Wednesday, May 8, 2019

Book Book of 2016 - Galen Beckett's The House on Durrow Street

The House on Durrow Street (Mrs. Quent Book 2) by Galen Beckett
Published by: Spectra
Publication Date: September 28th, 2010
Format: Hardcover, 704 Pages
Rating: ★★★★★
To Buy
 
Ivy has more than she could ever have wished for. When she went to Heathcrest Hall she had hoped to earn enough money to open up the family house on Durrow Street and remove her sisters from odious familial obligations. Now returned to Invarel she has opened up her old home, with her husband and former employer Mr. Quent by her side. The house undoubtedly belonged to a magician, but to Ivy and her sisters it is home despite all it's oddities. The ever watching eyes carved out of wood, which tend to be unnerving to the workers refurbishing the house, are there to protect Ivy's family, constantly observing their well-being and safety. But what else might they be protecting? Ivy's father was a great magician and the house definitely has its secrets. Soon a door is discovered bricked up behind a wall, and awhile later it's mate on the other side of the room is stumbled upon. Doors of great craftsmanship and beauty that no one would rightly cover, unless they needed protecting. Items in the house are also behaving curiously. The clock on the mantel is more accurate than the most up-to-date almanac and there's a journal of her father's that Ivy discovers is slowly revealing it's entries in a haphazard manner. If Ivy knows her father, all this is to lead her on her path to becoming the heroine and savior of Altania her father believes her to be.

But distractions are in Ivy's way, in the form of societal obligations. Mr. Quent is always busy. Before, when they lived in the country, he was away from home all the time, but now that he's in Invarel he's just as occupied, rising in the ranks of society. While Ivy's sisters are excited about the prospects of their higher stations, Ivy has hundreds of concerns, from bringing her sisters out into society, to new friendships with the likes of the great Lady Crayford. With unrest in town can she trust these new acquaintances? Because a dear old friend, Dashton Rafferdy, is at the heart of the unrest. Rafferdy has taken his father's seat in the Hall of Magnates. Being so politically placed is making a man of this rake. The king is ill, he is in fact dying, and factions are forming within the Citadel. There are two waring parties of magicians, and Rafferdy is on the wrong side, not aligning himself with Lord Valhain, the king's black dog who has the terrifying Lady Shayde as his personal weapon. With the lack of rebellions and risings associated with the "rightful king" Huntley Morden these other magicians are determined to keep the rebellion fomenting by publicly turning against magic itself. Because magicians will be blamed for terrorist acts. Even illusionists are threatened. Yet could all this be tied to the threat Ivy and Rafferdy faced before? Could all this be in aid of the Ashen? And will they attempt an even greater rising, this time at the Evengrove? But most worrying of all, what happens when the red planet Cerephus gets even closer?

It is a rare occurrence for an author to create a group of characters and make you love each and every one of them. It's even rarer for this to happen in a love triangle. I quite literally can not think of one where all three of the characters held equal space in my heart. And if you say you actually like George Wickham I will smack you right now! He was so up to something from his first appearance in Pride and Prejudice. There is always a weak link. One character that just isn't up to snuff and therefore you're secretly rooting for them to fail. Since the first page of The Magicians and Mrs. Quent I was shipping Ivy and Rafferdy. By the very title of the first book you know that Ivy isn't going to end up with him. She's going to end up with the, at that point unknown, Mr. Quent. So going further into the narrative Mr. Quent already had a black mark against him. I didn't know him but I knew he was going to cause trouble. And then he arrives and is stalwart and upstanding and just an all around good guy. Yes, I still wanted Ivy to be with Rafferdy, but I couldn't fault her marrying Mr. Quent, he is so wonderful in his own way. Galen Beckett has created his own little Catch-22. He has made such wonderful characters that I am conflicted as to who would bring them greater happiness. I keep thinking, it HAS to be Rafferdy because he helped Ivy defeat The Vigilant Order of the Silver Eye and she makes him a better man! But then she completes Mr. Quent who was so wounded by the death of his first wife all those years ago. Seriously, if this was a pick your own adventure book I would be screwed.

Of course there is always an exception to every rule. It's like it's own rule am I right? So when I say "I love every character" what I mean is "I love every character except..." And I'm not talking about the characters that you are meant to hate, because you eventually come to love hating them. I'm talking about the characters you just don't like. In this case it's Eldyn. You're probably saying, who's Eldyn right about now. In my review of the first book I mentioned him in passing as Rafferdy's best friend. In this review I've glossed over him almost entirely with lumping him in as one of the illusionists, which he is. Yet he is one of the three principal characters in this series and a third of the narrative belongs to him. So perhaps I should explain why I've omitted him. In The Magicians and Mrs. Quent he has a rather boring storyline about his sister and some rebels. These sections were excruciating. If I had to read about him at least Rafferdy could be present right? The fact that he didn't die in the first book was a major source of contention with me. I should have given more credit to Galen. Because in The House on Durrow Street if there's one surprise it's the redemption of the character of Eldyn Garritt. I know. I'm as surprised as you that my opinion could be changed so drastically.

With books this big it's hard to cover everything that happens in one review. I could write several reviews of The House on Durrow Street and never repeat myself and still have things to talk about. But this redemption of Eldyn is, I think, the most interesting. Yes, his learning to become an illusionist and eventually a performer at The Theatre of the Moon is fascinating, as is his paramour Dercy, but what's more surprising is that Eldyn's story is the driving force of this book. The simple line of "even illusionists are threatened" from above encapsulates more than you can imagine. Because what lies underneath is a dark mystery that keeps you turning the pages waiting to find out the truth. Because illusionists are turning up dead. Of course only fellow illusionists could make this connection. Eldyn, in trying to support that rebel loving sister of his is straddling the world of the church, where he works as a clerk, and the world of illusion, where he is learning his art. The church has strong opinions on illusionists, all of them bad. But it's only through being a part of both of these worlds that Eldyn is able to see the greater picture, to uncover the conspiracy of the church using magic to exert control. They are harming and harnessing magic to their own purposes. Purposes that are almost too dark to discuss. But when you see the full extent of the conspiracy in it's reveal you will be astounded and hopefully agree with me that you were seriously doing a disservice to Mr. Garritt.

With Mr. Garritt being revealed as an illusionist the three branches of magic are represented in our three protagonists, Mrs. Quent, the witch, Rafferdy, the magician, and Eldyn, the illusionist. What's interesting about Galen's worldbuilding is that he doesn't just go into the customs and mores of society, he goes far into outer space and alien forces, and closer to home with genetics. Because witch, magician, and illusionist are all born this way. Which given that illusionists are homosexual I think it's nice to have someone pointing out even in a fantasy world that they are born that way. It's genetics people not something that is in need of deprogramming. Witches are born to witches, in fact it is very rare for a witch to have a male child, but if she does that child is an illusionist. Magicians just descend down the male line of the seven great houses with some having the power and some not. Hence the Hall of Magnates is literally littered with real and wannabe magicians. What comes about in The House on Durrow Street is a distinct segregation of the types of magic and fear-mongering. The magicians in power in the Hall of Magnates use their influence to make war on magic, particularly the "natural" magics of witches and illusionists, though if push comes to shove they will totally use those "natural" powers for their own gain. Likewise they instill fear in the populace to hate all magic, hiding their own. Because of all the branches of magic, magicians are the most easily corrupted by the power they need in order to work their magics.

Going back to outer space I have one question lingering at the back of my mind, and that is, is this world of Altania perhaps our future? Go with me on this, it's kind of a reverse Star Wars with our future looking like our past, but it's possible. The days and nights are of varying duration and the planets are all akimbo, but perhaps over time that could happen. Ivy talks of a time when days and nights were fixed. Here in our world after the winter equinox we gain a few minutes of sun every day until the summer equinox where we lose a few minutes of sun every day, unless you live at the equator and then it's twelve hours of light and twelve hours of dark everyday, year round. But this is to do with the moon and the tides and the planets. Now imagine something happening to knock them off course, or even just as time passes and the planets paths start to degrade, might Ivy's world come to be? Could night and day no longer be dependable? Could Earth's rotation be random? I wonder how this plays into crops and trees and even grass. And here again is why I love this book, it makes me think, it makes me imagine. I wonder about things and question things that I just accepted. Yes, there are stories I've read about night falling, forever, but never have I read a story where it's handled so deftly and also so woven into the society and their customs. I seriously just need more of this world, more of this story. I literally never want it to end. Ever.

Monday, May 6, 2019

Tuesday Tomorrow

Storm Cursed by Patricia Briggs
Published by: Ace
Publication Date: May 7th, 2019
Format: Hardcover, 368 Pages
To Buy

The official patter:
"In this powerful entry in the #1 New York Times bestselling series, Mercy Thompson must face a deadly enemy to defend all she loves...

My name is Mercedes Athena Thompson Hauptman, and I am a car mechanic.
And a coyote shapeshifter.
And the mate of the Alpha of the Columbia Basin werewolf pack.

Even so, none of that would have gotten me into trouble if, a few months ago, I hadn’t stood upon a bridge and taken responsibility for the safety of the citizens who lived in our territory. It seemed like the thing to do at the time. It should have only involved hunting down killer goblins, zombie goats, and an occasional troll. Instead, our home was viewed as neutral ground, a place where humans would feel safe to come and treat with the fae.

The reality is that nothing and no one is safe. As generals and politicians face off with the Gray Lords of the fae, a storm is coming and her name is Death.

But we are pack, and we have given our word.

We will die to keep it."

FINALLY! It's finally here! That extra two month wait was excruciating but trust me, it was worth it. 

Middlegame by Seanan McGuire
Published by: Tor.com
Publication Date: May 7th, 2019
Format: Hardcover, 528 Pages
To Buy

The official patter:
"New York Times bestselling and Alex, Nebula, and Hugo-Award-winning author Seanan McGuire introduces readers to a world of amoral alchemy, shadowy organizations, and impossible cities in the standalone fantasy, Middlegame.

Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story.

Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math.

Roger and Dodger aren’t exactly human, though they don’t realise it. They aren’t exactly gods, either. Not entirely. Not yet.

Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own.

Godhood is attainable. Pray it isn’t attained."

The Seanan McGuire factory just keeps going!

Nocturna by Maya Motayne
Published by: Balzer + Bray
Publication Date: May 7th, 2019
Format: Hardcover, 480 Pages
To Buy

The official patter:
"The first in a sweeping and epic own voices debut fantasy trilogy - set in a stunning Latinx-inspired world - about a face-changing thief and a risk-taking prince who must team up to defeat a powerful evil they accidentally unleashed. Perfect for fans of Tomi Adeyemi, Leigh Bardugo, and V. E. Schwab.

To Finn Voy, magic is two things: a knife to hold under the chin of anyone who crosses her...and a disguise she shrugs on as easily as others pull on cloaks.

As a talented faceshifter, it’s been years since Finn has seen her own face, and that’s exactly how she likes it. But when Finn gets caught by a powerful mobster, she’s forced into an impossible mission: steal a legendary treasure from Castallan’s royal palace or be stripped of her magic forever.

After the murder of his older brother, Prince Alfehr is first in line for the Castallan throne. But Alfie can’t help but feel that he will never live up to his brother’s legacy. Riddled with grief, Alfie is obsessed with finding a way to bring his brother back, even if it means dabbling in forbidden magic.

But when Finn and Alfie’s fates collide, they accidentally unlock a terrible, ancient power - which, if not contained, will devour the world. And with Castallan’s fate in their hands, Alfie and Finn must race to vanquish what they have unleashed, even if it means facing the deepest darkness in their pasts."

I was sold on this book by it's comparison to Leigh Bardugo and V.E. Schwab but only because it's coupled with Latinix roots. 

Westside by W.M. Akers
Published by: Harper Voyager
Publication Date: May 7th, 2019
Format: Hardcover, 304 Pages
To Buy

The official patter:
"New York is dying, and the one woman who can save it has smaller things on her mind.

A young detective who specializes in “tiny mysteries” finds herself at the center of a massive conspiracy in this beguiling historical fantasy set on Manhattan’s Westside - a peculiar and dangerous neighborhood home to strange magic and stranger residents - that blends the vivid atmosphere of Caleb Carr with the imaginative power of Neil Gaiman.

It’s 1921, and a thirteen-mile fence running the length of Broadway splits the island of Manhattan, separating the prosperous Eastside from the Westside - an overgrown wasteland whose hostility to modern technology gives it the flavor of old New York. Thousands have disappeared here, and the respectable have fled, leaving behind the killers, thieves, poets, painters, drunks, and those too poor or desperate to leave.

It is a hellish landscape, and Gilda Carr proudly calls it home.

Slightly built, but with a will of iron, Gilda follows in the footsteps of her late father, a police detective turned private eye. Unlike that larger-than-life man, Gilda solves tiny mysteries: the impossible puzzles that keep us awake at night; the small riddles that destroy us; the questions that spoil marriages, ruin friendships, and curdle joy. Those tiny cases distract her from her grief, and the one impossible question she knows she can’t answer: “How did my father die?”

Yet on Gilda’s Westside, tiny mysteries end in blood - even the case of a missing white leather glove. Mrs. Copeland, a well-to-do Eastside housewife, hires Gilda to find it before her irascible merchant husband learns it is gone. When Gilda witnesses Mr. Copeland’s murder at a Westside pier, she finds herself sinking into a mire of bootlegging, smuggling, corruption - and an evil too dark to face.

All she wants is to find one dainty ladies’ glove. She doesn’t want to know why this merchant was on the wrong side of town—or why he was murdered in cold blood. But as she begins to see the connection between his murder, her father’s death, and the darkness plaguing the Westside, she faces the hard truth: she must save her city or die with it.

Introducing a truly remarkable female detective, Westside is a mystery steeped in the supernatural and shot through with gunfights, rotgut whiskey, and sizzling Dixieland jazz. Full of dazzling color, delightful twists, and truly thrilling action, it announces the arrival of a wonderful new talent."

Why has no one tried to bring about the infusion of Caleb Carr and Neil Gaiman before?

Romanov by Nadine Brandes
Published by: Thomas Nelson
Publication Date: May 7th, 2019
Format: Hardcover, 352 Pages
To Buy

The official patter:
"The history books say I died.

They don’t know the half of it.

Anastasia “Nastya” Romanov was given a single mission: to smuggle an ancient spell into her suitcase on her way to exile in Siberia. It might be her family’s only salvation. But the leader of the Bolshevik army is after them, and he’s hunted Romanov before.

Nastya’s only chances of saving herself and her family are either to release the spell and deal with the consequences, or to enlist help from Zash, the handsome soldier who doesn’t act like the average Bolshevik. Nastya has only dabbled in magic, but it doesn’t frighten her half as much as her growing attraction to Zash. She likes him. She thinks he might even like her.

That is, until she’s on one side of a firing squad...and he’s on the other."

I've always been drawn to the Romanovs, that time in Russian history seems so magical, and here we have actual magic as well! Dream come true!

The Woman in the Blue Cloak by Deon Meyer
Published by: Atlantic Monthly Press
Publication Date: May 7th, 2019
Format: Hardcover, 160 Pages
To Buy

The official patter:
"Early on a May morning in the depth of South Africa’s winter, a woman’s naked body, washed in bleach, is discovered on a stone wall beside the N2 highway at the top of Sir Lowry’s Pass, some thirty-five miles from Cape Town. The local investigation stalls, so the case is referred to Captain Benny Griessel and his colorful partner Vaughn Cupido of the Hawks - the Directorate for Priority Crime Investigations. The woman proves to be Alicia Lewis, an expert in old Dutch Masters paintings specializing in the recovery of valuable lost art. Discovering the two men she had contacted before coming to South Africa reveals what she was seeking - a rare painting by Carel Fabritius, Rembrandt’s finest student, not seen since it disappeared from Delft in 1654. But how Lewis died, why, and at whose hand shocks even the two veteran detectives.

The Woman in the Blue Cloak is a compact jewel of a thriller, filled with Deon Meyer’s earthy dialogue, clever plotting, and the memorable characters that have peopled all of Deon Meyer’s award-winning novels."

Paintings that have disappeared from history? Yes please!

Black Berry and Wilde Rose by Sonia Velton
Published by: Blackstone Publishing
Publication Date: May 7th, 2019
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Set in eighteenth-century Spitalfields, London, Blackberry and Wild Rose is the rich and atmospheric tale of a household of Huguenot silk weavers as the pursuit of the perfect silk design leads them all into ambition, love, and betrayal.

When Esther Thorel, wife of a master silk weaver, rescues Sara Kemp from a brothel, she thinks she is doing Gods will, but her good deed is not returned. Sara quickly realizes that the Thorel household is built on hypocrisy and lies and soon tires of the drudgery of life as Esthers new ladys maid. As the two womens relationship becomes increasingly fractious, Sara resolves to find out what it is that so preoccupies her mistress

Esther has long yearned to be a silk designer. When her early water colors are dismissed by her husband, Elias, as the daubs of a foolish girl, she continues her attempts in secret. It may have been that none of them would ever have become actual silks, were it not for the presence of the extraordinarily talented Bisby Lambert in the Thorel household. Brought in by Elias to weave his masterpiece on the Thorels loom in the attic of their house in Spitalfields, the strange cadence of the loom as Bisby works is like a siren call to Esther. The minute she first sets foot in the garret and sees Bisby Lambert at his loom, marks the beginning of Blackberry and Wild Rose, the most exquisite silk design Spitalfields has ever seen, and the end of the Thorel households veneer of perfection.

As unrest among the journeyman silk weavers boils over into riot and rebellion, it leads to a devastating day of reckoning between Esther and Sara."

While I could say what first caught my eye is the weavers and how much I love that home art, but really, I just love the word Spitalfields... 

The Lady and Her Secret Lover by Jenn LeBlanc
Published by: Illustrated Romance
Publication Date: May 7th, 2019
Format: Kindle, 366 Pages
To Buy

The official patter:
"When Ellie and Lou fall in love, it is with great abandon. And they have grand ideas. A small cottage, a garden, a goat to manage the weeds, sheep for wool to knit.

But the truth of the matter lies in the reality. Louisa must marry, to the satisfaction of her father, and so must Ellie - whose family hopes for a title to add legitimacy to their status, opening doors in the ton. And when Louisa’s father discovers them together nothing can ever be the same.

A friend rescues Louisa from a horrible fate, sending her into hiding for her own protection. For three long years, Louisa remains in exile out of fear of what her father could do.

Necessity returns Louisa to London, and as soon as she does, the memories of her beautiful Ellie haunt her. But Louisa has no idea if Ellie is even here, or unmarried, or still in want of her as Louisa is and has been since that first moment she saw her across the shimmering ballroom. Louisa fears discovering the truth of it all, that she was but a passing fancy born of the excitement of the heat of a first season.

Will she find Ellie? Will the woman still want her? And even if so, what can they do now that they couldn’t do before?

Nothing has changed, but everything is different."

I'm liking this trend of mainstream romance embracing LGBTQ relationships in other eras.

Tightrope by Amanda Quick
Published by: Berkley
Publication Date: May 7th, 2019
Format: Hardcover, 320 Pages
To Buy

The official patter:
"An unconventional woman and a man shrouded in mystery walk a tightrope of desire as they race against a killer to find a top secret invention in this novel from New York Times bestselling author Amanda Quick.

Former trapeze artist Amalie Vaughn moved to Burning Cove to reinvent herself, but things are not going well. After spending her entire inheritance on a mansion with the intention of turning it into a bed-and-breakfast, she learns too late that the villa is said to be cursed. When the first guest, Dr. Norman Pickwell, is murdered by his robot invention during a sold-out demonstration, rumors circulate that the curse is real.

In the chaotic aftermath of the spectacle, Amalie watches as a stranger from the audience disappears behind the curtain. When Matthias Jones reappears, he is slipping a gun into a concealed holster. It looks like the gossip that is swirling around him is true - Matthias evidently does have connections to the criminal underworld.

Matthias is on the trail of a groundbreaking prototype cipher machine. He suspects that Pickwell stole the device and planned to sell it. But now Pickwell is dead and the machine has vanished. When Matthias’s investigation leads him to Amalie’s front door, the attraction between them is intense, but she knows it is also dangerous. Amalie and Matthias must decide if they can trust each other and the passion that binds them, because time is running out."

A cursed house? A killer robot? Cryptography? Yes, yes, and yes! 

After the Party by Cressida Connolly
Published by: Pegasus Books
Publication Date: May 7th, 2019
Format: Kindle, 272 Pages
To Buy

The official patter:
"A captivating novel of manners that tells the story of a dark and disturbing period of British history, by a master storyteller.

It is the summer of 1938 and Phyllis Forrester has returned to England after years abroad. Moving into her sister’s grand country house, she soon finds herself entangled in a new world of idealistic beliefs and seemingly innocent friendships. Fevered talk of another war infiltrates their small, privileged circle, giving way to a thrilling solution: the appointment of a great and charismatic new leader who will restore England to its former glory.

At a party hosted by her new friends, Phyllis lets down her guard for a single moment, with devastating consequences. Years later, Phyllis, alone and embittered, recounts the dramatic events which led to her imprisonment and changed the course of her life forever.

Powerful, poignant, and exquisitely observed, After the Party is an illuminating portrait of a dark period of British history which has yet to be fully acknowledged."

Sometimes I suffer from WWI fatigue, but who can resist a country estate and a party with devastating consequences?

Every Tool's a Hammer: Life Is What You Make It by Adam Savage
Published by: Atria Books
Publication Date: May 7th, 2019
Format: Hardcover, 288 Pages
To Buy

The official patter:
"Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making and of my own productive obsessions, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you.

Through stories from forty-plus years of making and molding, building and break­ing, along with the lessons I learned along the way, this book is meant to be a toolbox of problem solving, complete with a shop’s worth of notes on the tools, techniques, and materials that I use most often. Things like: In Every Tool There Is a Hammer - don’t wait until everything is perfect to begin a project, and if you don’t have the exact right tool for a task, just use whatever’s handy; Increase Your Loose Tolerance - making is messy and filled with screwups, but that’s okay, as creativity is a path with twists and turns and not a straight line to be found; Use More Cooling Fluid - it prolongs the life of blades and bits, and it prevents tool failure, but beyond that it’s a reminder to slow down and reduce the fric­tion in your work and relationships; Screw Before You Glue - mechanical fasteners allow you to change and modify a project while glue is forever but sometimes you just need the right glue, so I dig into which ones will do the job with the least harm and best effects.

This toolbox also includes lessons from many other incredible makers and creators, including: Jamie Hyneman, Nick Offerman, Pixar director Andrew Stanton, Oscar-winner Guillermo del Toro, artist Tom Sachs, and chef Traci Des Jardins. And if everything goes well, we will hopefully save you a few mistakes (and maybe fingers) as well as help you turn your curiosities into creations.

I hope this book inspires you to build, make, invent, explore, and - most of all - enjoy the thrills of being a creator."

Why was Mythsbusters ever cancelled? WHY!?! 

Storm Cursed by Patricia Briggs
Published by: Frances Lincoln Children's Books
Publication Date: May 7th, 2019
Format: Hardcover, 32 Pages
To Buy

The official patter:
"New in the critically acclaimed Little People, BIG DREAMS series, discover the life of David Bowie, the starman who dazzled audiences with his music.

As a child, young David had a head full of songs and ideas. He was inspired by the pop and mod scenes in Britain to pick up the saxophone. After earning his stripes in some of the coolest bands in London, David splashed onto the solo scene. His songwriting talent and musical skill made him one of rock and roll's all-time greatest artists. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed profile of the musician's life.

Little People, BIG DREAMS is a best-selling series of books and educational games that explore the lives of outstanding people, from designers and artists to scientists and activists. All of them achieved incredible things, yet each began life as a child with a dream.

This empowering series offers inspiring messages to children of all ages, in a range of formats. The board books are told in simple sentences, perfect for reading aloud to babies and toddlers. The hardcover versions present expanded stories for beginning readers. Boxed gift sets allow you to collect a selection of the books by theme. Paper dolls, learning cards, matching games, and other fun learning tools provide even more ways to make the lives of these role models accessible to children.

Inspire the next generation of outstanding people who will change the world with Little People, BIG DREAMS!"

I want to be all, go out and buy this book, but instead, I'm going to be all, avoid this book, it's so inaccurate and incomplete it angered the Bowie fan in me. And that's about 100% of me, so there was a lot of anger.

Friday, May 3, 2019

Book Book of 2017 - Jane Austen's Mansfield Park

Mansfield Park by Jane Austen
Published by: Doubleday
Publication Date: 1814
Format: Hardcover, 496 Pages
Rating: ★★★★★
To Buy

Fanny Price is a burden to her poor and ever expanding family. Her two maternal aunts decide to help their disadvantageously married sister by taking Fanny in at Mansfield Park, separating the young girl from the only family she has ever known and her beloved brother William. She is to be raised with her four cousins, Tom, Edmund, Maria, and Julia. Given all the advantages they have but never once allowed by her aunt, Mrs. Norris, to ever think herself their equal. If it wasn't for the kindness of her cousin Edmund to that undersized ten year old Fanny would have despaired. Instead she has grown up knowing her place and hopelessly in love with Edmund. But it is the eldest, Tom, who is causing trouble. He has racked up debts that require his father to sell the living of the local parsonage that was to be Edmund's and the Grants move in. This wouldn't have been a catastrophic event except for what happened next. Fanny's uncle, Sir Thomas Bertam, was called away to Antigua, taking Tom with him. The power vacuum at Mansfield Park was filled by Mrs. Norris. She sees this time as coming into her own, she finds a dunderhead of a fiance for Maria, and encourages an intimacy with the parsonage, an intimacy which is far more interesting to the inhabitants of Mansfield Park when Mrs. Grant's two siblings, Henry and Mary Crawford arrive. Mrs. Norris hopes to marry Henry to Julia and Mary, well Mary initially thinks only of Tom, until she begins to see what Fanny sees in Edmund. But the trouble caused with Henry and his ever roving eye, going from Julia to Maria to Fanny will change Mansfield Park forever.

When I first read Mansfield Park I took a bizarre pride in being one of the few to actually love it more than Pride and Prejudice and Sense and Sensibility. I thought anyone who didn't view it as Austen's best work was deluded and therefore not worth my time. I have often felt myself against the Austen mainstream. Bucking treads and going my own way and listening to my heart and not to academic discourse. Because if there's one thing I can be certain of it's that Jane Austen herself would despise many of the people who populate the higher ranks of her so-called "societies." So for years I held firmly to my beliefs of the superiority of my tastes without giving thought to how much change is inflicted by time and circumstance. When I first re-read Mansfield Park I felt like I had been slapped. It was a rude awakening to not find the book I loved at eighteen. But since then I've realized that each re-reading of Austen leads to a fluctuation in my rankings and this time wasn't any different. I was again back to embracing Fanny and adoring Mansfield Park. What I realized is that why I connected to Mansfield Park as a teenager and why I reconnected to it now was because both times in my life I was facing similar issues. I was going through a time where I felt slighted, imposed upon, where I was nothing more than a tool to be of use to other people. I was part of their life but I didn't have one of my own. My identity was subsumed into theirs, nothing more than a dogsbody. Just like Mrs. Norris treats poor Fanny. Oh Fanny, how I feel your pain all over again. The rest of your readers labeling you as dull don't get what it's like to live your life. I do and I am united with you, the constant, put-upon servant. I hope I'm just as lucky in my happily ever after.

While I was reconnecting to Fanny and her small world that is perfectly contained and intimate, I, as well as Austen, was ruminating on how the wider world works in general but also the world's influence on small family groupings. In particular the idea of selling off your child and how that child fits into a new family dynamic. While yes, I will grudgingly admit that with Antigua there is an underscoring of slavery, the real slavery Austen was interested in here is adoption. And while she might have been telling the story about Fanny's adoption into her cousins' family, I think it was actually a thinly veiled reference to her own life. Jane's brother Edward was "presented" to his wealthy relatives Thomas and Catherine Knight, the same relatives who gave Jane's father the living at Steventon, when Edward was twelve and Jane was five. Edward became their legal heir and left Jane's family unit. How might this have effected young Jane? Could she have written Mansfield Park as a way to handle this trauma in her life? I personally think she did. Because while everything turned out alright for Fanny as it did for her brother Edward, one might say that the first half of Mansfield Park is her real feelings and the second half is her hopes and dreams. In the beginning Mansfield Park is really a scathing indictment of what it is to live under the roof of relatives who view you as lesser than. Again and again Fanny is pushed aside and put-upon. And that doesn't even cover the emotional underpinnings of being separated from her beloved brother William. There is alienation and longing just seeping off these pages. Part of me thinks it's a little cruel of Jane to write a book that her family couldn't help but see as reflecting their own lives, but then in the end she flips it. The life Fanny left wasn't worth living. This is where I think Jane goes a little fanciful. She wishes so much for this happily ever after to be the case that the turn around is more a fairy tale than realism. But I hope she realized that her brother, in the end, like Fanny, had a good long life.

This then leads into the complication of a nature versus nurture scenario. Fanny comes out the best of all the young females raised in the Bertram household. She is well behaved, loved, and gets the man of her dreams. Whereas Julie elopes and Maria, well Maria leaves her wealthy husband for Henry Crawford who then tires of her so she must leave him and live the rest of her life in seclusion. If we can assume they all had the same base nature we see that the cossetting of Maria by Mrs. Norris and her constant grinding of Fanny under her boot-heel had the exact opposite effect. Tom was likewise going to the bad but his severe illness reformed him. Therefore Mansfield Park is showing us again and again that it's the nurturing that matters. That hardship and strife make for a better person. Look even to Fanny's own siblings, those that are overly loved, like her youngest sister, are beyond hope, but Susan, the sister who is ignored and put-upon, she is worthy and therefore comes and joins the inhabitants of Mansfield Park. But while it is shown in all the cousins it is magnified and expanded upon with the Crawfords. Henry and Mary were raised by an uncle with very lax values. After his wife, their aunt, died he brought his mistress under his roof, therefore exposing Henry and Mary to this want of propriety. Again and again they are shown to lack a moral compass. They say things that are painful for Fanny to hear. In fact, their complete want of sympathy even leads Mary to hope that Tom dies so that Edmund, whom she loves as best she can, will be a man worthy of her. What I find interesting is that Austen tries to make you forget for awhile that the Crawfords are undesirables due to their nurturing. They are "reformed" and viewed as eligible spouses. But in the end their character will out. As Edmund laments, if Mary had just been raised differently, her kind nature could have overcome all. Poor Edmund, but lucky Fanny.

That is lucky Fanny if you really like Edmund. In fact while most people refer to this romantic duo as sticks-in-the-mud I think that they are being unfairly lumped together, most likely because mud is sticky. The truth is the problem doesn't lie with Fanny, it lies with Edmund. He's just wallowing in the mud. Oh Edmund, I want to like you, but Fanny formed an early attachment to you from some small kindnesses and now we're stuck with you as our hero. The fact is Edmund is more than a little too preachy for my tastes. In the beginning he's always pointing things out to Fanny about how she should feel, how she should think about a situation. He forms her sense and her sensibility and then what does he do? He throws it all out the window when it comes to himself. He points out all the flaws that Mary's character contains and then promptly falls in love and she's an angel. Hence the drop back to reality at the end really amuses me. But the truth is if he had just practiced what he preached that scenario would never have happened. Fanny is stalwart. She sees the flaws, and, oh dear, the pain she feels as Edmund is always making excuses and backpedaling. Fanny can never fully like Mary, not just because she is her romantic rival, but because she is a flawed individual that isn't worthy of Edmund. What is interesting is that Austen never redeems the Crawfords. She toys with us that she might, but in the end, they are literally the white trash of the time with the loosest morals around. And while, as a writer, it would be fun to play a preacher against a loose woman, as a reader being one with the character who is on the outside looking in, it's just painful. And Edmund causing such pain to Fanny? Makes you dislike him all the more. He's such a hypocrite!

But as much as Edmund annoys me I can overlook many of his flaws when comparing him to Henry Crawford. Because Henry Crawford is a far more troublesome character. It's not that he's basically an idiot, it's that we're expected to believe that he has reformed. That he actually "fell" for Fanny. I don't for a second believe this. I think it was a game to him to start with, which he clearly admits, but I don't think it ever became real. I don't think he ever loved Fanny. I think he loved the idea of falling for Fanny and fooled himself into believing it was the truth. He loved the concept not the actuality. He loved the challenge of capturing the heart of the only woman he'd ever met who didn't fall for him. Austen seems to say that Fanny would have been at risk if her heart hadn't already been taken by another. I call BS! With Fanny's morals she could never have fallen for Henry's insincere flatteries. And the thing is I just don't know how to handle this turn-around. Did Austen actually want us to believe it? Like how she tried in vain to redeem Willoughby at the last minute in Sense and Sensibility? At least with Willoughby it makes a kind of sense, because the connection between him and Marianne was something that was real, was palpable to the reader. Here it's just hollow gestures. And then, when he runs off with Maria at the end? We're supposed to believe that he just couldn't help himself? I'm sorry, but if he actually did love Fanny then he would NEVER have done such a thing. And to have Mary blaming Fanny for Henry's wayward behaviour? Yes, I know it's meant to put the final nail in the coffin of Mary and Edmund, but still... of all that happens in books that I am able to believe as true, from magic to dragons, I can not nor will I ever believe Henry Crawford's turn-around.

Wednesday, May 1, 2019

Book Book of 2018 - Robert Galbraith's Career of Evil

Career of Evil by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 20th, 2015
Format: Hardcover, 492 Pages
Rating: ★★★★★
To Buy

Robin Ellacot's life is about to change. It has changed many times over the last year, professionally from taking a job as Cormoran Strike's secretary and gaining his confidence, allowing her to tail clients as a full fledged investigator, and personally, from getting engaged to Matthew to Matthew's mother dying thus resulting in their wedding being postponed. She has swung with the punches and has everything under control. When she arrives at work one day there's a package addressed to her and she's confident it's just another item on her checklist for wedding prep. She couldn't be more wrong. Within the box is a severed woman's leg along with a Blue Öyster Cult quote from "Mistress of the Salmon Salt (Quicklime Girl.)" While the package was addressed to her it is obviously a message for Cormoran. The leg, severed just as his was, the song, a favorite of his mother's. Cormoran has many enemies in his past, but there are four capable of such cruelty and perversity; Terrence 'Digger' Malley, a mobster, Noel Brockbank, a pedophile whom Strike investigated when he was in SIB, Donald Laing, a domestic abuser whom Strike had locked up, and his number one suspect, Jeff Whittaker, his stepfather whom he believes responsible for his mother's death. Who else but his stepfather would quote that specific song?

The police though think the mobster Malley is their number one suspect and don't follow up on the other leads. Which leaves it up to Cormoran and Robin to track down the other three suspects. Because Cormoran knows he's prejudiced to his stepfather he won't eliminate the other two until he has conclusive evidence one way or the other. But that doesn't stop the memories from flooding in. The horror of the bedsit, finding his mother dead, the trial that acquitted Whittaker. Cormoran, Robin, and even Matthew are being haunted by their pasts, but whose past will prove deadly? When Robin starts to become the focus of the killer her inability to step back from the case leads to a rupture with Matthew while simultaneously bringing her and Cormoran closer together. They travel the length and breath of England trying to track down these three disturbed men, yet perhaps the world of body dysmorphia and those who want to be handicapped and amputated is the most disturbing of all. Especially to Cormoran who can't see why anyone wouldn't want two functioning legs. As the bodies pile up the stakes get higher and the danger more immediate. Can they find the killer before he gets to one of them or are all three men guilty of something and will stop at nothing to protect their secrets?

When J.K. Rowling was revealed to be Robert Galbraith the first book in the Cormoran Strike series, The Cuckoo's Calling, instantly moved up my to be read list, though I take a little bit of pride in the fact that it was on my to be read list prior to the reveal. The first book introduces us to her cast of characters and a crime that needs to be solved, but it's quickly apparent that Rowling is more interested in the characters than the crime. Which is fine, as long as the balance is correct. There needs to be enough of a connection between the characters and the crime in order for them to jointly propel the narrative. This balance wasn't achieved until Career of Evil, the third book in the series. The first two books deal with celebrity and the literary world, which is personal, for Rowling, only tangentially so for Strike. Therefore to have such a personal story, a crime so entangled with Cormoran and Robin, the series not only reached it's zenith, it reached it's full potential. To have fallen in love with these two characters over the course of this series but to have that feeling that their journey could be so much more, to feel the wasted potential, it was almost painful to read. But if I were to compare this series to Rowling's far more famous wizarding series, there too the third volume is where it all clicked for me. So in the future, if Rowling ever starts another series under her own or another name, remind me to give her until the third installment to pass judgment.

Cormoran's relationship with Robin has benefited from this slow burn of narrative construction. In the very first book, almost from the second Cormoran meets Robin, he says to himself that their relationship can only ever be platonic, despite her looks, her talents, and that dress he got her. She is with Matthew, and that is that. Therefore as a reader you also put it out of your mind. They are colleagues nothing more. They will not fall prey to the "Moonlighting Effect!" Yet having just watched all of Moonlighting again, you can clearly see how they failed. The constant bait and switch, the characters acting out of character, and finally just trying to deny there ever was any chemistry to begin with. Here we have seen strangers become friends become colleagues and maybe, one day, they will become something more. When Robin temporarily breaks things off with Matthew and is more and more with Cormoran, she wonders, he wonders, we all wonder, could this be the first step? So while there has been a little of that Moonlighting frisson sprinkled into this latest installment, I kind of do and don't want something to happen. But what I did want was to luxuriate in each and every page as I went on this journey with a couple who might never become a couple...

Because Robin has a complicated past. Long hinted at and finally revealed. I applaud that Robin's assault in college shows what a strong person she is. Yes, she dropped out of college and retreated into herself and stays with Matthew because he's "safe." Yet at the same time she was able to pay attention when she was attacked and came forward to be the key witness to send the rapist to prison. This is such a key insight into Robin's personality. She preservers despite whatever odds are stacked against her. She wants to fight for what is right, she wants to catch the bad guys, she wants to be there, at Cormoran's side, not hiding away in a bedroom staring at the same four walls day in and day out. Despite being published three years before the launch of the #MeToo movement, Robin's story shows us strength through pain. She has taken what many still unjustly view as a stigma and didn't let it define her but let it inform who she became. Before this revelation of hers I didn't so much wonder why she left college, there are myriad reasons for people to do so, but I did often wonder what Robin the psychologist would have been like. Would she have been able to help people in as tangible a method as she does with Cormoran? Or did her attack lead her to the life she was meant to lead? Of course, this is a book so it's all staged to be fate, but to me Robin is real and she's a survivor who has come into her own.

Switching gears, for all those people out there who don't read books and instead wait for them to be adapted into movies or TV series I have to really restrain myself from beating them about the head and instead I will take the higher ground and tell them why sometimes books are better for certain narrative techniques. There are things you can do in a book that just don't work in a visual medium. For example the trope of seeing through a killer's eyes works so much better in prose versus tricky POV shots and shaky camera angles on screen where we see their lair or their next victim between some foliage. It's not just that it's a cliche, it's that sometimes it plays the final hand without the filmmakers really realizing it. I will take the movie Kiss the Girls as an example. Now hopefully you won't get mad at me for spoiling a film that came out over twenty years ago based on a book by James Patterson from 1995, but you've had ample chances to watch it before now and if you're honest with yourself, you would have seen it sometime in the last twenty years if you really wanted to. So, my mom was watching the opening of the movie and the killer is narrating, and I said, "I didn't know Cary Elwes was in the movie." So the ending was ruined because I recognized the killer's voice... That can't happen in books! There's so much more tension not knowing and not inadvertently spoiling it for yourself. Books for the win!

Also, Rowling, I mean, Galbraith, doesn't just know the tropes and what works better when, she revels in toying with the reader. The use of red herrings in Career of Evil is masterful, because some are made purposefully obvious and others are hidden, but all the while you're thinking, is this a red herring or is this something else? While red herrings are traditionally thought of as just misleading information that has to be worked through in order solve the crime they are also meant as a distraction. Here's something shiny, is it important? And I was like a cat, pouncing on every single one and playing with it, holding it up to the light, wondering, is this a real clue, gnawing on it a bit, and eventually just waiting for the next one to show up and start me thinking all over again. Even the title of the book is a red herring! The song "Career of Evil" by Blue Öyster Cult makes you think that only one of the three suspects that Cormoran has fingered could possibly be the perpetrator, and Galbraith toys with that assumption again and again. For over four hundred pages the three suspects are deftly juggled with red herrings so that you never know where the finger will finally point. This made me devour this book late into the night wanting to know the answer but at the same time hoping it would never end. Thankfully I have Lethal White now lined up...

Ten years

This May 19th I will have been blogging for ten years! TEN YEARS!?! There's part of me that thinks, it can't possibly have been that long, while another warring part of me thinks it's been far longer. But I couldn't let this milestone go by without some sort of fanfare. So here we are, looking back on ten years and for a book blogger what's the best way to do that? Through their favorite books they've read. That's right, for all of May I'm celebrating the best books of the last decade, AKA my best books, because rarely do I agree with any "best books" lists. So join in the celebration! What are some of your favorite books you've read in the last ten years? And if I know you like I think I do, you have a list just like me. So let's party!  

Monday, April 29, 2019

Tuesday Tomorrow

The 18th Abduction by James Patterson and Maxine Paetro
Published by: Little, Brown and Company
Publication Date: April 30th, 2019
Format: Hardcover, 416 Pages
To Buy

The official patter:
"Detective Lindsay Boxer's investigation into the disappearance of three women teachers quickly escalates from missing persons to murder in the newest Women's Murder Club thriller.

For a trio of colleagues, an innocent night out after class ends in a deadly torture session. They vanish without a clue - until a body turns up. With the safety of San Francisco's entire school system at stake, Lindsay has never been under more pressure. As the chief of police and the press clamor for an arrest in the "school night" case, Lindsay turns to her best friend, investigative journalist Cindy Thomas. Together, Lindsay and Cindy take a new approach to the case, and unexpected facts about the victims leave them stunned.

While Lindsay is engrossed in her investigation, her husband, Joe Molinari, meets an Eastern European woman who claims to have seen a notorious war criminal - long presumed dead - from her home country. Before Lindsay can verify the woman's statement, Joe's mystery informant joins the ranks of the missing women. Lindsay, Joe, and the entire Women's Murder Club must pull together to protect their city, and one another - not from a ghost, but from a true monster."

Easily my favorite, and my mom's, James Patterson series. 

The Invited by Jennifer McMahon
Published by: Doubleday
Publication Date: April 30th, 2019
Format: Hardcover, 3568 Pages
To Buy

The official patter:
"A chilling ghost story with a twist: the New York Times bestselling author of The Winter People returns to the woods of Vermont to tell the story of a husband and wife who don't simply move into a haunted house - they build one...

In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house - a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse - objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger."

Because even with the best intentions, things can go to the bad.

The Lazarus Files by Matthew McGough
Published by: Henry Holt and Co.
Publication Date: April 30th, 2019
Format: Hardcover, 608 Pages
To Buy

The official patter:
"A deeply-reported, riveting account of a cold case murder in Los Angeles, unsolved until DNA evidence implicated a shocking suspect - a female detective within the LAPD’s own ranks.

On February 24, 1986, 29-year-old newlywed Sherri Rasmussen was murdered in the home she shared with her husband, John. The crime scene suggested a ferocious struggle, and police initially assumed it was a burglary gone awry. Before her death, Sherri had confided to her parents that an ex-girlfriend of John’s, a Los Angeles police officer, had threatened her. The Rasmussens urged the LAPD to investigate the ex-girlfriend, but the original detectives only pursued burglary suspects, and the case went cold.

DNA analysis did not exist when Sherri was murdered. Decades later, a swab from a bite mark on Sherri’s arm revealed her killer was in fact female, not male. A DNA match led to the arrest and conviction of veteran LAPD Detective Stephanie Lazarus, John’s onetime girlfriend.

The Lazarus Files delivers the visceral experience of being inside a real-life murder mystery. McGough reconstructs the lives of Sherri, John and Stephanie; the love triangle that led to Sherri’s murder; and the homicide investigation that followed. Was Stephanie protected by her fellow officers? What did the LAPD know, and when did they know it? Are there other LAPD cold cases with a police connection that remain unsolved?"

I'm all about true crime in California!

A Veil Removed by Michelle Cox
Published by: She Writes Press
Publication Date: April 30th, 2019
Format: Paperback, 400 Pages
To Buy

The official patter:
"Murder is never far from this sexy couple...even during the holidays!

Their honeymoon abruptly ended by the untimely death of Alcott Howard, Clive and Henrietta return to Highbury, where Clive discovers all is not as it should be. Increasingly convinced that his father’s death was not an accident, Clive launches his own investigation, despite his mother’s belief that he has become “mentally disturbed” with grief. Henrietta eventually joins forces with Clive on their first real case, which becomes darker - and deadlier - than they imagined as they get closer to the truth behind Alcott’s troubled affairs.

Meanwhile, Henrietta’s sister, Elsie, begins, at Henrietta’s orchestration, to take classes at a women’s college - an attempt to evade her troubles and prevent any further romantic temptations. When she meets a bookish German custodian at the school, however, he challenges her to think for herself...even as she discovers some shocking secrets about his past life."

The bookish German custodian has some Little Women overtones!

Murder Knocks Twice by Susanna Calkins
Published by: Minotaur Books
Publication Date: April 30th, 2019
Format: Paperback, 320 Pages
To Buy

The official patter:
"The first mystery in Susanna Calkins’ captivating new series takes readers into the dark, dangerous, and glittering underworld of a 1920s Chicago speakeasy.

Gina Ricci takes on a job as a cigarette girl to earn money for her ailing father - and to prove to herself that she can hold her own at Chicago’s most notorious speakeasy, the Third Door. She’s enchanted by the harsh, glamorous world she discovers: the sleek socialites sipping bootlegged cocktails, the rowdy ex-servicemen playing poker in a curtained back room, the flirtatious jazz pianist and the brooding photographer - all overseen by the club’s imposing owner, Signora Castallazzo. But the staff buzzes with whispers about Gina’s predecessor, who died under mysterious circumstances, and the photographer, Marty, warns her to be careful.

When Marty is brutally murdered, with Gina as the only witness, she’s determined to track down his killer. What secrets did Marty capture on his camera - and who would do anything to destroy it? As Gina searches for answers, she’s pulled deeper into the shadowy truths hiding behind the Third Door."

Chicago during the 1920s has always fascinated me, mainly because that's when my grandmother used to sneak away from school and hang out at all the speakeasies... I'm sure if she would approve of this new series. Also can we say cover lust?

The Almanack by Martine Bailey
Published by: Severn House Publisher
Publication Date: April 30th, 2019
Format: Hardcover, 304 Pages
To Buy

The official patter:
"The philosophy of time, destiny and the stars pervade this intricate historical mystery in which a young woman determines to avenge her mother’s death. 1752, Midsummer. Following a desperate summons from her mother, Tabitha Hart departs London for her home village of Netherlea - only to discover that her mother has drowned. Determined to discover the truth about the Widow Hart’s death, Tabitha consults her almanack and uncovers a series of cryptic notes describing her mother’s terror of someone she names only as ‘D’. Teaming up with young writer Nat Starling, Tabitha begins a race against time to unmask ‘D’ before more deaths follow. But as the summer draws to a close and the snow sets in, cutting off Netherlea from the outside world, Tabitha and Nat are forced to face the darkest hours of their lives. With the year predicted to meet a ‘violent, bloody end’’ will Tabitha survive long enough to bring her mother’s killer to justice?"

I wish that we still lived in a time when almanacks ruled how we viewed the world and how we passed on information.

Warrior Prime by Victor Gischler
Published by: 47North
Publication Date: April 30th, 2019
Format: Paperback, 361 Pages
To Buy

The official patter:
"Peyne Erlich’s mission from the king is to learn everything he can about the rival kingdom’s magical ink mage warriors. What he finds is Zayda Yond.

Ever since Zayda was sold into servitude by her financially destitute father, her masters have taught her a punishing lesson: erase the past. Collared with an unmovable band of exotic metal, she faces a future of slavery. She’s also become an ink mage, marked with a tattoo that enables her to experience the world as no one else can - a powerful honor, yet one out of her control. Now, Zayda dreams only of escape.

She gets her chance when a scuttled ocean passage leaves her in a longboat, and in the company of another lone survivor, Peyne, a foreign envoy - spoiled, noble, a libertine, and a gambler. He’s also a skilled fighter. And when they make it to land, in wild and unfamiliar jungle territory, he’s the only person Zayda can trust.

Then come rumors of a lost desert city said to hold the key to removing Zayda’s collar. Shadowed by enemies who want to use her power to win their own war, Zayda must fight for her freedom - whatever the cost. And Peyne will do anything to help her."

The cover screams "space opera" but what intrigues me is the ink magic. 

Firefly: The Unification War Vol. One by Greg Pak
Published by: BOOM! Studios
Publication Date: April 30th, 2019
Format: Hardcover, 144 Pages
To Buy

The official patter:
"A new era of Firefly starts here, as the secret history of the Unification War is revealed at last!

From Joss Whedon (Buffy the Vampire Slayer, Avengers) comes a new era of Firefly, as the definitive story of the Unification War is told at last!

Captain Malcolm Reynolds thought he could outrun his past, but when a simple heist goes wrong, he’s forced to confront it. With the fabled Traitor of Serenity Valley in his sights, Mal’s quest for revenge will put him at odds with his own crew, forcing him to make a choice: fix the past or fight for the future.

Along with Whedon, writer Greg Pak (Mech Cadet Yu, Totally Awesome Hulk, Weapon X) and artist Dan McDaid (Judge Dredd: Mega City Zero) take you back to the battleground where it all began...and reveal a secret history that might end it all."

Literally the FIRST of all the Firefly comics to actually capture the feel of the series without ruining it with a stupid ending.

Friday, April 26, 2019

Book Review - Alison Goodman's The Dark Days Deceit

The Dark Days Deceit by Alison Goodman
Published by: Viking Books for Young Readers
Publication Date: November 20th, 2018
Format: Hardcover, 544 Pages
Rating: ★★★★★
To Buy

Six months have passed since Lady Helen and Lord Carlston were united to form the Grand Reclaimer. Six months in Bath believing the final words of a Deceiver, the Comte d'Antraigues. Six months in which they are no closer to accessing their new powers; powers given to them in order to defeat the Grand Deceiver. What's more, Lady Helen absorbed the vile pages and power of the Ligatus when she and Lord Carlston formed their bond and she is barely holding back the darkness. The Ligatus could provide all their answers if only she could access it. Drastic actions must be taken as Lady Helen's marriage to the Duke of Selburn approaches and therefore the decision is made to hypnotize Helen to access the power wherein she promptly decimates Lady Margaret's house. Relocating to her fiance's nearby country estate, Chenwith, has it's advantages and disadvantages. Helen and Lord Carlston can work on wresting control over their power in seclusion but they are also surrounded by many people unaware of the Dark Days Club who expect Helen to act her part of the dutiful bride-to-be. And Helen's Aunt and brother are about to arrive! They can not know of her secret shadow life! Or more importantly, that which she can barely admit to herself, that she loves Lord Carlston.

Even if Helen can't admit her true feelings her Aunt sees the lay of the land and does everything in her power to keep the two halves of the Grand Reclaimer apart without knowing what damage she is doing. But whisking Helen back to the spa town has it's advantages. Helen can continue her search for the Bath Deceiver, the Deceiver who has the answers she and Lord Carlston need according to the Comte d'Antraigues. But danger is circling nearer and nearer as Helen attends to her nuptial and supernatural duties. Certain dangerous Deceivers are spotted and soon the unthinkable happens, one of their own is cut down. Poor Delia Cransdon, who has suffered much at the hands of the Deceivers, is murdered in broad daylight. Helen shoulders all the blame. Delia was an innocent who Helen had lately rebuked and it's something she can never take back and must live with forever. If any good could be said to come of a death it's that the Bath Deceiver is flushed out by this heinous act and Helen finally gets the answers she's needed on how to harness her powers. With reinforcements provided by the Dark Days Club they hole up at Chenwith and wait for the Grand Deceiver to make their move, because just as the Grand Reclaimer is a dyad, so is the Grand Deceiver. Only one needs to be cut down in order to succeed. But will the battle be won before Helen has to walk down the aisle? And who will win the batter for her heart?

The Dark Days Deceit is the perfect end to Alison Goodman's trilogy in that it combines the best aspects of the first and second books to create this wonderful melding of all that I loved in those installments for a last hurrah. We return more to the Georgian society of The Dark Days Club with Bath society and balls and the upcoming nuptials, yet we still have the more explicit darkness from The Dark Days Pact that doesn't flinch from cutting down favorite characters. I'm sorry, but I don't think I can ever forgive Alison for killing the Reclaimer Stokes in The Dark Days Pact, my Regency Hiddles. Yet what I loved most about this book was Bath! As Alison says in her "Author's Note" it's a town forever entwined with Austen and the Regency period. If you were to visit during the Jane Austen Festival, which is a dream of mine, it's the best alternative to time travel available to us at the moment. Though for me as soon as Lady Helen stepped out onto the streets of Bath and into a steamy little cafe I was instantly transported right into Jane Austen's Persuasion. There is something about this city, more than anywhere in England, that makes it Jane Austen's city, aforementioned festival or no. All the feelings I have about poor Anne Elliot's heart were brought to the fore as I read about Helen and Selburn getting married. Propriety be damned, marry for love! Be it Lord Carlston or Captain Wentworth!

Hearts aren't the only thing in jeopardy. There are so many series, from books to television shows to movies, that shy away from putting their characters in actual jeopardy. It's like, no matter how bad things get, no matter what goes wrong, you know that there's still this thin bubble protecting them from actually dying. Because they would never go there. Yet time and again I will say that unless the writers in whatever media are willing to go there than what is the point? There has to be real risk. Joss Whedon knows this, of course I think his was more a perverse glee to harm his fanbase, but you knew that your heart could be broken and that somehow made his shows more precious. Just look at what they did literally last week on The Magicians, the ONE character everyone thought was safe died. And not died like several characters on The Magicians have in the past, they died and left the show! That shock to the system, besides leaving me in a puddle of tears, made me realize why I love that show so much, because of my connection to the characters. Here Alison Goodman has done the same. Each and every character is at risk, and many of them meet an untimely end, and that gut punch I kept repeatedly feeling, that made me realize how invested I'd become in this series and these characters. This isn't a series that I'll read and forget, this is a series I'll go back to again and again.

What I found endearing and at times exasperating was Helen's attempts to compartmentalize her feelings for Lord Carlston. Their two characters are destined to be together and yet it's not just his not-quite-dead wife or her betrothal that are getting in the way, the idea of fate is. Helen isn't sure if her feelings are real because the two of them were destined to be two halves of the Grand Reclaimer and therefore have a bond that is beyond attraction, it is supernatural. Helen thinks that her heart beats for Lord Carlston because she can literally feel his own heartbeat once they are joined into the dyad. She thinks it's not real, it's all just alchemical. That power and fate have drawn them together instead of a connection based on who they really are and what's in their hearts. And you know what? If I were in Helen's shoes I'd be thinking the same thing! She's not spurning Lord Carlston because of his reputation or gruff personality, she's spurning him because she wants to know it's real. She literally has to know it's real. And isn't that what we all want? A love that is real. Of course we don't have the supernatural elements in our love lives, but that's why I love fantasy books, that's why I love shows like Buffy the Vampire Slayer and The Magicians, they make our ordinary every day struggles resonate through otherworldly stories. Life through another lens.

And a life that I have always wanted is one in which I have a partner to whom I could carry on complete conversations with without ever actually saying a word. In the rather uneven 2005 Casanova miniseries by Russell T. Davies of Doctor Who fame starring the Tenth Doctor David Tennant there is one scene that I just adore. Tennant, as Casanova, is star-crossed in love with the character Henriette played by Laura Fraser, who happens to be engaged to Rupert Penry-Jones's Grimani. In one scene they are at a party on other sides of the room and they are having a complete conversation with their looks, a conversation that enrages Grimani. But the first time I saw that scene I thought to myself, now that is true love. That, right there, that is what I want. Therefore having Helen and Lord Carlston have so many of their conversations without once saying a word made me know, alchemy or no, they were fated to be together. Also, the way Alison Goodman writes it is perfect. Instead of inferences or going on about looks and eyebrows, she just writes out their dialogue in italics as the full conversation it is. That's why I was pulling for these two kids to work everything out, even if it ruined Helen. If you have this kind of connection, it's worth everything isn't it?

But that's the problem isn't it? A woman during the Regency period could be ruined just by misconceptions, never mind actually running off and having a full blown affair. In fact, one thing that will really stick with you after reading this book is that throughout history it has really sucked being a woman. All the duty and deference and literally being someones property? I'm sorry, but as much as there are people trying to strip away my rights in the world right now at least I have the rights that so many others, especially Helen, didn't have. Then I started thinking about how Deceivers live. They don't breed, there can be no more Deceivers in the world unless a rift is opened onto their world, so there's a set number unless they are winnowed by final deaths. So the way they continue is by body hoping to their offspring and only their offspring. This is all well and good for male Deceivers, they can knock up tons of women and have all these options of how to stay alive, whereas female Deceivers have to actually give birth to the next body they will inhabit. Excuse me? If being a female didn't suck enough, being a female Deceiver must really suck! With having to deal with the possibility of death in childbirth, despite supernatural powers, it's still dangerous, then infant mortality... well, doesn't that just suck for them? I know I should feel bad for the enemy, but they're women too and they are stuck with the same short end of the stick! Yes, it really does suck being a woman a lot of the time.

Wednesday, April 24, 2019

Book Review - Alison Goodman's The Dark Days Pact

The Dark Days Pact by Alison Goodman
Published by: Speak
Publication Date: January 21st, 2017
Format: Paperback, 512 Pages
Rating: ★★★★★
To Buy

After being caught in her bedroom with Lord Carlston on the night of her ball Lady Helen has been tossed out by her uncle. If only she could tell her family it's not what they think! But her duties as a Reclaimer come first and that means only those in the Dark Days Club can know what really happened that night in her bedroom; that she killed the rogue Reclaimer Benchley and lost her chance of ever having a normal life. She has luckily clung to respectability by the discretion of all involved and by being whisked away to Brighton for the rest of the season. While it might seem odd that she has withdrawn to Brighton "for her health" with her new acquaintances, Lady Margaret and her brother Mr. Hammond, they at least lend her an air of respectability while helping to train her in her duties as a Reclaimer. As Lord Carlston's aides the siblings are helping Lady Helen in Lord Carlston's grand scheme to disguise her as a man for her Reclaimer duties. A task that sounds easier than it's turning out to be as she must unlearn all that is feminine in order to be masculine. Add to that that she must also maintain the life expected of Lady Helen and there's barely time to sleep. Though her sleepless nights might be more the memory of an embrace shared with Lord Carlston and worrying over his declining mental health than trying to maintain two separate lives simultaneously.

Due to the rigors of the job and the demands on their bodies Reclaimers at some point have to retire before going completely mad. Yet Lord Carlston seems to be getting rapidly worse. A fact that must be kept from the bureaucratic arm of the Dark Days Club. Mr. Pike would relish the chance to put Lord Carlston out to pasture or in the ground because he was going the way of Benchley. So it is rather disconcerting when Mr. Pike arrives in Brighton. Though he's not just there to monitor Lord Carlston, he's there to force Helen to swear her allegiance to the government and to assign her a mission which she must accomplish without her full training and with only the help of Mr. Hammond. Benchley's Terrene Lowry claims to have a journal that his Reclaimer kept written in the blood of his victims that Mr. Pike is desperate to get his hands on. Only when Helen confronts Lowry his price is unacceptable to her. She must find another way to get the journal, which becomes more desperate when a Deceiver, the Comte d'Antraigues, tells Lord Carlston that the journal is the only thing that will cure his madness. Lady Helen is caught between her duty and her desire and either outcome could prove fatal.

The first book in Lady Helen's series, The Dark Days Club, for all it's darkness in showing the seamy underbelly of Regency England was still nestled in the comfortable world of Jane Austen with the drawing rooms and balls and Dukes plighting their troth. Here that life is gone. Lady Helen is no longer ensconced in society but clinging to the edges as best she can. This is a darker world from the one she was cast out from. There are whore houses catering to all tastes. Cruelty, depravity, sexual congress, all that which Lady Helen was shielded from her entire life is now on full display as she walks through Brighton disguised as a man. She was raised to arrange dinner parties not cavort around in men's garb in back allies. Yet she readily accepts the change as the duties of a Reclaimer. I fully embraced this darker tale, it's kind of like comparing an adaptation of Jane Austen to the Tom Hardy series Taboo, both take place during the same time period, but both show such radically different views of that time period. And the thing I've noticed with me, as I get older, I'm less inclined to the happily ever after and more drawn to the ambiguous, darker endings. To me they feel more real, like they're reflecting the world as it is versus how we want it to be.

And poor Helen, she is trying so hard to fit herself into this new world order but underneath it all you can see she is struggling. The scene that I think best exemplifies this is when she's told that she's getting a radical new haircut. While I've never been a girl who longs for the long hair, there is that connection between gorgeously flowing hair and femininity, more so during earlier time periods. Think how much of an impact O. Henry's The Gift of the Magi had? Or when Fantine has to sell her hair in Les Misérables? Yet for how revolutionary she is being in embracing this new life and the challenges that it presents I think she occasionally is willing to fall back on her upbringing a little too much. She was raised to listen to her Uncle, listen to men, they know what's right, so as soon as Mr. Pike swoops in with all his horrid ideas that he says she must follow she follows them when instead she should tell him to STFU. She questions Pike in her mind yet there's a part of her that just follows him blindly despite disagreeing with everything he says and does. This just shows the larger problem endemic to society and that's women should obey because they are nothing more than property. They are to do what is expected, they can not color outside the lines. Helen might be a Reclaimer, but to her brethren she is just there for their use not her opinions.

Now, to get off my high horse, let's talk about something else, let's talk about the Deceivers. So Deceivers, if they are acting in accord to the compact they have with Reclaimers they skim energy off of people without them knowing it. They are taking a little bit of their life force in order to survive. When I started reading this series I had just been on a day trip to Chicago after which one of my friend's credit cards got a fraud warning. My other friend was convinced that the number had just been swiped by an unscrupulous waitress at the restaurant we had ate at, which wasn't at all the case, because the card had never once left my friend's wallet and had been scanned with a RFID reader. The scanner takes all your vital information and gives it to the thief without you even knowing until you get a ping on your credit card. They can take away your entire life without you knowing it and as I was explaining this a light went off above my head and I realized that is what an Deceiver does! Here was a real life example of the supernatural elements in the book and it made me appreciate Alison Goodman's worldbuilding even more. To be able to explain a supernatural element in terms that those who don't necessarily get fantasy can understand made me so happy! Now I just have to convince everyone I know to read this series and invest in RFID wallets.

In another real world and book world colliding incident I'm going to shift to Mr. Hammond. I know I've talked about this in another review before but seeing as I tend to dream cast books as I read them when an aspect of my dream casting and an aspect of the character come together it's fascinating and a little unnerving and is therefore worth repeating. From the second Mr. Hammond entered this story I have pictured him as Lord Alfred Paget from Victoria. There's something just so sweet and reassuring about this character as he threads his way through the politics and paramours of the royal household that his caring and concern rang true to who Mr. Hammond is. In season two of Victoria Lord Alfred falls in love with Edward Drummond, the Private Secretary to the Prime Minister, which was doomed from the beginning and oh so heartbreaking. When Alison Goodman, through the deplorable Mr. Pike, reveals that Mr. Hammond is homosexual I had a moment of confusion. Had I totally, through my dream casting, learned a secret part of Mr. Hammond's character without even realizing I was doing it? I'm not sure, but it sure looks that way! Whatever the case is, whether I was subconsciously picking up on something or I just can somehow predict the future, I don't know, but it was simultaneously spooky and cool.

Putting my uncanny abilities aside there was an aspect of this story that just warmed the cockles of my heart, and that was to do with Delia Cransdon. Poor Delia who was ruined by a Deceiver who then killed himself to body jump when surrounded by Reclaimers and has since been under lock and key at her parents estate with the asylum looming ever larger. Her parents estate is close to Brighton and Helen views it as her duty to at least tell Delia what she can so that Delia will know she's not insane. Of course there's lots of back and forth with what can and can not be told but in the end Delia knows all that Helen does and is sworn in as Helen's aide. While the book doesn't go into specifics about how acceptable society views it that Helen is championing Delia, especially as Delia is viewed as rather "loose" at the one party they attend, that doesn't bother me so much as how glad I was to see how honorable Lady Helen is. Even before she knew about this other world Helen wanted to rush to Delia's side. As soon as Helen knew the truth and was shown the door by her relatives she reached out to Delia to ease her mind and also to reaffirm their friendship. If their was still any doubt in Helen's maid Darby's mind about whether Helen is on the side of the angels, this would have been proof enough. Lady Helen, saving the world one friend at a time.

Newer Posts Older Posts Home