Desperate Romantics
Based on the book by Franny Moyle
Release Date: Septmeber 21st, 2009 (Region 2), TBD (Region 1)
Starring: Aidan Turner, Amy Manson, Rafe Spall, Jennine Jacques, Tom Hollander, Zoe Tapper, Samuel Barnett, Timothy West and Sam Crane
Rating: ★★★★★
To Buy (UK)
This miniseries encapsulating the lives of the Pre-Raphaelite Brotherhood from first laying eyes on Lizzie Siddal to her death was one of the most captivating and energetic adaptations I've seen in recent years. Narrated by the fictitious reporter Fred Walters, we follow the brotherhood of William Holman Hunt (Spall), Dante Gabriel Rossetti (Turner) and John Everett Millais (Barnett) as they set out to change the face of art forever. We first encounter them as outcasts trying to break into the Academy, despite the derision of those around them, Dickens himself even being a detractor. But upon finding Lizzie, they all become inspired and realize their best hope is to secure the patronage of John Ruskin, the artist and art critic. As there lives become more and more entwined with lack of inspiration and women troubles they gain more and more prominence in the art world. Their artistic achievements being encapsulated in the mess of their love lives. While each artist is his own character, from the naive child protege Millais, to the spiritually troubled pugilist Hunt, to the womanizing centrifugal force that is Rossetti, it's their friendship that is the driving force of their lives and their art.
What I think will really draw and keep the viewers is, that while this is based on a more historical text, there is a vibrancy and humor to the characters. The writing is willing to let you laugh and not bog you down with dusty old lectures on how life was back in the day. There's life in these artists! Some people I see have taken umbrage that this is too sensationalist, not real, but that's not the case. Sure they change things here and there and contract time, but overall the basic facts are correct. Plus they've done a great job on integrating the art into the show with each episode culminating in one piece created. The first three episodes concentrate on Millais' work, spotlighting Christ in the House of His Parents, Ophelia and The Order of Release. The next episode concentrates on Hunt's The Scapegoat, because who doesn't love a painting of a pretty goat? The final two episodes deal with Rossetti's Bocca Baciata and Beata Beatrix. The BBC's website has a great interactive page so you can learn more about the pieces used in the series. I also felt that this was perfect timing for me to watch this because a few weeks ago I went to the Art Institute of Chicago where they are hosting an exhibition on the Arts and Crafts movement, Apostles of Beauty, where they had not only original drawings from the Pre-Raphaelites, but they had Rossetti's Beata Beatrix, the idealization of his dead wife as Dante's Beatrice. To see the art in the flesh but then to see it celebrated in the series was too much to be hoped for.
Of course, not every miniseries is flawless, I have two issues with Desperate Romantics. The first is the music. It was atrocious, skipping from overtly Gothic to Beatles rifs... it was almost as if a madman had done the score, someone with no knowledge of musical time periods who just threw it all together at the last minute. You can have over the top slightly modern music, look to Murray Gold's work on Casanova. This was just shite. The second is the PR on this...it was billed as kind of a Victorian Entourage, or an Entourage with easels, thankfully it's anything but, no matter what the PR department thought. The main reason being Aidan Turner can act, whereas I've never seen any evidence of that fact with Adrian Grenier... I just think that saying that it's like this other thing that is popular but not very good is going to lead people to make unfair comparisons. The joy and exuberance that Aidan Turner lends to Rossetti, or the desperately psychotic stares of Hunt or the sweetness of Millais could never be captured by the actors or the writers of Entourage. I cry fowl! Just because it's fun and enjoyable doesn't mean you have to sell it by comparison to something similar but not quite, it should sell itself. I'm hoping once this hits stateside you'll get to see what I'm saying.
"Of All the Consequence in Their Power" was such a fun piece to make because for a moment I imagined myself in the mindset of a group of characters I really have nothing in common with. This scene is taken from the musical night in Bath where the Elliots are to attend with their venerable cousins, Mr. Elliot, Lady Dalrymple and Miss Carteret. They view themselves as the reason everyone else is there. It's not for musical enjoyment but to see them. When Lady Russell finally arrived "the whole party was collected, and all that remained was to marshal themselves, and proceed into the Concert Room; and be of all the consequence in their power, draw as many eyes, excite as many whispers, and disturb as many people as they could." I mean, it's the equivalent to rolling up with your entourage today to make as much of an entrance at a club or event. Look how that one guy in the front is actually turning around to view this spectacle. Because that's the thing, it's about others viewing and adoring them, all eyes are on them. That quizzing class, it's there to watch them being watched! Therefore I thought, if I was one of these attention seeking, self-impressed, vainglorious people what would I request if the moment was to be forever immortalized in any medium. Well, obviously, lots of red. While purple might be more royal, there's nothing that gets the attention like red does, just ask a bull. Then there must obviously be gilding. Lots and lots of gold. Not just to signify their supposed wealth, which we know from the leasing of Kellynch Hall is non-existent, but to make them shimmer, shine, and sparkle. I'm sure if Sir Walter were to see this piece he'd ask for even more sparkle. Also to probably flatter Lady Dalrymple's figure a little more too. But apparently his judgment isn't too harsh on those he seeks to ingratiate otherwise we'd have heard his commentary on her weight. 
