Showing posts with label Carey Mulligan. Show all posts
Showing posts with label Carey Mulligan. Show all posts

Wednesday, June 17, 2026

Season 37 - The Amazing Mrs Pritchard (2007)

What most of us turn to Masterpiece for is a good old fashioned period drama. Yes, there have been modern shows here and there, and many quite exceptional, but for most of us it's all about the period drama. Well, watching The Amazing Mrs. Pritchard now, it feels like a period drama. Looking back on a simpler time in politics before Trump and Brexit it feels so long ago that it's a different era. Plus with the cast, Steven Mackintish, Jodhi May, Janet McTeer, Carey Mulligan, Geraldine James, Tom Mison, Siobhan Finneran, and Harry Hadden-Paton to name a few, it is like the best of the best from British period dramas are represented here. Then factor in the Downton-esque music by John Lunn playing over several characters from Downton Abbey, and well, it might be modern but it feels like Masterpiece to me. Though it's an odd little miniseries, written by Sally Wainwright who has gone on to create the procedurals Scott and Bailey and Happy Valley, the feel good Last Tango in Halifax, and the sensational period lesbian romp Gentleman JackThe Amazing Mrs. Pritchard never really finds it's feet and ends on an abrupt note, and that note was only on the DVD at that. Ros Pritchard is a woman with no political experience who ends up Prime Minister by just telling it like it is and vowing to never lie. While I adore Jane Horrocks, she doesn't have the heft needed for the role and is outclassed by everyone around her. But more importantly, I couldn't figure out the message of the miniseries. What was it trying to say? It is oddly pro-Brexit before Brexit happened with a bizarre streak of British exceptionalism. Also Ros's Purple party is almost all women, is this a commentary on women in traditional male roles and how they succeed or fail based on how much of the traditional female roles they're willing to give up, like motherhood? Also, while this was obviously written about a fake election it seems prophetic. I mean, look what we're living through here in the States! A person entirely ignorant of government being elected to the highest position in the land. Again! But in reality there have tons and tons of deaths and concentration camps instead of everyone banding together and riding a bus. So yeah... it now cuts a little too close to the bone... The Amazing Mrs. Pritchard just doesn't understand the implications of what it's attempting and failing to say. 

Wednesday, March 24, 2021

Season 37 - The Amazing Mrs Pritchard (2007)

What most of us turn to Masterpiece for is a good old fashioned period drama. Yes, there have been modern shows here and there, and many quite exceptional, but for most of us it's all about the period drama. Well, watching The Amazing Mrs. Pritchard now it feels like a period drama. Looking back on a simpler time in politics before Trump and Brexit it feels so long ago that it's a different era. Plus with the cast, Steven Mackintish, Jodhi May, Janet McTeer, Carey Mulligan, Geraldine James, Tom Mison, Siobhan Finneran, and Harry Hadden-Paton to name a few, it is like the best of the best from British period dramas are represented here. Then factor in the Downton-esque music by John Lunn playing over several characters from Downton Abbey, and well, it might be modern but it feels like Masterpiece to me. Though it's an odd little miniseries, written by Sally Wainwright who has gone on to create the procedurals Scott and Bailey and Happy Valley, the feel good Last Tango in Halifax, and the sensational period lesbian romp Gentleman JackThe Amazing Mrs. Pritchard never really finds it's feet and ends on an abrupt note, and that note was only on the DVD at that. Ros Pritchard is a woman with no political experience who ends up Prime Minister by just telling it like it is and vowing to never lie. While I adore Jane Horrocks, she doesn't have the heft needed for the role and is outclassed by everyone around her. But more importantly, I couldn't figure out the message of the miniseries. What was it trying to say? It is oddly pro-Brexit before Brexit happened with a bizarre streak of British exceptionalism. Also Ros's Purple party is almost all women, is this a commentary on women in traditional male roles and how they succeed or fail based on how much of the traditional female roles they're willing to give up, like motherhood. Also, while this was obviously written about a fake election it seems prophetic. I mean, look what we've just lived through here in the States! A person entirely ignorant of government being elected to the highest position in the land. But in reality there were tons and tons of deaths instead of everyone banding together and riding a bus. So yeah... it now cuts a little too close to the bone... The Amazing Mrs. Pritchard just doesn't understand the implications of what it's attempting and failing to say. 

Wednesday, June 17, 2020

Movie Review - The Great Gatsby 2013

The Great Gatsby
Based on the book by F. Scott Fitgerald
Starring: Tobey Maguire, Jack Thompson, Leonardo DiCaprio, Joel Edgerton, Carey Mulligan, Elizabeth Debicki, Jason Clarke, Isla Fisher, Adelaide Clemens, Kate Mulvany, Iota, Gus Murray, Max Cullen, Brendan Maclean, Richard Carter, Jake Ryan, Amitabh Bachchan, Kim Knuckey, David Furlong, Steve Bisley, Callan McAuliffe, and Tasman Palazzi
Release Date: May 1st, 2013
Rating: ★★★★
To Buy

After the events of the previous summer Nick Carraway is a disillusioned drunk who has had himself committed. Talking with Dr. Perkins he reveals that the only true thing he found through all he endured was Jay Gatsby. Dr. Perkins recommends that Nick, who has always had ambitions of being a writer, write about Gatsby. Write about his experiences with this man. The book doesn't need to be for anyone other than himself, but the doctor thinks it will help Nick recover. Over the course of the winter as it thaws and becomes spring Nick writes Gatsby's story, which begins with Nick going to see his old college classmate Tom Buchanan in East Egg, an athlete through and through who spends his copious leisure time playing polo or playing around with his mistress Myrtle. Myrtle is a bit of a surprise to Nick as he thought Tom happily married to Daisy, who happens to be Nick's cousin. But according to Myrtle's sister, neither Tom nor Myrtle love their respective spouses. This is the first real step down into the depravity that will take ahold of Nick. But for awhile he will stay afloat because of his neighbor in West Egg, Jay Gatsby. Gatsby throws the most lavish, most decadent, most extraordinary parties, and yet no one, other than Nick, has actually ever been invited. They just show up and the Bacchanalia begins. But who would throw a party and then not partake of the revels? That is the enigma of Gatsby. Soon though Nick will be privy to all because of his unique situation and relation to Daisy. Gatsby has a favor to ask, a simple favor, he wants Nick to invite Daisy to tea, and then he'll just stroll in and sweep Daisy off her feet. Because five long years ago they were in love. This was before the war, when Jay was a penniless nobody, and Daisy loved him but knew she must marry for money. Now Gatsby wants to erase the intervening five years. Make Daisy's love for Tom nonexistent, and their happiness guaranteed. But life can't be so easily rewritten. Time moves forward, tragedy strikes, and disillusionment settles in.       

An over-the-top, frenetic, hyperactive adaptation that is the unholy lovechild of Dick Tracy and Sin City. But The Great Gatsby lacks the production quality and artistry of those two films which actually broke new ground instead of mashing up a whole lot of old and trying to make it new again. The problem all resides with Baz Luhrmann, he wants this film to be Busby Berkley on acid but he just doesn't have the talent of even the lowliest Hollywood hack director from the golden age of cinema. His work is all surface and no substance, just movies with catchy playlists, which on paper would make Luhrmann the ideal director for The Great Gatsby, but the problem is this adaptation strives to be something more, something greater, and therefore Luhrmann should have backed the hell away and just messed about with more absurd themes for the MET Gala. How about vintage advertising with a smattering of Erté? Because he sure as hell loved those visuals in this film, which, while cool, would have made Fitzgerald roll over in his grave. As for the framing device that reeks of a hackneyed Citizen Kane wannabe, it seems more like some desperate need to make Nick's narration plausible to a modern audience instead of just accepting that sometimes stories have narrators. Yes, it was interesting having Nick locked up for being a dipsomaniac writing Gatsby's story as therapy, thus combining Zelda and Scott into a single creative force that birthed the novel, but it was unnecessary. So much of this film is unnecessary. The movie takes half of it's screen time trying to figure itself out, much like the actor's accents. Leo finally landed on Kennedy if you were wondering, as for some of the others it's anyone's guess. But the end result of all THIS is a film that somehow succeeds in spite of itself because of the casting. Leo brings a depth to Gatsby you never thought possible. You feel he is lonely and hopeful and lost. You actually feel for him. You can see why Nick believes in him. Leo is a Gatsby to believe in and his loss is our loss.

Saturday, January 2, 2010

Pink Carnation Spotlight: Carey Mulligan (Lady Charlotte Lansdowne)

We now move onto book five in the Pink Carnation series, and to a heroine, I'm sure us book readers strongly identify with, Charlotte Lansdowne. Carey Mulligan would be welcome to portray me if my life was made into a movie, lets hope Charlotte would fell the same! Now to the protagonist of The Temptation of the Night Jasmine... seem above with her BFF, Amy Blacourt.

Name: Carey Mulligan

Dream Character Casting for the Lauren Willig Miniseries: Lady Charlotte Lansdowne

First Impression: As the romantically doomed Ada in Bleak House, made me hate Esther a little less... and yes, I know my hatred of Esther is untoward, but it's more a dislike of the actress than anything else.

Why they'd be the perfect actor for the Lauren Willig Miniseries: She's wonderful in period pieces, already being in two Austen adaptations. Plus she is able to convincingly portray naive hopeful romantics... ah, poor Ada and Richard... at least she could have a happily ever after with Robert!

Lasting Impression: This is really a tie, I'm not sure if it was Andrew Davies' new adaptation of Northanger Abbey or Doctor Who which cemented her in my memory, both were 2007. She certainly was memorable as the used Isabella Thrope... but Sally Sparrow... that's a name that's made to remember. Don't blink.

What else you've seen them in: Well, getting your first gig as Kitty Bennet in Keira Knightly's Pride and Prejudice and then following it up with Bleak "we'll just throw these awards at you shall we" House isn't shabby. But to follow that up with Marple, more Austen and then the most popular and terrifying episode of the new Doctor Who, that's a celebrity in the making, but I still wonder if she might be permantly scared from ever viewing statues the same again. She's a star on the ascent, now that she's in movies with Johnny Depp and the sequel to Wall Street, plus Oscar buzz for An Education. Really, if you haven't seen it, go now. I'm not kidding, if you read my blog you love books and Brits and this will be right up your alley!

Can't believe it's them: She was in an episode of Waking the Dead... seems a bit, two steps forward, one step back to me. But more importantly, I really couldn't believe that was her in Pride and Prejudice, look how little she looks! From Pride and Prejudice to Northanger Abbey, I really can't believe how growed up she is!

Wish they hadn't: I really don't think she's had a misstep, she's on her way to being the next Keira Knightly, only with talent and not so freakin' skinny.

Bio: I'm kind of envious... she's so going to make it big.

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