strange and random happenstance

Bright Young Dead by Jessica Fellowes
Published by: Minotaur Books
Publication Date: October 30th, 2018
Format: Hardcover, 400 Pages
Rating: ★★
To Buy

Pamela may be turning eighteen, but she isn't one of the fast bright young things like her sister Nancy. Pamela would far prefer a quiet and sedate birthday party, perhaps with a nice ride through the country on her horse, but does Nancy listen? Oh no. Nancy and her friends have descended on Asthall Manor and have concocted quite a delicious scavenger hunt, because it is the done thing! Though most scavenger hunts don't end in a dead body at the base of the local church tower. Because if they did, this scavenger hunt would make all the partygoers winners. Adrian Curtis has been murdered and his sister's maid Dulcie is arrested. Dulcie's shadowy past working for Alice Diamond, the Queen of the Forty Thieves, makes her guilty because of her past. But Louisa Cannon is someone who was given a second chance from her own criminal past thanks to the Mitfords and she can't see someone else who has worked so hard trying to go straight to go down for a crime she didn't commit. Therefore it's time for Louisa to dust off her rusty detective skills and get to work. As luck would have it her old crime solving partner Guy Sullivan is now a Sergeant in the actual police force, no more of this railway police thank you very much! Even more of a coincidence is that he is working with his colleague, Constable Mary Moon, investigating Alice Diamond and her latest shoplifting spree. Who knows, the two cases could be connected! One thing is certain, they both need information the other has. As they flit through the underground of London's nightlife, from dance halls to pubs, responding to the thumping urgency of the music thrumming through the clubs, emotions will run high and relationships will be strained as a murderer is lured out into the open. Can they catch a killer before everything implodes?

The ability of humans to adapt shouldn't surprise me given everything we've all been through during the pandemic, but still it sneaks up on me occasionally. Case in point is this series. I can unreservedly say that I hate these books and yet I gave this one two stars. Meaning I didn't hate it as much as I thought I did, at least when I was rating it. I've often thought that a book should have two ratings, the one you give right after reading it and the one you give a few months later as to how your memories have either favored or soured to it. In this case they have soured, more and more. The reason this book got two stars is I have already adapted after reading only one book in this series to the fact they aren't good and any improvement, no matter how slight, means it's not complete shit. Perhaps there's a song here, "I've Grown Accustomed to Your Crap?" The main reason is I wasn't shocked this time around by the fact that there are basically no Mitfords in this series despite being "A Mitford Murders Mystery." In fact half way through Bright Young Dead Jessica Fellowes completely gives up on the Mitford pretense altogether and it's just Louisa, off doing stupid things, in particular abandoning herself to Jazz music, a trope that always annoys the hell out of me and makes me want to scratch out the author's eyes, until Jessica finally remembers she's writing a series with a veneer of Mitfords and drags them hastily back on scene for the denouement. A denouement I might add that is just ripping of the movie Clue. So watch Clue instead is my recommendation. Because besides being just boring and unoriginal, this book also talks down to the reader in a way that made me want to shake some sense into the author. You really had to tell us what a fence is in such a condescending manner? Because I think at this point you need all the good will you can get to have any reader pick up the next volume.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice Diamond, Bright Young Dead, Bright Young Things, Clue, Jessica Fellowes, Jessica Mitford, Louisa Cannon, Mitfords, Murder Most Foul, My Fair Lady, Nancy Mitford, Scavenger Hunt, The Mitford Murders

Grey Mask by Patricia Wentworth
Published by: Open Road Media Mystery and Thriller
Publication Date: 1928
Format: Kindle, 320 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

When Margaret Langton jilted Charles Moray he fled England vowing never to return. He crossed and recrossed the globe but his love for Margaret has never wavered. Four years have passed since he set foot on English soil and he has only returned because he needs to deal with his inheritance. He doesn't even want to visit his family home. That is where he fell in love with his neighbor Margaret. That is where they planned their future. That is where everything fell apart. But he is unable to sleep and decides to pay his home a visit. He leaves his hotel and strikes out to the family abode. Only the place isn't as uninhabited as it should be. Yes, there is the caretaker and his wife, but this should be their night off and they should have left the door locked. Sneaking into a closet he often used as a child he observes a clandestine meeting taking place. These are definitely criminals. If their choice of venue for the meeting didn't tip Charles off the fact that the apparent ringleader is wearing a grey rubberized mask would have done it. That and the fact that they refer to each other by numbers instead of names. Just as he is about to summon the police the last thing he expected in the world happens. Margaret walks into the room and talks to Grey Mask. The police are right out. Whatever criminal conspiracy or kidnapping these villains are involved in has to be dealt with outside the proper channels in order to save Margaret. He still loves her after all. In fact, could this be why she left him? Talking the next day to one of his friends Charles hears about Miss Silver and how her methods get things done. She will root out the truth, detect the wrongdoers, and save the day. Though Charles isn't too impressed when he meets Miss Silver. But he's holding back and not telling her the whole story, not telling her about Margaret, and she senses this. If he is unwilling to trust her completely then why help him? Perhaps because it's more than just Margaret's life at risk. A young heiress, Margot Standing, is in danger. She is in line to inherit a lot of money. Money that Grey Mask wants. Money that Grey Mask will do anything to get. Can Charles, Margaret, and Margot somehow come together and save themselves from this dastardly villain? Or will he escape, once more, unharmed?

Patricia Wentworth has been on my radar for awhile. Maybe it's because of all the Kindle deals of the day? Because during the start of the pandemic every day seemed to usher in a new Patricia Wentworth deal in my email. Me being me I instead got Grey Mask from my local library to see if Miss Silver was my cup of tea. And after reading the first book I'm still undecided. The reason being is that there really isn't much of Miss Silver to be had. In fact could this be a similar case to when Margery Allingham started writing about Albert Campion? Because he wasn't meant to be the star of the series, Doctor George Abbershaw was the star sleuth in the first "Campion" book, The Crime at Black Dudley. And I think those of us with a passing familiarity of golden age detection all say George who!?! Because seriously, I am ALL about Campion these days and his small appearance at Black Dudley made him a star wherein anytime he wasn't on the page you started to question why you were reading the book in the first place. This lack of Campion was thankfully fixed by Margery Allingham in subsequent books starting with Mystery Mile. But Grey Mask has a similar Miss Silver sized hole. She appears occasionally to be a sounding board or correct certain misconceptions, but it's not really until the end when she appears as a Deus ex machina where she explains she's known what's been going on, or at least suspected it, for some time. Oh really? Because I did too. So there! The plot therefore rests in the hands of the slightly downtrodden bright young things which makes the whole book feel as if Nancy Mitford wrote an episode of The Avengers. And I don't know what to make of that! I love Nancy Mitford and her witty repartee, and I love The Avengers and Mrs. Peel kicking ass and bantering with Steed, but it's like they are oil and water. Both might have banter and both might be fun, but placed together they are too incongruous. It's a bit like whenever Agatha Christie tries to bring in overly elaborate spy plots to the Tommy and Tuppence stories. It kind of works, but not really. So for me and Miss Silver? The verdict's out until I read another volume.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Albert Campion, Bright Young Things, Grey Mask, Margary Allingham, Miss Silver, Mrs. Peel, Murder Most Foul, Nancy Mitford, Patricia Wentworth, The Avengers, The Crime at Black Dudley, Tommy and Tuppence

The Mitford Vanishing by Jessica Fellowes
Published by: Minotaur Books
Publication Date: January 18th, 2022
Format: Hardcover, 416 Pages
To Buy

The official patter:
"A mystery with the fascinating Mitford sisters at its heart, Jessica Fellowes's The Mitford Vanishing is the fifth installment in the Mitford Murders series, inspired by a real-life murder in a story full of intrigue...

1937. War with Germany is dawning, and a civil war already rages in Spain. Split across political lines, the six Mitford sisters are more divided than ever. Meanwhile their former maid Louisa Cannon is now a private detective, working with her policeman husband Guy Sullivan.

Louisa and Guy are surprised when a call comes in from novelist Nancy Mitford requesting that they look into the disappearance of her Communist sister Jessica in Spain. But one case leads to another as they are also asked to investigate the mysterious vanishing of a soldier.

As the two cases come together, Louisa and Guy discover that every marriage has its secrets - but some are more deadly than others. Suddenly home feels a long way away..."

Me continuing to read this series shows I'm insane because I keep expecting them to improve.

Hotel Portofino by J.P. O'Connell
Published by: Blackstone Publishing
Publication Date: January 18th, 2022
Format: Paperback, 376 Pages
To Buy

The official patter:
"For fans of Downton Abbey and The Crown...welcome to Hotel Portofino, where romance, revelry, and intrigue await.

A heady historical drama about a British family who opens an upper-class hotel on the magical Italian Riviera during the Roaring Twenties.

Hotel Portofino has been open for only a few weeks, but already the problems are mounting for its owner Bella Ainsworth. Her high-class guests are demanding and hard to please. And she's being targeted by a scheming and corrupt local politician, who threatens to drag her into the red-hot cauldron of Mussolini's Italy.

To make matters worse, her marriage is in trouble, and her children are still struggling to recover from the repercussions of the Great War. All eyes are on the arrival of a potential love match for her son Lucian, but events don't go to plan, which will have far-reaching consequences for the whole family.

Set in the breathtakingly beautiful Italian Riviera, Hotel Portofino is a story of personal awakening at a time of global upheaval and of the liberating influence of Italy's enchanting culture, climate, and cuisine on British innocents abroad."

Exotic Bright Young Things, yes please!

Murder at the National Gallery by Jim Eldridge
Published by: Allison and Busby
Publication Date: January 18th, 2022
Format: Hardcover, 311 Pages
To Buy

The official patter:
"1897, London. The capital is shocked to learn that the body of a woman has been found at the National Gallery, eviscerated in a manner that recalls all too strongly the exploits of the infamous Jack the Ripper.

Daniel Wilson and Abigail Fenton are contacted by a curator of the National Gallery for their assistance. The dead woman, an artist's model and lady of the night, had links to artist Walter Sickert who was a suspect during the Ripper's spree of killings. Scotland Yard have arrested Sickert on suspicion of this fresh murder but it is not the last...

Copycat murders of the Ripper's crimes implicate the artist who loves to shock but Sickert insists that he is innocent. Who would want to frame him? Wilson and Fenton have their work cut out catching an elusive and determined killer."

Jack the Ripper! Jack the Ripper! Jack the Ripper! Oh, and Sickert as the suspect! Patricia Cornwell would be pleased.

The Tally Stick by Carl Nixon
Published by: World Editions
Publication Date: January 18th, 2022
Format: Paperback, 288 Pages
To Buy

The official patter:
"Lost in the wilderness: subjugation, survival, and the meaning of family.

Up on the highway, the only evidence that the Chamberlains had ever been there was two smeared tire tracks in the mud leading into an almost undamaged screen of bushes and trees. No other cars passed that way until after dawn. By that time the tracks had been washed away by the heavy rain. After being in New Zealand for only five days, the English Chamberlain family had vanished into thin air. The date was 4 April 1978. In 2010 the remains of the eldest child are discovered in a remote part of the West Coast, showing he lived for four years after the family disappeared. Found alongside him are his father's watch and what turns out to be a tally stick, a piece of scored wood marking items of debt. How had he survived and then died in such a way? Where is the rest of the family? And what is the meaning of the tally stick?"

New Zealand disappearance? I am here for this!

Disappearance of a Scribe by Dana Stabenow
Published by: Head of Zeus
Publication Date: January 18th, 2022
Format: Hardcover, 272 Pages
To Buy

The official patter:
"The second in the trilogy of Ancient Egyptian crime novels that began with Death of an Eye.

Two Alexandrian fishermen come across a horrifying sight - the body of a skeleton floating upright at the bottom of the sea, anchored in place by a cement weight around his feet. In Alexandria's rough-and-tumble construction trade they call that 'being fitted with a pair of Rhakotis sandals' and what's worse, he's the second such victim in two years.

Queen Cleopatra is busy rebuilding her city after the Alexandrian War and these murders are not to be allowed to interfere with this primary task, so she charges Tetisheri, her new Eye of Isis, with the task of finding out who these men were, when they were murdered, and, above all, why."

Egypt!!!

Servant Mage by Kate Elliott
Published by: Tordotcom
Publication Date: January 18th, 2022
Format: Hardcover, 176 Pages
To Buy

The official patter:
"In Kate Elliott's Servant Mage, a lowly fire mage finds herself entangled in an empire-spanning conspiracy on her way to discovering her true power.

They choose their laws to secure their power.

Fellian is a Lamplighter, able to provide illumination through magic. A group of rebel Monarchists free her from indentured servitude and take her on a journey to rescue trapped compatriots from an underground complex of mines.

Along the way they get caught up in a conspiracy to kill the latest royal child and wipe out the Monarchist movement for good.

But Fellian has more than just her Lamplighting skills up her sleeve..."

Dragons!!!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bright Young Things, Carl Nixon, Cleopatra, Dana Stabenow, Dragons, Egypt, J.P. O'Connell, Jack the Ripper, Jessica Fellowes, Jessica Mitford, Jim Eldridge, Kate Elliott, Mitfords, New Zealand, Walter Sickert

You literally CAN NOT think or talk about Masterpiece Theatre without thinking or talking about Upstairs, Downstairs. They are inseparable. One can not mention Jean Marsh without thinking of Rose Buck. Or Gordon Jackson without actually believing that he might be Hudson, foibles, xenophobia, and all. Each season focused on the trials and tribulations of the Bellamy household and how they handled different crisis, from Elizabeth's imprudent marriage, to Lady Marjorie dying on the Titanic, to James's imprudent marriage, to World War I, to the roaring twenties and the bright young things, to that tragic ending! Oh James, how could you? The family had often faced financial ruin, but somehow there always was a way. There could have been a way if you had but tried! But I can see that the showrunners wanted to end on a dramatic note. What's interesting about the forth series is that we have perhaps the most sustained theme over any of the other series, that being World War I. Of course Upstairs, Downstairs handles even this most used of historical periods in their own unique way. This uniqueness is that we see how the war effects everyone at 165 Eaton Place. So yes, we get the tropes of the son being almost mortally wounded and nursed back to health by the woman he truly loves, who happens to not be his wife. As for the wife, she falls for someone else yet somehow they keep up the pretense of their marriage despite neither being happy. Yet what I'm drawn to is how the staff took part in the war. You rarely get to see how the everyday folk pitched in, other than knitting socks and balaclavas! Hudson becomes a Special Constable and helps police the streets because he is unable to serve, Rose works on an omnibus, Edward joins the Army, Ruby works in a munitions factory, everyone finds a way to help the war effort while also carrying out their regular duties, well, aside from Mrs. Bridges who just seems to be angry about the lack of produce and wants to hoard everything she can. Which seems very relevant today, as did the handling of the tricky topic of disinformation in the press with regards to the war. Upstairs, Downstairs was praised at the time for making history timely and relevant. And with season four ending with Hazel dying from the 1918 influenza pandemic, it's even more relevant today.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 165 Eaton Place, Bellamy, Bright Young Things, Fifty Years a Masterpiece, Hazel, Hudson, Knitting, Lady Marjorie, Marriage, Matserpiece Theatre, Mrs. Bridges, Pandemic, Rose Buck, Titanic, Upstairs Downstairs, WWI

Bright Young Dead by Jessica Fellowes
Published by: Minotaur Books
Publication Date: October 30th, 2018
Format: Hardcover, 400 Pages
Rating: ★★
To Buy

Pamela may be turning eighteen, but she isn't one of the fast bright young things like her sister Nancy. Pamela would far prefer a quiet and sedate birthday party, perhaps with a nice ride through the country on her horse, but does Nancy listen? Oh no. Nancy and her friends have descended on Asthall Manor and have concocted quite a delicious scavenger hunt, because it is the done thing! Though most scavenger hunts don't end in a dead body at the base of the local church tower. Because if they did, this scavenger hunt would make all the partygoers winners. Adrian Curtis has been murdered and his sister's maid Dulcie is arrested. Dulcie's shadowy past working for Alice Diamond, the Queen of the Forty Thieves, makes her guilty because of her past. But Louisa Cannon is someone who was given a second chance from her own criminal past thanks to the Mitfords and she can't see someone else who has worked so hard trying to go straight to go down for a crime she didn't commit. Therefore it's time for Louisa to dust off her rusty detective skills and get to work. As luck would have it her old crime solving partner Guy Sullivan is now a Sergeant in the actual police force, no more of this railway police thank you very much! Even more of a coincidence is that he is working with his colleague, Constable Mary Moon, investigating Alice Diamond and her latest shoplifting spree. Who knows, the two cases could be connected! One thing is certain, they both need information the other has. As they flit through the underground of London's nightlife, from dance halls to pubs, responding the the thumping urgency of the music thrumming through the clubs, emotions will run high and relationships will be strained as a murderer is lured out into the open. Can they catch a killer before everything implodes?

The ability of humans to adapt shouldn't surprise me given everything we've all been through this year, but still it sneaks up on me occasionally. Case in point is this series. I can unreservedly say that I hate these books and yet I gave this one two stars. Meaning I didn't hate it as much as I thought I did, at least when I was rating it. I've often thought that a book should have two ratings, the one you give right after reading it and the one you give a few months later as to how your memories have either favored or soured to it. In this case they have soured, more and more. The reason this book got two stars is I have already adapted after reading only one book in this series to the fact they aren't good and any improvement, no matter how slight, means it's not complete shit. Perhaps there's a song here, "I've Grown Accustomed to Your Crap?" The main reason is I wasn't shocked this time around by the fact that there are basically no Mitfords in this series despite being "A Mitford Murders Mystery." In fact half way through Bright Young Dead Jessica Fellowes completely gives up on the Mitford pretense altogether and it's just Louisa, off doing stupid things, in particular abandoning herself to Jazz music, a trope that always annoys the hell out of me and makes me want to scratch out the author's eyes, until Jessica finally remembers she's writing a series with a veneer of Mitfords and drags them hastily back on scene for the denouement. A denouement I might add that is just ripping of the movie Clue. So watch Clue instead is my recommendation. Because besides being just boring and unoriginal, this book also talks down to the reader in a way that made me want to shake some sense into the author. You really had to tell us what a fence is in such a condescending manner? Because I think at this point you need all the good will you can get to have any reader pick up the next volume.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice Diamond, Bright Young Dead, Bright Young Things, Clue, Jessica Fellowes, Jessica Mitford, Louisa Cannon, Mitfords, My Fair Lady, Nancy Mitford, Roaring Back to Reading, Scavenger Hunt, The Mitford Murders

The Glittering Hour by Iona Grey
Published by: Thomas Dunne Books
Publication Date: December 10th, 2019
Format: Hardcover, 480 Pages
To Buy

The official patter:
"Award-winning author Iona Grey's next unforgettable historical about true love found and lost and the secrets we keep from one another.

Selina Lennox is a Bright Young Thing. Her life is a whirl of parties and drinking, pursued by the press and staying on just the right side of scandal, all while running from the life her parents would choose for her.

Lawrence Weston is a penniless painter who stumbles into Selina's orbit one night and can never let her go even while knowing someone of her stature could never end up with someone of his. Except Selina falls hard for Lawrence, envisioning a life of true happiness. But when tragedy strikes, Selina finds herself choosing what's safe over what's right.

Spanning two decades and a seismic shift in British history as World War II approaches, Iona Grey's The Glittering Hour is an epic novel of passion, heartache and loss."

Between cover lust and a Bright Young Thing, I am 100% sold on this story! 

The Wicked Redhead by Beatriz William
Published by: William Morrow
Publication Date: December 10th, 2019
Format: Hardcover, 432 Pages
To Buy

The official patter:
"The dazzling narrator of The Wicked City brings her mesmerizing voice and indomitable spirit to another Jazz Age tale of rumrunners, double crosses, and true love, spanning the Eastern seaboard from Florida to Long Island to Halifax, Nova Scotia.

1924. Ginger Kelly wakes up in tranquil Cocoa Beach, Florida, having fled south to safety in the company of disgraced Prohibition agent Oliver Anson Marshall and her newly-orphaned young sister, Patsy. But paradise is short-lived. Marshall is reinstated to the agency with suspicious haste and put to work patrolling for rumrunners on the high seas, from which he promptly disappears. Gin hurries north to rescue him, only to be trapped in an agonizing moral quandary by Marshall’s desperate mother.

1998. Ella Dommerich has finally settled into her new life in Greenwich Village, inside the same apartment where a certain redheaded flapper lived long ago...and continues to make her presence known. Having quit her ethically problematic job at an accounting firm, cut ties with her unfaithful ex-husband, and begun an epic love affair with Hector, her musician neighbor, Ella’s eager to piece together the history of the mysterious Gin Kelly, whose only physical trace is a series of rare vintage photograph cards for which she modeled before she disappeared.

Two women, two generations, two urgent quests. But as Ginger and Ella track down their separate quarries with increasing desperation, the mysteries consuming them take on unsettling echoes of each other, and both women will require all their strength and ingenuity to outwit a conspiracy spanning decades."

Odd that it's the Halifax part that really grabs my attention... I've been there and I'm interested to see how anyone could paint it interesting... 

Doctor Aphra Vol. 6: Unspeakable Rebel Superweapon by Si Spurrier
Published by: Marvel
Publication Date: December 10th, 2019
Format: Paperback, 112 Pages
To Buy

The official patter:
"After a year of close shaves, Doctor Chelli Aphra is taking it easy and lying low. Probably herding banthas or something. She's smart like that, right? No, not really. The galaxy's shadiest archaeologist is back doing what she does best: busting into alien temples to steal horrifying weapons for huge profi t. She just can't stop herself. But plenty of other people could. Powerful factions are watching closely: Rebel and Empire, familiar and strange - all calculating whether Aphra's more useful alive...or dead."

OK, if you haven't discovered Doctor Aphra yet I'm about to make your year because you have six volumes of awesome to read, plus ALL the ancillary stories too! 

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beatriz Williams, Bright Young Things, Doctor Aphra, Halifax, Iona Grey, Si Spurrier, Star Wars, The Glittering Hour, The Wicked Redhead, Tuesday Tomorrow

Bookstore: The Mysterious Bookshop

Location: New York, New York

The Official Patter: "The Mysterious Bookshop is an independent bookstore and publisher specializing in mystery fiction. It is one of the oldest mystery bookstores in the Unites States. In addition to housing its own imprint, the shop contains the offices of both the Mysterious Press, and MysteriousPress.com, an e-book imprint. The store and its various publishing enterprises are owned and operated by editor and publisher Otto Penzler; its inventory consists of new and rare titles in detective fiction, crime fiction, spy fiction, thrillers, and various other mystery fiction subgenres. The store also features the largest collection of Sherlock Holmes titles and Sherlockiana in the world, as well as a considerable Bibliomystery collection."

Why I Love Them: What's interesting about all the times I've visited New York is the number of times I ask people what their favorite bookstore is and most people just comment that there aren't really many bookstores about. How can they be this ignorant!?! There are so many independent bookstores full of goodness that you could spend your entire vacation going from one to another! Which makes me now wonder about the trustworthiness of my friends... perhaps they know me too well and know that this is what would happen and have therefore been deceiving me "for my own good." Little do they know that being surrounded by books is the best thing for me! In fact the weekly newsletter that drops in my inbox every Friday from The Mysterious Bookshop makes me wonder if I could get my doctor to recommend a trip to the store for my well being...

Best Buy: As I'm sure ALL of you know, I'm an addict of Lauren Willig's books. I don't actually know how many times I've written features for my and other blogs about how much I love her books, or even how many theme months I've done by this point, but one of my favorite theme months was Jazzy July. Jazzy July was to celebrate the release of her 2015 stand alone The Other Daughter. I got to spend that summer reading about Evelyn Waugh and other "bright young things" not to mention how much I love The Other Daughter which I devoured twice! So obviously I was sad that she wasn't going anywhere near me on her book tour, but such is life, and such is me, I will always find a way. That way was The Mysterious Bookshop. Nothing could have been easier than contacting them for a copy of The Other Daughter, signed, to me, Miss Eliza, aka my handle should Mr. Darcy ever bother showing up. The lovely surprise once I got the book was that Lauren mentioned Jazzy July in her inscription. That's what I love about forging relationships with authors and independent bookstores, there's this whole symbiotic relationship. I like their books, I buy their books, I buy their books from an independent store and everyone gets something out of it, the store gets money and a chance for the author to visit again, the author gets money and the chance to write another book, and while I am the one losing money, I get a new book. It's the circle of life! A circle that is made possible by reaching out to stores online. If there's anything I hope this final month of Support Your Brick and Mortar does is to show you that there are resources, there are stores out there to help you get signed copies of books that you will always treasure. All it takes is a little research and a call or an email.  

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bright Young Things, Evelyn Waugh, Independent Bookstores, Jazzy July, Lauren Willig, Miss Eliza, Mr. Darcy, New York, Signed, Support Your Brick and Mortar, The Mysterious Bookshop, The Other Daughter

The Other Daughter by Lauren Willig
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: July 21st, 2015
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Rachael Woodley has spent seven long years on the continent away from her beloved mother working as a governess. Rachael wanted to take a typing course and work as a secretary but her mother thought that was too modern. Perhaps if Rachael had been a secretary she would have gotten to her mother's sickbed in time to be there when she died. Rachael is unmoored by her mother's passing. They had a poor if peaceful life after Rachael's father died and they moved to the little village of Netherwell. But now that life is forever shut to her. The landlord wants Rachael gone, yet where is she to go? In her mother's sickroom she finds something perplexing. It's a clipping from a recent newspaper showing her father. But not her father as she remembers him, but her father as he would be now if he had never died. That isn't possible! Her father died, he's not Lord Ardmore, the man escorting his daughter Olivia, but a botanist who died an ocean away. But it looks like him... and she can't let it drop. Going to her only relative, her cousin David, she learns that it is indeed her father in the clipping. He has another life and she is nothing more than a by-blow. David asks his friend, the gossip columnist Simon Montfort, to escort the by now distraught Rachael to her train. Instead Rachael and Simon concoct an elaborate plan wherein Rachael will infiltrate the ranks of the Bright Young Things as a Vera Merton in order to accost her wayward father. But things rarely go as planned and soon the glittering world Rachael has been thrust into is a welcome distraction from the truth of her life which she would sooner forget.

Having spent the better part of the last year re-reading Lauren's oeuvre, I think I'm uniquely qualified to praise her third stand-alone. While I won't say it's my favorite of her books, that would be too hard to choose, I will unreservedly say that I think The Other Daughter is Lauren's most accomplished book to date. While I was one of Lauren's readers championing her use of a modern framing device in her Pink Carnation series, I think that carrying this device into her non-Pink books had made the these new books feel too much like the rest of her writing. While there are many authors who have never broken free of this convention, Kate Morton comes to mind, I feel that this framing had become a crutch for Lauren and was holding her back. By getting ride of this prop she has freed herself to concentrate all her energy on the one story. This made her narrative stronger and gave her the ability to have more depth, insight, and heart. I'm not trying to denigrate her other books, which I love, but sometimes a story is best served by just living in the moment and not thinking about what the future holds. Often a modern narrator limits the ability of the storytelling by being the definitive end point. The story must end in such and such a way because we've seen the future. Sometimes not knowing, sometimes having the happily ever after be a ship sailing off into the sunset is what a story needs, instead of ancestors picking over the past.

The 1920s have always fascinated me, but as for the literature of the time and the people who characterized this bright, young, and lost generation, my wheelhouse was limited to those in the Mitford circle, thus including Evelyn Waugh and his cronies. Having spent "Jazzy July" reading the books that sparked Lauren's imagination I now have this new insight into the 1920s and its trailblazers. What is wonderful about Lauren is she knows her history and knows when to tweak it. But she also knows how to artfully drop in a cameo or two without having it overpower the narrative. Brian Howard, Evelyn Waugh, even Tallulah Bankhead make amusing appearances, but they are limited to fully realized furniture. They add to the experience but never take over the plot. But more than that, they also don't feel gratuitous. Sometimes a historical cameo can feel trite. Here's Tesla just because I wanted Tesla to wander in. Lauren over the years has developed a knack for just how the historical cameo should work in her writing, and I can think of no better example than here. The pinnacle of her achievement is at the famous Impersonation Party of 1927, where people all came as each other. Not only do we get the cameos, but the swirling whirling world that Rachel has been moving in is captured perfectly in this one scene that while historically accurate could also be straight out of Alice in Wonderland. 

Reading so many books of this period makes you realize the flaw in this generation. They burned bright and fast and if someone was left by the wayside, well, they burned out and were forgotten. There was a pain that was masked and glossed over. The majority of these people were too young for the Great War, but they lived ever in it's shadows. Instead of acknowledging this pain, instead of self-analysis, they just partied harder and louder. I can think of no better example then the two startling deaths that happen in Evelyn Waugh's Vile Bodies. Two characters die, rather horrifically, one by his own hand, and never once do the characters mourn. They just party on. This, more than anything, made it hard for me to connect to some of the books. I am not callous. If someone dies, even in fiction, they should make an impact. And not to put too fine a point on it, Evelyn's work was nothing more then writing what he saw, so those deaths did happen, that callousness did exist. And that's what makes The Other Daughter so much more. Comparing Lauren's book to the literature of the day you see the depth and insight, you see that Lauren isn't masking the pain, she is exploring it. Simon suffered horribly during the war and his unburdening himself to Rachel is such a real and true connection in a time of shallow characters that you connect to these characters and this book in a way you never could to other books of that period. Lauren has taken a shallow world and made it lush and dimensional.

Looking to the zeitgeist of the 20s I can think of no better way to sum up this generation then by saying these are people who have never grown up. They haven't and won't take on responsibility and therefore live in a suspended childhood. Waugh chose a quote from Through the Looking-Glass, and What Alice Found There to begin Vile Bodies. Though Waugh's reason for choosing it had more to do with the logic of the set he found himself it. The nonsensical parties, the backward logic, that is what Waugh saw in this book. But I dearly hope that he was aware of the other implications this quote gives, that of people forever trapped in childhood. Lauren expands on this other aspect of this generation not just by quoting Carroll, but by bringing in other fairy tales and children's stories. "Hansel and Gretel" is the fairy tale that is most alluded to. This story is not only appropriate for the Bright Young People, but for Rachel as well. Hansel and Gretel were set loose in the wilderness by their father and wicked stepmother because of the poverty they found themselves in. Before Rachel has all the facts of her situation this is exactly how she views her life as she now knows it. She was abandoned for money. Her father unceremoniously tossed her aside to get the better wife with the rich coffers and the two perfect heirs. You can see the appeal to Rachel to go back to a time when she didn't know the truth, back to a childhood of happiness. That is why she is able to slip in among the Bright Young People so well, she has the same desires, but in the end knows she must grow up.

Much like Lauren's previous stand-alone, That Summer, The Other Daughter is about finding your place in the world, a place to belong. Your family isn't necessarily the one you are born with but the one you find. Rachel's childhood, while missing a father, wasn't sad, she made a family in her small town with the Vicar and his daughter Alice. But on discovering what she knew to be a lie Rachael needs to build a new life for herself. She needs to find her new family, and much of that is tied up with Simon. Simon is a refreshing hero. For once I was very happy not to have access to his inner workings. I didn't want to know what he thought, I liked him as a little bit of an enigma. He has a past that must be uncovered so that he can grow and be willing to return to his family. Because the truth about families are they are messy. No one is perfect, as we see with Rachel, she wants revenge, she wants to hurt her father, even though she knows it's wrong. As we work through this with her we see that she is building the future she will inhabit. She inspires Simon to fix his life and then there's a place for her there. I don't think it's so much the shock of her father being alive that jars Rachael, it's that she had her place in the world and this knowledge changes that. She must struggle through this new information to find the place where she now belongs. We all struggle to find that place. The greatest thing fiction can do is show us that this is possible.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 1920s, Alice in Wonderland, Bright Young Things, Evelyn Waugh, Jazzy July, Kate Morton, Lauren Willig, Pink Carnation, Rachael Woodley, Simon Montfort, That Summer, The Other Daughter, Vile Bodies

The Other Daughter by Lauren Willig
ARC Provided by the Publisher
Published by: St. Martin's Press
Publication Date: July 21st, 2015
Format: Hardcover, 352 Pages
Rating: ★★★★★
To Buy

Rachael Woodley has spent seven long years on the continent away from her beloved mother working as a governess. Rachael wanted to take a typing course and work as a secretary but her mother thought that was too modern. Perhaps if Rachael had been a secretary she would have gotten to her mother's sickbed in time to be there when she died. Rachael is unmoored by her mother's passing. They had a poor if peaceful life after Rachael's father died and they moved to the little village of Netherwell. But now that life is forever shut to her. The landlord wants Rachael gone, yet where is she to go? In her mother's sickroom she finds something perplexing. It's a clipping from a recent newspaper showing her father. But not her father as she remembers him, but her father as he would be now if he had never died. That isn't possible! Her father died, he's not Lord Ardmore, the man escorting his daughter Olivia, but a botanist who died an ocean away. But it looks like him... and she can't let it drop. Going to her only relative, her cousin David, she learns that it is indeed her father in the clipping. He has another life and she is nothing more than a by-blow. David asks his friend, the gossip columnist Simon Montfort, to escort the by now distraught Rachael to her train. Instead Rachael and Simon concoct an elaborate plan wherein Rachael will infiltrate the ranks of the Bright Young Things as a Vera Merton in order to accost her wayward father. But things rarely go as planned and soon the glittering world Rachael has been thrust into is a welcome distraction from the truth of her life which she would sooner forget.  

Having spent the better part of the last year re-reading Lauren's oeuvre, I think I'm uniquely qualified to praise her third stand-alone. While I won't say it's my favorite of her books, that would be too hard to choose, I will unreservedly say that I think The Other Daughter is Lauren's most accomplished book to date. While I was one of Lauren's readers championing her use of a modern framing device in her Pink Carnation series, I think that carrying this device into her non-Pink books had made the these new books feel too much like the rest of her writing. While there are many authors who have never broken free of this convention, Kate Morton comes to mind, I feel that this framing had become a crutch for Lauren and was holding her back. By getting ride of this prop she has freed herself to concentrate all her energy on the one story. This made her narrative stronger and gave her the ability to have more depth, insight, and heart. I'm not trying to denigrate her other books, which I love, but sometimes a story is best served by just living in the moment and not thinking about what the future holds. Often a modern narrator limits the ability of the storytelling by being the definitive end point. The story must end in such and such a way because we've seen the future. Sometimes not knowing, sometimes having the happily ever after be a ship sailing off into the sunset is what a story needs, instead of ancestors picking over the past.

The 1920s have always fascinated me, but as for the literature of the time and the people who characterized this bright, young, and lost generation, my wheelhouse was limited to those in the Mitford circle, thus including Evelyn Waugh and his cronies. Having spent "Jazzy July" reading the books that sparked Lauren's imagination I now have this new insight into the 1920s and its trailblazers. What is wonderful about Lauren is she knows her history and knows when to tweak it. But she also knows how to artfully drop in a cameo or two without having it overpower the narrative. Brian Howard, Evelyn Waugh, even Tallulah Bankhead make amusing appearances, but they are limited to fully realized furniture. They add to the experience but never take over the plot. But more than that, they also don't feel gratuitous. Sometimes a historical cameo can feel trite. Here's Tesla just because I wanted Tesla to wander in. Lauren over the years has developed a knack for just how the historical cameo should work in her writing, and I can think of no better example than here. The pinnacle of her achievement is at the famous Impersonation Party of 1927, where people all came as each other. Not only do we get the cameos, but the swirling whirling world that Rachel has been moving in is captured perfectly in this one scene that while historically accurate could also be straight out of Alice in Wonderland.

Reading so many books of this period makes you realize the flaw in this generation. They burned bright and fast and if someone was left by the wayside, well, they burned out and were forgotten. There was a pain that was masked and glossed over. The majority of these people were too young for the Great War, but they lived ever in it's shadows. Instead of acknowledging this pain, instead of self-analysis, they just partied harder and louder. I can think of no better example then the two startling deaths that happen in Evelyn Waugh's Vile Bodies. Two characters die, rather horrifically, one by his own hand, and never once do the characters mourn. They just party on. This, more than anything, made it hard for me to connect to some of the books. I am not callous. If someone dies, even in fiction, they should make an impact. And not to put too fine a point on it, Evelyn's work was nothing more then writing what he saw, so those deaths did happen, that callousness did exist. And that's what makes The Other Daughter so much more. Comparing Lauren's book to the literature of the day you see the depth and insight, you see that Lauren isn't masking the pain, she is exploring it. Simon suffered horribly during the war and his unburdening himself to Rachel is such a real and true connection in a time of shallow characters that you connect to these characters and this book in a way you never could to other books of that period. Lauren has taken a shallow world and made it lush and dimensional.

Looking to the zeitgeist of the 20s I can think of no better way to sum up this generation then by saying these are people who have never grown up. They haven't and won't take on responsibility and therefore live in a suspended childhood. Waugh chose a quote from Through the Looking-Glass, and What Alice Found There to begin Vile Bodies. Though Waugh's reason for choosing it had more to do with the logic of the set he found himself it. The nonsensical parties, the backward logic, that is what Waugh saw in this book. But I dearly hope that he was aware of the other implications this quote gives, that of people forever trapped in childhood. Lauren expands on this other aspect of this generation not just by quoting Carroll, but by bringing in other fairy tales and children's stories. "Hansel and Gretel" is the fairy tale that is most alluded to. This story is not only appropriate for the Bright Young People, but for Rachel as well. Hansel and Gretel were set loose in the wilderness by their father and wicked stepmother because of the poverty they found themselves in. Before Rachel has all the facts of her situation this is exactly how she views her life as she now knows it. She was abandoned for money. Her father unceremoniously tossed her aside to get the better wife with the rich coffers and the two perfect heirs. You can see the appeal to Rachel to go back to a time when she didn't know the truth, back to a childhood of happiness. That is why she is able to slip in among the Bright Young People so well, she has the same desires, but in the end knows she must grow up.

Much like Lauren's previous stand-alone, That Summer, The Other Daughter is about finding your place in the world, a place to belong. Your family isn't necessarily the one you are born with but the one you find. Rachel's childhood, while missing a father, wasn't sad, she made a family in her small town with the Vicar and his daughter Alice. But on discovering what she knew to be a lie Rachael needs to build a new life for herself. She needs to find her new family, and much of that is tied up with Simon. Simon is a refreshing hero. For once I was very happy not to have access to his inner workings. I didn't want to know what he thought, I liked him as a little bit of an enigma. He has a past that must be uncovered so that he can grow and be willing to return to his family. Because the truth about families are they are messy. No one is perfect, as we see with Rachel, she wants revenge, she wants to hurt her father, even though she knows it's wrong. As we work through this with her we see that she is building the future she will inhabit. She inspires Simon to fix his life and then there's a place for her there. I don't think it's so much the shock of her father being alive that jars Rachael, it's that she had her place in the world and this knowledge changes that. She must struggle through this new information to find the place where she now belongs. We all struggle to find that place. The greatest thing fiction can do is show us that this is possible.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 1920s, Alice in Wonderland, Bright Young Things, Evelyn Waugh, Jazzy July, Kate Morton, Lauren Willig, Pink Carnation, Rachael Woodley, Simon Montfort, That Summer, The Other Daughter, Vile Bodies

Vile Bodies by Evelyn Waugh
Published by: Back Bay Books
Publication Date: 1930
Format: Paperback, 322 Pages
Rating: ★★
To Buy

"If you want to know why the Bright Young Things are remembered, here’s a large part of the answer. For all their essential silliness, they produced two great novelists, Nancy Mitford and Evelyn Waugh, both of whom brilliantly chronicled that fleeting and self-reflective world. In Vile Bodies, we find all the excesses of the Bright Young People writ large.

There’s no better description of the Bright Young milieu than the one Waugh provides in Vile Bodies: “Masked parties, Savage parties, Victorian parties, Greek parties, Wild West parties, Russian parties, Circus parties, parties where one had to dress as somebody else, almost naked parties in St. John’s Wood, parties in flats and houses and shops and hotels and night clubs, in windmills and swimming baths….”

Waugh wrote as one who knew. He was a central member of the set. So, naturally, I couldn’t resist having him put in a cameo appearance in The Other Daughter…." - Lauren Willig

Adam Fenwick-Symes is returning from the continent having written his autobiography and remembering that he has a fiance back home in England, the lovely Nina Blount. On the channel crossing he is surrounded by an odd assortment of passengers, the oddest being the American, Mrs. Melrose Ape, who proselytizes with her "Angels." Sadly Adam's book is seized by customs as being unsavory and he therefore shows up at his publishers empty-handed and owing them a book or a return of his advance. He is able to do neither and re-signs with them under very onerous terms and calls Nina to say that they sadly cannot be married now. Nina insists they will eventually find a way and that that night's party is far more important and pressing at the moment. Adam's future goes from bright to bleak and back again in the blink of an eye. One day Nina's father gives him money to help the young couple, the next Adam realizes he was the butt of Colonel Blount's joke. Then Adam gets a job writing a gossip column with a steady paycheck, only to have Nina lose him the job because of a grave error in her judgement, which is always dictated by her "pains." They live a life that is penurious and luxurious all at once and if only the young couple could get married, but seeing as Nina is now engaged to Ginger Littlejohn, leaving Adam in the lurch, what is a bright young boy to do?

In my family the works of Evelyn Waugh began and ended with Brideshead Revisited. Yes, he obviously wrote other books, but to my family, and in particular my father, it didn't matter. We had copious copies of the book on many shelves. We had the complete miniseries on VHS, and eventually on DVD. We even had Aloysius with a dainty hairbrush in one of the bedrooms. I never really thought much of Evelyn Waugh beyond Brideshead Revisited, and then Stephen Fry came along to correct me. When my friend Huyen moved back to Wisconsin from D.C. and into her own apartment the two of us would quite frequently have movie nights. We'd rent all the girly and period films that our other friends refused to watch during our weekly knitting night. And yes, we had a knitting club, The FEKS, The Fine Eyes Knitting Society; we sneaked in our love of Austen by making it sound like a swear from Father Ted. The two of us would troupe across the street to the Family Video and pick out the movie of the week. We learned valuable lessons from I Capture the Castle, mainly that Henry Thomas grew up attractive and it's really creepy watching Mr. Collins ask anyone to dance even when he isn't Mr. Collins. From De-Lovely we learned that Cole Porter became trapped in a wheelchair because of meeting boys in fields for a little extra-martial fun. Horses are dangerous, yo. And from Bright Young Things we learned that Stephen Fry could make a movie that was not in the least memorable.

Bright Young Things, the adaptation of Vile Bodies, might be one of the least memorable films I have ever watched. Considering that the film is chock-a-block with my most favorite of British actors from Michael "Seriously How Hot Was He in Far From the Madding Crowd" Sheen to David "10th Doctor" Tennant I am shocked I don't remember more. In fact my only lasting impression was that Richard E. Grant was in a single scene. Yep, that is the sum total of my recollections of this film, a lack of Richard E. Grant. Stephen Fry is a gifted writer, so therefore it puzzled me as to why this movie was so forgettable. Now, having read Vile Bodies, I can see the fault was not in the adaptation but in the source material. The main problem is there is no plot to the book. I know many people in my book club would site the same problem in Brideshead Revisited, but there the language and the evocation on memory balance any deficit in plot. Vile Bodies was the second novel Evelyn Waugh had ever written and his lack of experience shows. He wasn't even thirty yet and his experience of the world was closed to this vibrant, but cloistered, society. The book is nothing more then in-jokes, a 20s roman à clef, that leaves you with a feeling that you had to be there to appreciate the joke.

The aspect that most rang true to me and I think explains a lot about this cloistered culture is the appropriateness of the quote at the beginning of the book from Through the Looking-Glass, and What Alice Found There. When you fall into the world of these Bright Young People you never quite know what's going on, there are parties with no rules, parties with costumes, parties where you come as other people, it's all rushing and talking and drinking, a headlong rush to just keep moving. Because if you don't keep moving you don't just stand still, you fall behind as Carroll logic would have it. So when you first pick up this book it's all unattributed dialogue and just words slamming against you and you're trying to fight it, you're trying to make this book work and fit in a traditional sense. But that's not what the culture was about, it was about being different and going with this new flow. When the characters all get in a car and head off to the races it somehow all clicks. The unattributed dialogue and the confusion works. You, like Alice, have fallen down the rabbit hole, if only you had realized it earlier you could have given up the struggle and just let it wash over you. Vile Bodies isn't written to make sense, it's written to capture this feeling, this moment in time. It's like you're at a party and only catch bits and pieces of conversation, but that's all you ever had the chance of catching. Grab what you can but keep moving forward in a headlong rush because this lost generation is all about the Alice mentality.   

But even in this confusing morass of gibberish that never had a chance in a million years of attaining the studied and superb insanity of Lewis Carroll you catch glimpses of Waugh's genius to come. The newspaper that Adam Fenwick-Symes occasionally works for is one of the successes of the novel. Waugh catches the humor inherent in the hypocrisy of people basically reporting on themselves, which should come as no surprise because it's actually a job Waugh had for a short while. Though he takes it further making it more commentary then the drivel that makes up the rest of the book. By having the columnists not even write on real people he gives us an insight into the shallowness of the times, both of the reading public and the Bright Young People themselves. The fake articles are hilarity and a bright spot in a rather plodding and dull book. Though by far my favorite character was Nina's father, Colonel Blount. With his inability to remember Adam, his love of films, and his gleefully putting out the Vicar he was the embryo of who would become one of Waugh's most memorable characters, Edward "Ned" Ryder, the father of Charles in Brideshead Revisited. Edward Ryder is one of the most well written and comedic of characters ever to be set in print, always bemoaning Cousin Melchior, and brought to amazing life by Sir John Gielgud. So if Vile Bodies had to be written just so we could one day have Brideshead Revisited, I guess it's an acceptable bargain.

Though I have to protest the "Angels!" Good god damn, seriously!?! I really don't quite know what to say about them, other then they really don't fit in this book. Were they there as some latent Waugh religiosity that would take over later in life? Because I don't feel like Waugh would have openly mocked Catholicism, so we're not laughing at them? Or are we? What's going on? Or is it a parody on Americans? Or hypocrites? I mean, the rest of the book all fits together, clashes of the young and the old, parodies of the language and lifestyle of the times and then some random Bible-thumpers. It kind of gives Vile Bodies a creepiness that isn't warranted by anything else in the book, well, maybe excepting the two rather precipitous deaths. And I really think if this had been stressed in the movie I would have remembered it. Yes, Waugh and religion go together, but they go together in his more mature, thoughtful work. This is supposed to be fun, right? So why bring in these weird religious figures? But I think my confusion isn't just me. Waugh, as the book went on, seemed to be unsure if his book was actually light and comedic. In the course of writing it he went through a divorce and the second half is decidedly darker culminating in a world war. Perhaps the angels are an outward manifestation of the crossroads Waugh had reached and where he was going to go. That or I'm just trying to justify a book that doesn't live up to what the author was capable of.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alice in Wonderland, Brideshead Revisited, Bright Young Things, David Tennant, Evelyn Waugh, I Capture the Castle, Jazzy July, Lauren Willig, Michael Sheen, Stephen Fry, The Other Daughter, Vile Bodies

Bright Young People by D. J. Taylor
Published by: Farrar Straus Giroux
Publication Date: October 4th, 2007
Format: Hardcover, 361 Pages
Rating: ★
To Buy (different edition than one reviewed)

"There’s an old rhyme about Fuzzy Wuzzy that ends with “Fuzzy Wuzzy wasn’t very fuzzy, was he?” By the same token, although they’ve certainly cast a long and sparkly shadow, the Bright Young People weren’t very bright, and no one manages to convey this better than D.J. Taylor in his Bright Young People. He faithfully chronicles the increasingly inventive parties, but also the ennui, the disillusionment, and waste of time and talent.

I first read this book when I was doing my research for The Ashford Affair, which zigzagged around 1920s London and 1920s Kenya. It was a bit out of my field for that—I was really more interested in a slightly older crowd, the men and women who came of age during World War I rather than after—but I was fascinated by a) what a small and narrow circle the Bright Young Things moved in, b) how short their tenure, and c) what a disproportionate effect they created.

I’m still struggling with just what it was about this group of party-goers that makes their antics still a by-word today. Was it because they produced a pair of truly brilliant novelists? Was it because, in their own concentrated, exaggerated way, they managed to echo the malaise and restlessness of the times? Or is it the sheer absurdity and flamboyance of it all that still fascinates?" - Lauren Willig

The 1920s in England spawned a unique subculture. The Bright Young Things, people who partied every night, always had just the right bon mot, and never failed to make headlines in the newspapers, many written by their own set, swept through the country. While their parents might have thought of them as the scourge of the country with their depravity, the public couldn't get enough of reading about the antics of these young partygoers. But the artistic and bohemian lifestyle had a price, most of them wasted their talents and were burned out by their hedonistic lifestyle. Of all the Bright Young People, so few names remain memorable in the artistic community, such as Evelyn Waugh and Nancy Mitford. What happened to the rest? They were the symbol of a decade but as that decade grew to a close the world was changing, war started to loom again on the horizon, and decadence wasn't looked on favourably during a time of retrenchment. Though looking back, it is fascinating to examine the beginning of what would become our celebrity obsessed society. It didn't start with Kim and Kanye, it started with Beverly Nichols and Elizabeth Ponsonby!

Biographies written by authors with an overinflated sense of self are hard to read. They don't let their subjects take center stage, being always more concerned with patting themselves on the back then doing justice to their subjects. D.J. Taylor is such a writer, more interested in using obscure words and overblown language to showcase his own "talent" then writing a solid book, whose subject matter I'm not even sure he liked all that much. There is a smugness in the way he assumes that everyone must know who and what he is talking about and that if you don't you are unworthy of this knowledge. This leaves the reader confused in a morass of names and events with only the loosest grasp of who any of the Bright Young People really are. Apparently a simple precise of the cast of characters would sully Taylor's writing and make the book too approachable by the uniformed masses. And the thing is, I'm not uniformed! I know many of the Bright Young People and still I felt like I was futilely trying to catch some meaning out of the fog Taylor creates with his impenetrable text. Bright Young People and authors like Taylor are the exact reason I have problems with biographies and why I so rarely read them. And if he referenced ONE MORE picture that wasn't included in the book I was ready to burn it, library fine or no.

When I read the biography on the Mitford sisters, I faced many of the same problems I faced here. The Sisters just rehashed commonly known facts and oft told stories I had heard in their own books while bringing nothing further to the table. Taylor does the same. He spends copious amounts of time dwelling on repeating plots from books or tales of parties that are better told elsewhere. Why would I be reading this book to read in detail the plot of Vile Bodies? If I wanted to know about Vile Bodies I would read Vile Bodies! Which I am actually planning on doing anyway. But the biggest problem I have with him summarizing these primary sources is he does it so badly. I know it's hard to condense a book's narrative down so that you engage your reader as well as give just enough detail without spoiling the book, heck I do it with every book review I write. So I think I'm a little qualified to pass judgment here. In the book's chapter entitled "Projections" which is near the end of the book, if you make it that far which I don't advise you to do, all Taylor does is badly summarize the literary efforts of the authors this generation spawned. Now I have read all the books Nancy Mitford has written, ALL THE BOOKS, and I could barely recognize Highland Fling from Taylor's description. The same can be said about Christmas Pudding and Pigeon Pie. Therefore I can only assume the books I haven't read were just as atrociously summarized. Plus, why do I want to read this when I could just pick up the original book? You would be better off reading all the primary sources then wading into this pompous and pretentious morass that theoretically attempts to unify the authors lives and works into one book.

What is fascinating about this grouping of authors, photographers, heiresses, and what have you is that they were a very egalitarian group, despite being very clannish. Many people site the first world war as the great equalizer. It was the last war where your status could get you a higher commission. The world started to shift from this Upstairs, Downstairs world to a world more founded on merit. Therefore why should it be any surprise that The Bright Young People were also a more democratic lot. Titled "Hons" rubbed shoulders with "laborers" in their midst. The two most recognizable of these lower orders rising up are Cecil Beaton and Evelyn Waugh. While Beaton was more overtly ambitious, these two men, who ironically hated each other, had humbler beginnings then many of their contemporaries among this glittering society. Waugh's father was an author and literary critic, while Beaton's was a timber merchant. While their beginnings weren't so humble as to be penurious, seeing as they went to the right schools and therefore worked their way into this new social circle, it is just fascinating that they had a-typical backgrounds. When you think of the writer to define this generation, this movement, while Nancy Mitford is a close second, Evelyn Waugh takes the top prize. He immortalized this period for future generations. Likewise if one was to think of a person who captured the images of the age, Cecil Beaton, hands down. Sure he went on to even greater acclaim and Academy Awards, but it is his portraiture of this age the captures it for time in memoriam.

One aspect that I found interesting enough to dwell a few minutes on was the idea of the Bright Young "Thing" versus the Bright Young "Person." Because it's an interesting theory I can unequivocally state that Taylor didn't think it up and it's been floating around for awhile, he just doesn't have it in him. While many people refer to the culture of the Bright Young Thing it would be more accurate to replace "Thing" with "Person" or "People" because this was a generation that, while they had an overall vibe, it was the personalities that made this movement important. Which is why little precises of all the movers and shakers would have been so helpful! If this is a movement about the people, it would be helpful to know who all these people are! Name drop all you want Taylor, if I don't know them just reading their names over and over again isn't going to magically enlighten me! This was really the epoch of what we now know as celebrity culture, of the "personality." Sure, there were famous personages prior to the twenties, but their every single detail down to who was at a bridge party at Nancy Mitford's house wasn't published in the press. This was when the exploits of so-called celebrities daily exploits were written up to be consumed by the masses who could barely comprehend living this party lifestyle. We still consume it at probably an even more rapid rate then they did back then. Turn on the television at any time of day and there are some pseudo-celebrities with cameras following them everywhere. And while it is funny to think about what a reality show with Elizabeth Ponsonby or Evelyn Waugh would have been like, in the end would the show be any more captivating then any current reality TV? Probably not. Just more people trying to stay in the spotlight with stunts and parties.

The biggest flaw though, in this overly flawed book, is that Taylor breaks basically the only rule for writing a work of non-fiction, and that is overreliance on one source. When you write non-fiction using only one person's diaries or journals it gives you a skewed view of what really happened. You are only getting one side of the story. You can't provide any kind of faithful narrative with only this one POV. Here the POV is almost strictly that of the Ponsonbys. Taylor must have been so flattered to be allowed unprecedented access to the Ponsonby family archive that it inflated his already inflated ego and turned this book more and more into a platform for the elder Ponsonbys to rail against their daughter, Elizabeth. Firstly, why didn't Taylor just write about them if they were so obviously his pet project, and secondly, the "generational struggle" that the diary entries are supposed to highlight as a typical reaction to children misbehaving don't work. At all. Instead, these diary entries focused on the behavior of their daughter make Elizabeth's parents seem unstable. They appear, quite dramatically, to be psychotically obsessed with their daughter's comings and goings, even onto the point of her sexual activity. If you think OCD helicopter parents are a new trend, I give you the Ponsonbys as proof against that. Seriously, they just give me the creeps. There's a book in their relationship with their daughter, it just shouldn't have been in any part of this one. Also, Norma Bates, you have been outdone, FYI.

The feeling this book leaves you with, beside rage at the author and a desire never to meet the Ponsonbys, is that of overwhelming sadness. The Bright Young People burned bright and fast, falling into ruin and disipation. The book couldn't be bothered with going into the whys and wherefores as to how this generation was formed, aside from quotes from far better authors of the time. But you still get that this generation was lost, not in the typical sense. They didn't disappear, they left their mark, but it was fleeting. They were lost in the wilderness and didn't know how to make a life of parties and treasure hunts and dressing up transition into a real life, with productive work and a future. Of all the personalities profiled, Elizabeth Ponsonby, Evelyn Waugh, Cecil Beaton, Anthony Powell, Harold Acton, John Betjeman, Edward Burra, Edward Gathorne-Hardy, Babe Plunket-Greene, Brian Howard, Beverly Nichols, Brenda Dean Paul, Bryan Guinness, Henry Green, the Sitwells, and the Mitfords, and many more, the average person would probably only know Evelyn Waugh. If they are more of a reader, perhaps Waugh, Nancy Mitford, and Anthony Powell. Of the coeterie of personalities, only a small handful are still known. Only these few had any lasting power. Yet all these people wrote or act or were creative and yet there is nothing to remember them by. So maybe they are lost in every since of the word. It's too too sad making.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Beverly Nichols, Bright Young People, Bright Young Things, Christmas Pudding, D.J. Taylor, Elizabeth Ponsonby, Evelyn Waugh, Highland Fling, Hons, Jazzy July, Lauren Willig, Nancy Mitford, Pigeon Pie, Vile Bodies

Nancy Mitford is the most well known of the Mitford sisters. The Pursuit of Love and Love in a Cold Climate are considered standard reading among Anglophiles. The eldest of the Mitford children, she was of the generation known as the Bright Young Things, the generation satirized by her friend and fellow Bright Young Thing Evelyn Waugh in his book Vile Bodies. Her debutante photographs where done by Cecil Beaton, the most sought after photographer and chronicler of the age. Unlike her siblings, she never took to politics and instead she threw herself into writing, mainly books that where parodies of her family with the characters thinly veiled.

Much like the people she wrote about, she never had fulfillment in love, placing her heart time and again with the wrong man. Yet where she wasn't a success in affairs of the heart the same couldn't be said about her writing career. "The Pursuit of Love was a phenomenal best seller and made her financially independent." This allowed her to relocate to Paris, where she spent her time writing biographies about French luminaries like Madame Pampadour and Voltaire. Yet it is her comedic sensibilities and sense of humor that people remember in both her novels and her various contributions to newspapers.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Bright Young Things, Cecil Beaton, Evelyn Waugh, Love in a Cold Climate, Madame Pampadour, Mitford March, Mitfords, Nancy Mitford, The Pursuit of Love, Vile Bodies, Voltaire

Frost Burned (Mercy Thompson Book 7) by Patricia Briggs
Published by: Ace
Publication Date: March 5th, 2013
Format: Hardcover, 352 Pages
To Buy

The official patter:
"Mercy Thompson’s life has undergone a seismic change. Becoming the mate of Adam Hauptman—the charismatic Alpha of the local werewolf pack—has made her a stepmother to his daughter Jesse, a relationship that brings moments of blissful normalcy to Mercy’s life. But on the edges of humanity, what passes for a minor mishap on an ordinary day can turn into so much more…

After an accident in bumper-to-bumper traffic, Mercy and Jesse can’t reach Adam—or anyone else in the pack for that matter. They’ve all been abducted.

Through their mating bond, all Mercy knows is that Adam is angry and in pain. With the werewolves fighting a political battle to gain acceptance from the public, Mercy fears Adam’s disappearance may be related—and that he and the pack are in serious danger. Outclassed and on her own, Mercy may be forced to seek assistance from any ally she can get, no matter how unlikely.

Mercy week! Feels like an eternity since the last book, yes, two years feels like that to me. FINALLY! Do a little dance, because I have to wait probably another two years for the next, sigh.

Written in Red by Anne Bishop
Published by: Roc Hardcover
Publication Date: March 5th, 2013
Format: Hardcover, 448 Pages
To Buy

The official patter:
"No one creates realms like New York Times bestselling author Anne Bishop. Now in a thrilling new fantasy series, enter a world inhabited by the Others, unearthly entities—vampires and shape-shifters among them—who rule the Earth and whose prey are humans.

As a cassandra sangue, or blood prophet, Meg Corbyn can see the future when her skin is cut—a gift that feels more like a curse. Meg’s Controller keeps her enslaved so he can have full access to her visions. But when she escapes, the only safe place Meg can hide is at the Lakeside Courtyard—a business district operated by the Others.

Shape-shifter Simon Wolfgard is reluctant to hire the stranger who inquires about the Human Liaison job. First, he senses she’s keeping a secret, and second, she doesn’t smell like human prey. Yet a stronger instinct propels him to give Meg the job. And when he learns the truth about Meg and that she’s wanted by the government, he’ll have to decide if she’s worth the fight between humans and the Others that will surely follow."

This looks right up my alley!

A Conspiracy of Alchemists: Book One in The Chronicles of Light and Shadow by Liesel Schwarz
Published by: Del Rey
Publication Date: March 5th, 2013
Format: Hardcover, 352 Pages
To Buy

The official patter:
"LEAVE IT TO CHANCE. Eleanor “Elle” Chance, that is—the intrepid heroine of this edgy new series that transforms elements of urban fantasy, historical adventure, and paranormal romance into pure storytelling gold.

In a Golden Age where spark reactors power the airways, and creatures of Light and Shadow walk openly among us, a deadly game of Alchemists and Warlocks has begun.

When an unusual cargo drags airship-pilot Elle Chance into the affairs of the mysterious Mr. Marsh, she must confront her destiny and do everything in her power to stop the Alchemists from unleashing a magical apocalypse.

Discover the thrilling new series that transforms elements of urban fantasy and paranormal romance into pure storytelling gold."

This looks like it's going to be a big spending week at the bookstore!

Grave Mercy (His Fair Assassin Book 1) by Robin LaFevers
Published by: Graphia
Publication Date: March 5th, 2013
Paperback: Hardcover, 576 Pages
To Buy

The official patter:
"Seventeen-year-old Ismae escapes from the brutality of an arranged marriage to the respite of the convent of St. Mortain. Here she learns that the god of Death has blessed her with dangerous gifts and a violent destiny. To claim her new life, she must destroy the lives of others. But how can she deliver Death’s vengeance upon a target who has stolen her heart?

I loved this book so much that it was in the top ten of books I read in 2011. The sequel is finally coming out, so if you haven't picked up this amazing book by Robin, do it now, you won't regret it!

Bright Young Things: A Modern Guide to the Roaring Twenties by Alison Maloney
Published by: Potter Style
Publication Date: March 5th, 2013
Format: Hardcover, 128 Pages
To Buy

The official patter:
"For lovers of the glamour and scandal of the roaring twenties and the millions of fans eagerly anticipating the return of Downton Abbey (the third season opens in the twenties), an illustrated lifestyle guide to the fashion, the parties, the notrious personalities, and all the glittering trappings from the unforgettable era of the flapper.

Bright Young Things is a perfect guide to the roaring twenties--hot jazz and hotter all-night dance halls, high society's scandalous exploits, fresh new fashions, Prohibition cocktails, costume parties, and of course, the notorious flapper. Decorated throughout with art deco illustrations and packaged in a beautiful foil-stamped case, this book looks stunning resting on a coffee table and makes a fabulous gift."

For something I'm working on for this summer, this book could be perfect!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: A Conspiracy of Alchemists, Anne Bishop, Bright Young Things, Frost Burned, Grave Mercy, His Fair Assassin, Liesel Schwarz, Mercy Thompson, Patricia Briggs, R.L. LaFevers, Robin LaFevers

Heat Rises by Richard Castle
Published by: Hyperion
Publication Date: September 20th, 2011
Format: Hardcover, 320 Pages
To Buy

The official patter:
"Fast-paced and full of intrigue, Heat Rises pairs the tough and sexy NYPD Homicide Detective Nikki Heat with hotshot reporter Jameson Rook in New York Times bestselling author Richard Castle's most thrilling mystery yet.

The bizarre murder of a parish priest at a New York bondage club opens Nikki Heat's most thrilling and dangerous case so far, pitting her against New York's most vicious drug lord, an arrogant CIA contractor, and a shadowy death squad out to gun her down. And that is just the tip of an iceberg that leads to a dark conspiracy reaching all the way to the highest level of the NYPD.

But when she gets too close to the truth, Nikki finds herself disgraced, stripped of her badge, and out on her own as a target for killers with nobody she can trust. Except maybe the one man in her life who's not a cop. Reporter Jameson Rook.

In the midst of New York's coldest winter in a hundred years, there's one thing Nikki is determined to prove: Heat Rises."

Yeah! New Castle book! Have I mentioned a) how much I love Castle b) how much I love Nathan Fillion or c) how much I love the blending of fiction and reality lately? If not, now I have!

Beautiful Days by Anna Godbersen
Published by: Harper Collins
Publication Date: September 20th, 2011
Format: Hardcover, 368 Pages
To Buy

The official patter:
"For the bright young things of 1929, the beautiful days seem endless, filled with romance and heartbreak, adventure and intrigue, friendship and rivalry.

After a month in New York, Cordelia Grey and Letty Larkspur are small-town girls no longer. They spend their afternoons with Astrid Donal at the Greys’ lush Long Island estate and their nights in Manhattan’s bustling metropolis. But Letty’s not content to be a mere socialite. She is ready at last to chase her Broadway dreams—no matter the cost.

Cordelia is still reeling from the death of her father at the hands of Thom Hale, the man she thought she loved. Now she is set to honor Darius Grey’s legacy . . . and take her revenge.

Promised to Cordelia’s half brother, Astrid is caught up in a world of dazzling jewels and glittering nights—and the sparkle is blinding. Charlie Grey is a gangster playing a dangerous game; and for Astrid, Cordelia, and Letty, the stakes could be deadly.

From the New York Times bestselling author of The Luxe comes the second book in an epic series set in the dizzying last summer of the Jazz Age."

So, I still haven't gotten around to reading any of Godbersen's books, but this is a time period I love... ah, to live back then if only for awhile.

Goliath by Scott Westerfeld
Published by: Simon Pulse
Publication Date: September 20th, 2011
Format: Hardcover, 560 Pages
To Buy

The official patter:
"Alek and Deryn are on the last leg of their round-the-world quest to end World War I, reclaim Alek’s throne as prince of Austria, and finally fall in love. The first two objectives are complicated by the fact that their ship, the Leviathan, continues to detour farther away from the heart of the war (and crown). And the love thing would be a lot easier if Alek knew Deryn was a girl. (She has to pose as a boy in order to serve in the British Air Service.) And if they weren’t technically enemies.

The tension thickens as the Leviathan steams toward New York City with a homicidal lunatic on board: secrets suddenly unravel, characters reappear, and nothing is at it seems in this thunderous conclusion to Scott Westerfeld’s brilliant trilogy."

Last installment of the Scott Westerfeld Leviathan Steampunk Trilogy? Yes please!

Cast in Ruin by Michelle Sagara
Published by: Luna
Publication Date: September 20th, 2011
Format: Paperback, 464 Pages
To Buy

The official patter:
"Seven corpses are discovered in the streets of a Dragon's fief. All identical, down to their clothing.

Kaylin Neya is assigned to discover who they were, who killed them—and why. Is the evil lurking at the borders of Elantra preparing to cross over?

At least the investigation delays her meeting with the Dragon Emperor. And as the shadows grow longer over the fiefs, Kaylin must use every skill she's ever learned to save the people she's sworn to protect. Sword in hand, dragons in the sky, this time there's no retreat and no surrender…"

I just picked up the first in the series of Elantra, of which this is the seventh. Here's hoping they're good books!

Enthralled: Paranormal Diversions by Melissa Marr, Kelley Armstrong et al
Published by: Harper Collins
Publication Date: September 20th, 2011
Format: Paperback, 464 Pages
To Buy
The official patter:
"A journey may take hundreds of miles, or it may cover the distance between duty and desire.

Sixteen of today’s hottest writers of paranormal tales weave stories on a common theme of journeying. Authors such as Kelley Armstrong, Rachel Caine, and Melissa Marr return to the beloved worlds of their bestselling series, while others, like Claudia Gray, Kami Garcia, and Margaret Stohl, create new landscapes and characters. But whether they’re writing about vampires, faeries, angels, or other magical beings, each author explores the strength and resilience of the human heart.

Suspenseful, funny, or romantic, the stories in Enthralled will leave you moved."

New anthology by TONS of writers I love (ok, 16 isn't quite a ton, but it's a lot and I was already sold once I heard Melissa Marr).

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Anna Godbersen, Beautiful Days, Bright Young Things, Enthralled, Goliath, Heat Rises, Kelley Armstrong, Melissa Marr, Michelle Sagara, Nathan Fillion, Nikki Heat, Richard Castle, Scott Westerfeld