Book Review 2015 #2 - Mary Robinette Kowal's Of Noble Family
Of Noble Family by Mary Robinette Kowal
Published by: Tor Books
Publication Date: April 28th, 2015
Format: Hardcover, 579 Pages
Rating: ★★★★★
To Buy
After their ordeals in Italy, Jane and Vincent are enjoying their time in Vienna. They are catching up with Vincent's old mentor, Herr Scholes, as well as enjoying becoming acquainted with Jane's new nephew, Tom, who is the pride and joy of the combined Vincent, Ellsworth and O'Brien families. But the Vincents don't know where they will go next after Vienna. The death of Princess Charlotte has plunged England into a yearlong state of mourning, therefore glamourists are without commissions. A shocking letter from Vincent's older brother Richard might give their immediate future purpose. Vincent's hateful father has finally died on his West Indian plantation Greycroft after fleeing England and charges of treason. But even more shocking is the death of Lord Verbury's son and heir, Garland. Garland was killed in a carriage accident that also crippled Richard, the new Lord Verbury. Richard calls on Vincent's compassion, though he knows their family doesn't deserve the consideration, to go to Antigua and settle the estate for him.
Vincent has only started to heal from the abuse handed out by his father because of Jane's love. To travel to Antigua might undo all the good she has done for him. But Jane has a sneaking suspicion that until Vincent sees his father in his grave he will never be truly at rest. They decide to travel to Antigua and see what fate has in store for them. Fate is a cruel mistress. Richard wouldn't have sent Vincent to the West Indies if he had known the truth of things. Lies, betrayal, hatred, manipulation, in other words, a typical Hamilton family get-together is in store for the happy couple, who foresee another addition to their family in the near future. Though to get back to England and the happy arrival of their child they might just have to walk through hell without knowing who their allies are.
This series, which started out as an homage to Austen with a magical bent has, over the past five years, evolved into a series that, despite it's fantastical alternate history, captures the complexity of the world better then Austen ever did. Each volume helped to create this ever expanding world view that touched on everything from warfare to basic human rights, with a pirate or two thrown in. While Jane Austen's novels are classics that defy comparison, there is something about the cloistered world that they reside in that gives you a very focused and therefore skewed view of the world. While yes, her drawing room dramas can be seen as a microcosm of the world at large, anything beyond the pale, from duels to fallen women to what exactly Sir Thomas Bertram was up to in Antigua are glossed over with just a line because it wouldn't be proper to dwell on them. Modern interpretations of Austen have tried to flesh out these omissions, what with Harold Pinter's portrayal of Sir Thomas Bertram as a reprehensible plantation owner in the unwatchable 1999 adaptation of Mansfield Park, but they leave something to be desired.
Mary has built a far better basis for the discussion of race and slavery then Austen ever intended in her books. As someone I was close to said about the aforementioned adaptation of Mansfield Park, it helped if you didn't view it as Austen. That is the key. To get to these new conversations, to approach the world at large you have to think beyond Austen, evolve into something more. Mary has made that something more in this series. With Of Noble Family she is continuing the race discussion that was begun with the coldmongers in Without a Summer and single-handedly blasting away the whitewashing of this time period. All too often we see the world as we want to see it and are scared of tackling the big issues. Sad to say, I don't think I'd ever pick up a book that dealt slavery in Antigua and the running of plantations in the early 1800s. It's not in my wheelhouse. But by taking characters I love and putting them as the voice of reason in this sadly all too common situation my knowledge expanded and my empathetic nature was touched.
With Jane and Vincent's arrival in Antigua the whole series feels as if it has moved drastically forward in time, though I don't believe more then three years has elapsed chronologically for them. Charlotte Bronte, despite always dissing Jane Austen, is the natural evolution of female writing in the 19th century. We go from a constricted world with true yet not as emotional love to a world with Mr. Rochester. Think about it, he brings the passion, the fire (quite literally), and the loose morals. He is a man of the world while Jane Eyre is more out of Austen. Of Noble Family is rightly permeated with this more modern Jane Eyre vibe, even more so if you've read Wide Sargasso Sea. The one month journey across the sea has literally opened up a whole new world for Jane and Vincent and because of this we can have all these new conversations. We can talk about race and servant versus slave. I've loved this series from the beginning, but this volume goes out with a bang at almost double the length but without feeling burdened by it's more divisive topics.
What appealed to me as an artist is this idea of different ways for glamour to be looked at and taught. Jane has a very strict view of the proper way to do her art. She was taught in the greatest European traditions. But I love that through Nkiruka she learns that black Africans, in particular Igbo, have an entirely different way of creating glamour. I adore Nkiruka and that she's always admonishing Jane because Jane is constrained by what a certain glamour is called. Jane's knowledge of glamour comes from borrowing heavily on words and phrases derived from textile and weaving. But this is a hindrance. As Nkiruka points out, by naming something after something else you are limiting what you are able to do. This literally just blew my mind. There was an opening up in me and I was reminded of that quote "what would attempt to do if you knew you could not fail?" Working within constraints is often the bane of artists. Jane is giving herself impositions without even knowing she's doing it. With Nkiruka we have someone who has had a harsh life and doesn't have as much to lose and therefore she has been able to accomplish more in her art, to do things that those traditionally trained would think inconceivable.
Combining the craft of Nkiruka and exploration of race within Of Noble Family, there's a line that Mrs. Pridemore says that hits directly on something that you still see in the art world; and that is artists of color are viewed more as "folk art" then as just artists. While yes, there is a folk art tradition, how would you feel if all the art you made was labelled as such? Black artists are continually fighting an uphill battle to be taken seriously and not classified by their cultural history. We might like to blind ourselves to the world around us, to cocoon ourselves in an Austen drawing room, but seriously, look around yourself. This book might have been written about a time when slavery was still the norm, but it's not like race relations are doing that well at the moment. We need to have books like this that are able to connect and resonant with us on an emotional level with our love of the characters but are also able to open up our minds and start conversations. Start the healing.
And healing is needed for many things; for pain and emotional turmoil can happen to anyone, slave or not. Just look to Vincent. With his family and his past coming to the fore he is dealing with reopening his wounds so that they can finally heal properly. If you think about it the fight for freedom, the fight against slavery, the fight against family, all of it is about finding your place in the world. Finding a place to call home where you are safe and cherished and loved. Vincent fights great demons in this book, it is at times hard to read of his suffering, as hard as it is to read of the whippings, but it's all about moving forward. Vincent has always felt awkward around Jane's family because she grew up in a world of love. With the birth of their child he now has a place in that family, as well as a larger family found through strife and turmoil. The world would be a better place if everyone could find this solace somewhere. For me it is in the pages of this book.
For someone who reads and writes a lot I have actually never aspired to be an author. But growing up in the publishing world I did have other aspirations that were book related. My main aspiration was to appear either in the dedication of a book or in the thanks. One does love to see one’s name in print and this, I figured, was the closest way to achieving that goal without actually writing a book. I have achieved the goal of being mentioned in an author’s bio… of course that author was my Dad and I wasn’t referred to by name, but still, I was heading in the right direction. This spring I was thanked in the afterward of Marry Robinette Kowal's 
In 2012, the most favorite of Lauren’s couples, voted on by the readers, was to get a Valentine’s Day novella. The much loved Miles and Henrietta Dorrington, stars of The Masque of the Black Tulip, trounced the competition. One day I was trolling Lauren's site, as I do, and I noticed that the time had come to name the upcoming story. Everyone was throwing out flower names, but I literally had an instant of pure clarity, and Bunny and Biscuits just came into my head. The title roles off the tongue in an alliteration that I hope Miss Gwen would approve of, and if not it can be Miles and Hen’s crime fighting aliases for when they get a 60s style Avengers TV show. Much like Henrietta I had a cute yet redundantly named duo of stuffed animals when I was little. Hen had Bunny the Bunny, I had Big Bear Bear and Little Bear Bear, the little one was obviously smaller, and the Big was added to Bear Bear so that they would both have unique names, once the little one appeared on the scene. Therefore, despite perhaps being an easily forgettable fact of Hen’s childhood to most readers, to me it made us simpatico. And that’s where the “Bunny” came from. As for “Biscuits” well, all Dorrington men past and present have a love of ginger cookies, or biscuits as the Brits would say… so the title made itself really, as all good titles do. It was there in the work waiting to be said. Though in an ironic twist, “Biscuits” is one of my most misspelt words of all time, after “Sincerely” and “Business.” 
So I submitted my entry and the long and short of it is I won! I was overjoyed! There was Numfar’s Dance of Joy (seriously if you don’t know this Whedonverse allusion, get on it) much whopping and hollering, it was a riotous time, Big Bear Bear, Little Bear Bear, and I had some wild adventures in exaltation of this honor, that’s to be sure. And by wild adventures I mean sitting in a comfy chair and reading. Yet my greatest joy to come was reading the story, because Ginger Biscuits played a part. So it felt like the story was written for me. Yeah, I know it wasn’t, but I can pretend. I have always had a deep connection to Lauren's characters, but here... here I felt like every word was for me. For a reader, there is no greater joy and it happens every time I pick up one of Lauren’s books. And I'm sure for a writer there is no greater joy then having a ravenous fan base which demands more work and has year-long re-reads in anticipation of their next book. So, in the end, it might not have gotten me my goal, but this was far better! And you know what? Goals change… and I have a new goal… to get a pull quote of a review I’ve written on the dust jacket of a book… or in those first few pages you always skip over praising the author’s previous works, I’d settle for that.
Valour and Vanity by Mary Robinette Kowal
