Showing posts with label Downtonesque. Show all posts
Showing posts with label Downtonesque. Show all posts

Sunday, May 1, 2016

Backlog Bonanza

While I do love creating theme months and reading lists to go with these months, sometimes there's only so many Downtonesque books or Regency time period books one can take. The long and short of what I'm saying is that I read a lot more books than reviews I post here. On average I have about 104 reviews on my blog per year while I write anywhere from 50 to 70 more reviews... So I kind of have a backlog of book reviews that are just sitting around, collecting dust, being pushed further and further back in my blog queue. Therefore I was pondering, why not utalize this backlog for a theme month, or months... in fact I could throw in some books I've been dying to read and haven't had the time to get around to.

I was warming to this idea very fast when I concocted it a few months ago. And then I started playing with my blog calendar, and once I start playing with my blog calendar it's kind of a foregone conclusion that it's going to happen. Only once have a scraped an idea after it reached the calendar phase. So yes, Backlog Bonanza is happening. NOW! I've thematically divided the books up into categories from biographies to modern classics to science fiction. I'll also talk a little about each genre that is spotlighted and why I'm drawn to it. I'm also bringing back a giveaway! Because nothing says summer party like a free book? So let's get this party started!

Giveaway Prize:
A copy of the book of your choice from one of the books reviewed during Backlog Bonanza.

The Rules:
1. Open to EVERYONE (for clarification, this means international too).

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Contest ends Wednesday, August 31st at 11:59PM CST

4. How to enter: Just comment on this post for a chance to win!

5. And for those addicted to getting extra entries:

  • +1 for answering the question: What is your favorite genre?
  • +2 for becoming a follower
  • +10 if you are already a follower
  • +10 for each time you advertise this contest - blog post, instagram (miss.eliza), twitter (@eliza_lefebvre), etc. (but you only get credit for the first post in each platform, so tweet all you like, and I thank you for it, but you'll only get the +10 once from twitter). Also please leave a link! 
  • +10 for each comment you leave on other Backlog Bonanza posts with something other than "I hope I win!" 
Good luck!

Monday, April 4, 2016

Tuesday Tomorrow

The Glittering Court by Richelle Mead
Published by: Razorbill
Publication Date: April 5th, 2016
Format: Hardcover, 416 Pages
To Buy

The official patter:
"A dazzling, romantic fantasy series set in a mix of Elizabethan and frontier worlds from Richelle Mead, #1 internationally bestselling author of Vampire Academy.

Big and sweeping, spanning the refined palaces of Osfrid to the gold dust and untamed forests of Adoria, The Glittering Court tells the story of Adelaide, an Osfridian countess who poses as her servant to escape an arranged marriage and start a new life in Adoria, the New World. But to do that, she must join the Glittering Court.

Both a school and a business venture, the Glittering Court is designed to transform impoverished girls into upper-class ladies who appear destined for powerful and wealthy marriages in the New World. Adelaide naturally excels in her training and even makes a few friends: the fiery former laundress Tamsin and the beautiful Sirminican refugee Mira. She manages to keep her true identity hidden from all but one: the intriguing Cedric Thorn, son of the wealthy proprietor of the Glittering Court.

When Adelaide discovers that Cedric is hiding a dangerous secret of his own, together, they hatch a scheme to make the best of Adelaide’s deception. Complications soon arise—first, as they cross the treacherous seas from Osfrid to Adoria, and later, when Adelaide catches the attention of a powerful governor.

But no complication will prove quite as daunting as the potent attraction simmering between Adelaide and Cedric. An attraction that, if acted on, would scandalize the Glittering Court and make them both outcasts in wild, vastly uncharted lands..."

THE most anticipated YA book of the spring... seriously people, all I hear is how much everyone wants to read this! Including myself!

In the Labyrinth of Drakes by Marie Brennan
Published by: Tor Books
Publication Date: April 5th, 2016
Format: Hardcover, 352 Pages
To Buy

The official patter:
"In the Labyrinth of Drakes: the thrilling new book in the acclaimed fantasy series from Marie Brennan, as the glamorous Lady Trent takes her adventurous explorations to the deserts of Akhia.

Even those who take no interest in the field of dragon naturalism have heard of Lady Trent's expedition to the inhospitable deserts of Akhia. Her discoveries there are the stuff of romantic legend, catapulting her from scholarly obscurity to worldwide fame. The details of her personal life during that time are hardly less private, having provided fodder for gossips in several countries.

As is so often the case in the career of this illustrious woman, the public story is far from complete. In this, the fourth volume of her memoirs, Lady Trent relates how she acquired her position with the Royal Scirling Army; how foreign saboteurs imperiled both her work and her well-being; and how her determined pursuit of knowledge took her into the deepest reaches of the Labyrinth of Drakes, where the chance action of a dragon set the stage for her greatest achievement yet."

I should be all, awesome author alert, she's totally cool, instead I'm just really happy I can now spell Labyrinth... yeah. It's the small goals in life. 

The Reluctant Duchess by Roseanna M. White
Published by: Bethany House Publishers
Publication Date: April 5th, 2016
Format: Paperback, 400 Pages
To Buy

The official patter:
"A Riveting Edwardian Series Set among Britain's High Society.

Lady Rowena Kinnaird may be the heiress to a Highland earldom, but she has never felt good enough--not for her father, not for the man she thought she'd marry, not for God. But after a shocking attack, she's willing to be forever an outcast if it means escaping Loch Morar.

Brice Myerston, the Duke of Nottingham, has found himself in possession of a rare treasure his enemies are prepared to kill for. While Brice has never been one to shy away from manor-born ladies, the last thing he needs is the distraction of Lady Rowena, who finds herself in a desperate situation. But when Rowena's father tries to trap Brice into marrying his daughter, Brice makes a surprising decision.

Rowena wanted to escape the Highlands, but she's reluctant to marry a notorious flirt. And when she learns that Brice is mixed up in questionable business with a stolen treasure, she fears she's about to end up directly in the path of everything she was trying to avoid."

I might be on a Downtonesque hiatus at the moment, but as soon as that ends, this book is at the top of the pile!

Lost Among the Living by Simone St. James
Published by: NAL
Publication Date: April 5th, 2016
Format: Paperback, 352 Pages
To Buy

The official patter:
"England, 1921. Three years after her husband, Alex, disappeared, shot down over Germany, Jo Manders still mourns his loss. Working as a paid companion to Alex's wealthy, condescending aunt, Dottie Forsyth, Jo travels to the family’s estate in the Sussex countryside. But there is much she never knew about her husband’s origins…and the revelation of a mysterious death in the Forsyths’ past is just the beginning…

All is not well at Wych Elm House. Dottie's husband is distant, and her son was grievously injured in the war. Footsteps follow Jo down empty halls, and items in her bedroom are eerily rearranged. The locals say the family is cursed, and that a ghost in the woods has never rested. And when Jo discovers her husband’s darkest secrets, she wonders if she ever really knew him. Isolated in a place of deception and grief, she must find the truth or lose herself forever.

And then a familiar stranger arrives at Wych Elm House…"

Anybody else recognize the stock photography? Perhaps from a book that was released just last week?

Friday, February 26, 2016

Book Review - T.J. Brown's Summerset Abbey

Summerset Abbey by T.J. Brown
ARC Provided by the Publisher
Published by: Gallery Books
Publication Date: August 6th, 2013
Format: Kindle, 322 Pages
Rating: ★★★
To Buy

Rowena and Victoria Buxton are reeling from the death of their beloved father. Yet there are more shocks to come. The two girls were raised in a rather unorthodox manner growing up with their nanny's daughter, Prudence, as their closest friend and confidant. But now their lives are in the hands of their Uncle and things are going to be different; proper. Banished to the countryside so their uncle can secretly sell their London house, Prudence was only allowed to accompany the sisters by posing as their lady's maid. Something Rowena failed to mention to Victoria and Prudence... but then Rowena doesn't do conflict. She'd rather hide her head in the sand than face what her life has become, an endless parade of changing clothes to please her aunt's sense of propriety. Rowena's behavior drives a wedge between the girls and Prudence, more so than Victoria, feels that her life has been irreparably changed. Banished to living a half life among the servants she doesn't fit in either upstairs or down. What's more there are forces at work trying to oust Prudence from the family seat. Because Prudence is the living breathing proof of a long buried secret that could destroy the Buxton family. Rowena and Victoria's lives could be ruined by the person they love most in the world and who they've inadvertently wronged.

Summerset Abbey is an odd little book in that it was obviously written to cash in on the Downton Abbey craze. Some books are more subtle about this cash grab, Summerset Abbey isn't. That actually makes it kind of refreshing. It doesn't have delusions of grandeur, it knows what a knock-off it is and plays it up. Every trope you could ever possibly imagine in an "upstairs/downstairs" world is used. It's not just one trope played up and overused, it's all of them. Illegitimate offspring, tragic child death, Cinderella story, long lost relatives, improper liaisons, suffrage, evil lady's maids, sweet kitchen maids, deep dark family secrets, money problems, looming war, newfangled gadgets from cars to airplanes, omniscient butlers, Bohemian brothers, beautiful ladies against societal norms, the list goes on and on. In a little over three hundred pages Summerset Abbey uses almost every plot point from seven seasons of Upstairs, Downstairs and never lets up. Yet this overabundance pays off. It's like a giddy headlong rush into this Edwardian world where we get every kind of scandal and twist we could possibly imagine or want. It's like Downton Abbey concentrate. Here, have it all AND the kitchen sink! And you as the reader say thank you very much.

The one trope that niggled at me a little from the plethora of tropes on hand was the backlash of the Bohemian lifestyle. When reality comes a-crashing down the sisters just can't cope. I am really of two minds as to this plot contrivance. What I really liked is that Brown actually bothered to establish the credibility of this Bohemian lifestyle they were living. It wasn't just an aside, like it is in most books, it was discussed and built on. The jobs and independence of the girls. The friends of the family that embodied this movement, such as Picasso. The fact that women struggling for suffrage were referred to properly as suffragists NOT suffragettes. Even how their beliefs were reflected in their beloved home's architecture and how the rooms were incorporated into large communal spaces. I loved all this. What I didn't love is the girls being unwilling or unable to comprehend that their father wasn't as farsighted as he should have been. If they truly were the Bohemians and strong independent women their father raised them to be they should have been able to face this new reality and take it head on and make of their lives what they wanted. They should have been strong, independent, "new" women that get things done, not roll over! Yes, technically the book is about them figuring out how to do this in little ways, but overall it just annoyed me that they couldn't at least make a better attempt at living the life they wanted.

This is exacerbated to the nth degree with Prudence. I mean how could she be so ignorant? She knew how lucky she was being raised alongside Rowena and Victoria, yet when reality comes a calling she is unable to face it. She is the daughter of a servant, did she really expect to be treated as one of the family? Yes, her Cinderella story seems unfair, but the way she handles it. Ugh. Cinderella buckled down and accepted her new fate until she found a way out. Prudence whines and moans and actually is a rather belligerent lady's maid. Just, ugh. How!?! How could she not know or expect this? Plus, once she starts learning more about her past and her mother, she should have no doubt that this is the life that should have been hers. She was lucky. She spent her childhood in this little magical bubble that protected and coddled her, but in no way prepared her for reality. In fact, that I think is what annoys me most with the "Bohemian" aspect to this book. The girls were all raised in a word that showed them truth and reality, not that rarefied magical gentrified world that would soon come to an end. Yet somehow they were in an even more magical world that made them less able to handle harsh reality. I guess I just can't come to terms with my heroines being so stupid and not knowing that this is how life works. That this would be their life. It's like they are purposefully deluding themselves.

But there is no one better for delusions than Rowena. Rowena is obviously the Lady Mary of the sisters. She has no focus in life, no goals, and can not confront reality so just sits around doing nothing. The pain she inflicts on Victoria and Prudence by her hording secrets is just viciously cruel. All the more so because she knows how it will hurt them but just ignores it. And her acquiesce to her uncle's plans. Ugh. She could have tried. She could have had Victoria at her side trying to fight this, but no. She just lets it happen. See, the thing with having "bad guys" is that you need to love to hate them. Like Thomas and Lady Mary, you can see other sides to them through the bad behavior, they're not just one dimensional. Rowena is one dimensional. She is all about whatever is best for her. I hated her more than any other character in any book I've read recently. She doesn't just deserve to be smacked, she deserves to be smacked with a lead pipe. By someone who can do serious damage. Rowena in fact keeps grinding the book down every single time she appears on it's pages. What's even worse is that with the pilot she meets and starts up a flirtation with, Jon, she is the only one of the three women who gets moments of happiness. She is a spineless self-centered bitch, she doesn't deserve one second of happiness. I wish she'd get in that plane and it would crash and burn. That is the only fitting end for her.

The tropes and the characters all being so a-typical I found the a-typical mystery a bit ludicrous. Are we really supposed to be surprised by the dark and dangerous secret that Prudence's past hides? Because it was handled so heavy-handedly that at times I was laughing at the book. I kept expecting someone to show up and drone on about there being something nasty in the woodshed. The melodrama was worthy of old silent films with the villain twirling his moustache while the damsel was tied to the train tracks. Here's a radical idea. If there's a big evil secret, don't have everyone know about it and then drop heavy hints left right and center. A mystery should be mysterious. There should be some work on the part of the reader to solve it. The solution to the enigma shouldn't be a foregone conclusion. But this would be expecting more than what this book is. This book is nothing more then a fun and cheesy Downton Abbey pastiche mashing up everything into a read that doesn't strain your braincells but gives you just the right amount of period immersion. To expect more wouldn't be fair to the book. As for the possibility of me continuing on with this series? I don't quite see myself taking that plunge. I just didn't love the characters enough and the thought that Rowena might actually get a HEA makes me physically ill. But I enjoyed it for what it was, at times despite itself.

Wednesday, February 24, 2016

Book Review - Katherine Longshore's Manor of Secrets

Manor of Secrets by Katherine Longshore
ARC Provided by the Publisher
Published by: Point
Publication Date: January 28th, 2014
Format: Hardcover, 320 Pages
Rating: ★★
To Buy

The garden party is stifling and Lady Charlotte would give anything to break free of the watchful eye of her mother, Lady Diane. She spies a servant sneaking off into the woods and daringly she follows. Janie is nothing more than a kitchen maid but as Charlotte watches her servant reveling in the shallows of the lake she wishes for such freedom. Charlotte has so many dreams and ambitions that are unacceptable for lady. She wishes for nothing more then to write and marry for love. But fantasizing about the footman is one thing, actually acting on those impulses are another, though kissing a servant might not be as alien to Charlotte's mother as Charlotte thinks. With the arrival of Charlotte's Aunt Beatrice hours before the shooting party The Manor has been turned on it's head. Yet Charlotte can not understand why the return of a relative she never knew of is causing such chaos. She needs information and everyone knows that servants know everything. Turning to Janie Charlotte breaches the rigid divide between upstairs and down. The two forge a tenuous friendship confined by societal expectations, but even trying to work within these strictures they are both jeopardizing more than they know. Can Charlotte find a way to live within her world and find love where she least expects it? Can Janie hold onto her position and her home with Charlotte undermining her? And what does a secret pregnancy from the past hold in store for these two girls divided by more then a baize door?

Manor of Secrets is an odd little book because it comes across that it doesn't quite know what it wants to be when it grows up. Much like the upstairs heroine Charlotte this book is in the midst of an identity crisis. The main issue I take is I don't know who the audience for this book is. It claims to be YA yet it feels Middle Grade. The simplistic writing, the laughable "secret," the overly large font used to bump up the page count, if there was a category somewhere between YA and Middle Grade, it might just fit there, but towards the Middle Grade end of the spectrum. While as a reader categorization doesn't matter to me so much as a good story, I will read anything, but knowing the intended audience sometimes helps you with your expectations. Especially if the story isn't catching you perhaps it's because of the author "writing down" to her audience, which in my mind is never acceptable, but alas, happens quite frequently. While I have bemoaned another "secrets" series I can't help feeling that for how much I disliked that series the characters actually had a little more depth, and that is a sentence I never thought I'd write.

The simplistic writing causes merry havoc with the story, dragging it down to a flat and superficial level. The lack of depth and detail is astounding considering that this book runs to over three hundred pages, see previous mention of font size. The great manor house that everyone lives in is literally called "The Manor." Um, could you think of a more generic and bland name oh author? I mean seriously, you couldn't come up with, oh, I don't know, anything more original than using the word that actually describes what kind of house it is? Heck, your last name "Longshore" could have been a better name than "The Manor." This lack of originality actually shines light onto the stupidity of Charlotte and her inability to see beneath the surface of someone. This "teaching moment" that smacks of moralizing Middle Grade reads isn't hard to understand when you look at the bigger picture. Charlotte lives in a simplistic two-dimensional world, it makes sense that she wouldn't be able to grasp three-dimensionality, it's beyond her ken. She doesn't get that people have depth and that you shouldn't judge a book by it's cover because in her world depth doesn't exist!

Continuing on to the upstairs/downstairs dynamic, the simplicity remains and makes this dynamic off. You have the "good" servants and the "bad" servants and no one can reside in a grey area. I SAY NO ONE! And the upstairs and downstairs people must be completely ignorant of each other because never the twain shall meet! Yet within their realms everything is just peachy and keen because everyone knows their place. Yes, they natter on about this radical concept of "change" but does anyone actually change? Oh no, that would be too radical and too multidimensional! When you look at what is really going on, the love affairs, the relationship dynamics, you should have a drama on the scale of Gosford Park with someone meeting the pointy end of a knife! Instead you get snide comments, from the bad, reassurances, from the good, and everything working out. Seriously? I really kept dwelling on Gosford Park and how the upstairs/downstairs dynamic when concerning a pregnancy shows the class iniquities and the abuse of power but here that isn't even addressed. With the world apparently changing, or so the rumors go, shouldn't this stop the culture of silence that is pervasive in this class system?

But then again, the truth of Charlotte's parentage isn't even viewed in a negative light except by those "bad" people. This is what, 1910 or so, the Titanic is under construction, and yet the heroine is all, "Hey everything is awesome, I have a sister." Once again pointing out how dim her world view is. She would be ostracized from society, she would be ruined, and instead she gets everything she wants! Perhaps living in a two-dimensional world has it's benefits, like being to totally ignore the reality of a situation? Yet there's something distinctly off in my mind about what the friendship between Lanie and Charlotte really says. Yes they are friends, but it only seems to be condoned because it turns out they are half-sisters. Would this class and rank defying friendship been accepted if they were just friends? If they had no blood ties at all? While the book would like you to think so, I don't think that's the actual truth. I think this is the one aspect where the book is right and is hiding a darker secret in plain sight. Their relationship is unconventional, yet somehow allowable because of this familial bond. While the "bad" people might still frown upon it, it is not as shocking as it could be and therefore fine.

In the end what everything boils down to is Beatrice. She is the catalyst for change. She represents the force of the future. Yet it is ironic that a person who went to such lengths to hide their sin would then be the one trying to destroy the system she bowed down to... but perhaps that's why she's doing it? One would hope, but again, two-dimensional shallows are being waded in here so that might be asking too much. Plus it's not like anyone likes her until the last ten pages. Throughout the book there's the theme of the world changing, but it's all talk and no action until the very end when Beatrice is like, I'm a suffragette, let's go be the change we want to see in the world. All while everyone is like, yeah, we're not sure about you and this whole actually standing for something thing. And then there's her household run completely by women. This makes you think two things, one she's removed temptation and therefore can't get pregnant again or two that she's a lesbian now. The whole women's suffrage doesn't even get on the radar until they're half-way out the door and on the way to Italy. Plus, just a question, the whole idea of woman's suffrage is equality. They want to be equal to men so shouldn't her household be staffed by the best no matter their gender? Equality NOT segregation. But that would require the book to actually look into causes and motivations and there is nothing here but surface.

Wednesday, February 3, 2016

Book Review - Trisha Ashley's A Winter's Tale

A Winter's Tale by Trish Ashley
Published by: Avon
Publication Date: November 17th, 2008
Format: Paperback, 405 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Sophy Winter spent her formative years living in her family's stately home, Winter's End, until she was one day whisked away by her hippie mother without a backward glance. Her life then took on an itinerant feel, never really settling down until she got married and got pregnant. The pregnancy scared the husband off and she made do as a single mother working in great estates like the one she grew up in. Her daughter is now all grown up and teaching in Japan and Sophy is at loose ends, having lost her job and her home in a matter of minutes. That's when the miracle happens; she inherits Winter's End. A cousin she never knew about, Jack, has come to tell her of her good fortune and to offer to buy the house from her. He explains that Winter's End isn't in the best of shape, her grandfather funneled all the money into the restoration of the gardens at the expense of the house. Therefore Jack's solution would solve Sophy's money problems and sooth the wounds inflicted on Jack when he found out he only inherited the title. It's win win. But when Sophy arrives home she realizes she could never sell Winter's End, even to family. She doesn't care how desperately she needs to find money for it's upkeep or how upset Jack will be or how cantankerous the gardener Seth is, she only knows that she will find a way to do what is in the best interest of the house. Her home.

Several people over the years have recommended A Winter's Tale to me knowing of my love of grand English estates and chick lit. So the book had made it's way onto my shelves and languished, until this past December when it sounded like just the right read for a cold Christmas day. The thing is, there's not much Christmas in it... yes, Christmas is there, but it's almost an afterthought, the book actually getting it's title from Shakespeare not from being all yule. Yet for my love of country estates this was perfect. It's not so much a fairy tale as other books I've read go, though it would be a dream come true to inherit such a house, it's more a realistic fairy tale if that makes sense. We are given insight into the nuts and bolts of the day to day struggles to keep a grand house running. Basically the more down and dirty reality of owning Downton Abbey. Keeping the staff happy, keeping the house repaired, finding money to keep the restoration of the garden underway. Finding a happy balance between wants and needs. Prioritizing that which must get done. And cleaning. Seriously, the amount of cleaning a place like this takes, well, if you hadn't thought about it before in your fantasies about becoming on heiress, you will now. And not that that's a bad thing. In fact reading all about this minutiae, it gives you a stronger connection to this way of life than if you were to the manor born.

The minutiae is where this book lives. In the purchase of special beeswax for banisters and brushes for paintings. There's a languid feel that makes this book the perfect bedtime read. You slip into bed and you sink into the story that lulls you into a safe world of hard work with wonderful rewards. The pacing for most of the book continues on in this vein. Hundreds of pages of day by day tasks to have it abruptly changed. As Christmas nears the pace is picked up, soon we aren't spending languid days seeing the house brought back to life slowly, we're zooming along until it's later the next year at the happily ever after is thrust upon us. This is where the book kind of lost me. It's weird when the pace is abandoned in favor of some new narrative style. The book lost some of it's charm by changing tempo. I didn't feel as connected to these characters I had spent so much time forging a bond with. I felt like the bond was severed and I was left on the outside looking in as everything came together, but without me. Yes, if Trisha Ashley had continued the narrative style throughout A Winter's Tale might have been a doorstop of a book, but as I've said before and I'll say again, I don't care how long or how short a book is, it should be exactly as long as it takes to tell the story and do it justice. This book needs a little of the justice that came Jack's way.

Speaking of Jack. He is the major thorn in my side in this book. He is sleazy and scheming yet everyone thinks he's God's gift and why not let Jack have the house? He couldn't possibly do something underhanded, insert ominous music here. I give credit to Sophy that she stays the course, but there is too much of her waffling. Too many times she questions herself and doesn't stand up to Jack. So while Jack is the villain of the piece, with his dirty deals and his desperate ways, the main problem I have is that he illuminates the flaws of our heroine. Sophy is so strong of will and motivated by hard work I find it hard to believe that she'd buy any line coming out of Jack's mouth, no matter how seductive and silken. I mean, how can she be so naive? She just lost her job and her home because of a scheming relative of her employer and here she is in a similar situation and yet she's all, oh Jack, you're so pretty, you could never love frumpy me with my frizzy hair. Gaw. Just no. I know it's a staple of chick lit to have the to go to be true bad boy and the brooding good boy with the befuddled heroine in the middle not knowing what to do, but seriously? Sophy is so much stronger than the average Bridget Jones that I am baffled that she didn't call shenanigans sooner.

What sets this book apart from the run of the mill chick lit or Downtonesque book is the olde thyme stuff, IE Shakespeare! I admit about a few pages in I should have gotten that the title was from Shakespeare, given all the references in the text, but sometimes I'm not quite on the ball and as I mentioned before I seriously thought this was a Christmas book. This Shakespearean element also elevates the book to a kind of historical fiction chick lit fusion that is fun for fans of both genres. But the downside is that I think you'd have to be somewhat to fairly knowledgeable about Shakespeare and his life to get the personal references peppered throughout the story. The extracts from Alys Blezzard's journal are purposefully very cryptic and written for those with knowledge of the Bard. Therefore this book can be read on two levels, the plain old chick lit HEA, and the fusion level. Personally, if I was only reading it on the chick lit level without my knowledge of Shakespeare, I'm not sure I would have been as drawn into the book. It's the mystery woven throughout about Alys being dark of complexion, that connects with Shakespeare's sonnets to "The Dark Lady." The Shakespeare angle adds so much that without it I just don't know if it would work.

Yet that "Dark Lady" Alys is still a questionable addition to the book in my mind. Not her connection with Shakespeare, nothing like that. It's her "other" qualities. IE, the magic of it all. By bringing in a paranormal aspect I think it might be stretching the narrative's credulity to it's breaking point. The Shakespeare secret, the history of the family and the house, that's all well and good, but the magic? I could see it if there were just ghosts and Alys having been condemned as a witch, because well, any smart woman was a witch back then, but that magic... That tangible real magic that gives Sophy insight and visions. It's just a step too far. It's almost like this book so wanted to be everything that it threw in everything and the kitchen sink and sometimes enough is enough. Sometimes being descended from Shakespeare is a big enough twist. Sometimes getting your HEA is enough. And sometimes just saving your family estate is enough. There doesn't need to be "real" magic too. Because isn't everything else magical enough? Apparently not according to Trisha Ashley. But then again, some people just don't know where to draw the line, like Sophy with her "relationship" with Jack.

Friday, February 13, 2015

Book Review - Barbara Taylor Bradford's Cavendon Hall

Cavendon Hall by Barbara Taylor Bradford
Published by: St. Martin's Press
Publication Date: April 1st, 2014
Format: Hardcover, 416 Pages
Rating: ★★★★
To Buy

The Inghams and the Swanns are inseparable. For hundreds of years the Swanns have served their noble lieges becoming more like family then staff. Their children are brought up together and their bonds are unbreakable. Those bonds will be tested when a horrific attack on the Earl's most precious daughter, Lady Daphne, brings danger to the very heart of Cavendon. The Swanns close ranks to protect Lady Daphne from any further threats, even her own family if necessary. But danger doesn't just circle the family, the world is on the brink of war. Can these two families in crisis come together to help each other through the horrors they have to face and the dangers to come? Or will their bonds start to fray?

Sometimes you need to go to a happy, if unbelievable place, where the moon is always full and servants are like family, just to take you away from your cares. Where everyone loves everyone else, though perhaps a little too much with the incestuous nature between the Inghams and the Swanns. I almost expected them to start quoting that other famous resident of Yorkshire, Emily Brontë, by saying of the Inghams and the Swanns, "whatever our souls are made of, his and mine are the same." This isn't high art or great literature like Emily, this is pure fun, like Downton Abbey on crack, without the constant threat of one of the Bateses ending up in the clink. These magical happy pills make even the worst situation not only bearable, but work for everyones benefit and eventual happiness. Though seriously, I would like to know how there's always a full moon.

Cavendon Hall does suffer from an unevenness. Most of this has to do with pacing, but also how it's stylistically written and sometimes falls prey to self aggrandisement. Tackling the later, I really would like other authors opinions on quoting yourself. Each part of the book begins with a series of quotes from Shakespeare to Tennyson to Emma Harte. Emma Harte? As in A Woman of Substance Emma Hart? Yes, Barbara Taylor Bradford just quoted herself. By placing this quote with actual quotable greats I can't tell if she's just using something to hand that she thinks works or is trying to elevate her art to a new level? Either way, it seems a bit shady to quote your own characters in a setting that isn't tongue-in-cheek. Makes me think she's more then a little full of herself... but if any of my author friends would like to weigh in I would love to hear what they have to say.

As for the unevenness, it's not just that she occasionally switches up her writing style to be hyper sexual for a paragraph only to revert to her staid writing style of every other page, but the way time is handled is troublesome. Two years take up the first 279 pages while the final 126 pages is six years. So there's this nice introduction, we get to know everyone and become a part of their daily lives to have it all then whoosh past us at light speed. I'm not sure if it's that Barbara Taylor Bradford just didn't want to handle WWI in detail or what. I would say it almost felt as if she was sick of telling her story, but seeing as this is a series with the next book coming out in March, she couldn't be sick of her characters already if she's writing even more about them? But I think this can be a universal gripe to all authors, don't make us fall in love with your characters and then shift focus and gloss over things. Stay consistent within the narrative. All your books don't have to be the same, just the one you're currently writing should be consistent. And if it ends up a doorstop of a novel, so be it, I'll read it.

What I feel is the driving narrative of the book is also in my mind one of the biggest issues. This is, of course, Lady Daphne's rape at the very beginning of the book. Rape is a hard issue to deal with sensitively and properly. Just look at last season of Downton Abbey where Anna's rape split the audience with those who just didn't want more misery for Anna to those who thought the rape storyline was brave, and finally to those who thought the storyline was just handled insensitively. With such a hot button topic it has become rather inappropriately in my mind a way to add drama and spice to a story. When in doubt have your strong female character attacked and assaulted. To me this just seems like a convenience versus a real desire to tackle the issue.

Even in writing about the events in the book I feel uncertain as to how to describe the event critically. The attack and the cover up that surrounds it to me smacks of not wanting to confront something horrible, but wanting to make it like it never happened. This is where my problem lies. The stigma of speaking out. Yes, this was a different time period and "reputation" was the be all end all, but still... this is a problem that still exists and even "period" literature that holds this opinion of silence being the best solution just adds to the problem.

And while the rape and it's repercussions does drive the story, it's how Barbara Taylor Bradford built off this to create a greater atmosphere of fear that kept me reading. Taking the "pervert in the woods" and expanding his reach, showing the terror and fear his other sightings added to the story, this took the book further. I can't help thinking though that if this fear is removed, how will the next book have any tension or jeopardy to keep the spark of interest going in the reader. I also can't help but think if Lady Daphne had told all after her attack that a lot of other bad situations would have been avoided... perhaps Barbara Taylor Bradford was subtly saying that silence isn't the solution... then again, she could have just wanted to scare us and keep reading her book. Anything for the story right?

Sunday, February 1, 2015

Downton Denial Deux

You are back here yet again. You might actually have been really bad and bought the DVD last week and glutted yourself on Downton Abbey and now you have no more. Or you are being good and watching each episode as they air, waiting till March 1st when you truly will have no more Downton and are hoping you'll find some way to cauterize the wound. I am here to help. I have been there. I have railed against Jullian Fellowes as he messes with us and poor Anna and Bates once more. I have done dances of joy because Anthony is ending up where I want him, in Mary's rear view mirror. Oh, and the Russians, can't get enough of the surliness and their secrets!

You don't want this roller coaster ride to stop, but it will, and all too soon. And this is where I waltz in, hopefully in a beautiful dress worthy of Lady Mary, but more likely in PJ's covered in cat hair. I am here to help you cope with the bereft feeling that will overtake you in the weeks to come. While Downton Abbey is unique in it's own way, it's not so unique that you can't find books to fill the void. Once again for the month of February I will have a plethora of Downtonesque reading suggestions to help you through the loss to come. It's the least I can do for my fellow sufferers of Downton Denial.

Monday, January 5, 2015

Tuesday Tomorrow

As Chimney Sweepers Come to Dust by Alan Bradley
Published by: Delacorte Press
Publication Date: January 6th, 2015
Format: Hardcover, 416 Pages
To Buy

The official patter:
"Flavia de Luce—“part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events” (The New York Times Book Review)—takes her remarkable sleuthing prowess to the unexpectedly unsavory world of Canadian boarding schools in the captivating new mystery from New York Times bestselling author Alan Bradley.

Banished! is how twelve-year-old Flavia de Luce laments her predicament, when her father and Aunt Felicity ship her off to Miss Bodycote’s Female Academy, the boarding school that her mother, Harriet, once attended across the sea in Canada. The sun has not yet risen on Flavia’s first day in captivity when a gift lands at her feet. Flavia being Flavia, a budding chemist and sleuth, that gift is a charred and mummified body, which tumbles out of a bedroom chimney. Now, while attending classes, making friends (and enemies), and assessing the school’s stern headmistress and faculty (one of whom is an acquitted murderess), Flavia is on the hunt for the victim’s identity and time of death, as well as suspects, motives, and means. Rumors swirl that Miss Bodycote’s is haunted, and that several girls have disappeared without a trace. When it comes to solving multiple mysteries, Flavia is up to the task—but her true destiny has yet to be revealed."

New and awesome Flavia de Luce, be still my heart! But, you know, not still.

Death of a Dishonorable Gentleman by Tessa Arlen
Published by: Minotaur Books
Publication Date: January 6th, 2015
Format: Hardcover, 320 Pages
To Buy

The official patter:
"Lady Montfort has been planning her annual summer costume ball for months with scrupulous care. Pulling together the food, flowers and a thousand other details for one of the most significant social occasions of the year is her happily accepted responsibility. But when her husband's degenerate nephew is found murdered, it's more than the ball that is ruined. In fact, Lady Montfort fears that the official police enquiry, driven by petty snobbery and class prejudice, is pointing towards her son as a potential suspect.

Taking matters into her own hands, the rather over-imaginative countess enlists the help of her pragmatic housekeeper, Mrs. Jackson, to investigate the case, track down the women that vanished the night of the murder, and clear her son's name. As the two women search for a runaway housemaid and a headstrong young woman, they unearth the hidden lives of Lady Montfort's close friends, servants and family and discover the identity of a murderer hiding in plain sight.

In this enchanting debut sure to appeal to fans of Downton Abbey, Tessa Arlen draws readers into a world exclusively enjoyed by the rich, privileged classes and suffered by the men and women who serve them. Death of a Dishonorable Gentleman is an elegant mystery filled with intriguing characters and fascinating descriptions of Edwardian life--a superb treat for those who love British novels."

Murder mystery and Downtonesque? YES PLEASE!

The Body Snatchers Affair by Marcia Muller and Bill Pronzini
Published by: Forge Books
Publication Date: January 6th, 2015
Format: Hardcover, 224 Pages
To Buy

The official patter:
"The Body Snatchers Affair: The latest in the Carpenter and Quincannon historical mystery series from Marcia Muller and Bill Pronzini.

Two missing bodies and two separate investigations take Carpenter and Quincannon from the heights above San Francisco Bay to the depths of Chinatown’s opium dens.

For John Quincannon, this is a first: searching a Chinatown opium den for his client's husband, missing in the middle of a brewing tong war set to ignite over the stolen corpse of Bing Ah Kee.

Meanwhile, his partner, Sabina Carpenter, unsure of the dark secrets her suitor might be concealing, searches for the corpse of a millionaire, stolen from a sealed family crypt and currently being held for ransom.

With the threat of a tong war hanging over the city (a war perhaps being spurred on by corrupt officials), Carpenter and Quincannon have no time to lose in solving their cases. Is there a connection between the two body snatchers? Or is simple greed the answer to this one?

And why is the enigmatic Englishman who calls himself Sherlock Holmes watching so carefully from the shadows?"

The type of book I can't get enough of!

Foxglove Summer by Ben Aaronovitch
Published by: DAW
Publication Date: January 6th, 2015
Format: Paperback, 336 Pages
To Buy

The official patter:
"When two young girls go missing in rural Herefordshire, police constable and wizard-in-training Peter Grant is sent out of London to check that nothing supernatural is involved.

It’s purely routine—Nightingale, Peter’s superior, thinks he’ll be done in less than a day. But Peter’s never been one to walk away from someone in trouble, so when nothing overtly magical turns up he volunteers his services to the local police, who need all the help they can get. But because the universe likes a joke as much as the next sadistic megalomaniac, Peter soon comes to realize that dark secrets underlie the picturesque fields and villages of the countryside and there might just be work for Britain’s most junior wizard after all.

Soon Peter’s in a vicious race against time, in a world where the boundaries between reality and fairy have never been less clear...."

Such a fun series if I could only forgive the author for that horrid Doctor Who novel...

The Witches of Echo Park by Amber Benson
Published by: Ace Trade
Publication Date: January 6th, 2015
Format: Paperback, 304 Pages
To Buy

The official patter:
"From beloved author, director, and actress, Amber Benson…

Unbeknownst to most of humankind, a powerful network of witches thrives within the shadows of society, using their magic to keep the world in balance. But they are being eliminated—and we will all pay if their power falls…

When Elyse MacAllister’s great-aunt Eleanora, the woman who raised her, becomes deathly ill, Lyse puts her comfortable life in Georgia on hold to rush back to Los Angeles. And once she returns to Echo Park, Lyse discovers her great-aunt has been keeping secrets—extraordinary secrets—from her.

Not only is Lyse heir to Eleanora’s Victorian estate; she is also expected to take her great-aunt’s place in the Echo Park coven of witches. But to accept her destiny means to place herself in deadly peril—for the world of magic is under siege, and the battle the witches now fight may be their last…"

What's not to love here?

Silver Screen Fiend by Patton Oswalt
Published by: Scribner
Publication Date: January 6th, 2015
Format: Hardcover, 240 Pages
To Buy

The official patter:
"New York Times bestselling author, comedian, and actor Patton Oswalt shares his entertaining memoir about coming of age as a performer and writer in the late ’90s while obsessively watching classic films at the legendary New Beverly Cinema in Los Angeles.

Between 1995 and 1999, Patton Oswalt lived with an unshakeable addiction. It wasn’t drugs, alcohol, or sex. It was film. After moving to L.A., Oswalt became a huge film buff, absorbing classics and new releases at least three nights a week at the New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notions of acting, writing, comedy, and relationships. Set in the nascent days of the alternative comedy scene, Oswalt’s memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective supporting him all along the way.

Ideally timed for awards season, when everyone’s mind is on Hollywood, Silver Screen Fiend follows up on the terrific reception of Oswalt’s New York Times bestselling debut, Zombie Spaceship Wasteland. Already a beloved fixture on the comedy stage, on television, and in film—not to mention his 1.87 million Twitter followers—Oswalt announces, with this second book, that he’s also here to stay on the page."

While I definitely have cover issues with this book, it's Patton Oswalt whom I love and am hopefully seeing in a few weeks!

Monday, December 15, 2014

Tuesday Tomorrow

The Cat and the Moon and Other Cat Poems by The British Library
Published by: British Library
Publication Date: December 16th, 2014
Format: Hardcover, 80 Pages
To Buy

The official patter:
"The Cat and the Moon takes its cue from Jean Burden: “A dog is prose; a cat is a poem.” A magnificently varied anthology, it includes poems featuring cats from Emily Dickinson, Thomas Hardy, Oscar Wilde, W. B. Yeats, Walter de la Mare, and many others, celebrating fluffy kittens and mysterious night walkers, tormenters of mice and sleepy fireside friends."

A book about cats release by the British Library? It's a book made for ME!

Hope Rising by Stacy Henrie
Published by: Forever
Publication Date: December 16th, 2014
Format: Paperback, 352 Pages
To Buy

The official patter:
"FROM A GREAT WAR, SPRINGS A GREAT LOVE

In France at the height of World War I, American nurse Evelyn Gray is no stranger to suffering. She's helped save the life of many a soldier, but when she learns her betrothed has been killed, her own heart may be broken beyond repair. Summoning all her strength, Evelyn is determined to carry on-not just for herself and her country, but for her unborn child.

Corporal Joel Campbell dreams of the day the war is over and he can return home and start a family. When a brutal battle injury puts that hope in jeopardy, Joel is lost to despair . . . until he meets Evelyn. Beautiful, compassionate, and in need of help, she makes an unconventional proposal that could save their lives-or ruin them irrevocably. Now, amidst the terror and turmoil of the Western Front, these two lost souls will have to put their faith in love to find the miracle they've been looking for."

OK, yes, I requested to ARC for this because it's so Downtonesque... so perhaps you might see my review come February!

The Devil in Montmartre by Gary Inbinder
Published by: Pegasus
Publication Date: December 16th, 2014
Format: Hardcover, 352 Pages
To Buy

The official patter:
"When the mutilated corpse of a beautiful dancer is found in a Montmartre sewer, a nervous public fears that Jack the Ripper has crossed the Channel—but Inspector Achille Lefebvre has his own theories. Amid the hustle and bustle of the Paris 1889 Universal Exposition, workers discover the mutilated corpse of a popular model and Moulin Rouge Can-Can dancer in a Montmartre sewer. Hysterical rumors swirl that Jack the Ripper has crossed the Channel, and Inspector Achille Lefebvre enters the Parisian underworld to track down the brutal killer. His suspects are the artist Toulouse-Lautrec; Jojo, an acrobat at the Circus Fernando, and Sir Henry Collingwood, a mysterious English gynecologist and amateur artist.

Pioneering the as-yet-untried system of fingerprint detection and using cutting edge forensics, including crime scene photography, anthropometry, pathology, laboratory analysis, Achille attempts to separate the innocent from the guilty. But he must work quickly before the “Paris Ripper” strikes again."

OK, first a Jack the Ripper tale, sold there. But more importantly, the Inspector has my last name! So I have to read it because I must be related to this fictional Achille Lefebvre. Thanks to my friend Marie for showing me this book!

Friday, February 28, 2014

Book Review - Evelyn Waugh's Brideshead Revisited

Brideshead Revisited by Evelyn Waugh
Published by: Back Bay Books
Publication Date: 1945
Format: Paperback, 351 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

"If it could only be like this always – always summer, always alone, the fruit always ripe and Aloysius in a good temper." 

Vomiting through a window doesn't seem like the most promising start to a friendship, yet that is how Charles Ryder first meets a rather inebriated Sebastian Flyte. Charles is swept up in Sebastian's wake of luxury, decadence, eccentricities, and alcohol vapors. Throwing off his rather mundane life, Charles is wooed by the world of privilege that Sebastian belongs to. Charles falls not just for this sot with a teddy bear, but for his whole life; the family, the house, everything. Looking back on those halcyon days while mired in the WW II, Charles lovingly thinks of the world that has been lost forever. Yet Charles lost entre into that world earlier then the announcement on the wireless that England is at war. His love affair with the Flytes had soured over the years, moving from Sebastian to his sister Julia, Charles took whatever he could of this family, but it the end, it was something deep in the family that made certain he was never one of them, and never could be.

Before I became an avid reader Brideshead Revisited was one of those books that my father kept saying I had to read. I won't say that it's his favorite book, because the author is Evelyn Waugh and not Sherwood Anderson and the book's title isn't Winesburg Ohio, but Brideshead Revisited is firmly in place as one of his favorite books. Much like this little old lady I met at a Rembrandt show in New York who was insistent on how memorable his work would be when seen in it's original setting (ie Amsterdam), my Dad has the same tenacity and insistence of how the language of Brideshead Revisited would capture me and not let me go. Many conversations with him start "I remember how the language captured me the fist time I read..." insert any of his favorite classic books here, usually Jude the Obscure, but for this instance, Brideshead Revisited. Though, for Brideshead Revisited the refrain is more "when Lord Marchmain comes home to die..." or anything to do with Edward Ryder, Charles's father. Still, despite the copious copies of the book laying about the house, I just didn't pick it up.

When I started to hone myself into the Anglophile that I am today I watched as many miniseries as I could lay my hands to, and Brideshead Revisited finally entered into my life officially in at least one form. At this point my father had already worn out his old VHS copy and for his birthday I had upgraded him to the DVD set which I now watched. Brideshead Revisited is literally THE definition of a miniseries, and it set the standard for what we expect in our miniseries today. Mainly it was the first to be shot entirely on location. I loved all the houses and scenery, and Anthony Andrews, such a perfect actor, as are every other actor save one, I didn't love Jeremy Irons. There's something about Jeremy Irons that bothers me. He has a wonderful voice, but I think his voice has led people to ignore the fact that he seriously can't act. I am 100% anti-Jeremy Irons. So watching the miniseries all I could think was, ok, I've had enough of this for quite awhile now (except the John Gielgud lunch scene, that can NEVER be watched enough), I don't think I'll read the book right now... and so, until this month, I had never realized how right my father was in this instance.

Evelyn Waugh's writing is like a palate cleanser, everything that you read before was lugubrious and everything that you read after is sub par. Brideshead Revisited shows how fast a book that is well written goes. Time disappears, the words just flow, except for the occasional drunken tumble over a word or phrase that is now out of it's time. The lunch between Anthony Blanche and Charles, where Anthony dominates the conversation, felt just as if you were sitting opposite him in that restaurant and were being overwhelmed by his torrent of words and your inability to get a word in edgewise, a sensation that I am sure we have all experienced with certain of our own friends and were vividly reliving while reading this passage. And even while I didn't necessarily like or relate to any of the characters, the language usage is so lush that you can't help but agree with the little quote on the cover that calls the book "[h]eartbreakingly beautiful... The 20th century's finest English novel." To write a story that is so of it's time and so unrelatable to a certain extent, yet to have it forge a connection with me, well that is wondrous writing.

Even if the world of the novel is unrelatable to a certain extent, except in our daydreams, it's the themes of the book we relate to. Waugh wrote this book looking back on a golden age that was gone, destroyed by war and an ever changing world. The Flytes embody this full stop. They lived at the height of decadence but look what happens to them. Their world ends and they are literally a dead end gene pool. Look to the four Flyte children, Brideshead has married a woman too old to bear children, Julia is living apart from her husband and due to her previous miscarriage on top of the fact a reconciliation is unlikely she will never have a child, Cordelia lives as a nun, and well, Sebastian, even if he wasn't homosexual, he's basically living a monastic life now. They are the world that has come to an end, so it is only right that they too have come to an end. This mourning for what is lost and can not be had again, their youth, this golden age, this innocence... the light snuffed out on the bright young things is the spine of this book. The world keeps turning, and while the story of the Flytes is a bit fatalist, we can relate to the loss, because as we age and move on we lose all the time.

Now I do have to address one thing. The Catholic question. Does it really matter? Yes and no. While I do find it ironic that a catholic wrote what might be the most anti-catholic book out there, the religion aspect is more a signifier then an actual physical thing. We are like Charles Ryder, we are on the outside looking in at this world of popery that we don't quite understand, even if some of us were even raised Catholics. But I really think that it's not a question of religion, but more a symbol of something in your life that you don't necessarily want but still you need it and it is all consuming to your detriment. So am I basically saying that Catholicism is a form of addiction like Sebastian's drinking? Now that I think on it, yes I am... Now I'm not saying that it is like this for anyone other then the Flyte's, but their relationship with God is unhealthy and not only brings down their lives but takes away their happiness and fills it with guilt and remorse. It's this dogged insistence that they stick to the old ways that links back into the fact that their time on earth is done. We must adapt in order to survive. At least Waugh was able to give us this loving eulogy to a world now lost.

Wednesday, February 19, 2014

Book Review - Jane Sanderson's Ravenscliffe

Ravenscliffe by Jane Sanderson
Published by: Sphere
Publication Date: September 30th, 2012
Format: Paperback, 534 Pages
Rating: ★★★★★
To Buy (different edition then one reviewed)

Eve Williams can hardly credit that she is living the life she is. Mere months before she was on her way to destitution as a widow with three children, but now she's engaged to be married to Daniel MacLeod, the head gardener at Netherwood, has a thriving business, and is moving into the substantially larger Ravenscliffe house on Netherwood Common. Much of these successes are thanks to the indomitable Anna, her best friend and co-conspirator. Though not every life is perfect. Eve's son Seth is rebelling against all the changes that he feels are disrespecting the memory of his father. To Eve's horror, after his twelfth birthday Seth signs on at the colliery that his father Arthur loved, but which killed him nonetheless. She wants Seth to realize that their new station in life has opened up vast opportunities for him as well. He doesn't have to live the life his father lived. Arthur would want a better life for his son, but Anna counsels Eve that Seth has to learn this for himself.

Though the biggest change in Eve's life is the return of her little brother Silas. She hasn't seen him since her wedding to Arthur when he was a scraggly youth and left saying that one day he would send Eve bananas. One day the bananas arrive and a few days later so does Silas. Silas has made an astounding success of his life as a shipping magnate specializing in the importing of bananas to England. He plans on expanding his shipping line out of Bristol and is working on making a luxury hotel in Kingston, Jamaica, and is looking to acquire a coal mine near Netherwood. Silas, unaware of the upheaval in Eve's life, is overly zealous at the success she too has made of her life and starts to encourage her to think bigger, to expand, to grab at every opportunity she is given. Much of these opportunities are connected with the family at Netherwood. After she helps them out of a tight spot when the King comes to visit, Lord Netherwood, following a reassessment of his life, is inclined to give Eve her company outright as a wedding present, relinquishing his share. Yet Lord Netherwood dies before he can commit this to paper. Silas's desire to force the Hoylands hand and get Eve what she deserves creates conflict in Netherwood, with Silas on one side, Anna and Amos on the other, and Eve stuck in the middle. Eve's life might be better, but it is far from perfect.

When the first book in a series is wonderful and perfect I can only imagine the pressure this puts on the author. Jane Sanderson had less time and more expectations with her followup to Netherwood. Thankfully Ravenscliffe exceeded all my expectations. With the expanding of this little microcosm of Edwardian England with new characters and new situations, Jane was able to stay true to the gritty and glamorous world of her first novel, yet infuse it with even more humor and humanity. Throwing us headlong into the upheaval at the great hall with the remodelling and redecorating for the King's arrival made me fall right into this book and not want to leave. The cook dropping dead hours before the first big dinner and having Eve step in was a situation of such absurdity combined with the feeling of her walking a tightrope, led to such suspense I didn't want to go to sleep. In that moment I had such a connection with Eve, I had so much invested, I felt that I was there with her. Jane just has this knack of creating characters that you connect with on so many levels, that you become invested in their lives and just need to know what happens next. Yet, Ravenscliffe isn't just a character piece with historical figures popping up, there are real and relevant issue that ring true to this day, giving the book a depth that most literature today lacks.

In the first book, Netherwood, we see Eve make a huge success out of the ruin of her life. Eve's restaurant becomes not only a place that locals visit, but a destination in Yorkshire for a day out. Her pies are even a hit with the King, who loves food reminiscent of his days in the nursery. Well maybe we should just say he loves food period, and he really loves Eve's puddings and pies. Yet with the arrival of Silas we see someone who has made a real success of his life. He is quite literally a millionaire. Eve and him had the same life, the same start in the world. On that day she married Arthur, Silas set out to make something of himself, and boy did he ever. When compared side by side, Eve's "huge" success in the first book is a pittance when compared to what her brother has achieved. This is the crux of what is a politically charged issue. The situation here is an interesting take on the dynamic of a woman's place in society. The little success Eve has carved out for herself is lauded because she is a woman and any success is amazing in this male dominated society. Yet what could Eve have done if she was male? Would Eve have been as or even more successful then her brother? I think she would have!

Lady Henrietta is the more vocal proponent of women's equality and suffrage in Ravenscliffe. Not only does she run the estate after her father's passing, but she institutes reforms in the collieries that will save lives, as well as becoming political and taking up the banner with the likes of Mrs. Pankhurst! The book shows quite clearly the injustices, but then it shows us that forward thinking women can help effect change. They are just as, if not more capable then the men in their lives, this is especially true of Henry and her inept brother Tobias. This time in history was the true beginning of women demanding the equality they deserved. While it would be another fourteen years from the events of this book till some women got the vote and a further ten years till it was more universal, it was a time of change and this book shows us, more then a dry history textbook, why it was needed and how the change was effected. Is equality for women such a hard concept to grasp even in this day and age? It is a basic human right.

Having the characters that we have known and loved as our friends incorporated into real history and real struggles makes not just their own stories come alive, but makes history come alive. Also, what did I say about historical figures popping up? Well, of course they do, but they aren't what the book is about, they are woven into the plot making it relevant to the story, not just a cameo. The introduction of Mrs. Pankhurst, Churchill, Keir Hardie, and the King, forward the story but also place it in the bigger picture. Jane Sanderson's story coupled with living breathing history makes her plea of suffrage and women's rights more urgent, more real. The only thing I would ask is that she drop the cliche of suffragists all having lesbian leanings... it's ok if it's character driven, just not ok if it's politically driven. Suffragists are all spectrums of women, don't pigeon hole them after writing a book that embraces the trail blazers and the pioneers of equality.

Saturday, February 1, 2014

Downton Denial

You might not know it yet, but you are suffering from Downton Denial. You're in the middle of the new season, everything is good, it's great in fact. Mary is rebounding quite nicely with Anthony Gillingham and Charles Blake, though my money is on Charles... who could resist the lure of Julian Ovenden, seriously? Daisy is turning into this wonderfully snarky character that is almost getting better lines then Maggie Smith. Also, what will happen with Edith's ever complicated love life, could there be something worse then being left at the alter? And then there's Anna and Bates. Poor poor Anna... at least Julian Fellowes didn't kill her! And finally, Rose, who is turning out to be far less annoying then I anticipated, which is a nice surprise. Throw in some Americans and you have first rate television... but you are still in denial.

The fact remains that come February 23rd you will have no more Downton. You will have to wait a whole year just to have nine more episodes... the fact that you don't want to face up to this knowledge is where your denial comes in. But I am here to aid you! I am here to help you cope with the bereft feeling that will overtake you in the weeks to come. While Downton Abbey is unique in it's own way, it's not so unique that you can't find books to fill the void inside. For the month of February I will have a plethora of Downtonesque reading suggestion to help you through the loss to come. It's the least I can do for my fellow sufferers.
  The Prize:
An awesome Downton Abbey ornament! Not only is it reminiscent of the bells in the servants halls that feature prominently in the opening credits, but it has a lovely picture of Highclere Castle in the center, where they film Downton Abbey. Let me put it this way, it's so cool that when I ordered it specifically for this theme month, I had to order one for myself as well. Should note that the bell doesn't work very well... that or everyone has just decided to ignore it...

The Rules:
1. Open to EVERYONE (for clarification, this means international too), just because you haven't been following me all along doesn't mean you don't matter, you just get more entries if you prove you love me by following.

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Contest ends Friday, February 28th at 11:59PM CST (Yes, I know it would be nice to have a leap day for extra entries... but that's just the way it is.)

4. How to enter: Just comment in the space below!

5. And for those addicted to getting extra entries:

  • +1 for answering the question: Who is your favorite character on Downton Abbey and why?
  • +2 for becoming a follower
  • +10 if you are already a follower
  • +10 for each time you advertise this contest - blog post, sidebar, twitter (please @eliza_lefebvre), etc. (but you only get credit for the first post, so tweet all you like, and I thank you for it, but you'll only get the +10 once). Also please leave a link! There's a handy code on the side for your sidebars!
  • +25 if you comment on any of the posts during the Downton Denial Celebration, with something other than "I hope I win" or a variation thereof.
Good luck!

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