Showing posts with label Campion. Show all posts
Showing posts with label Campion. Show all posts

Friday, January 10, 2014

Book Review 2013 #8 - Margery Allingham's The White Cottage Mystery

The White Cottage Mystery by Margery Allingham
ARC Provided by the Publisher
Published by: Bloomsbury Reader
Publication Date: 1928
Format: Kindle, 168 Pages
Rating: ★★★★★
To Buy

Jerry Challenor is driving slowly to London. Taking the sleepy back roads and obscure thoroughfares. He is in no hurry, so when he sees an attractive girl alight from a bus with a large burden, he offers her a ride home. She lives at the White Cottage, which is very close at hand. After he drops the girl off he notices that the weather is in for a change and he stops to put the roof up on his convertible and gets to chatting to the local policeman. While relaxing by the side of the road the two men hear the report of a gunshot. They rush to the White Cottage, but someone is dead.

As it happens, Jerry's father is the famous Detective Chief Inspector W.T. Challenor, and Jerry calls him in to handle this mysterious murder. The victim is one Eric Crowther who lived next to the White Cottage in the grey monstrosity, the Dene. No one morns his passing. Every single person who knew him wanted him dead and everyone in the house had means and motive. The shotgun that did the deed was in the corner of the dining room, so anyone could have wandered in and blown him away. For personal reasons Jerry hopes fervently that it is not Norah, the attractive girl he gave a lift to. W.T. is baffled. He could easily arrest anyone in the house with circumstantial evidence, but it's the truth he wants. With Jerry in tow, W.T. heads to the continent and tracks down every lead he can think of... but will he ever make an arrest?

Someone at the BBC needs to make this into a movie right now! This would make a wonderful adaptation, much in the vein of the recent retelling of The Lady Vanishes with Tuppence Middleton. I'm picturing Laurence Fox as the lovestruck son Jerry and his real life father, James Fox, for W.T. Challenor. Perhaps Jenna-Louise Coleman as Norah? I'm telling you, it would be awesome. There was just something so fresh and vital about this story that I can see it appealing to anyone with a love of British period dramas and murder mysteries.

After having rather a rocky go of it with Dorothy L. Sayers, I was starting to become a little leery of my "Golden Summer" scheme. What if all these other hallowed authors where of the same ilk? Great as precursors, as proto-mysteries, as a jumping off point for later authors, but lacking that something that made them timeless and a great read till this day (Agatha Christie is exempt from these thoughts because she is awesome). What if the "Golden Age" wasn't really that golden? Thankfully The White Cottage Mystery has changed my mind and just hardened my heart to Dorothy L. Sayers. Unlike Sayers who fills her books with nonsense and ramblings, there was something so clean and spare to Margery Allingham's book that I wanted to give her book a great big hug. Not literally, because I think that might shatter my Kindle. No nonsense, no fluff, just a great whodunit that reminded me on more then one occasion of the great short stories that Daphne Du Maurier is known for. The style and turn of phrase, not to mention the setting were reminiscent of Du Maurier. And trust me, this is a true compliment from me if I'm comparing Allingham to Du Maurier.

Like Du Maurier and her obsession with the Brontes, Margery Allingham has created in Eric Crowther a character with some very interesting Bronte overtones. It's almost as if Allingham wanted to create a character as psychologically manipulative, hostile, and threatening as Heathcliff and then gleefully kill him. The fact that Crowther, through his machinations and games, is able to keep not only good people in line, but evil degenerates, shows the force of his character. He is an evil man and I echo the sentiments of Jerry that perhaps his death was an "act of God." As for the murderer... well... wait till you get to the final chapter of this lean mean mystery. My faith has been restored by this "act of God" and I will now pick up the first Campion mystery, not with cringing hands, but with a joyful song in my heart.

Wednesday, June 12, 2013

Book Review - Margery Allingham's The Crime at Black Dudley

The Crime at Black Dudley (Albert Campion Book 1) by Margery Allingham
Published by: Felony and Mayhem
Publication Date: 1929
Format: Paperback, 256 Pages
Rating: ★★
To Buy

George Abbershaw is indebted to his friend Wyatt Petrie. Wyatt is having a large house party at his remote ancestral pile Black Dudley and to help out George he has invited Meggie Oliphant. George is a man of science, being a pathologist, and he has decided that his new feelings that have arisen for Meggie must be tested out at close quarters to determine if it is infatuation or love. Infatuation can run it's course and for the most part be ignored, but love, well, love is another thing. At dinner, sitting next to Meggie, they gossip about the strange array of people gathered. From Wyatt's invalid Uncle Colonel Coombe who lives year round at Black Dudley, to Benjamin Dawlish, a man with the hair of Beethoven and an implacable manner, to the foolish society fop, Albert Campion, who no one remembers inviting. The group seems so diverse, it's almost as if they were all brought there for a reason.

After dinner in the great hall, the guests eyes alight on a sinister dagger rather ostentatiously displayed over one of the fireplaces. Wyatt tells of a family legend of death and tragedy, that imbued the dagger with the power to bleed if it was held by a killer. In later generations, this has devolved into a ritual, a game of hide and seek where the dagger is passed back and forth among the guests in a darkened house, the one left with the dagger being the "killer." The guests are eager to take part in this ritual and soon the house is darkened and the "game" begins. Abbershaw views the game as insipid and uses the opportunity to go outside and check on his car, were he runs into Campion. The two amiably chat and return to the house together, where something is most definitely wrong.

Colonel Coombe has had a heart attack and been taken upstairs. Soon Abbershaw learns that Coombe is dead and is asked to hastily sign a cremation order. Abbershaw, very suspicious, gets a quick look at Coombe and decides that the man has most definitely been murdered. Though Coombe's thuggish friends, led by Dawlish, make it quite clear to Abbershaw, that not signing the cremation order is not an option. Something sinister is at Black Dudley. Come morning, all the guests realize they are captives. Dawlish has lost something of value and no one leaves until it is returned. If his item is returned, will he let everyone go though?

It is interesting to me that this is considered the first Albert Campion book seeing as, while a memorable character, he is by no means the star, that task is left to the too upright and altruistic Doctor Abbershaw. In fairness, The Crime at Black Dudley's blurb did warn me that Albert Campion is "in a supporting role, for the first and last time." I just thought he'd have a bigger part... apparently we have Allingham's American publisher to thank for Campion taking center stage. Originally she wanted to have Abbershaw be the star of her new mystery series. All I have to say to that is snooze fest. Campion is far more interesting in that he has flexible morals, but more importantly, was created to make fun of Lord Peter Wimsey. And right now, anyone taking the piss out of Dorothy L. Sayers gets two big thumbs up from me.

Personally, I can't decide yet as to whether I'll like Campion... he was too peripheral and there were just too many characters running around and mucking things up that I had to juggle. There really has to be some way to find the perfect balance of number of characters to narrative. But then there's authors like George R. R. Martin who are juggling so many they need an exhaustive appendix, yet I can keep them all straight, then there's The Crime at Black Dudley, where some of the characters are forgettable even to others in the book. I mean Martin is actually described as "just a stray young man" with black hair! How am I to remember anything about Martin with this vague description thrown in amongst all the the guests and thugs wandering around this house with impossible and improbable secret passageways and staircases and old areas that were part of the monastery? How I ask you? Also, throw in three characters with W's for names, Wyatt, Watt, and Whitby, add three doctors, and three ladies and I didn't care enough to keep track of who was who. Never mind that the ending was out of left field with no hints, by the end I didn't care, I was just glad it was over.

The main reason I disliked The Crime at Black Dudley was the mysterious organized crime element. Organized crime to me just doesn't feel British enough to my bones. While I know that's absurd, when I get a country house murder, I expect something more Gosford Park and less John Gotti. Sure, organized crime can be interesting... there was a time in my life I found it very interesting. Yet, with the hulking and stone-faced Dawlish as the "head" of the organization I was left cold. He didn't seem to have any intelligence or ingeniousness to lead a world wide crime syndicate. Also he seemed rather hesitant to kill. I'm sorry, but at the point where you've got tons of people locked up, and over half a million pounds on the line, just start killing them to get what you want. Leaving them alive gives them opportunity to escape... which of course, from the heroes point of view is felicitous, but unrealistic in my mind. Perhaps it's my dislike of the stolid Abbershaw that is making me see things through the eyes of the criminals... but really, kill them, be done with it.

Reading this fresh on the heels of Allingham's wonderful The White Cottage Mystery, I was struck by a similarity between the two. When I read Carola Dunn's first Daisy Dalrymble book, Death at Wentwater Court, it struck me as interesting that she let the criminal go free. I thought that this was an interesting twist on the mysteries of the 20s. Little did I know that Margery Allingham was also very fluid in the punishment meted out on criminals. Allingham definitely has a scale she uses to judge the guilty, and sometimes the scale does not point "go to jail, go directly to jail, do not pass go, do not collect $20." While I find it refreshing... two books in a row, well... it was repetative. Also, if at this point you're thinking, dammit, she's spoiled the book for me... remember the killer comes out of left field, so, no I didn't. I wasn't able to guess the killer and neither will you, the punishment is immaterial in this case.

Friday, June 7, 2013

Book Review - Margery Allingham's The White Cottage Mystery

The White Cottage Mystery by Margery Allingham
ARC Provided by the Publisher
Published by: Bloomsbury Reader
Publication Date: 1928
Format: Kindle, 168 Pages
Rating: ★★★★★
To Buy

Jerry Challenor is driving slowly to London. Taking the sleepy back roads and obscure thoroughfares. He is in no hurry, so when he sees an attractive girl alight from a bus with a large burden, he offers her a ride home. She lives at the White Cottage, which is very close at hand. After he drops the girl off he notices that the weather is in for a change and he stops to put the roof up on his convertible and gets to chatting to the local policeman. While relaxing by the side of the road the two men hear the report of a gunshot. They rush to the White Cottage, but someone is dead.

As it happens, Jerry's father is the famous Detective Chief Inspector W.T. Challenor, and Jerry calls him in to handle this mysterious murder. The victim is one Eric Crowther who lived next to the White Cottage in the grey monstrosity, the Dene. No one morns his passing. Every single person who knew him wanted him dead and everyone in the house had means and motive. The shotgun that did the deed was in the corner of the dining room, so anyone could have wandered in and blown him away. For personal reasons Jerry hopes fervently that it is not Norah, the attractive girl he gave a lift to. W.T. is baffled. He could easily arrest anyone in the house with circumstantial evidence, but it's the truth he wants. With Jerry in tow, W.T. heads to the continent and tracks down every lead he can think of... but will he ever make an arrest?

Someone at the BBC needs to make this into a movie right now! This would make a wonderful adaptation, much in the vein of the recent retelling of The Lady Vanishes with Tuppence Middleton. I'm picturing Laurence Fox as the lovestruck son Jerry and his real life father, James Fox, for W.T. Challenor. Perhaps Jenna-Louise Coleman as Norah? I'm telling you, it would be awesome. There was just something so fresh and vital about this story that I can see it appealing to anyone with a love of British period dramas and murder mysteries.

After having rather a rocky go of it with Dorothy L. Sayers, I was starting to become a little leery of my "Golden Summer" scheme. What if all these other hallowed authors where of the same ilk? Great as precursors, as proto-mysteries, as a jumping off point for later authors, but lacking that something that made them timeless and a great read till this day (Agatha Christie is exempt from these thoughts because she is awesome). What if the "Golden Age" wasn't really that golden? Thankfully The White Cottage Mystery has changed my mind and just hardened my heart to Dorothy L. Sayers. Unlike Sayers who fills her books with nonsense and ramblings, there was something so clean and spare to Margery Allingham's book that I wanted to give her book a great big hug. Not literally, because I think that might shatter my Kindle. No nonsense, no fluff, just a great whodunit that reminded me on more then one occasion of the great short stories that Daphne Du Maurier is known for. The style and turn of phrase, not to mention the setting were reminiscent of Du Maurier. And trust me, this is a true compliment from me if I'm comparing Allingham to Du Maurier.

Like Du Maurier and her obsession with the Brontes, Margery Allingham has created in Eric Crowther a character with some very interesting Bronte overtones. It's almost as if Allingham wanted to create a character as psychologically manipulative, hostile, and threatening as Heathcliff and then gleefully kill him. The fact that Crowther, through his machinations and games, is able to keep not only good people in line, but evil degenerates, shows the force of his character. He is an evil man and I echo the sentiments of Jerry that perhaps his death was an "act of God." As for the murderer... well... wait till you get to the final chapter of this lean mean mystery. My faith has been restored by this "act of God" and I will now pick up the first Campion mystery, not with cringing hands, but with a joyful song in my heart.

Wednesday, June 5, 2013

Margery Allingham

Margery Allingham was born to a very literary family. Her father, mother, and aunt where editors of literary journals. Yet her parents also took to writing. Margery's father found fame as a pulp fiction writer and her mother contributed stories to women's magazines. When Margery was eight she earned her first fee as a writer for a story that ran in her aunt's magazine. As a teenager, she went to school to correct a stammer she had. While there she met her future husband, Philip Youngman Carter, whom she would collaborate with. He designed many of her book's dust jackets and even completed her final Campion novel for her after her untimely death from Breast Cancer.

She had her first book published when she was nineteen. Blackkerchief Dick, while well regarded, was not a financial success. It was when Margery decided to write mysteries that her career really took off. The creation of Albert Campion, to ape Dorothy L. Sayers' Lord Peter Wimsey, seemed to have the same natural light-heartedness as the author and soon became a hit with her readers. Allingham went on to write eighteen novels and twenty short stories about her gentleman sleuth possibly born of royalty operating under a pseudonym. Campion has since entered the pantheon of famous literary detectives and put Allingham on par with Christie and Sayers as a doyenne of Golden Age Detection.

Monday, December 13, 2010

Tuesday Tomorrow

The Gift (Witch and Wizard Series #2) by James Patterson
Published by: Little, Brown Books for Young Readers
Publication Date: December 13th, 2010
Format: Hardcover, 133 Pages
To Buy
The official patter:
"When Whit and Wisty were imprisoned by the wicked forces of the totalitarian regime known as the New Order, they were barely able to escape with their lives. Now part of a hidden community of teens like themselves, Whit and Wisty have established themselves as leaders of the Resistance, willing to sacrifice anything to save kids kidnapped and brutally imprisoned by the New Order.

But the One has other plans in store for them: He needs Wisty, for she is "The One Who Has the Gift." While trying to figure out what that means, Whit and Wisty's suspenseful adventures through Overworld and Shadowland lead to a jaw-dropping climax and conclusion: the highly-anticipated fulfillment of the heart-pounding opening prologue of book one..."

The first one looked fairly interesting, so I'm still fairly interested in checking out this series.

Vixen (The Flappers) by Jillian Larkin
Published by: Random House Children's Books
Publication Date: December 13th, 2010
Format: Hardcover, 432 Pages
To Buy
The official patter:
"Jazz . . . Booze . . . Boys . . . It’s a dangerous combination.

Every girl wants what she can’t have. Seventeen-year-old Gloria Carmody wants the flapper lifestyle—and the bobbed hair, cigarettes, and music-filled nights that go with it. Now that she’s engaged to Sebastian Grey, scion of one of Chicago’s most powerful families, Gloria’s party days are over before they’ve even begun . . . or are they?

Clara Knowles, Gloria’s goody-two-shoes cousin, has arrived to make sure the high-society wedding comes off without a hitch—but Clara isn’t as lily-white as she appears. Seems she has some dirty little secrets of her own that she’ll do anything to keep hidden. . . .

Lorraine Dyer, Gloria’s social-climbing best friend, is tired of living in Gloria’s shadow. When Lorraine’s envy spills over into desperate spite, no one is safe. And someone’s going to be very sorry. . . .

From debut author Jillian Larkin, VIXEN is the first novel in the sexy, dangerous, and ridiculously romantic new series set in the Roaring Twenties . . . when anything goes."

It's flappers, I'm sold.

Hide My Eyes (Albert Campion Series #16) by Margery Allingham
Published by: Felony & Mayhem
Publication Date: December 13th, 2010
Format: Paperback, 242 Pages
To Buy
The official patter:
"Returning to the darker themes of Tiger in the Smoke, Allingham introduces a serial killer who is haunting London's Theatreland. The sparring between Sergeant Luke (who thinks he's got the case sewn up) and Albert Campion (who wonders what the old couple on the bus saw) is sparkling as ever, but readers will note that Allingham was shifting toward psychological themes that put her in the company of Ruth Rendell and Patricia Highsmith."

I just adore this re-issues of the Albert Campion stories! Great Christmas gifts for lovers of mysteries... I have up to number nine, if anyone's interested...

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