Showing posts with label The House on Durrow Street. Show all posts
Showing posts with label The House on Durrow Street. Show all posts

Wednesday, May 8, 2019

Book Book of 2016 - Galen Beckett's The House on Durrow Street

The House on Durrow Street (Mrs. Quent Book 2) by Galen Beckett
Published by: Spectra
Publication Date: September 28th, 2010
Format: Hardcover, 704 Pages
Rating: ★★★★★
To Buy
 
Ivy has more than she could ever have wished for. When she went to Heathcrest Hall she had hoped to earn enough money to open up the family house on Durrow Street and remove her sisters from odious familial obligations. Now returned to Invarel she has opened up her old home, with her husband and former employer Mr. Quent by her side. The house undoubtedly belonged to a magician, but to Ivy and her sisters it is home despite all it's oddities. The ever watching eyes carved out of wood, which tend to be unnerving to the workers refurbishing the house, are there to protect Ivy's family, constantly observing their well-being and safety. But what else might they be protecting? Ivy's father was a great magician and the house definitely has its secrets. Soon a door is discovered bricked up behind a wall, and awhile later it's mate on the other side of the room is stumbled upon. Doors of great craftsmanship and beauty that no one would rightly cover, unless they needed protecting. Items in the house are also behaving curiously. The clock on the mantel is more accurate than the most up-to-date almanac and there's a journal of her father's that Ivy discovers is slowly revealing it's entries in a haphazard manner. If Ivy knows her father, all this is to lead her on her path to becoming the heroine and savior of Altania her father believes her to be.

But distractions are in Ivy's way, in the form of societal obligations. Mr. Quent is always busy. Before, when they lived in the country, he was away from home all the time, but now that he's in Invarel he's just as occupied, rising in the ranks of society. While Ivy's sisters are excited about the prospects of their higher stations, Ivy has hundreds of concerns, from bringing her sisters out into society, to new friendships with the likes of the great Lady Crayford. With unrest in town can she trust these new acquaintances? Because a dear old friend, Dashton Rafferdy, is at the heart of the unrest. Rafferdy has taken his father's seat in the Hall of Magnates. Being so politically placed is making a man of this rake. The king is ill, he is in fact dying, and factions are forming within the Citadel. There are two waring parties of magicians, and Rafferdy is on the wrong side, not aligning himself with Lord Valhain, the king's black dog who has the terrifying Lady Shayde as his personal weapon. With the lack of rebellions and risings associated with the "rightful king" Huntley Morden these other magicians are determined to keep the rebellion fomenting by publicly turning against magic itself. Because magicians will be blamed for terrorist acts. Even illusionists are threatened. Yet could all this be tied to the threat Ivy and Rafferdy faced before? Could all this be in aid of the Ashen? And will they attempt an even greater rising, this time at the Evengrove? But most worrying of all, what happens when the red planet Cerephus gets even closer?

It is a rare occurrence for an author to create a group of characters and make you love each and every one of them. It's even rarer for this to happen in a love triangle. I quite literally can not think of one where all three of the characters held equal space in my heart. And if you say you actually like George Wickham I will smack you right now! He was so up to something from his first appearance in Pride and Prejudice. There is always a weak link. One character that just isn't up to snuff and therefore you're secretly rooting for them to fail. Since the first page of The Magicians and Mrs. Quent I was shipping Ivy and Rafferdy. By the very title of the first book you know that Ivy isn't going to end up with him. She's going to end up with the, at that point unknown, Mr. Quent. So going further into the narrative Mr. Quent already had a black mark against him. I didn't know him but I knew he was going to cause trouble. And then he arrives and is stalwart and upstanding and just an all around good guy. Yes, I still wanted Ivy to be with Rafferdy, but I couldn't fault her marrying Mr. Quent, he is so wonderful in his own way. Galen Beckett has created his own little Catch-22. He has made such wonderful characters that I am conflicted as to who would bring them greater happiness. I keep thinking, it HAS to be Rafferdy because he helped Ivy defeat The Vigilant Order of the Silver Eye and she makes him a better man! But then she completes Mr. Quent who was so wounded by the death of his first wife all those years ago. Seriously, if this was a pick your own adventure book I would be screwed.

Of course there is always an exception to every rule. It's like it's own rule am I right? So when I say "I love every character" what I mean is "I love every character except..." And I'm not talking about the characters that you are meant to hate, because you eventually come to love hating them. I'm talking about the characters you just don't like. In this case it's Eldyn. You're probably saying, who's Eldyn right about now. In my review of the first book I mentioned him in passing as Rafferdy's best friend. In this review I've glossed over him almost entirely with lumping him in as one of the illusionists, which he is. Yet he is one of the three principal characters in this series and a third of the narrative belongs to him. So perhaps I should explain why I've omitted him. In The Magicians and Mrs. Quent he has a rather boring storyline about his sister and some rebels. These sections were excruciating. If I had to read about him at least Rafferdy could be present right? The fact that he didn't die in the first book was a major source of contention with me. I should have given more credit to Galen. Because in The House on Durrow Street if there's one surprise it's the redemption of the character of Eldyn Garritt. I know. I'm as surprised as you that my opinion could be changed so drastically.

With books this big it's hard to cover everything that happens in one review. I could write several reviews of The House on Durrow Street and never repeat myself and still have things to talk about. But this redemption of Eldyn is, I think, the most interesting. Yes, his learning to become an illusionist and eventually a performer at The Theatre of the Moon is fascinating, as is his paramour Dercy, but what's more surprising is that Eldyn's story is the driving force of this book. The simple line of "even illusionists are threatened" from above encapsulates more than you can imagine. Because what lies underneath is a dark mystery that keeps you turning the pages waiting to find out the truth. Because illusionists are turning up dead. Of course only fellow illusionists could make this connection. Eldyn, in trying to support that rebel loving sister of his is straddling the world of the church, where he works as a clerk, and the world of illusion, where he is learning his art. The church has strong opinions on illusionists, all of them bad. But it's only through being a part of both of these worlds that Eldyn is able to see the greater picture, to uncover the conspiracy of the church using magic to exert control. They are harming and harnessing magic to their own purposes. Purposes that are almost too dark to discuss. But when you see the full extent of the conspiracy in it's reveal you will be astounded and hopefully agree with me that you were seriously doing a disservice to Mr. Garritt.

With Mr. Garritt being revealed as an illusionist the three branches of magic are represented in our three protagonists, Mrs. Quent, the witch, Rafferdy, the magician, and Eldyn, the illusionist. What's interesting about Galen's worldbuilding is that he doesn't just go into the customs and mores of society, he goes far into outer space and alien forces, and closer to home with genetics. Because witch, magician, and illusionist are all born this way. Which given that illusionists are homosexual I think it's nice to have someone pointing out even in a fantasy world that they are born that way. It's genetics people not something that is in need of deprogramming. Witches are born to witches, in fact it is very rare for a witch to have a male child, but if she does that child is an illusionist. Magicians just descend down the male line of the seven great houses with some having the power and some not. Hence the Hall of Magnates is literally littered with real and wannabe magicians. What comes about in The House on Durrow Street is a distinct segregation of the types of magic and fear-mongering. The magicians in power in the Hall of Magnates use their influence to make war on magic, particularly the "natural" magics of witches and illusionists, though if push comes to shove they will totally use those "natural" powers for their own gain. Likewise they instill fear in the populace to hate all magic, hiding their own. Because of all the branches of magic, magicians are the most easily corrupted by the power they need in order to work their magics.

Going back to outer space I have one question lingering at the back of my mind, and that is, is this world of Altania perhaps our future? Go with me on this, it's kind of a reverse Star Wars with our future looking like our past, but it's possible. The days and nights are of varying duration and the planets are all akimbo, but perhaps over time that could happen. Ivy talks of a time when days and nights were fixed. Here in our world after the winter equinox we gain a few minutes of sun every day until the summer equinox where we lose a few minutes of sun every day, unless you live at the equator and then it's twelve hours of light and twelve hours of dark everyday, year round. But this is to do with the moon and the tides and the planets. Now imagine something happening to knock them off course, or even just as time passes and the planets paths start to degrade, might Ivy's world come to be? Could night and day no longer be dependable? Could Earth's rotation be random? I wonder how this plays into crops and trees and even grass. And here again is why I love this book, it makes me think, it makes me imagine. I wonder about things and question things that I just accepted. Yes, there are stories I've read about night falling, forever, but never have I read a story where it's handled so deftly and also so woven into the society and their customs. I seriously just need more of this world, more of this story. I literally never want it to end. Ever.

Friday, January 27, 2017

Book Review 2016 #1 - Galen Beckett's The House on Durrow Street

The House on Durrow Street (Mrs. Quent Book 2) by Galen Beckett
Published by: Spectra
Publication Date: September 28th, 2010
Format: Hardcover, 704 Pages
Rating: ★★★★★
To Buy
 
Ivy has more than she could ever have wished for. When she went to Heathcrest Hall she had hoped to earn enough money to open up the family house on Durrow Street and remove her sisters from odious familial obligations. Now returned to Invarel she has opened up her old home, with her husband and former employer Mr. Quent by her side. The house undoubtedly belonged to a magician, but to Ivy and her sisters it is home despite all it's oddities. The ever watching eyes carved out of wood, which tend to be unnerving to the workers refurbishing the house, are there to protect Ivy's family, constantly observing their well-being and safety. But what else might they be protecting? Ivy's father was a great magician and the house definitely has its secrets. Soon a door is discovered bricked up behind a wall, and awhile later it's mate on the other side of the room is stumbled upon. Doors of great craftsmanship and beauty that no one would rightly cover, unless they needed protecting. Items in the house are also behaving curiously. The clock on the mantel is more accurate than the most up-to-date almanac and there's a journal of her father's that Ivy discovers is slowly revealing it's entries in a haphazard manner. If Ivy knows her father, all this is to lead her on her path to becoming the heroine and savior of Altania her father believes her to be.

But distractions are in Ivy's way, in the form of societal obligations. Mr. Quent is always busy. Before he was away from home all the time, but now that he's in Invarel he's just as occupied, rising in the ranks of society. While Ivy's sisters are excited about the prospects of their higher stations, Ivy has hundreds of concerns, from bringing her sisters out into society, to new friendships with the likes of the great Lady Crayford. With unrest in town can she trust these new acquaintances? Because a dear old friend, Dashton Rafferdy, is at the heart of the unrest. Rafferdy has taken his father's seat in the Hall of Magnates. Being so politically placed is making a man of this rake. The king is ill, he is in fact dying, and factions are forming within the Citadel. There are two waring parties of magicians, and Rafferdy is on the wrong side, not aligning himself with Lord Valhain, the king's black dog who has the terrifying Lady Shayde as his personal weapon. With the lack of rebellions and risings associated with the "rightful king" Huntley Morden these other magicians are determined to keep the rebellion fomenting by publicly turning against magic itself. Because magicians will be blamed for terrorist acts. Even illusionists are threatened. Yet could all this be tied to the threat Ivy and Rafferdy faced before? Could all this be in aid of the Ashen? And will they attempt an even greater rising, this time at the Evengrove? But most worrying of all, what happens when the red planet Cerephus gets even closer?

It is a rare occurrence for an author to create a group of characters and make you love each and every one of them. It's even rarer for this to happen in a love triangle. I quite literally can not think of one where all three of the characters held equal space in my heart. And if you say you actually like George Wickham I will smack you right now! He was so up to something from his first appearance in Pride and Prejudice. There is always a weak link. One character that just isn't up to snuff and therefore you're secretly rooting for them to fail. Since the first page of The Magicians and Mrs. Quent I was shipping Ivy and Rafferdy. By the very title of the first book you know that Ivy isn't going to end up with him. She's going to end up with the, at that point unknown, Mr. Quent. So going further into the narrative Mr. Quent already had a black mark against him. I didn't know him but I knew he was going to cause trouble. And then he arrives and is stalwart and upstanding and just an all around good guy. Yes, I still wanted Ivy to be with Rafferdy, but I couldn't fault her marrying Mr. Quent, he is so wonderful in his own way. Galen Beckett has created his own little Catch-22. He has made such wonderful characters that I am conflicted as to who would bring them greater happiness. I keep thinking, it HAS to be Rafferdy because he helped Ivy defeat The Vigilant Order of the Silver Eye and she makes him a better man! But then she completes Mr. Quent who was so wounded by the death of his first wife all those years ago. Seriously, if this was a pick your own adventure book I would be screwed.

Of course there is always an exception to every rule. It's like it's own rule am I right? So when I say "I love every character" what I mean is "I love every character except..." And I'm not talking about the characters that you are meant to hate, because you eventually come to love hating them. I'm talking about the characters you just don't like. In this case it's Eldyn. You're probably saying, who's Eldyn right about now. In my review of the first book I mentioned him in passing as Rafferdy's best friend. In this review I've glossed over him almost entirely with lumping him in as one of the illusionists, which he is. Yet he is one of the three principal characters in this series and a third of the narrative belongs to him. So perhaps I should explain why I've omitted him. In The Magicians and Mrs. Quent he has a rather boring storyline about his sister and some rebels. These sections were excruciating. If I had to read about him at least Rafferdy could be present right? The fact that he didn't die in the first book was a major source of contention with me. I should have given more credit to Galen. Because in The House on Durrow Street if there's one surprise it's the redemption of the character of Eldyn Garritt. I know. I'm as surprised as you that my opinion could be changed so drastically.

With books this big it's hard to cover everything that happens in one review. I could write several reviews of The House on Durrow Street and never repeat myself and still have things to talk about. But this redemption of Eldyn is, I think, the most interesting. Yes, his learning to become an illusionist and eventually a performer at The Theatre of the Moon is fascinating, as is his paramour Dercy, but what's more surprising is that Eldyn's story is the driving force of this book. The simple line of "even illusionists are threatened" from above encapsulates more than you can imagine. Because what lies underneath is a dark mystery that keeps you turning the pages waiting to find out the truth. Because illusionists are turning up dead. Of course only fellow illusionists could make this connection. Eldyn, in trying to support that rebel loving sister of his is straddling the world of the church, where he works as a clerk, and the world of illusion, where he is learning his art. The church has strong opinions on illusionists, all of them bad. But it's only through being a part of both of these worlds that Eldyn is able to see the greater picture, to uncover the conspiracy of the church using magic to exert control. They are harming and harnessing magic to their own purposes. Purposes that are almost too dark to discuss. But when you see the full extent of the conspiracy in it's reveal you will be astounded and hopefully agree with me that you were seriously doing a disservice to Mr. Garritt.

With Mr. Garritt being revealed as an illusionist the three branches of magic are represented in our three protagonists, Mrs. Quent, the witch, Rafferdy, the magician, and Eldyn, the illusionist. What's interesting about Galen's worldbuilding is that he doesn't just go into the customs and mores of society, he goes far into outer space and alien forces, and closer to home with genetics. Because witch, magician, and illusionist are all born this way. Which given that illusionists are homosexual I think it's nice to have someone pointing out even in a fantasy world that they are born that way. It's genetics people not something that is in need of deprogramming. Witches are born to witches, in fact it is very rare for a witch to have a male child, but if she does that child is an illusionist. Magicians just descend down the male line of the seven great houses with some having the power and some not. Hence the Hall of Magnates is literally littered with real and wannabe magicians. What comes about in The House on Durrow Street is a distinct segregation of the types of magic and fear-mongering. The magicians in power in the Hall of Magnates use their influence to make war on magic, particularly the "natural" magics of witches and illusionists, though if push comes to shove they will totally use those "natural" powers for their own gain. Likewise they instill fear in the populace to hate all magic, hiding their own. Because of all the branches of magic, magicians are the most easily corrupted by the power they need in order to work their magics.

Going back to outer space I have one question lingering at the back of my mind, and that is, is this world of Altania perhaps our future? Go with me on this, it's kind of a reverse Star Wars with our future looking like our past, but it's possible. The days and nights are of varying duration and the planets are all akimbo, but perhaps over time that could happen. Ivy talks of a time when days and nights were fixed. Here in our world after the winter equinox we gain a few minutes of sun every day until the summer equinox where we lose a few minutes of sun every day, unless you live at the equator and then it's twelve hours of light and twelve hours of dark everyday, year round. But this is to do with the moon and the tides and the planets. Now imagine something happening to knock them off course, or even just as time passes and the planets paths start to degrade, might Ivy's world come to be? Could night and day no longer be dependable? Could Earth's rotation be random? I wonder how this plays into crops and trees and even grass. And here again is why I love this book, it makes me think, it makes me imagine. I wonder about things and question things that I thought of as just accepted. Yes, there are stories I've read about night falling, forever, but never have I read a story where it's handled so deftly and also so woven into the society and their customs. I seriously just need more of this world, more of this story. I literally never want it to end. Ever.

Wednesday, April 27, 2016

Book Review - Galen Beckett's The House on Durrow Street

The House on Durrow Street (Mrs. Quent Book 2) by Galen Beckett
Published by: Spectra
Publication Date: September 28th, 2010
Format: Hardcover, 704 Pages
Rating: ★★★★★
To Buy

Ivy has more than she could ever have wished for. When she went to Heathcrest Hall she had hoped to earn enough money to open up the family house on Durrow Street and remove her sisters from odious familial obligations. Now returned to Invarel she has opened up her old home, with her husband and former employer Mr. Quent by her side. The house undoubtedly belonged to a magician, but to Ivy and her sisters it is home despite all it's oddities. The ever watching eyes carved out of wood, which tend to be unnerving to the workers refurbishing the house, are there to protect Ivy's family, constantly observing their well-being and safety. But what else might they be protecting? Ivy's father was a great magician and the house definitely has its secrets. Soon a door is discovered bricked up behind a wall, and awhile later it's mate on the other side of the room is stumbled upon. Doors of great craftsmanship and beauty that no one would rightly cover, unless they needed protecting. Items in the house are also behaving curiously. The clock on the mantel is more accurate than the most up-to-date almanac and there's a journal of her father's that Ivy discovers is slowly revealing it's entries in a haphazard manner. If Ivy knows her father, all this is to lead her on her path to becoming the heroine and savior of Altania her father believes her to be.

But distractions are in Ivy's way, in the form of societal obligations. Mr. Quent is always busy. Before he was away from home all the time, but now that he's in Invarel he's just as occupied, rising in the ranks of society. While Ivy's sisters are excited about the prospects of their higher stations, Ivy has hundreds of concerns, from bringing her sisters out into society, to new friendships with the likes of the great Lady Crayford. With unrest in town can she trust these new acquaintances? Because a dear old friend, Dashton Rafferdy, is at the heart of the unrest. Rafferdy has taken his father's seat in the Hall of Magnates. Being so politically placed is making a man of this rake. The king is ill, he is in fact dying, and factions are forming within the Citadel. There are two waring parties of magicians, and Rafferdy is on the wrong side, not aligning himself with Lord Valhain, the king's black dog who has the terrifying Lady Shayde as his personal weapon. With the lack of rebellions and risings associated with the "rightful king" Huntley Morden these other magicians are determined to keep the rebellion fomenting by publicly turning against magic itself. Because magicians will be blamed for terrorist acts. Even illusionists are threatened. Yet could all this be tied to the threat Ivy and Rafferdy faced before? Could all this be in aid of the Ashen? And will they attempt an even greater rising, this time at the Evengrove? But most worrying of all, what happens when the red planet Cerephus gets even closer?

It is a rare occurrence for an author to create a group of characters and make you love each and every one of them. It's even rarer for this to happen in a love triangle. I quite literally can not think of one where all three of the characters held equal space in my heart. And if you say you actually like George Wickham I will smack you right now! He was so up to something from his first appearance in Pride and Prejudice. There is always a weak link. One character that just isn't up to snuff and therefore you're secretly rooting for them to fail. Since the first page of The Magicians and Mrs. Quent I was shipping Ivy and Rafferdy. By the very title of the first book you know that Ivy isn't going to end up with him. She's going to end up with the, at that point unknown, Mr. Quent. So going further into the narrative Mr. Quent already had a black mark against him. I didn't know him but I knew he was going to cause trouble. And then he arrives and is stalwart and upstanding and just an all around good guy. Yes, I still wanted Ivy to be with Rafferdy, but I couldn't fault her marrying Mr. Quent, he is so wonderful in his own way. Galen Beckett has created his own little Catch-22. He has made such wonderful characters that I am conflicted as to who would bring them greater happiness. I keep thinking, it HAS to be Rafferdy because he helped Ivy defeat The Vigilant Order of the Silver Eye and she makes him a better man! But then she completes Mr. Quent who was so wounded by the death of his first wife all those years ago. Seriously, if this was a pick your own adventure book I would be screwed.

Of course there is always an exception to every rule. It's like it's own rule am I right? So when I say "I love every character" what I mean is "I love every character except..." And I'm not talking about the characters that you are meant to hate, because you eventually come to love hating them. I'm talking about the characters you just don't like. In this case it's Eldyn. You're probably saying, who's Eldyn right about now. In my review of the first book I mentioned him in passing as Rafferdy's best friend. In this review I've glossed over him almost entirely with lumping him in as one of the illusionists, which he is. Yet he is one of the three principal characters in this series and a third of the narrative belongs to him. So perhaps I should explain why I've omitted him. In The Magicians and Mrs. Quent he has a rather boring storyline about his sister and some rebels. These sections were excruciating. If I had to read about him at least Rafferdy could be present right? The fact that he didn't die in the first book was a major source of contention with me. I should have given more credit to Galen. Because in The House on Durrow Street if there's one surprise it's the redemption of the character of Eldyn Garritt. I know. I'm as surprised as you that my opinion could be changed so drastically.

With books this big it's hard to cover everything that happens in one review. I could write several reviews of The House on Durrow Street and never repeat myself and still have things to talk about. But this redemption of Eldyn is, I think, the most interesting. Yes, his learning to become an illusionist and eventually a performer at The Theatre of the Moon is fascinating, as is his paramour Dercy, but what's more surprising is that Eldyn's story is the driving force of this book. The simple line of "even illusionists are threatened" from above encapsulates more than you can imagine. Because what lies underneath is a dark mystery that keeps you turning the pages waiting to find out the truth. Because illusionists are turning up dead. Of course only fellow illusionists could make this connection. Eldyn, in trying to support that rebel loving sister of his is straddling the world of the church, where he works as a clerk, and the world of illusion, where he is learning his art. The church has strong opinions on illusionists, all of them bad. But it's only through being a part of both of these worlds that Eldyn is able to see the greater picture, to uncover the conspiracy of the church using magic to exert control. They are harming and harnessing magic to their own purposes. Purposes that are almost too dark to discuss. But when you see the full extent of the conspiracy in it's reveal you will be astounded and hopefully agree with me that you were seriously doing a disservice to Mr. Garritt. 

With Mr. Garritt being revealed as an illusionist the three branches of magic are represented in our three protagonists, Mrs. Quent, the witch, Rafferdy, the magician, and Eldyn, the illusionist. What's interesting about Galen's worldbuilding is that he doesn't just go into the customs and mores of society, he goes far into outer space and alien forces, and closer to home with genetics. Because witch, magician, and illusionist are all born this way. Which given that illusionists are homosexual I think it's nice to have someone pointing out even in a fantasy world that they are born that way. It's genetics people not something that is in need of deprogramming. Witches are born to witches, in fact it is very rare for a witch to have a male child, but if she does that child is an illusionist. Magicians just descend down the male line of the seven great houses with some having the power and some not. Hence the Hall of Magnates is literally littered with real and wannabe magicians. What comes about in The House on Durrow Street is a distinct segregation of the types of magic and fear-mongering. The magicians in power in the Hall of Magnates use their influence to make war on magic, particularly the "natural" magics of witches and illusionists, though if push comes to shove they will totally use those "natural" powers for their own gain. Likewise they instill fear in the populace to hate all magic, hiding their own. Because of all the branches of magic, magicians are the most easily corrupted by the power they need in order to work their magics.

Going back to outer space I have one question lingering at the back of my mind, and that is, is this world of Altania perhaps our future? Go with me on this, it's kind of a reverse Star Wars with our future looking like our past, but it's possible. The days and nights are of varying duration and the planets are all akimbo, but perhaps over time that could happen. Ivy talks of a time when days and nights were fixed. Here in our world after the winter equinox we gain a few minutes of sun every day until the summer equinox where we lose a few minutes of sun every day, unless you live at the equator and then it's twelve hours of light and twelve hours of dark everyday, year round. But this is to do with the moon and the tides and the planets. Now imagine something happening to knock them off course, or even just as time passes and the planets paths start to degrade, might Ivy's world come to be? Could night and day no longer be dependable? Could Earth's rotation be random? I wonder how this plays into crops and trees and even grass. And here again is why I love this book, it makes me think, it makes me imagine. I wonder about things and question things that I thought of as just accepted. Yes, there are stories I've read about night falling, forever, but never have I read a story where it's handled so deftly and also so woven into the society and their customs. I seriously just need more of this world, more of this story. I literally never want it to end. Ever.

Wednesday, April 20, 2016

Galen Beckett

Much as my Regency handle should Mr. Darcy drop by is Miss Eliza, Mark Anthony also has an alias, that of Galen Beckett, though I don't believe his was to ensnare an Austen hero, but more to give that right fantastical authorial feel to his Mrs. Quent trilogy. Mark spent his childhood summers in a Colorado ghost town falling in love with the mountains as well as the fantasy stories he read "pushed" on him by a pair of older sisters. Of course this shouldn't be a surprise to anyone who has read his Mrs. Quent trilogy which is a delicious combination of magic and nature. Instead of veering into the realm of fantasy right away he initially trained as a paleoanthropologist. Along the way it wasn't so much human evolution which called to him, though you will see that it does work it's way into his writing, but the evolution of man that is reflected in myth and the literature of the fantastic. This shift shouldn't have surprised anyone, what with Mark growing up on a steady diet of Tolkien, McCaffrey, and LeGuin.

Mark was interested with "how myths and archetypes provide mirrors to our mundane, everyday lives. I think there’s a lot in myth that we can learn from, and fantasy provides a wonderful means for exploring those ideas." Of course there is one outlet that has been a constant for many years for those wishing to go into fantastical realms, and that is Dungeons and Dragons. Mark got his literary start penning novels and short stories for various Dungeons and Dragons game settings. After ten years of writing for Dungeons and Dragons the first book in his Last Rune series, Beyond the Pale was published. Sadly Mark's pointed out there is not any magic to getting published, but lots of work, perseverance, and being willing to keep going after multiple rejections. You just can't give up, and he even has a day job. But his exploration of the idea that reason and wonder need not exist in conflict reached it's pinnacle, in my mind, with his next big project which began with a binge reading of 19th Century classics and asked the question, "What if there was a fantastical cause underlying the social constraints and limited choices confronting a heroine in a novel by Jane Austen or Charlotte Brontë?" You'll have to read his Mrs. Quent trilogy to get that answer, but let's go to Mark for answers to some other questions.

Question: When did you first discover Jane Austen?

Answer: I came very late to the dance! I remember my older sisters talking (excitedly) about Jane Austen when I was younger. And of course I read the prescribed amounts of English literature in high school and college. But somehow Austen’s novels were never on the syllabus.

So I was well along in my 30s before I decided that I really hadn’t read as many 19th century novels as I wished. I started in on Dickens, Shelley, Wilde, the Brontës, and of course Austen. And just as I had years before, upon first reading The Lord of the Rings, I felt that an entire new world was opening up before me as I devoured Pride and Prejudice. It was a world I loved so much, I couldn’t resist creating my own version of it!

Question: What do you think Jane Austen would think of her impact with so many literary offshoots, from parody to pastiche?

Answer: I would never be so bold as to try to guess what Jane herself would think of it all—she was a far better judge of people than I! But I do think that any work which made a genuine (and genuinely wry) attempt to seek the point of this achingly silly and marvelous game we call life is something she would have approved of. So while zombies shambling around Netherfield Park for no apparent reason might get a sideways look, I think a delightfully clueless stand-in for Miss Woodhouse in 1990s Beverly Hills might win an approving nod.

Question: Where do you get your inspiration from?

Answer: I don’t think it’s so much where inspiration comes from that’s important—it really can come from almost anywhere. Novels, movies, music, scientific works, histories, walks out doors, ancient ruins, even the pixelated art in a video game—all are things that have inspired me at some time or another. What’s important are the connections that can occur between any and all of these things. When you are suddenly struck by an unexpected link between two thoughts that didn’t seem related at all, that’s when the spark happens.

For The Magicians and Mrs. Quent, it was the connection I glimpsed between the circumstances of women in Regency and Victorian England and scientific work that had been done using mitochondrial DNA to trace the lineage of most European women back to seven “clan mothers” who lived many thousands of years ago. What if, my brain that is ever inclined to make things fantastical postulated, those seven women had been witches?

Question: What makes the early 19th century mesh so well with magic?

Answer: It really does, doesn’t it? I think maybe because on the one hand it was a time of reason and mastery—when people were trying to understand the world, and to force an order upon it. Yet on the other hand there was so much they didn’t really understand, and so much that they had marvelously wrong. It makes it fun to imagine a world in which all those things they thought were true, but weren’t, in fact really were.

Question: The world building and system of magic varies greatly in the regency fantasy genre, how did you go about creating yours?

Answer: I tried to keep the magic as limited and focused as possible. As I mentioned, I started with a premise that there were seven clan mothers back in the misty past who became witches, and from whom all witches were descended. Magicians, who are always men, traced their origins to the same time period, and were born of an opposing magic. So the tension between the sexes that existed in 19th Century England took on new meaning in my alternate realm of Altania—it went back to a magical conflict lost in the mists of time, but now coming to a head after all these millennia.

Question: If you had to choose between writing only period literature or only fantasy literature, which would win?

Answer: Well, clearly with The Magicians and Mrs. Quent, I didn't want to choose, and so did both at once! But since you are forcing an answer to such a dreadful question, I would have to say that fantasy would win. It’s my nature to look at everything through a lens of magic and myth and wonder. If you ask me to write a Western novel, or a mystery, or spy thriller, It’s pretty much a guarantee I’m going to find a way to sneak magic into it!

Question: Be honest, have you ever dressed up in Regency clothes just to pretend for a moment you are in the past?

Answer: Well, I did wear a puffy shirt to a Renaissance festival once. Does that count? :)

Monday, September 27, 2010

Tuesday Tomorrow

I Shall Wear Midnight (Discworld Book #38) by Terry Pratchett
Published by: Harper Collins
Publication Date: September 28th, 2010
Format: Hardcover, 368 Pages
To Buy
The official patter:
"It starts with whispers.

Then someone picks up a stone.

Finally, the fires begin.

When people turn on witches, the innocents suffer. . . .

Tiffany Aching has spent years studying with senior witches, and now she is on her own. As the witch of the Chalk, she performs the bits of witchcraft that aren’t sparkly, aren’t fun, don’t involve any kind of wand, and that people seldom ever hear about: She does the unglamorous work of caring for the needy.

But someone—or something—is igniting fear, inculcating dark thoughts and angry murmurs against witches. Aided by her tiny blue allies, the Wee Free Men, Tiffany must find the source of this unrest and defeat the evil at its root—before it takes her life. Because if Tiffany falls, the whole Chalk falls with her.

Chilling drama combines with laughout-loud humor and searing insight as beloved and bestselling author Terry Pratchett tells the high-stakes story of a young witch who stands in the gap between good and evil."

This month has been about... let me see... oh yes, THIS BOOK! You need it. You want it! Go buy it now!

Naked Heat by Richard Castle
Published by: Hyperion
Publication Date: September 28th, 2010
Format: Hardcover, 304 Pages
To Buy
The official patter:
"Nikki Heat and Jameson Rook are together again in Richard Castle's thrilling follow-up to his New York Times bestseller, Heat Wave.

When New York's most vicious gossip columnist, Cassidy Towne, is found dead, Heat uncovers a gallery of high profile suspects, all with compelling motives for killing the most feared muckraker in Manhattan.

Heat's murder investigation is complicated by her surprise reunion with superstar magazine journalist Jameson Rook. In the wake of their recent breakup, Nikki would rather not deal with their raw emotional baggage. But the handsome, wise-cracking Pulitzer Prize-winning writer's personal involvement in the case forces her to team up with Rook anyway. The residue of their unresolved romantic conflict and crackling sexual tension fills the air as Heat and Rook embark on a search for a killer among celebrities and mobsters, singers and hookers, pro athletes and shamed politicians.

This new, explosive case brings on the heat in the glittery world of secrets, cover-ups, and scandals."

I love Castle. I love Nathan Fillion. I love the blurring of fiction and reality!

The House on Durrow Street by Galen Beckett
Published by: Spectra
Publication Date: September 28th, 2010
Format: Hardcover, 704 Pages
To Buy
The official patter:
"“A charming and mannered fantasy confection with a darker core of gothic romance” is how New York Times bestselling author Robin Hobb described Galen Beckett’s marvelous series opener, The Magicians and Mrs. Quent. Now Beckett returns to this world of dazzling magick and refined manners, where one extraordinary woman’s choice will put the fate of a nation—and all she cherishes—into precarious balance.

Her courage saved the country of Altania and earned the love of a hero of the realm. Now sensible Ivy Quent wants only to turn her father’s sprawling, mysterious house into a proper home. But soon she is swept into fashionable society’s highest circles of power—a world that is vital to her family’s future but replete with perilous temptations.

Yet far greater danger lies beyond the city’s glittering ballrooms—and Ivy must race to unlock the secrets that lie within the old house on Durrow Street before outlaw magicians and an ancient ravening force plunge Altania into darkness forever."

I have heard such great things about The Magician and Mrs. Quint, I hope this sequel is just as good, cause I love a good series as much as everyone out there!


Sphinx's Queen by Esther Friesner
Published by: Random House
Publication Date: September 28th, 2010
Format: Hardcover, 368 Pages
To Buy
The official patter:
"Ancient Egypt springs to life in this enthralling sequel to Sphinx’s Princess. As she did in Nobody’s Princess and Nobody’s Prize, author Esther Friesner offers readers a fresh look at an iconic figure, blending historical fiction and mythology in a heady concoction.

Hunted . . . Overnight, every aspect of Nefertiti’s life has changed. She is no longer living at the royal palace as the intended bride of the crown prince. Instead, she is being chased by the prince and his soldiers for a crime she did not commit.

Hidden . . . Traveling with two of her dearest friends, including the crown prince’s brother, who helped her escape, Nefertiti takes shelter in the wild hills along the Nile’s west bank. She must rely on her own resourcefulness and skills (all those secret archery lessons prove very useful) as the fugitives fight to survive.

Haunted . . . But the need for justice gnaws at Nefertiti. She is determined to plead her case to the Pharaoh and set things right. As she begins to question long-held sacred beliefs—a questioning that could alter the fabric of Egyptian society—her extraordinary journey from commoner to royalty brings adventure, intrigue, and romance."

Egypt! Egypt! Egypt!

Torment by Lauren Kate
Published by: Delacorte
Publication Date: September 28th, 2010
Format: Hardcover, 464 Pages
To Buy

The official patter:
"Hell on earth.

That’s what it’s like for Luce to be apart from her fallen angel boyfriend, Daniel.

It took them an eternity to find one another, but now he has told her he must go away. Just long enough to hunt down the Outcasts—immortals who want to kill Luce. Daniel hides Luce at Shoreline, a school on the rocky California coast with unusually gifted students: Nephilim, the offspring of fallen angels and humans.

At Shoreline, Luce learns what the Shadows are, and how she can use them as windows to her previous lives. Yet the more Luce learns, the more she suspects that Daniel hasn’t told her everything. He’s hiding something—something dangerous.

What if Daniel’s version of the past isn’t actually true? What if Luce is really meant to be with someone else?

The second novel in the addictive FALLEN series . . . where love never dies. "
Pretty! I want it!

Bespelling Jane by Colleen Gleason, Susan Krinard and Janet Mullany
Published by: HQN
Publication Date: September 28th, 2010
Format: Paperback, 384 Pages
To Buy

The official patter:
"Four romance novellas put a paranormal gloss on elements from Austen's work. Bestseller Balogh (A Precious Jewel) turns in the plodding "Almost Persuaded," wherein Jane Everett and Capt. Robert Mitford realize they're reincarnated soul mates. Gleason makes reference to her Gardella Vampire series with "Northanger Castle," in which pert Caroline Merrill, lover of vampire novels, suspects handsome Mr. Blanchard of being a bloodsucker. Krinard (Bride of the Wolf) sets "Blood and Prejudice" in New York where bookstore staffer Elizabeth Bennet encounters pharmaceutical CEO Charles Bingley and an unusual variety of vampires. Mullany (Jane and the Damned) gives us a witchy Emma Woodhouse running a dating service for Washington D.C.'s supernaturals in "Little to Hex Her." Though none show Austen's gift with character, humor, or irony, all but Balogh's are lively, and Mullany's sparkles with genuine wit."

Ever since Colleen Gleason mentioned this on her blog about a year or so ago I have been dying for it to come out!

Masques by Patricia Briggs
Published by: Ace
Publication Date: September 28th, 2010
Format: Paperback, 320 Pages
To Buy
The official patter:
"After an upbringing of proper behavior and oppressive expectations, Aralorn fled her noble birthright for a life of adventure as a mercenary spy. Her latest mission involves spying on the increasingly powerful sorcerer Geoffrey ae'Magi. But in a war against an enemy armed with the powers of illusion, how do you know who the true enemy is-or where he will strike next?"

Yeah more Patricia Briggs!

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