Showing posts with label The Lord of the Rings. Show all posts
Showing posts with label The Lord of the Rings. Show all posts

Friday, July 26, 2024

Book Review - Ta-Nehisi Coates's The Beautiful Struggle

The Beautiful Struggle by Ta-Nehisi Coates
Published by: Verso
Publication Date: 2008
Format: Paperback, 227 Pages
Rating: ★★
To Buy

Baltimore was collapsing around him as Ta-Nehisi grew up. But in an age of decline you can always find a way to survive and, perhaps, thrive through the cracks even during a crack epidemic. You just need to have a goal and to have the knowledge, or, as his brother Big Bill would say, the "Knowledge;" the ability to survive in a culture of violence. These were lessons his family taught Ta-Nehisi well. His father, Paul, believed strongly in education and in raising his sons to be proud black men despite a society that points to those very black men as the problem. Even though people like to think of the seventies and in particular the eighties in America as some sort of economic renaissance, America was, and still is, a deeply racist country, stigmatizing those of color, and Paul knew that this knowledge was paramount to the raising of his sons, and maybe that's why he was so hard on them, he would never let his sons forget this while at the same time making sure they were proud of their heritage. Paul Coates, Conscious Man, was a vet and member of the Black Panthers and an autodidact. He believed in the power of words and language and ran a publishing house out of his basement, the Black Classic Press (BCP), that was committed to distributing the collective stories of the African-American people. But he also had a deputy patriarch with his son Big Bill who helped Ta-Nehisi with the Knowledge. Ta-Nehisi, as seen through the eyes of his family, had an exemplary life ahead of him, if only he'd see his future clearly. Though when Ta-Nehisi starts telling his story, he doesn't yet have a goal, he doesn't have a Mecca, he just wants to survive in an uncertain world. Yet the thing about children is they eventually grow up. But having his father not just encourage but insist on intellectual curiosity paid off. Ta-Nehisi moves beyond the lures of rap culture and basketball and begins to think about what he wants to do with his life and he starts to take his education seriously. He gets into Baltimore Polytech, a magnet school that is his way out of Baltimore and to his chosen Mecca, Howard University. Though Ta-Nehisi isn't as academically gifted as his siblings and is soon kicked out of Baltimore Polytech. But he does eventually reach Howard University, after walking the halls of many a Baltimore-area school. He has struggled to survive in a hostile world and he has made it out. Thanks to his family.

I'm not a big fan of nonfiction in general so I'm not singling out memoirs as something I don't like to read. In fact they're probably the only subset of nonfiction I'm OK with, with notable exceptions. But this is never a book I would have ever picked up of my own volition. The thing is, I don't really like reading about other people's lives. I should clarify, "real" peoples lives. I love me my "fictional" friends. Even people I like and respect I won't often pick up a book about them because I often find out something that colors my opinion of them for the worse. I can't make it go away, so I'm sorry, Nelson Mandela, you gave pictures of your wife and daughters to inmates to masterbate to, and every time your name is mentioned that is the first thing I think of. As for how Bob Geldof lost his virginity... That's best never mentioned. Then there's the disconnect. You're reading about someone's life and you're thinking that for once, you've found someone on the same wavelength as you, and then they say something or do something, and you're just done with them. I will point out that this generally happens for me when reading nonfiction books by female authors when they start talking about having kids. But it's a obstacle that can not be overcome. So I didn't have many hopes going into Ta-Nehisi Coates's memoir. Though this would stand for any memoir. It was interesting. Will I ever read it again? No. Do I respect Ta-Nehisi Coates more after reading about him? Perhaps. He's at least now no longer that guy who wrote the highly lauded Black Panther run but a celebrated author in his own right. What I found most interesting was that he's only three years older than me so we have many of the same cultural touchstones. I saw some reviewers complaining that when he mentioned Star Wars or The Lord of the Rings that it brought them out of the narrative, that it felt like he was trying too hard to show his geek cred and that he was "aware" of white culture. Whereas I thought it was a good framework to help those who are completely ignorant of the privilege that they grew up in that while these cultural moments are moments of connection for all of us we need to look at what else was happening in his life. There is a part of us that is the same but there is a part of him that we can never understand because these aren't our lived in experiences. And that's what made this book for me. That chasam, that gap between white privilege and black power, I felt that he told it in a way that made me connect and that is so rare in a memoir. I might not truly be able to understand his life but I get it if that makes sense. I empathize and applaud.

Wednesday, December 20, 2023

The Rings of Power

I was not one of those kids, like Stephen Colbert, who spent their childhood immersed in Tolkien. But I hung out with those kids. And then things turned up a notch when I started college. One of my friends moved into a co-op called Rivendell and I finally read The Hobbit. And blasphemous as it is, I think that is still my favorite story. But it was the community of Rivendell that had the greatest effect on me. Soon four of my best friends lived in the co-op and I was acquaintances with everyone else. I spent more time there than I did at my own home leading to several housemates saying that I should just move in already as I practically lived there. Though I never did. But one thing that Rivendell took really seriously was The Lord of the Rings. Everyone in the house was fanatical about the books, taking it so far as to have a feud with fellow co-op Lothlórien, because down with loose elves? Loth did have a rather libidinous reputation. So when the the Peter Jackson films went into development everyone at Rivendell couldn't wait for the film to come out. I used the time between the announcement and the release to do some cramming, ie, I read the trilogy. Then when it was announced The Fellowship of the Ring was being released in December of 2001, that's when me and the Rivdendwellers started working on our costumes. There were cloaks, there were ears, there was everything you could imagine. Even my precious. And there we were on opening night being sucked into the world Peter Jackson brought to life. We were there the next two years as The Two Towers and The Return of the King were released. When Peter Jackson released his extended cut of The Return of the King we had a movie night at Rivendell in the dungeon-like television room where we watched Buffy the Vampire Slayer every Tuesday night. The Lord of the Rings was so much a part of my life for so long that I wasn't sure how I'd handle The Rings of Power. And it wasn't so much that Peter Jackson wasn't a part of it, I lost faith in him after The Hobbit trilogy, I mean he could have just made The Hobbit and it would have been good, but no, that didn't happen. But the cast was made up of so many British actors I like and from all the pre-release material it looked right. Yet it's best to go in with no expectations and no assumptions. After all, this was having to pull from the same source material as a beloved trilogy, so how could they make it work? The answer is Prince Durin IV. OK, there are other awesome characters, and Galadriel could have carried this whole show on her shoulders, and I was triumphant that I figured out who Sauron was before he was revealed, and I am still scratching my head about the Harfoots who are living contradictions because they never walk alone and yet leave people behind, but it all comes down to Durin. Oh and Elrond. Their friendship and their depth of connection and emotion shows what draws people again and again to The Lord of the Rings, friendship, or, in the words of Tolkien, fellowship. Oh, and can we talk about Durin getting a free table by making up a lie about the stone it was made of? It's how I'm planning on getting all my tables from now on; dwarven guilt. Say it with a nice Scottish burr.

Wednesday, April 26, 2017

Book Review - Ursula K. Le Guin's The Other Wind

The Other Wind by Ursula K. Le Guin
Published by: HMH Books for Young Readers
Publication Date: 2001
Format: Paperback, 288 Pages
Rating: ★★
To Buy

The balance has not yet been set right. After the Ring of Erreth-Akbe was once again made whole and the prophecy of a king placed on the throne came to pass it was assumed the world would right itself because of this change. Yet Lebannen has been king for half his life and yet the change isn't for the better. Lebannen has called for Tenar and Tehanu to come to give him counsel so Ged is alone on Gont when Alder arrives. Alder is a village sorcerer from Way who specializes in mending. He has been having horrible nightmares since his wife Lily died. He is on the other side of the wall from the dry land, the land of the dead. His wife is there on the other side calling to him. They even embraced across the wall and when Alder awoke he was scarred where his wife had touched him. The next night more dead were at the wall in his dreams including his mentor. Each night he goes to that wall and he sees the dead trying to break through, trying to destroy the barrier. At his wits end he went to the wizards on Roke who then sent him to Ged, who has been to that dry land. Ged listens to Alder's story and sends him on his way to his wife, Tenar, with a kitten and two questions.

Once at the seat of the king in Havnor Alder is but one problem among many sticky political situations, from an unwanted bride from the Kargs to rumors of dragons attacking the western islands. Soon the dragons attack Havnor and Tehanu helps to make a temporary peace. But Alder isn't shunted aside, far from it, Lebannen and his counselors listen closely to him and soon realize that his problem, the dragons, everything might be connected. A delegation is assembled representing all parties involved, from dragons to wizards to man, and they talk, and they listen, and they realize that the cycle of death has been somehow interrupted by the wizards building that wall in the dry land causing unrest. This unrest is becoming dangerous, especially to Alder who can hear the call of the dead even in his waking hours now, and the delegation decides decisive action must be taken. They set forth to Roke, the center of the world. They know not what they will do there or how they will accomplish what needs to be done but with all of them working together they must find a solution otherwise all Earthsea will perish.

The main thing I have always admired about Le Guin's Earthsea cycle is that there was an originality to it. Yes, there were references, pastiches of other series that came before, and in Lebannen's journey more than a nod to The Once and Future King. But while there were these building blocks, this DNA, what Le Guin created was something entirely new out of all that had come before. Until now. And I really am left a little at a loss for words. What she wrote over many decades was a new and unique story that ended much like every other fantasy series and in doing so fails the reader. It's just so derivative, and mainly it's derivative or Tolkien's The Lord of the Rings series. I mean, there is no way around the fact that Lebannen basically assembles the Council of Elrond. Instead of men, hobbits, dwarves, elves, and wizards, we have men (two different races), wizards (two different methods of training), sorcerers, and dragons. Dragons and Kargs and Kings oh my! Oh, and remember there's a ring. And they have there meeting in a secret grove and make decisions that will effect all of Middle-Earth, oops, I meant Earthsea. And in the end the dragons, the most mystical of all the beings, head into the west... so yeah. Not. Original.

Yet this lackluster finish doesn't discount the whole cycle, even Tolkien wasn't perfect, and Peter Jackson is even more fallible with those horrid Hobbit movies. Looking at the cycle as a whole I came to a very interesting realization. I looked at my favorite books, The Tombs of Atuan and Tehanu, and the stories that most affected me in Tales from Earthsea, and they all had something in common. The writing I have loved the best is when Le Guin has her story set in a specific location. When she has her characters traveling hither and yon I don't feel the connection to them as I do when they are rooted. Le Guin is able to create such a deep connection to place in sustained narratives that when her stories aren't given this sense of place they flounder. The Tombs in The Tombs of Atuan become their own character, as does Re Albi in Tehanu. In fact when Alder visited Ged in Re Albi at the start of this book I was given momentary hope. Here I was at home. Here I was in Ogion's cabin which was made for his master. This place had become a part of me. I wanted to stay there, I wanted to abide. But perhaps that's just me. One of my friends jokes that I'm the only person she knows who wouldn't jump at the chance to travel with The Doctor because I love being home. I love my roots.

Where The Other Wind also stands out is how they figure out what is going on through the different lore. I love folklore and how it evolves over time and how it informs our cultural identity. All the different cultures had a similar take on a similar tale, from Pelnish lore to Kargish, all the way to the dragons, they all contain a grain of truth. By comparing and contrasting and combining they are able to find the essential truth, that which will help them. The Other Wind is basically an ode to comparative literature analysis. Hearing these stories and trying to work out the truth before it's revealed is a wonderful little puzzle. But as with many puzzles if not solved in a timely manner they outstay their welcome. After awhile the stories become repetitive and not just by their similarities but by the fact the characters are actually repeating themselves to work out how best to handle their situation. So while problem solving through storytelling really appeals to me I reached a point where I just wanted the problem solved. Le Guin belabored the point in what is ironically a very slim volume.

But what is once again a problem is the ending. I thought that Tales from Earthsea had worked out some of Le Guin's issues with endings, but if this book is any judge it just made it worse and took a bit of the spark with it. So the question I have is once the Council of Elrond has gotten to Roke and the Immanent Grove and passed over to the dry land how does breaking down the wall actually help? The wizards built the wall eons ago to capture immortality by creating nirvana. But once the wall was up the wind stopped blowing across the land that used to belong to the dragons and all died there and the dead were trapped, not in heaven but in a hell of their own making. So yes, there's no wall now, the trapped souls can escape, but the wall wasn't built consciously, or at least that's how Le Guin makes it seem. The wall was built because man dared use the language of the making and in giving people their true names they forced them into this dry eternity. So by still giving people their true names the wall will just be rebuilt. Therefore what actually needed to happen is that magic needed to be fully removed from the equation. But this doesn't happen. Le Guin always takes her stories right up to the end and then seems to lose interest and can't be bothered to see it through to it's logical conclusion by tying up the lose ends.

In fact she doesn't just illogically stop the imbalance, because seriously, I don't think it will work, she starts laying on all this new information in the final pages. So while this is supposedly the end she's laid so much new road down that it seems like the jumping off point for another six books. Ignoring the whole problematic continued existence of magic, we learn that dragons can supposedly go between worlds? WTF!?! Shouldn't we have known this before beyond Ged's cryptic question asking if dragons can go over the wall. So dragons just go here there and everywhere? So why exactly didn't they just take down the wall in the first place? Dragons are beings of magic and time and time again they are shown to be pretty equal to magicians and yet they let that wall stand? Yeah, not likely. But what really annoyed me is that I felt Tehanu's story was just forgotten. At the end of the forth book I needed to know her story but instead Le Guin gave it to Irian in "Dragonfly" in Tales from Earthsea. Irian took Tehanu's thunder! It's just, gaw. It's annoying. So much wonderful setup and so much disappointment in the follow through. Part of me wants more books so that the wrongs can be righted. But the other part of me just wants the journey over because I have a feeling that more questions would be raised than answered if another book existed.

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