Showing posts with label Ocean's Eleven. Show all posts
Showing posts with label Ocean's Eleven. Show all posts

Wednesday, August 24, 2016

Book Review - Leigh Bardugo's Six of Crows

Six of Crows by Leigh Bardugo
Published by: Henry Holt and Co.
Publication Date: September 29th, 2015
Format: Hardcover, 480 Pages
Rating: ★★★
To Buy

What if Grisha could be more powerful? Not to just have their powers amplified but to have them changed. Magnified to a degree that the world itself changes before their eyes and anything is possible. Of course, such a discovery would be desired by the wealthy and the powerful, and especially the military. Bo Yul-Bayur is a chemist who accidentally created Jurda Parem from the common stimulant Jurda. While fatal to Non-Grisha, to Grisha it does all this and more, including making the user an addict after one dose. Afraid of what he has created he attempts to seek asylum in Kerch but is captured by the Drüskelle and taken to the Fjerdan capital of Djerholm and imprisoned in the impenetrable Ice Court. Who knows what the Fjerdan's will do with this technology, seeing as they have been carrying out pogroms on the Grisha "Witches" for as long as anyone can remember. This is where Kaz Brekker comes in. Kaz is the lieutenant of The Dregs and is known as the man who gets things done. So when Mr. Jan Van Eck needs someone to break Bo Yul-Bayur out of the Ice Court he turns to Kaz with the offer of a lifetime. The score from this impossible heist could set him and his crew up for the rest of their lives.

Kaz recruits Inej, the "wraith", Jesper, a born sharpshooter, Wylan, for his demolition skills and the fact that if need be he is Van Eck's son and could be used as a hostage, and Nina, because she's a Grisha who is a Ravkan Heartrender. But more importantly, Nina has a connection to someone who intimately knows Kerch and the Ice Court, former Drüskelle Matthias Helvar. Matthias is in prison because of something Nina said and she's been trying to make it up to him ever since, and breaking him out of prison for a big payday should make them even. Of course their master plan involves sending themselves to prison in Kerch, but at least it will be a change of scene from Hellgate. The improbability and complexity of their plan could go wrong at a million different places, yet it doesn't take them long to be enjoying the hospitality of the Ice Court's prison. This band of thieves will do whatever it takes to get their payday, and whatever obstacles, even those of their own making, must be overcome. They are all good at thinking on their feet, they wouldn't have survived in Ketterdam with all the rival gangs and dangerous alleys if they weren't. But is the payout really worth the risks? And when all is said and done, will they get that payout?

When I finished the Grisha Trilogy I was bereft. I had come to know and love these characters so deeply that I just didn't want to let go. But I could also see that their story was told. It was over and that was that. The light at the end of the tunnel was that Leigh Bardugo was working on a new duology set in the Grishaverse called The Dregs. Eventually retitled Six of Crows with the most amazing cover art I'd seen in recent years I couldn't wait until this book was released and was giving anyone I knew who was lucky enough to get an ARC the side-eye for weeks. OK, months, but you get it, I know you do. I wanted to be back in that world. I didn't care if it was a new country or a new cast of characters, I just wanted more of this wondrous land. And yet, when the time came, I just wasn't swept away. I think of all my book blogging and reading buddies I was the only one who didn't hail it as the best book of last year. In fact, it was nowhere near my top ten. There's even a part of me, looking back, that wonders if three stars was generous. The worldbuilding was still there, and still perfect. Yes it's a little darker, but the void of The Darkling needed to be filled somehow. Yet I just couldn't connect. This heist I had been waiting so long for suddenly didn't seem worth the wait.

The initial problem I faced was there were too many characters given to us too soon. We have six main characters and all their baggage to deal with while certain elements of their backstories are drawn out to excruciating levels with us not finding out answers until the last few pages. To keep this in perspective, A Game of Thrones, the first book in George R. R. Martin's A Song of Ice and Fire, has only eight narrators in a behemoth book of teeny tiny print; and we're barely scratching the surface in that book. To expect THIS book to do more with less seems ludicrous. Also confusing. I need a little time to sink into the narrative of a book, have one character lead me into the world and acclimatise me to the environment before being smacked in the face with the whole gang. There's a reason Ocean's Eleven starts with just Danny Ocean and slowly introduces new characters in little vignettes before having the whole crew together. I think for a book SO like Ocean's Eleven: Ketterdam perhaps the basic framework of a heist film or book could have been better utilized. Instead of starting with the small heist at The Exchange start even smaller and then go bigger.

Yet for a book with six main characters I found one thing very very odd. The exclusion of Wylan Van Eck as a narrator. Six characters but only five POVs!?! That just doesn't add up. I mean yes, there are initially too many characters in this book until you finally get to know them, but then why eliminate a certain one? Why was Wylan left out? Yes, part of it could have been to do with the end twist, but, well, just don't have his POV near the end. Because eliminating him entirely versus just eliminating him for a section makes more sense. There's an imbalance in the book created by this omission. It seriously doesn't make sense to me that we never get Wylan's POV. Especially with his connection to the man who hired Kaz and the crew you'd think Wylan's input would be vital, but instead it's left to other characters to tell Wylan's story. Then there's the whole insulting aspect to this. Wylan is dyslectic and can't read or write. To not have his voice heard when he can't write his own story, WTH! It's just adding insult to injury. I can only hope that Wylan has a say in Crooked Kingdom, but I'm not really keeping my fingers crossed. Kaz's nemesis got a POV at the end of this book and still, no Wylan.

My main problem with the book though was the "problem" with the women. Some people might be saying, how can you have a problem with Inej and Nina when they kick ass and take names? My problem is rooted in the fact that once you look past all their strength their character arcs are oddly stereotypical. At times I thought I was having some sort of out of body experience where this book wasn't written by the writer of the Grisha series populated with strong women and a kick ass female in her own right, but a man who just wrote the typical subjugation line of women in science fiction and fantasy as sex objects and bargaining chips. Inej and Nina spend the entire book showing they are more than what Ketterdam tried to make them in the brothels. They are strong and fierce warriors with love in their hearts. And then all of a sudden they're dressing up as whores to sneak into the Ice Court and ending up as prisoners that only the big brave men can rescue. Excuse me? So all their growth, all their development was for naught? Because they just ended up back at the beginning, victims that need saving? This isn't a just fate for them. This is a cliched, hackneyed fate. They deserve better. I deserve better as a reader!

Though in the end I think the biggest letdown is that Six of Crows just shows us the futility of it all. From the very beginning Kaz's crew are given this impossible task, one at which they could fail at any second, but deep down you know they are going to succeed. But in succeeding they fail. And somehow I knew this. I just knew that they'd make it to the end and yet they'd fail. I don't know if it's all the heist movies I've watched over the years, but somehow I knew it would be like that bus dangling over the precipice at the end of The Italian Job, all that work wouldn't really be worth it in the end. We were left hanging, waiting for the second book. And yes, I'm going to read Crooked Kingdom, but I don't have the excitement anymore. I have a determined resignation. I have no hopes for this book, well, minor hopes that I have a feeling will be quashed quite quickly. Six of Crows was a disservice to the readers. We read a book whose narrative didn't matter. It was nulled and voided at the end and makes you wonder, why then did I bother to read it? Yes, we got to know these characters and to care for them, but it took a long time for that to happen and then it was like everything that had been built between the reader and the story was washed away. I also know that my voice is one small voice among the countless that are lauding this book. Yes, this is just my opinion, but I think a valid one. Leigh Bardugo created a world that I love and then diminished it.

Friday, April 24, 2015

Book Review - Mary Robinette Kowal's Valour and Vanity

Valour and Vanity by Mary Robinette Kowal
ARC Provided by the Author
Published by: Tor Books
Publication Date: April 29th, 2014
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

Jane and Vincent have been accompanying Melody and her new husband on their wedding tour of the continent. Leaving the newlyweds at Trieste, Jane and Vincent take ship to Murano. Lord Byron has given the Vincents an open invitation to visit him in Venice, which is a nice cover for what they plan to do in Murano. They have long wanted to visit the famed glassmakers there after their discovery about weaving magic into glass to make it portable and not tethered to the earth in a fixed locale. The couple hope that with improved techniques and materials they can get reliable results. Yet as Napoleon rallied and invaded Belgium when they were first experimenting with this idea, they are once again derailed by outside influences.

This time they are set upon by pirates who, while ransoming them and hence not enslaving them, take all their possessions and leave Vincent with a nasty concussion. Finding Byron away from home they are struck with the realization that they are destitute. A kind man from the infamous boat journey takes them in and gives them everything they could need till either Byron returns or they are able to alert their families. Only sometimes kind men have ulterior motives and the Vincents could be in far more trouble then they could even guess. In fact pirates might be a welcome relief. Just don't tell Jane's mother about the pirates, she'll never forgive Vincent.

There are few authors out there which I will drop everything for. Phone calls go unanswered, emails pile up, work deadlines get stretched to breaking point. If it wasn't for the fact that food keeps me going and therefore keeps me reading I don't think I would remember to eat. Even on a re-read of these books I have found myself reverting to these habits that are usually only employed when I first hold the book in my hands. My love of these books has grown and developed over time, much like the books themselves. They are no longer just Jane Austen fanfic with magic, they're so much more! The books are part history, part fantasy, part alternate reality, there's just so much to love about them that I really can't stress enough that you should go out right now and get yourself all the books, because the first won't be enough.

So what keeps me coming back to Mary's series, seeing as I have just devoured the first four books in quick succession yet again? Aside from the fact that I love anything Regency (ahem Regency Magic) and Mary captures the feeling of the time period by sprinkling in historic details without inundating us with information, she has created a world where the magic just works. I'm not talking about works as in you say a spell and wow a light goes on, or even that it's successful in that something magical happens, I'm saying in the way she has created how magic is done just makes sense. The way magic resides in the ether out of the visible range and is brought forth and woven into something visible, either temporary or lasting, just works, it makes sense. Add to that the manipulation of ether outside the visible spectrum, such as cold and hot, as being dangerous, and the system just clicks into place.

As an artist myself, the way you think creatively, the way work takes a toll on you physically and mentally, Mary just nails it. While Jane would blush if I went into specifics, the issue with her "flower" I totally get. There is such a simpatico going on between me and Jane with our feelings and our physical beings that I am right there with her every step of the way. While yes, there is this part of me going, Jane is me, there's a happier part of me going Jane is Jane. She is an amazing heroine, she doesn't just have a spine, she has spine enough for both her and Vincent, supporting them through their trials and hardships, making plans, taking names, befriending nuns, it's just perfect.

And those hardships. Mary perfectly captures the day to day struggle of someone who once didn't have to worry about where the next meal will come from. The shame of being less then you were and being indebted to others and having your name sullied. Wondering if there will be shelter, if there will be food, if you will be warm. Valour and Vanity shows the flip side of Regency life. It's not all ballrooms and magic, it can be working on the street in danger of fainting just hoping to bring money home for some food or wood for the fire. And the scene where Jane buys a bar of soap. The fact that a bar of soap can be such a luxury and such a source of contention. But I can say, there is something so amazing that something as small as a little bar of soap that can subtly change your outlook. But I do also look at Jane's life and think, I am glad I grew up knowing how to cook and clean. There can be something said for self-reliance.

Now speaking of those nuns... they are just one of the many aspects that made this book so awesome. The blurbs comparing this installment to Ocean's Eleven aren't wrong. Only I would personally choose Ocean's Twelve, having seen it twice in theatres it's a better movie for many reasons; it has an awesome soundtrack, has a part in Italy, I believe even in Venice, has an amazing Chachi joke, makes more fun of itself with meta humor, and has Eddie Izzard. Here we have glamourists, nuns, pirates, puppet shows, disguises, the Eleventh Doctor, breaking and entering, there is just so much awesome that it's hard to pinpoint what makes it work so well unless you count the fact that everything works so seamlessly together.

The thing I found interesting is you don't really think of heists starting before this past century. Sure there were pirates and brigands and all number of baddies who did all number of innumerable nasty things, but the heist feels like a more modern invention. In fact the definition of heist shows the word being an Americanism from the twenties and even references cars to define it. Aside from Michael Crichton's The Great Train Robbery, while being Victorian in conceit, but still very much a product of the seventies, I can't think of a successful book that combines a 19th century setting with an elaborate heist. For this alone Valour and Vanity should be held extraordinary and a must read, if not for every other reason I mentioned. Oh, and of course, me being a pusher for this series. Go on! You know you want to read it...

Tuesday, April 29, 2014

Book Review - Mary Robinette Kowal's Valour and Vanity

Valour and Vanity by Mary Robinette Kowal
ARC Provided by the Author
Published by: Tor Books
Publication Date: April 29th, 2014
Format: Hardcover, 320 Pages
Rating: ★★★★★
To Buy

Jane and Vincent have been accompanying Melody and her new husband on their wedding tour of the continent. Leaving the newlyweds with their parents, Jane and Vincent head to Murano. Lord Byron has given the Vincents an open invitation to visit him in Venice, which is a nice cover for what they what to do in Murano. They have long wanted to visit the famed glassmakers there after their discovery about weaving magic into glass to make it portable and not tethered to the earth. The couple hope that with improved techniques they can get reliable results. Yet as Napoleon rallied and invaded Belgium when they were first experimenting with this idea, they are this time set upon by pirates who, while ransoming them and hence not enslaving them, take all their possessions and leave Vincent with a nasty concussion. Finding Byron away from home they are destitute. A kind man takes them in and gives them everything they could need till either Byron returns or they are able to alert their families. Only, sometimes kind men have ulterior motives and the Vincents could be in far more trouble then they could even guess. In fact pirates might be a welcome relief.

There are few authors out there which I will drop everything for. Anything other then reading their newest book is considered nonessential. Phone calls go unanswered, emails pile up, work deadlines get stretched to breaking point. If it wasn't for the fact that food keeps me going and therefore keeps me reading I don't think I would remember to eat. Mary Robinette Kowal has become such an author for me. What began as a strong like has developed into a deep love with her Glamourist Histories. Any chance I get I'm recommending them to people and have so far converted quite a few of my bookish friends. My goal is for complete conversion (say it in a scary cyberman-esque voice). I think this goal is possible based on how these books have grown and developed over time. They are no longer just Jane Austen fanfic with magic, they're so much more! The books are part history, part fantasy, part alternate reality, there's just so much to love about them that I really can't stress enough that you should go out right now and get yourself all the books currently available, because the first won't be enough.

But what is wonderful about Mary Robinette Kowal beyond her writing is that she interacts with her fanbase and while still maintaining the proper author reader relationship she opens up her writing and her process to her readers, giving them a glimpse behind the curtain. In this day and age if an author wants to create a lasting impression on a reader and fortify her following they couldn't do better then to emulate Mary. Back in November I was beyond thrilled because for NaNoWriMo Mary was looking for Alpha readers for the fifth installment of The Glamourist Histories currently titled Of Noble Family. I was doing little dances of joy when I was approved, but more then that, because I had read the series all along Mary included a copy of the forth book, Valour and Vanity. She sent me the email on November 14th and by November 17th I had already devoured every single line. I didn't think that she could surpass my love of Glamour in Glass, which is the second book in the series and my number one read of 2012, but I think she might have. The only problem I faced was that getting to read the next book, Of Noble Family, in installments wouldn't really work for my voracious appetite. So, showing amazing fortitude, if I do say so myself, I waited until the start of the Beta read and over another long weekend I took it all in.

So why you're asking am I so enamoured of these books? Aside from the fact that I love anything Regency and Mary captures the feeling of the time period by sprinkling in historic details without inundating us with information, she has created a world where the magic just works. I'm not talking about works as in you say a spell and wow a light goes on, or even that it's successful in that something magical happens, I'm saying in the way she has created how magic is done just makes sense. The way magic resides in the ether out of the visible range and is brought forth and woven into something visible, either temporary or lasting, just works, it makes sense. Not just that, but as an artist myself, the way you think creatively, the way work takes a toll on you physically and mentally, Mary just nails it. There is such a simpatico going on between me and Jane with our feelings and our physical beings that I am right there with her every step of the way. While yes, there is this part of me going, Jane is me, there's a happier part of me going Jane is Jane. In the previous book, Without a Summer, I felt that Jane's voice was lost a little. She became more wishy-washy. She was constantly in doubt and lacked a spine. Here she doesn't just have a spine, she has spine enough for both her and Vincent, supporting them through their trials and hardships, making plans, taking names, befriending nuns, it's just perfect.

Speaking of those nuns... they are just one of the many aspects that made this book so awesome. The blurbs comparing this new installment to Ocean's Eleven aren't wrong. Only I would personally choose Ocean's Twelve, having seen it twice in theatres it's a better movie for many reasons; it has an awesome soundtrack, has a part in Italy, has an amazing Chachi joke, makes more fun of itself with meta humor, and has Eddie Izzard. Here we have glamourists, nuns, pirates, puppet shows, disguises, the Eleventh Doctor, breaking and entering, there is just so much awesome that it's hard to pinpoint what makes it work so well unless you count the fact that everything works so seamlessly together. The thing is you don't really think of heists starting before this past century. Sure their were pirates and brigands and all number of baddies who did all number of innumerable nasty things, but the heist feels like a more modern invention. In fact the definition of heist shows the word being an Americanism from the twenties and even references cars to define it. Aside from Michael Crichton's The Great Train Robbery, while being Victorian in conceit, but still very much a product of the seventies, I can't think of a successful book that combines a 19th century setting with an elaborate heist. For this alone Valour and Vanity should be held extraordinary and a must read, if not for every other reason I mentioned. Oh, and of course, me being a pusher for this series. Go on! You know you want to read it...

Friday, July 30, 2010

Book Review - J.K. Rowling's Harry Potter and the Deathly Hallows

Harry Potter and the Deathly Hallows by J.K. Rowling
Published by: Arthur A. Levine Books
Publication Date: July 21st, 2007
Format: Hardcover, 784 Pages
Challenge: Fantasy
Rating: ★★★★★
To Buy
Dumbledore is dead. Harry will not return to Hogwarts. With Ron and Hermione by his side he must destroy the final Horcruxes so that when Voldemort dies he truly dies. Problem is... what are the other Horcruxes? Dumbledore is dead and left them very strange parting gifts, from a Golden Snitch, to a Deluminator, to The Tales of Beedle the Bard in the original runes. With the trio unable to tell or rely on outside help they are cut off and at a loss as to what needs to be done. The casualties are heavy, during their first escape, Mad Eye and Hedwig are dead. Soon after the ministry falls and Harry becomes the number one target. So of course, when they realize that one of the Horcruxes is in the ministry, they blatantly, but with much planning, break into the ministry. With two previous Horcruxes destroyed during Harry's time at Hogwarts, they now have a third... but how to destroy it and how to find the rest? Stealthily moving about the country they have close calls and infighting. But as time presses on, there is hope. In a race to the finish, anyone could win, but hopefully it will be Harry.

Everyone I know has read Harry Potter, so recapping a plot that is so much a part of literary history seems trite. So instead, I'll do more of the talking and less of the summarizing. Firstly, I find it interesting, that Rowling so broke from the mold of her previous books. Each book was set up around the school year with the holiday breaks and such. But here, there is no school, there is no routine that we have grown to know and love. There is one encounter, one Horcrux after the other. Each section almost radically different that the previous. We have the happy homemakers and Grimmauld Place planning what amounts to Potter's Three (you know, like Ocean's Eleven). Then we have them hiding in the woods. Then there's the Dickensian "Ghosts of Christmas Past." Each section different but so fabulous in it's own way that you don't want it to end. But what I find fascinating is the whole dissection of the life of Albus Dumbledore. His continual barrage by the media makes Harry question everything he knew about the man, even the mission he set him on. I wonder, if J.K. Rowling hadn't become famous if she would have been able to successfully show the effect the media has on someone. Since day one Harry was set up as a celebrity and a hero, someone who the newspapers craved to hear and read about. But it was these books that made Rowling famous in a way similar to what Harry experienced in his world. If this had not happened would it have been as convincing? I'm not saying that these experiences necessarily changed her plotting of the book or what she intended to do. But perhaps it was the viciousness of attacks and this omnipresence in her life that lead her to see how easily your opinion of someone can change just by what's being said true or false. Harry's doubt of Dumbledore is a big theme, in fact perhaps the biggest, in Deathly Hallows. One I think born of a truth that J.K. Rowling learned the hard way. It doesn't matter what you were, it's what people say about you once you're gone. While this isn't how it really is, it's the love that came before, it's hard to remember that love sometimes. And that's what it comes down to in the end. Love. Voldemort, like the deceitful press, just tears down everything and everyone, but if you can remember that love, you have the most powerful magic of all.

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