Showing posts with label Asylum. Show all posts
Showing posts with label Asylum. Show all posts

Friday, June 19, 2020

Zelda Fitgerald

Zelda Fitzgerald is a tragic figure, and not just because she died sedated and locked in in a fire that broke out at the hospital she was living at in Asheville, North Carolina, claiming her life and the lives of eight other women when she was only forty-seven, but because she will forever be known, and to some vilified, as F. Scott Fitzgerald's wife. Born in Montgomery, Alabama, Zelda Sayre, was the pampered baby of her family. She was active and artistic from an early age, taking an interest in swimming and dance, and later an interest in drink and boys. She was as shocking as she could be given the society she was surrounded with and her strict father, the judge. But the war and the parties for the troops gave her greater leeway than a southern belle would normally have and right before her eighteenth birthday she met F. Scott and both their lives would be forever entwined and she would find notoriety as the "first American flapper."

After their marriage while she at first reveled in Scott's success, the fact that she was contributing to that success uncredited was a thorn in her side. He often took whole sections of her writing, especially from her journals, and used them for his work. When she'd write pieces of her own she would have to share writing credit just in order to get paid a fair price, or that's what Scott and his agent said. She was creatively stifled, not able to write or draw or do anything without Scott overriding her. Therefore she took solace in dance. Only she took her escape to the extreme, pushing herself too hard, making herself sick. When Scott finally told her to give up her dreams she broke down and was hospitalized. From the age of thirty onwards she would spend her life in and out of hospitals. Many people will insist that her illness and Scott's caregiving duties are what led him to never fulfill his early potential. But Scott put it best: “Perhaps 50 percent of our friends and relatives would tell you in all honest conviction that my drinking drove Zelda insane - the other half would assure you that her insanity drove me to drink.” They weren't good for each other and they self-destructed, but what a conflagration to behold.

Wednesday, June 17, 2020

Movie Review - The Great Gatsby 2013

The Great Gatsby
Based on the book by F. Scott Fitgerald
Starring: Tobey Maguire, Jack Thompson, Leonardo DiCaprio, Joel Edgerton, Carey Mulligan, Elizabeth Debicki, Jason Clarke, Isla Fisher, Adelaide Clemens, Kate Mulvany, Iota, Gus Murray, Max Cullen, Brendan Maclean, Richard Carter, Jake Ryan, Amitabh Bachchan, Kim Knuckey, David Furlong, Steve Bisley, Callan McAuliffe, and Tasman Palazzi
Release Date: May 1st, 2013
Rating: ★★★★
To Buy

After the events of the previous summer Nick Carraway is a disillusioned drunk who has had himself committed. Talking with Dr. Perkins he reveals that the only true thing he found through all he endured was Jay Gatsby. Dr. Perkins recommends that Nick, who has always had ambitions of being a writer, write about Gatsby. Write about his experiences with this man. The book doesn't need to be for anyone other than himself, but the doctor thinks it will help Nick recover. Over the course of the winter as it thaws and becomes spring Nick writes Gatsby's story, which begins with Nick going to see his old college classmate Tom Buchanan in East Egg, an athlete through and through who spends his copious leisure time playing polo or playing around with his mistress Myrtle. Myrtle is a bit of a surprise to Nick as he thought Tom happily married to Daisy, who happens to be Nick's cousin. But according to Myrtle's sister, neither Tom nor Myrtle love their respective spouses. This is the first real step down into the depravity that will take ahold of Nick. But for awhile he will stay afloat because of his neighbor in West Egg, Jay Gatsby. Gatsby throws the most lavish, most decadent, most extraordinary parties, and yet no one, other than Nick, has actually ever been invited. They just show up and the Bacchanalia begins. But who would throw a party and then not partake of the revels? That is the enigma of Gatsby. Soon though Nick will be privy to all because of his unique situation and relation to Daisy. Gatsby has a favor to ask, a simple favor, he wants Nick to invite Daisy to tea, and then he'll just stroll in and sweep Daisy off her feet. Because five long years ago they were in love. This was before the war, when Jay was a penniless nobody, and Daisy loved him but knew she must marry for money. Now Gatsby wants to erase the intervening five years. Make Daisy's love for Tom nonexistent, and their happiness guaranteed. But life can't be so easily rewritten. Time moves forward, tragedy strikes, and disillusionment settles in.       

An over-the-top, frenetic, hyperactive adaptation that is the unholy lovechild of Dick Tracy and Sin City. But The Great Gatsby lacks the production quality and artistry of those two films which actually broke new ground instead of mashing up a whole lot of old and trying to make it new again. The problem all resides with Baz Luhrmann, he wants this film to be Busby Berkley on acid but he just doesn't have the talent of even the lowliest Hollywood hack director from the golden age of cinema. His work is all surface and no substance, just movies with catchy playlists, which on paper would make Luhrmann the ideal director for The Great Gatsby, but the problem is this adaptation strives to be something more, something greater, and therefore Luhrmann should have backed the hell away and just messed about with more absurd themes for the MET Gala. How about vintage advertising with a smattering of Erté? Because he sure as hell loved those visuals in this film, which, while cool, would have made Fitzgerald roll over in his grave. As for the framing device that reeks of a hackneyed Citizen Kane wannabe, it seems more like some desperate need to make Nick's narration plausible to a modern audience instead of just accepting that sometimes stories have narrators. Yes, it was interesting having Nick locked up for being a dipsomaniac writing Gatsby's story as therapy, thus combining Zelda and Scott into a single creative force that birthed the novel, but it was unnecessary. So much of this film is unnecessary. The movie takes half of it's screen time trying to figure itself out, much like the actor's accents. Leo finally landed on Kennedy if you were wondering, as for some of the others it's anyone's guess. But the end result of all THIS is a film that somehow succeeds in spite of itself because of the casting. Leo brings a depth to Gatsby you never thought possible. You feel he is lonely and hopeful and lost. You actually feel for him. You can see why Nick believes in him. Leo is a Gatsby to believe in and his loss is our loss.

Monday, July 29, 2019

Tuesday Tomorrow

Murder at Crossways by Alyssa Maxwell
Published by: Kensington
Publication Date: July 30th, 2019
Format: Hardcover, 388 Pages
To Buy

The official patter:
"In late August 1898, reporter Emma Cross attends the final fête of the Newport social season and discovers the party's over for a visiting prince...

The days are getting shorter as summer's end approaches, which means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The neocolonial mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria.

As acting editor-in-chief of the Newport Messenger, Emma had hoped to leave her days as a society reporter behind her. But at the last moment, she must fill in and attend the Harvest Festival. With nearly every eligible daughter of Newport high society in attendance, Emma can almost hear romantic dreams shattering like glass slippers when the prince fails to appear. The next morning, he is found dead in the side garden at Crossways, making it clear a murderer crashed the party.

The prince has been stabbed in the same manner as another man, recently found on nearby Bailey's Beach - who strongly resembles Emma's half-brother Brady's father, presumed dead for nearly thirty years after a yachting mishap. As Emma investigates a connection between the two victims, she is joined on the hunt by Mamie Fish herself. But they must hurry - before the killer slips away like the fading summer..."

What a way to start the end of summer than a book set during it's waning days?

The Chelsea Girls by Fiona Davis
Published by: Dutton
Publication Date: July 30th, 2019
Format: Hardcover, 368 Pages
To Buy

The official patter:
"The bright lights of the theater district, the glamour and danger of 1950s New York, and the wild scene at the iconic Chelsea Hotel come together in a dazzling new novel about a twenty-year friendship that will irrevocably change two women's lives - from the national bestselling author of The Dollhouse and The Address.

From the dramatic redbrick facade to the sweeping staircase dripping with art, the Chelsea Hotel has long been New York City's creative oasis for the many artists, writers, musicians, actors, filmmakers, and poets who have called it home - a scene playwright Hazel Riley and actress Maxine Mead are determined to use to their advantage. Yet they soon discover that the greatest obstacle to putting up a show on Broadway has nothing to do with their art, and everything to do with politics. A Red scare is sweeping across America, and Senator Joseph McCarthy has started a witch hunt for Communists, with those in the entertainment industry in the crosshairs. As the pressure builds to name names, it is more than Hazel and Maxine's Broadway dreams that may suffer as they grapple with the terrible consequences, but also their livelihood, their friendship, and even their freedom.

Spanning from the 1940s to the 1960s, The Chelsea Girls deftly pulls back the curtain on the desperate political pressures of McCarthyism, the complicated bonds of female friendship, and the siren call of the uninhibited Chelsea Hotel."

To me, summer means the stifling heat of New York City, which is perhaps why I recently rewatched Rosemary's Baby and definitely why you should check out this book! 

Asylum by Jack Adams
Published by: Atlas Productions Pty Ltd
Publication Date: July 30th, 2019
Format: Paperback, 310 Pages
To Buy

The official patter:
"Joe was their friend; the man they spoke to through the wire fence of the Lunatic Asylum, and 10-year-old best friends, Nathan Walker and Adam Murphy, knew he wasn't insane. Then, one day, Joe was gone.

Now hitting their thirties - jobs and divorces in their wake - ex-cop, current P.I. Nate and psychiatrist Adam decide to share office space and a receptionist. That's when the letter arrives advising them that they have received 'Expectations'. A quaint, old-fashioned bequest delivered by a solicitor which amounts to an inheritance for two boys - left by Joseph O'Connell, a missing-believed-deceased former patient at the River Park Lunatic Asylum."

Dun, dun, DUN! I know you need to know what happens next!

The Escape Room by Megan Goldin
Published by: St. Martin's Press
Publication Date: July 30th, 2019
Format: Hardcover, 368 Pages
To Buy

The official patter:
"In Megan Goldin's unforgettable debut, The Escape Room, four young Wall Street rising stars discover the price of ambition when an escape room challenge turns into a lethal game of revenge.

Welcome to the escape room. Your goal is simple. Get out alive.

In the lucrative world of finance, Vincent, Jules, Sylvie, and Sam are at the top of their game. They’ve mastered the art of the deal and celebrate their success in style - but a life of extreme luxury always comes at a cost.

Invited to participate in an escape room as a team-building exercise, the ferociously competitive co-workers crowd into the elevator of a high rise building, eager to prove themselves. But when the lights go off and the doors stay shut, it quickly becomes clear that this is no ordinary competition: they’re caught in a dangerous game of survival.

Trapped in the dark, the colleagues must put aside their bitter rivalries and work together to solve cryptic clues to break free. But as the game begins to reveal the team’s darkest secrets, they realize there’s a price to be paid for the terrible deeds they committed in their ruthless climb up the corporate ladder. As tempers fray, and the clues turn deadly, they must solve one final chilling puzzle: which one of them will kill in order to survive?"

Escape Rooms fascinate me and hopefully I'll be doing one for my birthday this year, but more importantly, I'm so glad they've been embraced in book form!

The Merciful Crow by Margaret Owen
Published by: Henry Holt and Co.
Publication Date: July 30th, 2019
Format: Hardcover, 384 Pages
To Buy

The official patter:
"One way or another, we always feed the crows.

A future chieftain.

Fie abides by one rule: look after your own. Her Crow caste of undertakers and mercy-killers takes more abuse than coin, but when they’re called to collect royal dead, she’s hoping they’ll find the payout of a lifetime.

A fugitive prince.

When Crown Prince Jasimir turns out to have faked his death, Fie’s ready to cut her losses - and perhaps his throat. But he offers a wager that she can’t refuse: protect him from a ruthless queen, and he’ll protect the Crows when he reigns.

A too-cunning bodyguard.

Hawk warrior Tavin has always put Jas’s life before his, magically assuming the prince’s appearance and shadowing his every step. But what happens when Tavin begins to want something to call his own?"

Crows are really in this YA season and I'm all for it.

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