Showing posts with label Miss Lonelyhearts. Show all posts
Showing posts with label Miss Lonelyhearts. Show all posts

Wednesday, March 27, 2024

Book Review - Nathanael West's The Day of the Locust

The Day of the Locust by Nathanael West
Published by: EFE Books
Publication Date: 1939
Format: Kindle, 206 Pages
Rating: ★
To Buy (different edition than one reviewed)

Tod Hackett is looking for inspiration. He wants to do a great painting, it's what his Ivy League education demands, but moving west to Hollywood means his skills are only useful in scenic work on films. Not exactly work that has depth and meaning, which is what could be said for the town and it's denizens. The more people he meets the more he realizes that Hollywood is full of frauds and wannabes with eyes full of hatred. He wants to capture this in his great work, "The Burning of Los Angeles." He wants to watch the town burn and immortalize the conflagration. In his apartment complex there is the full array of the Hollywood unwashed, the failed dreamers, the bookmakers, the screenwriters, and the failed actresses. Faye Greener is a failed actress, though she'd never admit as much. She's just doing what she needs to to get by until her big break. Tod becomes obsessed with Faye. He wants Faye but she always keeps him at a distance which results in him fantasizing of taking her by force. It's Tod's obsession with Faye that keeps him constantly in her orbit. He is stuck in a twilight world of hangers-on. Faye plays her men off each other. She seems to get far more enjoyment from their anger than their attentions. There's Earle, an ersatz cowboy, Miguel, a fake Native American, and most importantly, Homer Simpson. Homer came west for his health, one of those who come to California to die, and has ended up supporting Faye. It's unclear what he gets from the relationship other than pain and heartbreak. All these people scrap and fight in Homer's house in the valley. There's brawls and violence and cockfights and pornography. This group of people is endemic of what is happening in Hollywood and one night it all boils over. Homer tries to leave, there's an incident with a precocious child actor who has been taunting him and Los Angeles burns. Just as Tod envisioned.

A book needs to have something going for it, a compelling plot, compelling characters, or a compelling message. If you have all these things, all the better, if you have none of them, you have The Day of the Locust. I know, you could argue with me that it does have several messages, the deevolution of man to animals instincts, that California is where the American Dream goes to die, that it was a clarion call to take heed of the rise of fascism, but guess what? I don't care. This isn't an introduction to literature class where we sit around and justify this book as a Classic with a capital "C." This is nothing more nor less than a study in entropy with such violence against women that it is triggering to read. Tod again and again has rape fantasies. He plainly states that "[n]othing less violent than rape would do" in his pursuit of Faye. That isn't love, that is violent obsession. And I'm sorry, but that doesn't make him a quicky character, that makes him a sexual predator. I can't get past this. Tod is the epitome of all the characters in this book, horrible people living lurid lives. These are not people I want to read about because these are not people I want to spend time with. Have you ever been at a party you didn't want to go to and you don't really know anyone at and then all of a sudden the atmosphere shifts and you realize not only do you really not want to be there but that it could be dangerous? Well that's The Day of the Locust. I mean, maybe if it was eloquently written there could have been some redeeming factor. I think you can gather already that there was not. Nathanael West can write descriptions but when it comes to action? Oh, the cockfight and the riot are such a mess that they literally did not make sense. There was one section of the book where Tod goes to a party and for a second I was confused, the writing was assured, the story made sense, and then I realized that it was completely lifted from The Great Gatsby, female tennis pro and all, but with a lurid pornography twist. In an interesting aside, West was good friends with F. Scott Fitzgerald, and the day after F. Scott died of a heart attack Nathanael West ran a stop sign that killed both him and his wife. A cruel person would say that perhaps West had no more reason to live because he had no more work to rip-off... But I'm not quite that cruel, unlike the other reviewers who said that The Day of the Locust was overly praised because of West's death before he was even forty. I will just say this book was not for me and no matter how people praise Miss Lonelyhearts there's not a chance in hell I'm ever reading it.

Friday, August 27, 2010

Rear Window

Rear Window by Alfred Hitchcock
Based on the story by Cornell Woolrich
Release Date: August 1st, 1954
Starring: James Stewart, Grace Kelly, Raymond Burr
Rating: ★★★★★
To Buy
L.B. Jeffries is on the last week of his cast confinement after stepping into the middle of a race track to get the best shot. He's itching to get on assignment and get his lens back in the loop. Also it will be nice to get away from Stella, his nurse, who keeps trying to persuade him that perhaps a nice quiet life settled down to his socialite girlfriend, Lisa Carol Fremont, is just what the doctor ordered. For a man who craves excitement, watching the lovely, lanky, Miss Torso dance about and entertain gentlemen callers can only keep you diverted for so long. The lives of his neighbors, while interesting, lack mystery... until Lars Thorwald takes away many suitcases in the middle of the night and then ties up a large steamer trunk with heavy rope. Instantly sure of foul play it doesn't take long to convince Lisa and Stella as well, even if the police aren't convinced. Soon they are climbing fire escapes and digging up flower beds in Jeff's stead, as he nervously watches from his confining wheelchair. But will a man who has most likely killed his wife and a poor defenseless dog stop at just the two murders? Or will there be more to follow?

This movie is sheer perfection. The dark sense of humor coupled with voyeuristic tendencies is my nirvana. This is easily one of my favorite movies Hitchcock did. Not just the story but the setting. This little microcosm we see where these people are all aware of each others lives but don't interact. We all wonder what our neighbors are up to and here we have a worst case scenario. You also have to ask, if you saw what Jeff saw, would you react the same? Would you try to catch this man or would you just wait for him to leave and forget all about it. Plus, as many reviewers have noted, the struggle in the relationship between Jeff and Lisa is played out in all the windows. There are the newlyweds, Miss Lonelyhearts, the musician, one thing different and that could be Jeff or Lisa's future. There really is no way for me to elaborate more on this film. I've loved it for so long, I will also admit, I built a little shrine to it... backstory on shrine, in high school, we had to do a project on the concept of "windows" and I decided to depict the world outside Jeff's window, so yeah, little obsessed, and don't listen to my friends who said I had "brick" issues... so yes, shrine. I find it's hardest to talk and quantify that which you care for most, so just go watch this movie, the acting, the costumes, the story, it stands the test of time and repeat viewings and is a fitting movie to end the Hitchcock Hoot'nanny on!

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