Showing posts with label Infidelity. Show all posts
Showing posts with label Infidelity. Show all posts

Friday, October 25, 2024

Wilderness

Newlywed Brits move to New York for husband's job. Husband cheats with coworker. Husband lies and says it was a one time thing. Wife finds out it wasn't. They go on vacation. The trip of a lifetime. Wife doesn't want to repeat the patterns she saw with her parents so decides her husband needs to have an accident. But fate intervenes. They run into the mistress and her boyfriend and the mistress is killed. Things get even messier. The police get involved. Mistress's boyfriend is arrested. Mistress's boyfriend is released. Wife kills mistress's boyfriend. Husband has another mistress. Husband doesn't have a clue. Wife frames him for the murder she herself committed. Wife presumably gets the divorce she wanted all along. Wife writes book. Hopefully it's a bestseller. There's nothing that complicated about this series. It's a simple tale of revenge. But it's the class of acting and the way that Jenna Coleman makes you root for Liv the entire time that make it worth watching. You feel how she has reached her last straw and so want her to kill her husband. As the six episodes unfold you keep having delayed satisfaction. The husband didn't die, but the mistress did. The husband didn't die, but the mistress's boyfriend did. Finally tying it all up by the husband going to prison for the crime the wife committed was such poetic justice. Now some people might say, it was kind of cruel to kill the mistress, as it was really the husband at fault. Well, not in my book. First, it takes two to cheat. Second, yes, I know he was emotionally manipulating her and giving her false hope but again, it takes two to cheat. Third, and most important, when the mistress meets the wife they have a moment of catharsis, a moment where they bond, and after that, like almost right after that, she tries to convince the husband to run away with her. She befriended Liv and then betrayed her, death is her sentence. As for the boyfriend? He deserved to die because he's Eric Balfour. I have hated him since the moment I set eyes on him. I actually would have been fine with him being imprisoned, he could have rotted in jail with his friend Danny Masterson, but he died, and that brings me joy. So much joy. I should maybe make Liv caving in his skull a screensaver... As for framing her husband for the mistress's murder? Well, that's just the cherry on top of the cake. And personally, I'm kind of surprised she got away with it. No one on this show has the bare minimum of knowledge about digital forensics and the omnipresence of cameras. I mean, seriously, what century do you live in? Plus you're from England, which has one of the most monitored cities in the world. But I take solace in the knowledge that if the cops actually were able to access deleted emails on the company's servers they would just implicate the husband more. But it's the final message that is the most important. Liv built her life around a man, she put her life in his hands, and his actions made her a desperate creature. He did make her do this, to an extent. But what is under that is this world women live in, a world where we are constantly in danger, where we have to think about our safety at all times, and enough is enough. Her husband thought she'd wait for him, her husband is one of the many faces of the problem women live with daily. We aren't going to take shit anymore. No more dishonesty, no more danger, we all, like Liv, have no more fucks to give.

Wednesday, June 19, 2024

Book Review - Lisa Taddeo's Three Women

Three Women by Lisa Taddeo
Published by: Avid Reader Press / Simon and Schuster
Publication Date: July 9th, 2019
Format: Hardcover, 304 Pages
Rating: ★
To Buy

Maggie thought she was in love. She thought he loved her too. But it was an unequal relationship. He was her teacher. He slowly worked his way into her life so that he was all she had and then one day she texted him and his wife saw. That ended everything. In fact it felt like her life ended. A few years later she sees his face smiling on the news. He has been named teacher of the year in North Dakota. She realizes it is time to go public, because as her therapist has told her, she couldn't have been the first. Yet Maggie's past calls everything she says into question and the love of her life will get away with the damage he's inflicted. Linna just wants her husband to touch her. A kiss, a caress, anything. She's decided that if this continues for three months she will leave him. Of course he doesn't know that she has a dream, that she will get back together with her high school sweetheart whom she's been having an affair with. Aidan and her broke up in high school because she was raped by three classmates one night and forever branded a whore. Her entire life she has felt the void left by Aidan leaving. And here he is, back in her life, or at least her car, whenever his needs need to be met. She knows it's a one way relationship, but to be touched, to be cared for, even in this small way, was more than she ever got from her husband. Sloane looks to have the perfect life. A husband with whom she runs a successful restaurant, beautiful children, and looks that don't betray her age. She and her husband love each other completely, only he takes sexual satisfaction from watching his wife sleep with other men and women, occasionally participating. All these women would do anything for love. They would degrade themselves, they would hurt themselves, they would even, perhaps, kill themselves.

Three Women is a puerile and prurient book, like a small child that can not yet form full sentences but randomly yells out "fuck" for the reaction they get from adults. This is not in the least a book about female desire but a book about women molested and controlled by men. One can only assume that all the glorious reviews were written by men who long to dominate women and hope that this debasement is truly the secret desire of all women. I have shocking news for them; it's not. I keep coming back to the fact that Taddeo supposedly worked on this book for eight years and in this time she gained no depth on her subjects. These women could have been handled tactfully, their body image issues and abuse dealt with in a thoughtful manner, instead it's just who they are on the surface, not who they were made to become, and the abuse, while there, also fuels their desire. But why? WHY!?! These women are nothing more than paper dolls. They are one dimensional cliches that I strongly suspect don't even really exist with their love of Twilight and Fifty Shades of Grey. In fact Sloane might very well be nothing more than an amalgam of Serena van der Woodsen and Blair Waldorf from Gossip Girl. And the fact that Gossip Girl handled bulimia better than this book and that even Twilight is better written should give you a hint as to how bad this book is. As you read about Lina massaging the fondant from a Cadbury Creme Egg into Aidan's scrotum you will feel your brain cells dying.

Friday, August 6, 2021

Behind Her Eyes

I'm that person who picks apart a show as I'm watching it. What is happening, who is to blame. I don't just want to get to the bottom of it all before the reveal, I need to. So while I actually got the ending of Behind Her Eyes wrong I was technically right. Confusing no? But that's what Behind Her Eyes is all about. It's about gobbling up each and every clue you're given and trying to piece together the puzzle until at the end you didn't quite see it coming because it changed the rules while you weren't fully aware that it did. The show starts out with the classic comedy trope, what if you met a handsome stranger at a bar and you find out the next day he's your new boss? That's exactly what happens to Louise. The problem is her connection to David is electric. It doesn't matter that David is married, that Louise even ends up befriending his wife Adele behind his back, they are drawn to each other like magnets. Though Louise suspects that David doesn't understand his wife, but, for me, I knew from day one that Adele was the problem and David was right. Why else would she be so closely monitored and medicated by her husband? It didn't feel like control to me, it felt like barely maintained equilibrium. But while a three-hander show about infidelity isn't that original, this show has something else going for it, lucid dreaming. Yes, it might seem odd that the other aspect of a show about a torrid affair would be about lucid dreaming, but that's what sets this show apart. I have known about lucid dreaming as a cure for night terrors for years. But I'm actually able to exert some control in my dreams anyway and I'm not full into night terrors, but the possibility of complete control over your sleeping mind has always been interesting to me. So while Louise's dreams are kind of cartoonishly bad and then cartoonishly good, I mean, they're happy and Disney and she's in the land of the Teletubbies where there are no shadows... this is all leading somewhere deeper. It's not about the first door, it's about the second door. And it's all about Adele's past and her friend Rob who she met in rehab. Rob is the key. He's also an amazing actor. In a show with such a strong cast that boasts Tom Bateman and Eve Hewson, well, it's impressive that Robert Aramayo stands out. And yes, his real name is Rob too!

Friday, June 18, 2021

Season 12 - The Good Soldier (1982-1983)

If you are watching this for Jeremy Brett, be forewarned that there is a lot less Jeremy Brett than the DVD cover would have you believe. This is a starring vehicle for Susan Fleetwood and Robin "OG Poldark" Ellis doing his best Morgan Freeman narration in the era before Morgan Freeman started being known as the go-to narrator and was known as that guy from The Electric Company and various soap operas. The Good Soldier is a tale of infidelity set against the backdrop of a German spa town revolving around two couples, the Dowells and the Ashburnhams. This adaptation leans heavily on the 1974 adaptation of The Great Gatsby with a dash of Brideshead Revisited, ironic because The Good Soldier predates both and more than likely influenced both. It's slowly paced, but a wonderful study of lives falling apart and what we are willing to endure for those we love. Told non-linearly we get glimpses of happy days and the disaster that is to come. Hint, it's a lot of suicide. What I particularly liked is that this felt a bit like it was cracking open the facade of the stiff upper lips of the Brits. Underneath it all they are just a complete mess of repressed and pent-up emotions that will eventually explode, usually in a darkly comic manner. That's the key here, you have to be willing to embrace Ford Madox Ford's dark humor. The Good Soldier began life as The Saddest Story but the publishers wanted a new title because of World War I and Ford Madox Ford sarcastically suggested The Good Soldier, because Brett's character is anything but a good little soldier, and the publishers jumped at the new title. Now you might be wondering, how can infidelity and suicide be darkly humorous? Well, it's all in the execution. The pauses, the timing, and the reasoning. Oh, and the dramatic wailing and gnashing of handkerchief's in hands. In fact the only memorable part of the 2012 Benedict Cumberbatch adaptation of Ford Madox Ford's Parade's End was Reverend Duchemin's suicide, brilliantly brought to the small screen by Rufus Sewell. So if dark humor and distinctly British entropy is your cup of tea then be sure to check out this production from the early eighties.

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