Showing posts with label Aladdin. Show all posts
Showing posts with label Aladdin. Show all posts

Friday, July 19, 2024

Book Review - Dave Itzkoff's Robin

Robin by Dave Itzkoff
Published by: Henry Holt and Co.
Publication Date: May 15th, 2018
Format: Hardcover, 544 Pages
Rating: ★★★
To Buy

Robin Williams' upbringing is perhaps not what you'd expect. He was scholastically gifted and was from an affluent family where his closest companion was the maid in their palatial forty room house. He even got accepted into Julliard where his classmates were Christopher Reeve, William Hurt, and Mandy Patinkin. Though his own comedic style and love of mimicry and accents wasn't exactly what the classical and staid school was known for they could see he was a genius but he left without getting a degree conferred on him. He started his stand-up career in San Franscisco but to really make it you had to go to Los Angeles, so that is what he did. He worked the clubs as well as working whatever television work he could pick up especially during pilot season. Though he was notorious for stealing the jokes of other comedians, no one really thought that this was malicious, he just heard it and didn't know from where and so incorporated it into his act. Which was problematic to the comedians who had actually written the material, because once Robin had done it no one else could use it. But it was a last minute spot on an episode of Happy Days that would change his life. The episode "My Favorite Orkan" was so popular his character of Mork got his own television show. Mork and Mindy was a juggernaut. Everything from magazines to lunchboxes featured Robin's face. Despite it's success and cultural status the show was cancelled after four seasons. But that seemed fine with Robin because he was now chasing bigger Hollywood dreams. He desperately wanted awards and an Oscar. This is where the Julliard training starts to make sense. With The World According to Garp, Good Morning, Vietnam, and Dead Poets Society his serious credits started to roll in. Though it wouldn't be until 1997 and Good Will Hunting that he would get the respect of his peers he had been longing for with an Oscar. In the meanwhile he was making his name as serious business at the box office with films for a younger audience with Hook, FernGully, Aladdin, Mrs. Doubtfire, and Jumanji. But behind the scenes there were issues, and not just with Disney who actually sent him an apology Picasso. He burned through three marriages and had severe addiction problems. At least his addiction to cocaine had a check on it when John Belushi died the morning after they had partied together. But later his alcoholism took a toll. Though it was the Parkinson's diagnose that led to his suicide in 2014 at the age of 63. A blazing talent gone in an instant.

I've never really considered myself a fan of Robin Williams. He was just a fact of life, like death and taxes. He was omnipresent. Or at least for those of a certain age. Growing up in the eighties and nineties he was everywhere; films, television, Comic Relief, there was no getting away from him. And the truth of the matter is, I'd never really thought about it. I had never realized his complete and total omnipresence in my life until I read this book. It's like my childhood paralleled his fame and he was there every step along the way as I grew up. When Nick at Nite started in the mid eighties I watched it religiously. Perhaps six was a little too young to be watching some of the fare, but my grandmother and I watched it together, so my theory was if she thought if was inappropriate she would have turned it off. Now that I'm older I realize she wouldn't have. But there was Robin on Mork and Mindy and Happy Days and SCTV! He was there for my formative years with his manic humor. And no one of my generation can forget the mega success of Hook followed by Aladdin. I can't even count the number of times my friends and I in college got together and just watched Aladdin, well, sang along to Aladdin, just as comfort viewing. As for the number of times I watched Toys... I don't even want to guess, it was one of those films that was so odd that whenever it was on I just watched it all. As I aged I started watching other films of his, my discovery of Kenneth Branagh and Terry Gilliam led to so many favorite films that Robin is in, Dead Again being at the forefront. And I will never forget the time my friend Sara became obsessed with Good Will Hunting and watched it on a loop while recovering from having her wisdom teeth removed. So many memories. In fact it's because of Robin Williams that I will NEVER go to the bathroom during movies. I missed the end of Hook and was traumatized for years. Robin was just in my life, watching movies at home with friends or going out to the theater with my family, he was always there. And this book brought home that fact to me. I'm not one of those people who will forever mourn him. He randomly trends on Twitter because people miss him. I don't. But he was, unbeknownst to me, so much a part of making me me that this book was a very personal experience. Yes, it's uneven and spends the bulk of it's time on his early career and not enough on his fame, but I can forgive it that. I can forgive it a lot of the nostalgia.

Friday, November 4, 2022

Book Review - Elly Griffiths's Smoke and Mirrors

Smoke and Mirrors by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: November 5th, 2015
Format: Kindle, 352 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

The holiday season has descended on Brighton, which means it's Panto time! In seaside towns across England theaters are getting ready to open up for the Christmas season. In Brighton it's caused rather a stir that Max Mephisto is going to be staring in a production of Aladdin as the villainous Abanazar. But soon it's not the pantomime or the unending snow that is the number one conversation in Brighton, it's the disappearance of two children, Annie and Mark. Sadly there will be no happy ending in this case as their small bodies are found under the snow. They are staged like some sick version of Hansel and Gretel with candy strewn about their bodies. Who would abduct these children, destroying two families in the process? As Edgar starts to dig into the lives of Annie and Mark he realizes how amazingly talented and beloved these best friends were. They loved staging plays at an "uncle's" house. Annie would write all the dialogue while Mark was the production assistant. They had their own troupe of players, younger kids who admired them and in particular Annie's ability with a dark twist. The kids feed on dark material and are encouraged by their teacher, Miss Young, who loves to recount the darker of Grimms' Fairy Tales to her pupils. This raises eyebrows amongst the police force. Do children really crave and understand darkness like Miss Young insists? Annie's plays may indicate that this is the case, though to Edgar it makes Miss Young their prime suspect. That is until she is murdered as well. Desperate Edgar turns to his fellow Magic Man Max Mephisto to try to get a grip on the theatrical and fantastical aspects of these crimes and learns of a similar case years earlier that eerily echoes the one they are investigating. But that murder was so long ago and the culprit was caught and hanged. Could this be a copycat killer? Anything is possible, but there's one thing Edgar knows, he will do everything in his power to catch the killer before they strike again. The snow may fall, the wind may whip, but justice will be served.

As an ardent Anglophile there is one thing I will just never get and that's Panto. Whatever theatrical traditions it's origins, it has evolved, or in my opinion, devolved, into this weird spectacle of garish costumes, cross-dressing, lewd humor, and tons of double entendres. Like variety shows your grandmother would force you to watch where all the humor seems out of date and you are praying for it to be over but based on fairy tales or folklore, like Dick Whittington's cat, making it somehow more inherently English in the process. So the Brits actually go to these shows over the holiday season, most of the productions staring former B-List or lower celebrities, with the rare A-lister, all of whom are willing to tart themselves up to make the kiddies laugh. Yet that seedy celebrity angle combined with the fact that it's done for children gives it a duel edge that can go from cute to creepy in a second. Therefore it's the perfect backdrop for the investigation of the murder of some children. It somehow feeds into it so well. Yes, the murder of children will always have a seamy side, because what perverted person would cut a life so short. But having this added creepiness made this mystery something so much more. In fact, what it reminded me of, not the least of which because of the 1950s setting, is the second Flavia De Luce book, The Weed that Strings the Hangman's Bag. This is easily my favorite book in Alan Bradley's series, but more importantly, it's one of my most favorite mysteries ever and it deals with the murder of a beloved children's puppeteer. I can't get enough of murder mysteries that bridge the gap between horror and innocence, when it's done right, and Smoke and Mirrors does it oh so right. And as if this book couldn't be more perfect the fairy tale "Hans My Hedgehog" plays an important role. This is one of the fairy tales that was adapted for Jim Henson's The Storyteller and is therefore a favorite of mine. I feel like not enough people embrace how wonderful it is and am glad to find an author who agrees. Don't be surprised if this makes in on my top ten list of books I read in 2021.

Wednesday, January 26, 2022

Book Review 2021 #2 - Elly Griffiths's Smoke and Mirrors

Smoke and Mirrors by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: November 5th, 2015
Format: Kindle, 352 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

The holiday season has descended on Brighton, which means it's Panto time! In seaside towns across England theaters are getting ready to open up for the Christmas season. In Brighton it's caused rather a stir that Max Mephisto is going to be staring in a production of Aladdin as the villainous Abanazar. But soon it's not the pantomime or the unending snow that is the number one conversation in Brighton, it's the disappearance of two children, Annie and Mark. Sadly there will be no happy ending in this case as their small bodies are found under the snow. They are staged like some sick version of Hansel and Gretel with candy strewn about their bodies. Who would abduct these children, destroying two families in the process? As Edgar starts to dig into the lives of Annie and Mark he realizes how amazingly talented and beloved these best friends were. They loved staging plays at an "uncle's" house. Annie would write all the dialogue while Mark was the production assistant. They had their own troupe of players, younger kids who admired them and in particular Annie's ability with a dark twist. The kids feed on dark material and are encouraged by their teacher, Miss Young, who loves to recount the darker of Grimms' Fairy Tales to her pupils. This raises eyebrows amongst the police force. Do children really crave and understand darkness like Miss Young insists? Annie's plays may indicate that this is the case, though to Edgar it makes Miss Young their prime suspect. That is until she is murdered as well. Desperate Edgar turns to his fellow Magic Man Max Mephisto to try to get a grip on the theatrical and fantastical aspects of these crimes and learns of a similar case years earlier that eerily echoes the one they are investigating. But that murder was so long ago and the culprit was caught and hanged. Could this be a copycat killer? Anything is possible, but there's one thing Edgar knows, he will do everything in his power to catch the killer before they strike again. The snow may fall, the wind may whip, but justice will be served.

As an ardent Anglophile there is one thing I will just never get and that's Panto. Whatever theatrical traditions it's origins, it has evolved, or in my opinion, devolved, into this weird spectacle of garish costumes, cross-dressing, lewd humor, and tons of double entendres. Like variety shows your grandmother would force you to watch where all the humor seems out of date and you are praying for it to be over but based on fairy tales or folklore, like Dick Whittington's cat, making it somehow more inherently English in the process. So the Brits actually go to these shows over the holiday season, most of the productions staring former B-List or lower celebrities, with the rare A-lister, all of whom are willing to tart themselves up to make the kiddies laugh. Yet that seedy celebrity angle combined with the fact that it's done for children gives it a duel edge that can go from cute to creepy in a second. Therefore it's the perfect backdrop for the investigation of the murder of some children. It somehow feeds into it so well. Yes, the murder of children will always have a seamy side, because what perverted person would cut a life so short. But having this added creepiness made this mystery something so much more. In fact, what it reminded me of, not the least of which because of the 1950s setting, is the second Flavia De Luce book, The Weed That Strings the Hangman's Bag. This is easily my favorite book in Alan Bradley's series, but more importantly, it's one of my most favorite mysteries ever and it deals with the murder of a beloved children's puppeteer. I can't get enough of murder mysteries that bridge the gap between horror and innocence, when it's done right, and Smoke and Mirrors does it oh so right. And as if this book couldn't be more perfect the fairy tale "Hans My Hedgehog" plays an important role. This is one of the fairy tales that was adapted for Jim Henson's The Storyteller and is therefore a favorite of mine. I feel like not enough people embrace how wonderful it is and am glad to find an author who agrees. Don't be surprised if this makes in on my top ten list of books I read in 2021.

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