Showing posts with label iZombie. Show all posts
Showing posts with label iZombie. Show all posts

Friday, October 10, 2025

Revival

Before you even ask, yes, I will watch anything set in Wisconsin to sit in judgement on it. Because that's what a true Wisconsinite does. Which means, don't ever get me started on Picket Fences. And you know what, Revival was doing pretty good until episode eight wherein Wausau has magically acquired an Amtrak station. The lack of railways in Wisconsin, and the fact that the capital doesn't have a stop with the minimal Amtrak service there is is a very sore subject for the state's residents. As for the Milwaukee corridor rumors, bite me. And this plot point, which was kind of a major plot point, was just throwing salt in the wounds. But at least they avoided any mispronunciations, which is why I will forever hate Jack Trotter on The Gilded Age for his mangling of Peshtigo. I know I should feel so happy for him becoming rich and buying a house and everything, but I'm sorry, you can't pronounce the town where your mother died and you were presumably born!?! Plus, I'm additionally sorry that the Chicago fire took the focus away from Peshtigo, but, whatever, learn to pronounce it Jack. Because at least Revival redeemed itself for the Amtrak error by putting in a wicked Milwaukee Bucks burn in the finale that they had lost to the Indiana Pacers. Again. Seriously, if you're a Bucks fan, you feel this joke in your very soul. And has The Gilded Age done anything to make it up to me yet? No. It hasn't. Moving on, if I can, as a connoisseur of everything to do with my home state I had obviously heard about the graphic novel by Tim Seely and Mike Norton. Patrick Rothfuss put me on to it, and well, Patrick Rothfuss has really bad taste in reading material. Something I have painfully learned over time. I just didn't like it but at least I have since realized why Martha's nickname is Em. It's not Em it's "M." Get it? Anyway. So, this is a zombie story, so if you have zombie issues, maybe don't tune in. But even if you do have zombie issues, maybe try it anyway, because while this is a zombie story it's also about how we treat others and militias and religious zealotry and personal agency and MAGA and the CDC and all of that and it hits really close to the bone. Luckily though if you were one of the Revivers that came back from the dead that injury will heal right up. I'm a fan of zombie stories that try to tell a bigger tale, that about family and connection and identity and our place in the world, which is why I love iZombie and Shaun of the Dead so much. Because who says zombies have to be humorless? And while Revival does have it's more amusing moments this is a darker but far more fascinating tale. It's like a puzzle you're piecing together. There's a cold case but there's also this new miracle that's happened and how they connect is everything. And while we are given an ending and Martha's MAGA dipshit father is given a few glorious smackdowns, there is more to explore in this world. When reading that comic all those years ago I would never have thought I'd enjoy, let alone embrace, a show based on it, here I am. Just shows that many kinds of miracles were worked on this show. Plus the wrestler CM Punk is brutally murdered in an episode if that's your jam...

Wednesday, April 17, 2024

Book Review - Clark Collis's You've Got Red on You

You've Got Red on You: How Shaun of the Dead Was Brought to Life by Clark Collis
Published by: 1984 Publishing
Publication Date: November 23rd, 2021
Format: Hardcover, 424 Pages
Rating: ★★★
To Buy

Shaun of the Dead is one of those films like Twister that whenever you catch it on TV while flipping the channels you can't help but keep watching it. The humor, the pacing, the pathos, the music, everything is perfection. I dare you to listen to "Don't Stop Me Now" without wishing you had a pool cue in your hand. Of course it wasn't an easy film to make. At the time Edgar Wright and Simon Pegg were only known for their quirky cult comedy Spaced and here they were pitching a major motion picture that was very zombie niche. In fact, they would have been happy had this film only had an audience of one if that audience was George Romero. And if he liked it. They really wanted him to like it. This was an epic love letter to the man and the aesthetic he had created. But it took a lot of convincing to get everyone on board with their vision. At times the studio was pushing for "names." Which means, in an alternate universe Nick Frost isn't in this film but for some reason Gillian Anderson is. Which could have been a little awkward given how Tim Bisley felt about Dana Scully.... With new interviews from the cast and crew and complete access to Edgar Wright, You've Got Red on You shows a detailed behind the scenes picture of how this zomromcom came to life. The long hours shooting without air conditioning. The people whose entire job was just to maintain blood spatter continuity. What it's like being covered in blood spatter in that heat. The fact that David Bowie was really "funny" about the Labyrinth soundtrack and therefore a zombie was attacked with the Batman Soundtrack instead. I mean, Prince was their first choice, but it didn't hurt to have a backup. And then once the film was wrapped, would anyone watch it? Thankfully George Romero approved and anything else was a slice of fried gold. They didn't realize though that it would be so successful. But this was down to clever marketing. In order to break the US the trio of Pegg, Wright, and Frost toured the US. They did an old fashioned hard sell going town to town, and because of this they didn't just create a fanbase, they created true fans. Fans that would come out on their next two tours when they promoted Hot Fuzz and The World's End. Fans that would repeatedly buy all the different versions of the film that were released and would follow them to the ends of the Earth. Or at least to the pub on a Sunday afternoon.

I don't know how I first heard of Shaun of the Dead, I'm guessing a trailer before another movie in the summer of 2004, but I was an early convert. I was a member of the "Shaun Street Squad" which was a website designed to spread the word about the film and where you could earn sweet sweet swag by doing fan art and fanfic. And yes, I actively participated, cashing in my points for a pint glass and then some. And then opening day I was there in the theater having dragged my friend Matt along with me to see this film everyone was talking about. After that first viewing I became an acolyte of Simon Pegg's. Spaced, Hippies, Asylum, Randall and Hopkirk (Deceased), and branching out, Black Books, and Little Britain, where Monty Python, Red Dwarf, and Blackadder were my formative years of British sitcom, Simon Pegg came in to inform my early post college years. So I had one question going into this book, could it give me any revelations? The answer is not really. Aside from David being written for David Walliams, which makes everything make sense to me. But it's such a well laid out and eminently readable history of the film that a lack of anything new didn't really bother me. It was also, for the most part, pretty unbiased, showing Edgar warts and all with an ongoing feud he had with the director of photography David Dunlap. And while Edgar admits to this feud Edgar himself might be the only real problem with this book in that it was Edgar's voice that was predominate. His view of how things happened. Yes, others were interviewed, but Edgar's voice and Clark Collis's reverence for him carried the narrative. And as for Collis.... It's his inferences in the end that make the book not achieve it's full potential. Because in the final analysis the author places too much cultural importance on Shaun of the Dead. Yes, it's was culturally important in bringing about the more romcom side of zombies, but was it THE REASON that zombies because popular again? No. That would be 28 Days Later and The Walking Dead comics, which were released in 2002 and 2003 respectively, whereas Shaun of the Dead was released in April 2004 in England, us in the states had to wait for a fall release. Also, I found it odd that Collis never once mentions iZombie which in comic and televisual form were both heavily influenced by Shaun of the Dead. And of course THE MOST IMPORTANT FACT was omitted from this book. Because of Shaun of the Dead we got Hot Fuzz, perhaps the most perfect movie ever.

Wednesday, September 27, 2017

iZombie

If someone were to ask what my favorite TV series is, iZombie would be a strong contender. Whereas if you were to ask me what one of my most hated graphic novel series I've ever read is I'd again probably say iZombie. Quite literally the only thing the two have in common is the name from which the genius of Rob Thomas, of Veronica Mars fame not Matchbox Twenty fame, made this quirky show that harkens back to Veronica in the crime solving structure and societal warfare but puts a whole new spin on how the crimes are solved. This crime solving ability is all down to the casting of the lead. Rose McIver as Olivia Moore (Liv Moore, get it? You'll need to like puns to like this show!) is the delicate shoulders whom this show rests on. Because the quirk to the crime solving? She eats the victims brains and sees flashes of their lives, which also tend to bleed into her own as she takes on their traits. She has become a country western singer, a stripper, a kleptomaniac, so far it's unending how these other people change her while also expanding her heart. Of course there's a big bad, with the ever sexy David Anders as Blaine DeBeers, but it's the heart of the show, the friendships, not the nemeses that make it the only zombie show you should be watching. Plus I CAN NOT wait for the upcoming season now that the existence of zombies is known. Because in a show that is able to constantly change and reinvent itself it's now changed their whole world and I say bring it!   

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