Showing posts with label The Big Bang Theory. Show all posts
Showing posts with label The Big Bang Theory. Show all posts

Wednesday, December 30, 2015

Book Review - Laurie R. King's The Beekeeper's Apprentice

The Beekeeper's Apprentice by Laurie R. King
Published by: Picador
Publication Date: 1994
Format: Paperback, 346 Pages
Rating: ★★
To Buy

Mary Russell one day literally walks into Sherlock Holmes on the Sussex Downs. She has just recovered from a horrific accident and has moved to England to be looked after by her aunt. The war is raging across the channel and there's not much to do but wander the Downs and read, hence the walking into Sherlock Holmes. She is intrigued by this man who is intensely studying the bees and soon an unlikely friendship forms. Mary is smart and underfed, the perfect companion for Holmes and his erstwhile housekeeper, Mrs. Hudson. Holmes slowly starts to inform Mary's education, choosing her reading material and her course of study, though he will never fully understand her love of theology. While Holmes might be filling his retirement with Mary, the truth is he's never been fully retired, and one day he finally lets Mary help in a case. The daughter of the US Ambassador has been kidnapped while on holiday in Wales. Dressed as gypsies Russell and Holmes find the young girl and return her to her parents. But this case brings them more forcibly onto the radar of Holmes's arch-nemesis. While Mary goes off to Oxford and Holmes stays in the Downs tending his bees, a web is being spun around them, tighter and tighter, until one day it explodes, much like the beehive that Holmes tends that was rigged with a bomb. Russell, Holmes, Watson, Mrs. Hudson, and even Mycroft are all in danger from this intelligent, resourceful, and determined foe. Holmes decides to take the unexpected step of removing himself from the game with Russell, but this only delays the inevitable. There will be a reckoning, and there will be casualties.

Books that start off slow and build to a climax are a lovely surprise. Books that start off fun and slowly chip away at you until you can't wait to be finished, well those are a different kind of surprise all together. The Beekeeper's Apprentice is of the second kind, sort of. A good solid start was had after an initial wobble, but by the end I was just like Holmes listening to the raving denouement from his tormentor, politely bored. I should have guessed from the beginning that Laurie R. King was the kind of author who would devolve into self-indulgent crap, but I had hopes. Why should I have guessed? That "Editor's Preface" my dear which I tried SO HARD to forget about. That little wobble that started the quake that would bring this book down. In this preface, King sets out to make it seem as if the events we are about to read are real, due to the arrival of a trunk stuffed full of mementos from the life of one Mary Russell. While there's the part of me that got a frisson of excitement thinking how wonderful it would be if such a trunk showed up on my doorstep, it's what King sets out to do with this trunk that baffled me. I mean, obviously as a half-way intelligent reader you've realized you're holding one of the "manuscripts" that reside at the bottom of said trunk, what I don't get is the implications this casts on King herself. King is not only devaluing what she has done in writing this book, claiming it to be Russell's, but there's the plagiarism accusation. An accusation she is willing to embrace. In other words, King is proudly proclaiming herself to be a plagiarist and her publisher a willing accomplice. Um... what now? I'm about to read an entire book by an author who will tear herself down in order to make a joke that falls completely flat? Seriously? I am baffled. It sets the book on a weird footing and no matter how hard you try to forget this, there's a part of you that remembers and cringes and knows, this could all go very pear shaped, very fast.   

This faux whimsy of King's backfires to the extent that you start to question everything she writes. She obviously doesn't take herself seriously, which I will admit is something more writers need to do, but she isn't just lighthearted she denigrates herself with a knowing wink, like her writing isn't good enough. Because of this we don't think her writing is good enough, and it is sadly brought home on every single page. Just look to how she handles Holmes. The way Holmes is different as filtered through the perception of Mary Russell versus Watson rings false again and again. He is different, and this story needed him to be, but he is TOO different. He is the Holmes of the daydreams of a fifteen year old girl with serious daddy issues. He is oddly more romantic and sentimental than Watson would ever have dared say lest a vicious tongue-lashing was to come. His desire to solve crimes isn't based on boredom but a deep seated love of humanity. In other words, he's a big old cuddly teddy bear and Mary Russell is the first one to ever really get that. If there had been some ring of truth to this description than it might have been believable, instead I felt like this book was nothing more than fanfic masquerading as fiction, or faux nonfiction as King would have us "believe." Here's the thing about fanfic, it's fine, it's good to have it in the world, it's just not good if you're book exudes it. This way does Casandra Clare and other such hack writers lie. Your book can have it's birth in fanfic, it just must rise above. It must become something more, something new. While Mary Robinette Kowal's Glamourist Histories could technically be considered Jane Austen fanfic, or Marissa Meyer's Lunar Chronicles Sailor Moon fanfic, neither reads as such, because they have become something more. The Beekeeper's Apprentice isn't something more.

In fact, it goes all the way to hetfic, with Mary and Holmes being set up to eventually "get it on." And this is where my head goes boom. Just no. No no no. First, Holmes is of the asexual variety of humans. He can not be concerned with the workings of the heart, it takes up space needed in his brain for other things, much like he doesn't know the earth goes around the sun. But then again, here we have the overly sentimental Holmes of Russell's imagination. It's like Sheldon on The Big Bang Theory, there is nothing I hate more than his relationship with Amy, largely to do with casting, which was just consummated as I write this. It's out of character. These are people above hanky panky, thank you very much. Cerebral over physical. But it's so much more than that. There's the creep factor. Holmes is fifty-two when he meets just turned fifteen Mary. This would make him a pedophile people. Sure nothing "happens" for years, but look what he's doing during those years? He's training her, he's helping her learn his secrets, he's grooming her. Child grooming: IE, what pedophiles do! This is the elephant in the room. It's not the thirty-seven year age difference, it's when the relationship started that is all manners of ew. It's like the current Doctor on Doctor Who getting it on with one of Clara's students, and yes, the age difference is exactly the same! Yes Mary claims she views him as a father figure but doesn't that just make this even more creepy? Am I the only one calling ick? And I'm not even getting into the whole dressing like a boy factor! Looking to see what my friends thought I can't understand how they are all praise and no, hang on a minute this is creepy. Just no. I can definitively say that I won't ever be picking up another book in this series if just for the ew factor.

Though the icky fanfic aspect of this book isn't the only problem I have. King said she set out to write this book to show what Sherlock Holmes would be like if he were born a she in the 20th century. OK, interesting concept to think about. OK, I've thought about it, and I think not. Russell is NOT the 20th century's answer to Sherlock Holmes. Not even going into the whole "Mary Sue" of it all, she can't be the new Sherlock Holmes because he was self-formed and she is obviously formed by Sherlock. She might have had the raw material to become him, but had to have him do it for her. She wasn't going around analyzing dirt at a young age. She wasn't trying to decipher different cigarette ash in her spare time. All she is is a smart girl who is opinionated, religious, had a traumatic incident in her life, and stumbled into Sherlock Holmes's life and was cooed over till she became irreversibly his creature. Not a woman of her own making. If we take out the Jessica Jones backstory and use the actual Sherlock mold, self-made genius, sibling, etc, who we get isn't Mary Russell, it's Flavia De Luce! Alan Bradley who is obviously a far more well honed Sherlockian than King could ever hope to be, understood the nuances needed. This is all just bold brushstrokes. In fact I think I could pick out anyone from literature at random from the "bright young people" and they would have the necessary spark, the dazzling wit, and the intelligence that Mary seems to so "uniquely" have. Ugh. Just. Ugh. Why couldn't Mary have been blown to bits again? Oh yeah, because she's the "star" of this book.

And Mary is a stupid little idiot. Yes, that is redundant, but she's so freakin' stupid that I CAN NOT mention it enough. OK, let me highlight the number one reason why she is stupid. Yes, there are many, many examples, but one in particular made me psychically wince at the stupidity of it all and the laziness of the writing. Especially because it's shown as an example of how much smarter she is than everyone else, someone save me. In my mind it shows how f'ing stupid everyone else is. So the evil villain mastermind what-have-you slashed a message in roman numerals into the seat of Holmes's cab. Holmes and Russell don't really get around to deciphering it until they are on their way back from the holy land and they are stumped. Some two months later while sitting in the Bodleian, Russell has a eureka moment and realizes that it spells out "Moriarty" using the most simplistic alpha numeric code ever devised. First let's take into account that all along the two crime solvers were musing about how this new mastermind was so like Moriarty. Wouldn't you just, I don't know, see if the word carved into the leather was Moriarty first and foremost? I know I would! And if they had, well, I guess the book would have been a lot shorter. Instead this "mystery" is strung out for MONTHS. I have read oh so many Sherlock Holmes inspired books at this point and several of them went into code breaking and ciphers. Many concentrated on the Vigenère cipher because it's hard to crack without the keyword, but is still easy to understand if you're not into cryptanalysis. But here A = 1 and B= 2, oh yippee, let me get this first grader to solve it for you Russell. Well, personally, I'm not stupid enough to pick up any more of this series. Be on your merry way Mary, never shall we meet again. Stupid bint.

Tuesday, April 1, 2014

Book Review - Katherine Addison's The Goblin Emperor

The Goblin Emperor by Katherine Addison
Published by: Tor Fantasy
Publication Date: April 1st, 2014
Format: Paperback, 502 Pages
Rating: ★★
To Buy

Maia never expected to be Emperor. Forth in line for the throne, the half goblin son of the Elvish Emperor Varenechibel IV has spent his life in exile with an abusive cousin. When his father and elder brothers all die in an airship crash Maia is plunged into a world of court intrigue he was never prepared for. Maia has a good heart and has had a lonely life; he finds the transition to court almost unbearable. He doesn't know who to trust and those he does are to be viewed as servants not friends. Then there is his remaining family, people he has never met and who make it clear they are not happy with his rapid and unexpected ascension. The earnest youth has to deal with plots and plans and the startling knowledge that the airship crash that changed his life was sabotage and that his family didn't die because of an unfortunate accident, they were murdered. As Maia tries to find out the truth his own life might very well be in danger. After all, in an elvish realm who wants a goblin as emperor?

I don't lightly contemplate giving up on a book. Once I pick it up I am in it for the long haul. I am there to the bitter end. Like Sheldon on The Big Bang Theory contemplating adding a new television show to his life, no matter what happens or how bad it gets, we are committed and can't back out; it's a facet of our personalities, though I'm not fictional. Therefore when I got about sixty pages into The Goblin Emperor and started seriously thinking of backing out, well, you can get an idea as to how I feel about this book. Seeing as this book was a selection for my book club I stated my feelings on our Facebook page and was strongly encouraged to carry on. I waited about a week and started the book over again. I struggled and I cursed, I occasionally chose sleep over reading, I had panic attacks that I would never finish, and then, I stumbled into the finish line abruptly. Occasionally I glimpsed the greatness that caught my friends imaginations, but overall this book failed to achieve even the most basic needs of a book, legibility.

The Goblin Emperor is full of dense almost impenetrable text. If you can get past these trappings there is a story with a very slight narrative in there, but if you don't look closely you might miss it. Katherine Addison has created the most convoluted language with unpronounceable titles and honorifics possible. At times I thought that she just literally hit keys at random on her keyboard to come up with some of the names of her characters. In her "Handbook for Travelers in the Elflands" she oh so kindly points out that "there are no silent letters in Ethuverazhin." Oh, so all those random consonants and vowels, I say them all? OK, let me just mentally rename all the fifty million characters in the book to something legible to preserve my sanity. And then Addison has some fun with masculine and feminine names and does some slight Scandinavian manipulation so that husbands and wives have different surnames! And all these woman have the same-ish title, which could for a couple hundred pages be mistaken for their forenames, of dach'osmer, or dach'osmerrem, or even dach'osmin! Rarely does a book make me feel stupid. This book made me feel stupid.

I struggled so much that at times I was brought to tears and conversely I was occasionally brought to the edge of panic with my heart racing as it felt like it was climbing into my throat. The only time of the day I found it mildly productive to read this book was when I was half awake. In this almost dream state I just didn't care enough to have my ire raised. But if I was fully conscious; well that's another matter. Here's the thing about creating a world with a different language; it might be helpful if that different language has some basis in, oh, any language on earth. The reason a fantasy writer like Tolkien is embraced is because as a historian of dead languages he was able to create languages that had the same basis as our own. The names and words made sense. Got that? You can't just make up an entire new language with no touchstone to reality. There's a reason language formed as it did over time, we can speak it! We understand it! We don't look at it and go, what they hell is this!?! That is what I spent the majority of this book doing; ripping out my hair and saying what the hell is this!

Addison spent so much time creating this made up etiquette and title system she forgot that worldbuilding is more then just made up words and it's generally a good idea to have a plot. Even if we were to take the theory that this was a character study... well, no one but Maia is more then two-dimensional, some barely make it that far, being just signifiers of emotion. All I kept thinking while reading this book and looking askance at the rave review on the front cover from author Scott Lynch guaranteeing court intrigue was that someone, ie Addison, needs to bone up on their court history or read Patrick Rothfuss's A Wise Man's Fear to see a successfully executed fantasy court. Because really, strip this book down, strip the stupid Ethuverazhin language, strip the emotive ears, strip out every time someone says "Serenity" (that alone should make the book two hundred pages shorter) and what do you have? Literally Queen Victoria's ascension to the throne, which is milquetoast to the Medici's! Seriously, all this book is is a kernel of real history tarted up with all these fantastical and nonsensical trappings and spewed back at us with no depth and no umph. Everything is surface.

I know this review might cause uproar, and it probably will make some of my friends wonder how we are friends with such different tastes in reading material, but I just couldn't like this book. I begrudgingly gave it two stars because Maia does have a good heart and it is rare to have someone kind and thoughtful and not at all malicious or vindictive as a hero, but think how much better this book would be if Addison could write? Because that is my biggest take-away from this book. Addison can't write. She can spew nonsense, she can write impressive lists of horrendously annoying made up names, she can spend hours going on and on about Maia's clothes, but she can't write. I so wanted this book to be good if just to thwart those Sad and Rapid Puppies out there who got this book a Hugo Nomination most likely because of the anti gay societal values, but alas, it isn't so. And as a parting salvo, I want to ask, who the hell thought to categorize this book as Steampunk? Pneumatic tubes and airships do not a Steampunk book make. You might be able to argue that it fits in Baroque Punk... but like my overall opinion of this book, um no.

Wednesday, February 15, 2012

Book Review - Lauren Willig's The Garden Intrigue

The Garden Intrigue by Lauren Willig
ARC Provided by Dutton
Published by: Dutton
Publication Date: February 16th, 2012
Format: Hardcover, 400 Pages
Rating: ★★★★★
To Buy
There's only so many times you can throw yourself at someones feet till you start to fall for the owner of said feet. Augustus has been throwing himself at the feet of the Pink Carnation for some time now. Working with her as an undercover agent in Paris and using his horrible poetry to foil the French has made him invaluable to the British, but really, he only wants to be invaluable to one person; Jane, the Pink Carnation. Despite his flowery poetry that goes beyond the ridiculous, his sentiments of love are becoming more and more true. Jane though does not share these sentiments. She would gladly play matchmaker though.

Emma Delagardie is an American living in Paris. She spent most of her life in France, going to school with Napoleon's stepdaughter, then marrying a man whom she didn't quite get. Widowed young, she flung herself back into life, even making a few mistakes along the way in the form of Georges Marston. Yet her new favorite pastime is heckling Augustus. She is ever by the side of Jane and Augustus is ever by Jane's feet... he makes a very logical target. Jane thinks though that perhaps Emma's taunting is a deflection of her true feelings for Augustus. Throwing the two of them together to write a masque for Napoleon's house party seems the perfect way to see if these two crazy kids might not find a way to work things out and hopefully foil whatever that wacky emperor is doing next... because declaring himself emperor seems a pretty big step onto the crazy train.

Augustus is perhaps the most beloved character we have been waiting to get his happily ever after. That is after Turnip. I'm sorry Augustus lovers, but Turnip will always be my man, on the plus side, Turnip got his happily ever after so now it's time to spread the love. Ever since this absurd poet flung himself at the feet of the Pink Carnation speculation has been running wild as to whether this would be the man to win the heart of the elusive spy. As is the case in fiction as reality, the course of love never runs smooth. While busy admiring "The Princess of the Pulchritudinous Toes", the Princess's short little American companion heckling him has never left a good impression. She's American, for a start, a little too gaudy, a little too sultry, and a little too much "the Grand Inquisitor for Poetical Excellence, Greater Paris Branch." Emma Delagardie is the perfect foil for Augustus.

Until this book I have always pictured Augustus as one of those over the top, Byronic poets, like Shelley, Byron and Coleridge, but as depicted in Blackadder, laying about prostate in Mrs. Miggins' Coffee Shop half dead of consumption, but with a very puffy shirt on. Never discount the puffy shirt! Aka, a stereotypical poet, which for Augustus is the perfect disguise. Lauren does a wonderful job though of showing what playing this stereotype for so long might do to ones mind. Like all deep undercover agents, sometimes it can be too much, and sometimes you just can't get away from the bad rhymes, even in your head. I felt an empathy towards August and his muddled mind. Are his feelings for Jane even real, or has the job just fully taken over control of his senses. He is far more tragic and dark than one might expect... a true romantic poet, not just some parody.

The bubbly Emma as Augustus' counterpoint was perfect. She too has inside turmoil, but there's an exuberance about her that is undeniable. I kept trying to think of petite blond Americans who could due her justice, seeing as I always cast books in my head for my dream miniseries. I thought Kristen Bell would be good, but for some reason that wouldn't stick. The initial spark in my mind was Bernadette from The Big Bang Theory, and you know what, I think Melissa Rauch is Emma. The way she has that bubbly way of speaking, but then her happy smile can freeze and all of a sudden there is menace and you are very afraid. I think she is Emma. The facade and the interior, the whole shebang if you will. I got a "Bang" joke in, yeah!

The only flaw this book has, which can be said of all the books in this series, is once the couples are paired off, they rarely make a return performance. They are forever relegated to supporting or cameo roles. I think perhaps a sequel or two might one day be in order... the love I have for these characters just can't be contained to one book and then a shout out. Even when the wicked Georges Marston makes a come back, having been MIA since book once, it gives me a thrill. Ah Lauren, you have created a world I love to visit, and a new book once a year is never enough.

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