulled in two directions. Her land-magic develops when Ross first encounters the Green Man and the Lady of the Forests, and realises that her newly discovered younger brother, originally believed to be half-Rowankind, is really half-Fae. This lets me bring in elements of British folklore and magic: wolf shapechangers (don't call them werewolves, they hate that!), kelpies, hobs etc. Land magic. Though my books are set in 1800 - 1802 (the long regency) I don't do balls, and my characters are a million miles away from the ton. They are mostly dealing with problems while keeping clear of the law.

I use settings suggested by my historical research. I have Ross, Corwen and some of the crew being chased through a deserted off-season Vauxhall Gardens by a pack of Hellhounds conjured by the villain, Walsingham. I've used a lot of authentic detail for that (with the help of detailed contemporary maps) and then when they escape to their row-boat on the Thames, they have to run the currents under London Bridge - which was like going over a waterfall with a six-foot drop, as the 'starlings' protecting the bridge piers, narrowed the river channel. I really enjoyed writing that scene.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: I'm not sure I could separate the two. It's true that Regency Romance is my guilty pleasure (I love a Bridgerton-type book) but I don't think I could write something that was just historical. I would end up bringing fantasy and/or adventure into it somewhere. And ditto, if I set out to write a fantasy, it would have elements of history in it, whether it was Georgian or generically medievaloid. I'm currently writing a YA fantasy book that takes place in the modern world and in the lands of Faerie. There are historical aspects to it. My most recent published book, The Amber Crown is set in an analogue of the Baltic States in the 1600s.

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Answer: No. I can pretend without the clothes There were some try-on costumes in the Jane Austen Museum in Bath when I went there for research, but they were so obviously easy-on reproductions that I hadn't the heart. I was hoping to have a go at getting into a genuine period dress with its ties and pins (not a real historical one, but one made to the same pattern at least) however these were elasticated so a bit disappointing. I take my hat off to the people who do proper costuming, using real historical patterns and ensuring all the detail is authentic. I can sew, but I don't have much time for it these days.

Biography:
Jacey Bedford is a British writer of science fiction and historical fantasy. She is published by DAW. Her Psi-Tech and Rowankind trilogies are out now. Her latest book, The Amber Crown, came out in January 2022. Her short stories have appeared in anthologies and magazines on both sides of the Atlantic, and have been translated into Estonian, Galician, Catalan and Polish. In another life she was a singer with vocal trio, Artisan, and once sang live on BBC Radio4 accompanied by the Doctor (Who?) playing spoons.

Jacey's Social Media:
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Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alpennia, Carnival Row, Caroline Ford, Georgian, Heather Rose Jones, Jacey Bedford, Pinterest, Pirates, Pride and Prejudice, Regency Magic, Ross Tremayne, Rowankind, Sophie Longerbane, The Amber Crown, Winterwood

Last year I read a lot of Regency themed books for my Regency Romp. Which made me actually question whether doing Regency Magic might have been a tad too much too soon. Yes, it's been four years since I last did Regency Magic and this subgenre is such a favorite of mine that I am a little baffled I didn't squeeze it in somewhere. And yes, I do totally organize my blog around the "what do I feel like reading" versus "what is popular" which means I have a legitimate excuse to indulge in something Austenesque with a side of magic. But somehow I just didn't. And then the question of should I even be doing it now kept repeating in my head on a loop. But then two things happened, I started craving anything set in the Regency and I picked up C.C. Aune's The Ill-Kept Oath. The cravings were obviously caused by my withdrawal after reading so many Regency set books last year and The Ill-Kept Oath was one of those books you read and it's just sheer perfection. You want to inhale it all and yet you never want it to end and I felt myself falling in love with Regency Magic all over again. And then I picked up Jacey Bedford's Rowankind series and the same thing happened again! I wasn't just falling in love with a subgenre all over again I was falling in love with reading all over again! Therefore I am beyond delighted to spend the next two months with C.C. Aune and Jacey Bedford, as well as the much loved Stephanie Burgis, and the new to me H.G. Parry. I can't wait for you to read their books! Join me on this journey, read along with me, keep an eye out for an Instagram giveaway or two, and if we ever meet in person, excuse me for yelling at you to pick up The Ill-Kept Oath by describing it as Jane Austen with trolls. And yes, that did happen. More than once.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Austenesque, Blog, C.C. Aune, Giveaway, H.G. Parry, Instagram, Jacey Bedford, Jane Austen, Love, Regency, Regency England, Regency Magic, Regency Romp, Rowankind, Stephanie Burgis, Subgenre, The Ill-Kept Oath, Trolls