Showing posts with label Queen. Show all posts
Showing posts with label Queen. Show all posts

Saturday, April 1, 2017

It's a Kind of Magic

It was inevitable that I would eventually create a theme month named after a Queen song. Seriously, I don't know how it hasn't happened sooner. Sing it with me! "One dream, one soul, one prize, one goal, one golden glance of what should be... The bell that rings inside your mind, is a challenging the doors of time!" Yes, it's from the movie Highlander. Don't judge. For the last two years I have spent the Spring months celebrating "Regency Magic." After doing four months dedicated to that theme I've kind of decimated the subgenre. Though don't be bereft my fellow lovers of "Regency Magic" I have very recently stumbled on new books and that theme month will return next year! But the problem became this year. I'd kind of started craving magic and fantasy in the Spring so I figured, why not just give into it? So the books I've been reading, they're not "Regency Magic" but they are "A Kind of Magic!" Get it? I knew you would. As fate would have it I had planned to do lots of different authors and then I kind of got sucked in by Earthsea, so, this month is a little heavy on Ursula K. Le Guin, and by a little heavy, I mean it's an Ursula K. Le Guin month but I still wanted to introduce "It's a Kind of Magic" that will be used going forward whenever there aren't enough "Regency Magic" books around. Because I'm sure their will be future "Regency Magic" droughts but there is never a drought of other kinds of magic! Unless you're in Fillory and Ember takes a shit in the Wellspring. Yeah. I kind of love that show.

Wednesday, August 6, 2014

Book Review - Cassandra Clare's City of Heavenly Fire

City of Heavenly Fire (The Mortal Instruments Book 6) by Cassandra Clare
Published by: Margaret K. McElderry Books
Publication Date: May 27th, 2014
Format: Hardcover, 752 Pages
Rating: ★
To Buy

The Shadowhunter Institutes all over the world have been attacked. Emma Carstairs and the Blackthorn children saw the fall of the Los Angeles institute first hand. The Dark War with Sebastion has officially begun. All the Shadowhunters have been recalled to Idris to plan their next move. But Sebastian is unstoppable. They can't even locate where his base of operations is. He has made only one demand, hand over Clary and Jace and the Shadowhunters and Idris will be spared. Clary and Jace are willing to go, but the Clave doesn't want to bargain with terrorists. It's Emma Carstairs who gives Clary and Jace the key to destroying Sebastian. She tells them that she believes he is hiding out in a demon dimension called Edom. Jace, Clary, Alec, Isabelle and Simon travel through fairy and enter Edom where Sebastian reigns. Will this group of kids be able to win the Dark War when all the other Shadowhunters combined aren't a match for Sebastian and his army of Endarkened?

"I'm free-I'm free, AN' I'm waiting for you to follow me!" Yes, finally finishing this series has led me to break into spontaneous song. In particular "I'm Free" from The Who's Tommy. It's better then earlier in the week when I was singing Queen's "I Want to Break Free." Why is it better? Because the freedom is here! The reading is a fait accompli. I never ever have to pick up a book written by Cassandra Clare EVER AGAIN! The Mortal Instruments series, which is quite possibly the worst series of books I have ever read, has put a serious cramp in my reading mojo this summer.

I hate having my reading mojo sapped. It would have been one thing if the book was draining me from sheer awesomeness, but that was not the case here. I think my previous reviews of the preceding five books covered my feelings quite well as to why I hate these books, no character development, no continuity, atrocious writing, but I will take a little time here to muse on what the final installment brought home. And yes, there's a part of me that doesn't want to waste my breath (or in this case, my words) on talking about this book further... but I can't let Clare get away with her crimes against writing, I just can't.

I seriously thought that the overwhelming integration of Clare's "universe" couldn't get worse then in City of Lost Souls... I should not have underestimated Clare's ability to lower the bar. A third of this book was references to her Infernal Devices series that just went over my head (I will NOT be drawn into another badly written series), another third of this book was setting up her new series, The Dark Artifices (wherein she finally just embraces she's writing Buffy Fanfic and sets it in California with a character named Dru), and the final third was actually about this series, The Mortal Instruments. I can not tell you how aggravated I was by this. Instead of focusing her efforts on writing a passable finale for the series she was more concerned with setting up her new series then wrapping up the old.

I mean, seriously? Here are what, twenty children and now you must remember all their names because they'll be so important in the future series. No! No more! I'm walking away from the series and NEVER looking back. In time hopefully I can rewrite my brain so that all this stupid Shadowhunter bullshit stops taking up valuable space in my memory. Oh, and that's not even the product placement for her one-off books, The Bane Chronicles and The Shadowhunter's Codex, oh, and fuck me, it looks like she's doing a Simon book... no more. NO MORE!

Ok, maybe a little more... ranting that is. I think Clare's inability to write is most obvious in how she always tells and doesn't show. Her books are very much about what makes us family and how we redefine this for ourselves. Blood doesn't make us family in this day and age so much as these connections we forge. In other words, just go watch the amazing Buffy season five episode "Family" and realize that in the time you read this series you could have been watching quality television, not reading sub par drek that wishes it was written by Whedon.

Ok, getting off topic. Instead of showing us these connections, Clare must always label them. This is my "sister" this is my "daughter" you get the point. We should know that the connection between Clary and Luke is strong without Luke every second yelling about his "daughter." Technically, she's not. Yes Luke, she's your family, but you don't need to label it. Family just IS. Family doesn't need signifiers. Right there, that's the fatal flaw. This series spends so much time justifying itself and being composed of other things that it just can't be itself. This book just isn't.

Wednesday, June 6, 2012

Jubilee Highlights

So, I have heard there are some who complained that the BBC's coverage of the Jubilee events wasn't as great or awe inspiring as the event deserved. Personally, I loved every second of it. Sure, some of the reporters where insipid twits, but they didn't take away from the grandeur and majesty of the occasion. The ships on the Thames lived up to the inspiration of the painting by Canaletto. You can interact with a picture on CNN's website that not only shows the changes over time but the atmosphere that the event captured... if only they could of had that golden radiance of sun, but it is real England... not idealized painted England. Shame on you Canaletto for giving us unrealistic weather expectations. At least it was nice for the concert!

I also learned many interesting facts, which you will probably think odd, but I found fascinating, because, you do need some filler for almost five hours of boats.

Of Rivers:The Thames used to be wider and shallower, which makes sense with urban sprawl and the creation of bigger ships. This occurred in 1858 after the big stink, which led to the instillation of sewage pipes.

Of Boats:
The Queen loved her ship the Britannia, where everyone used hand signals instead of shouting orders. Whether this was to give the Queen a sense of calm or was a way to employ mute sailors, they didn't elaborate. The Spirit of Chartwell was astonishing. It looked like a floating opera box with a full garden! The little cover for the Queen was gilded and the columns had a faux Bernini air to them. Also, Anne still seems to not be forgiven for the whole, my dog killed my mom's dog incident.. notice she was on a crappy boat all by herself, she didn't even get to hang with the Middletons! The boat that captured the grandeur more than any other and looked like it was straight out of the painting by Canaletto was the Gloriana... which if anyone wanted to get me as a birthday present... I'd be happy to accept it. The main thing I lept thinking was, dear lord, those people must have really sore backs, mainly I was thinking this, I'm sure, because I threw out my back last week and am still recovering. Ouchy.

Of Bridges:
Richard E Grant, that most wonderful of actors, I can't really decide which movie of his is my favorite... Gosford Park, Jack and Sarah, Dracula, but perhaps I'll go with dream Justin from Ab Fab, was on the Westminster bridge to recite some poetry. He was all Union Jacked up... he should have borrowed something from Ginger Spice, he was in Spice World after all. Millennium Bridge was the "arts and crafts" bridge where twenty artists where making dubious art on doors and ipads, which didn't fair well when the weather took a turn for the worse. One of them was striving to be like Turner. No sir, it was nothing like Turner. How did they pick these people? I really want to know. The only one that looked halfway decent was the one that got destroyed by the rain. Also, did anyone ever realize how turquoise Tower Bridge is? I know they must have repainted it for the occasion, but still, that's really really turquoise.

Of Barrowman:
Captain Jack and bell ringers yes! Though, by the end he might be totally deaf because of that floating bell fry.

Of Ben Fogle:
Ok, so they keep making a big deal out of this guy. I'm an Anglophile and I had to look him up... so, basically, Ryan Seacrest and Bear Grylls in one.

Of Celebrities:
And today, playing the role of John Gielgud, is Lord Sterling, who initiated the building of the Gloriana. But seriously, he looks like John Gielgud.

Of Dogs:
Dutch barge dogs are the cutest! And Gigi is the cutest Keeshond on the waters.

Of Flags:
If you are going to do a semaphore tribute, please have someone who knows what they're saying, because otherwise, it's lame. "Look, they're waving flags, no one knows what it says." Also, I kept thinking of the Monty Python sketch of Wuthering Heights in Semaphore Code, and laughing to myself.

Of Happy Queens:
How the Queens face lit up at the National Theatre's tribute to her with War Horse. I don't think I've ever seen her smile more. The Queen does love her horsies. Want to make her unhappy? Wear beige, she doesn't like it at all.

Of Sharks:
How cool was Jim's story, the old Navy man, about being blown off the ship and using a dead shark as a life preserver and then living to tell the tale and be here for the Jubilee!?! You don't get more awesome than that! That is a blockbuster movie in the making.

Of Weddings:
The Queen was invited to a wedding and she went! Personally, this just amazes me and is so special. I can't see sending an invite out here in the states to the Governor, let alone the President, and not just getting a response, be getting them showing up for 5 minutes!

Of Music:
Robbie, Tom Jones and Madness brought down the house. Oh, and of course, Rob Brydon and Peter Kay where fabulous hosts for the concert... if only Rob, Tom and Robbie had performed together! Islands in the stream... Though the back to back performances of 'Delilah' and 'Mack the Knife' gave a bit of a murderous bent to the middle of the show. Madness also had a rough start... ie, don't let Chaz sing. But the special effects on the side of the palace, astonishing!



Of Fireworks:
Have you ever seen the like at the end of the concert? I thought that palace was on fire!

As for the ceremony in St. Paul's... there's only so many hours in a day and I am trying to see how long I can make this Jubilee last... so far, the flotilla alone was three days!

Friday, October 14, 2011

Book Review - Neil Gaiman and Terry Pratchett's Good Omens

Good Omens by Neil Gaiman and Terry Pratchett
Published by: HarperTorch
Publication Date: 1990
Format: Paperback, 412 Pages
Challenge: Horror and Urban Fantasy
Rating: ★★
To Buy
Crawly and Aziraphale have quite literally been there since the beginning. Man, woman, garden, snake. Crawly was the snake. But nowadays he has the car and the suave clothes that befit his side while Aziraphale collects books. What else is there to do when you're waiting for the world to end? The Nice and Accurate Prophecies of Agnes Nutter, Witch predicted it all back in 1655. And that's not the nice that indicates the end of the world next Saturday is a good thing, it's the other, more "precise" kind. It's going to happen. Everything has been put in place, the "horsemen" are assembling, the time has come for the uprising of evil. If only there hadn't been that little mix up with the son of Satan a few years back... because if things had gone to plan it would have been nice and smooth, instead Crawly and Aziraphale aren't sure whose side they're on because they rather like the world as it is, even if any tape left overly long in a car will start blaring Freddie Mercury and Queen. Can you go up against a witch who always knew what was going to happen? Or can you thwart the omens?

While you can see how this book has developed the cult following it has, it still just wasn't it for me. I felt hollow after reading it, most likely due to my inflated expectations. I've read Gaiman and Pratchett at the top of their game, and I just didn't feel this was it... of course, this was before they where GAIMAN and PRATCHETT. Their styles where not yet formed, but I will say they worked well together. They claim that they can't tell who wrote what and they think that perhaps the book started writing itself at some point. I agree with this, not with the book writing it's own text, but who knows, but the bite about who wrote what. The book had a cohesion that made it feel that it was written by one person. The ideas where melded together into one perfect vision and did not feel like two competing minds, which is often the case when two writers collaborate.

More than any gripes I have with plot or character, which I don't really have except that I really thought that Satan's son shouldn't have been such a boring twit, my problem was that it felt so dated, so 1980s. Ansaphones? Really? Ok, I mean, sure they have been referenced on Dr Who recently, as well as being part of the common vernacular of England, but it still made it feel past it's day. Which brings me back to these authors at their current prime. They don't feel dated! Pick up any Discworld book, it feels fresh and now. Grab American Gods before it becomes mainstream with the HBO series. These are classics. Maybe in a few more years the dated will become nostalgia and I'll like. Every book changes every time you read it. I can see why people have wanted an adaptation or a sequel for years, because there is so much you could do now to update this and make it relevant. So many avenues you could explore. As for the original... not my favorite. But as for the Queen joke, it was worth buying the book. That was priceless.

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