Season 41 - South Riding (2011)
I know there are those out there who love this adaptation of the book by Winifred Holtby, but I am not one of them. I even gave it a second chance but I just can't with it. If anything I hate it even more. Given the cast and the crew you'd think this would be right up my alley, but the cat hanging out in the alley trying to upstage Anna Maxwell Martin and Douglas Henshall is the only part of this miniseries that I actually like. If you've watched the 1978 adaptation of The Prime of Miss Jean Brodie you are in the wheelhouse of what I was hoping for with this series. A look at women overcoming the roles they were forced into because of their sex and raising each other up and tearing each other down within the setting of a local community and its school. And there are glimpses of that. But instead there's a prevalent dirty old man vibe that I can't get beyond. The creepy sexualization of children in a school presentation, the lecherous board member, and then the problem of David Morrissey's Robert Carne are too much for me. All the dramatic music in the world won't trick me into liking a series which holds up a rapist as the romantic ideal. But surely, that's not what this series is doing you say? Oh yes. It is. So Robert Carne has a wife Muriel. She is institutionalized and he has bankrupted himself to make sure she gets the best care despite the fact she would rather just be at home. But she wouldn't have had to be institutionalized if not for him. She had been told she is under no circumstance to have a child. Robert knows this. They practice safe sex with a diaphragm. He comes back from the war and finds her flirting with other men in her bedroom, he snaps and proceeds to rape her. Muriel gets pregnant with a child, their delicate daughter Midge, and she loses her mind. From the show you can assume it's unspecified hysteria that probably arises out of postpartum psychosis, though it's never spelled out. But what is spelled out is that this is all the result of having a child. Therefore it is Robert's fault. Supposedly the weight of caring for this woman he has never stopped loving is what has damaged his heart and he will one day succumb to an angina attack. Which, if I'm honest, he deserves. He deserves death and pain and more. If he loved this woman so much why did he destroy her? And he KNEW it would destroy her. Enter radical schoolteacher Sarah Burton played by Anna Maxwell Martin. She is the antithesis of everything Robert Carne stands for and yet she falls for him. She falls for him hard. And I am flummoxed as to why. They have one or two dances at a hotel over the holidays and are ready to jump into bed together, all while he's hallucinating his wife, and that was all it took to steal her heart. Does she have like a Heathcliff complex? That she falls for the worst in humanity? I really would like to know more about her fiance that died during the war. Was he also a deplorable? Because make no mistake, if this were contemporary and set in America Carne would be MAGA. And yet, as Sarah is declaiming her love for him, she says she hates everything he believes in and stands for. Um, girl, what someone believes in and stands for are what they are, so how do you love him exactly!?! As I said previously, I just can't with this. South Riding can go ride off into the sunset. Or better yet, die in a cliff collapse.
The British have such a love of their public schools that is equal parts nostalgia and trauma that they have immortalized it in print time and time again. Tom Brown's School Days is always the first that leaps to mind, but there are so many that I can name from those that embrace the genre, like Goodbye, Mr. Chips, to those that subvert the genre, particularly Ronald Searle with his St. Trinian's comics. You could even make a valid argument to include The Prime of Miss Jean Brodie amongst their numbers even if Wikipedia doesn't. Mr. Chipping has been depicted several times on screen by the great luminaries of the day, from Robert Donant, who won an Oscar for his portrayal, to Peter O'Toole, who sang and danced as Mr. Chips, to Roy Marsden, the most famous of all Dalglieshes. So why did the 2002 adaptation land on Martin Clunes? You have to remember that at this time he wasn't the household name he is now for portraying Dr. Martin Ellingham. "Doc Martin" was still very much in its nascence. Martin Clunes had played Dr. Martin Bamford in the film Saving Grace and the character had been re-contextualized for two television movies, only one of which had aired at this time, and which, in my mind, have almost nothing to do with the series. Other than that his career was almost all one-off episodes where his character was invariably along the lines of his portrayal of Barmy on Jeeves and Wooster or Anna Massey's ill-fated son on Inspector Morse. In other words, big-hearted and bumbling. A golden retriever or Labrador of a person. He comes in smiling with that big mobile mouth and his outsized ears and is just a ray of sunshine. And I honestly believe, from years of watching him, that this is exactly who he is as a person. In other words, the exact opposite of a taciturn doctor in Cornwall who graced our screens for ten series. Which is why I think he was perfect for this role. He shows up at this school where the most formative years of a young boys life will also be the cruelest and he is horrified by what he sees. And you can see it there, all on his face. He doesn't believe in corporeal punishment he believes in kindness. Soon he finds a woman who believes the same as him and they are married and she helps him to see that love is what these children need. He isn't able to get much traction on his desired reforms and soon he loses the love of his life in childbirth, but his students love him. Students who are going to die in droves in the first World War. Is this supposed to be happy? What is the message? Look what one man with a heart of gold can do and fuck war? Wait, were all these books written to self sooth to be a balm on the wounds of how horrible British public schools were and that war was actually better than being bullied at school? Because this starts out so uplifting and ends in tears. Mr. Chips changes hearts and minds and then the bodies housing those hearts and minds die in the trenches. I really can't believe how much death is in this. Why couldn't he and his wife have had a happy ending? Why did his only children have to be the students? I mean, it's too bittersweet for me. Yes, the war had so much death and given the time period I expected that this would encompass the first World War, I was just hoping, maybe, I don't know, something more upbeat and not bleak. Well, if I had stopped it halfway through that would have been the case. So I heartily approve of watching this nice fifty minute movie. There are not another fifty minutes. There are only fifty. That is all. His wife says she is expecting, cue the credits.
