strange and random happenstance

Career of Evil by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 20th, 2015
Format: Hardcover, 492 Pages
Rating: ★★★★★
To Buy

Robin Ellacot's life is about to change. It has changed many times over the last year, professionally from taking a job as Cormoran Strike's secretary and gaining his confidence, allowing her to tail clients as a full fledged investigator, and personally, from getting engaged to Matthew to Matthew's mother dying thus resulting in their wedding being postponed. She has swung with the punches and has everything under control. When she arrives at work one day there's a package addressed to her and she's confident it's just another item on her checklist for wedding prep. She couldn't be more wrong. Within the box is a severed woman's leg along with a Blue Öyster Cult quote from "Mistress of the Salmon Salt (Quicklime Girl.)" While the package was addressed to her it is obviously a message for Cormoran. The leg, severed just as his was, the song, a favorite of his mother's. Cormoran has many enemies in his past, but there are four capable of such cruelty and perversity; Terrence 'Digger' Malley, a mobster, Noel Brockbank, a pedophile whom Strike investigated when he was in SIB, Donald Laing, a domestic abuser whom Strike had locked up, and his number one suspect, Jeff Whittaker, his stepfather whom he believes responsible for his mother's death. Who else but his stepfather would quote that specific song?

The police though think the mobster Malley is their number one suspect and don't follow up on the other leads. Which leaves it up to Cormoran and Robin to track down the other three suspects. Because Cormoran knows he's prejudiced to his stepfather he won't eliminate the other two until he has conclusive evidence one way or the other. But that doesn't stop the memories from flooding in. The horror of the bedsit, finding his mother dead, the trial that acquitted Whittaker. Cormoran, Robin, and even Matthew are being haunted by their pasts, but whose past will prove deadly? When Robin starts to become the focus of the killer her inability to step back from the case leads to a rupture with Matthew while simultaneously bringing her and Cormoran closer together. They travel the length and breath of England trying to track down these three disturbed men, yet perhaps the world of body dysmorphia and those who want to be handicapped and amputated is the most disturbing of all. Especially to Cormoran who can't see why anyone wouldn't want two functioning legs. As the bodies pile up the stakes get higher and the danger more immediate. Can they find the killer before he gets to one of them or are all three men guilty of something and will stop at nothing to protect their secrets?

When J.K. Rowling was revealed to be Robert Galbraith the first book in the Cormoran Strike series, The Cuckoo's Calling, instantly moved up my to be read list, though I take a little bit of pride in the fact that it was on my to be read list prior to the reveal. The first book introduces us to her cast of characters and a crime that needs to be solved, but it's quickly apparent that Rowling is more interested in the characters than the crime. Which is fine, as long as the balance is correct. There needs to be enough of a connection between the characters and the crime in order for them to jointly propel the narrative. This balance wasn't achieved until Career of Evil, the third book in the series. The first two books deal with celebrity and the literary world, which is personal, for Rowling, only tangentially so for Strike. Therefore to have such a personal story, a crime so entangled with Cormoran and Robin, the series not only reached it's zenith, it reached it's full potential. To have fallen in love with these two characters over the course of this series but to have that feeling that their journey could be so much more, to feel the wasted potential, it was almost painful to read. But if I were to compare this series to Rowling's far more famous wizarding series, there too the third volume is where it all clicked for me. So in the future, if Rowling ever starts another series under her own or another name, remind me to give her until the third installment to pass judgment.

Cormoran's relationship with Robin has benefited from this slow burn of narrative construction. In the very first book, almost from the second Cormoran meets Robin, he says to himself that their relationship can only ever be platonic, despite her looks, her talents, and that dress he got her. She is with Matthew, and that is that. Therefore as a reader you also put it out of your mind. They are colleagues nothing more. They will not fall prey to the "Moonlighting Effect!" Yet having just watched all of Moonlighting again, you can clearly see how they failed. The constant bait and switch, the characters acting out of character, and finally just trying to deny there ever was any chemistry to begin with. Here we have seen strangers become friends become colleagues and maybe, one day, they will become something more. When Robin temporarily breaks things off with Matthew and is more and more with Cormoran, she wonders, he wonders, we all wonder, could this be the first step? So while there has been a little of that Moonlighting frisson sprinkled into this latest installment, I kind of do and don't want something to happen. But what I did want was to luxuriate in each and every page as I went on this journey with a couple who might never become a couple...

Because Robin has a complicated past. Long hinted at and finally revealed. I applaud that Robin's assault in college shows what a strong person she is. Yes, she dropped out of college and retreated into herself and stays with Matthew because he's "safe." Yet at the same time she was able to pay attention when she was attacked and came forward to be the key witness to send the rapist to prison. This is such a key insight into Robin's personality. She preservers despite whatever odds are stacked against her. She wants to fight for what is right, she wants to catch the bad guys, she wants to be there, at Cormoran's side, not hiding away in a bedroom staring at the same four walls day in and day out. Despite being published three years before the launch of the #MeToo movement, Robin's story shows us strength through pain. She has taken what many still unjustly view as a stigma and didn't let it define her but let it inform who she became. Before this revelation of hers I didn't so much wonder why she left college, there are myriad reasons for people to do so, but I did often wonder what Robin the psychologist would have been like. Would she have been able to help people in as tangible a method as she does with Cormoran? Or did her attack lead her to the life she was meant to lead? Of course, this is a book so it's all staged to be fate, but to me Robin is real and she's a survivor who has come into her own.

Switching gears, for all those people out there who don't read books and instead wait for them to be adapted into movies or TV series I have to really restrain myself from beating them about the head and instead I will take the higher ground and tell them why sometimes books are better for certain narrative techniques. There are things you can do in a book that just don't work in a visual medium. For example the trope of seeing through a killer's eyes works so much better in prose versus tricky POV shots and shaky camera angles on screen where we see their lair or their next victim between some foliage. It's not just that it's a cliche, it's that sometimes it plays the final hand without the filmmakers really realizing it. I will take the movie Kiss the Girls as an example. Now hopefully you won't get mad at me for spoiling a film that came out over twenty years ago based on a book by James Patterson from 1995, but you've had ample chances to watch it before now and if you're honest with yourself, you would have seen it sometime in the last twenty years if you really wanted to. So, my mom was watching the opening of the movie and the killer is narrating, and I said, "I didn't know Cary Elwes was in the movie." So the ending was ruined because I recognized the killer's voice... That can't happen in books! There's so much more tension not knowing and not inadvertently spoiling it for yourself. Books for the win!

Also, Rowling, I mean, Galbraith, doesn't just know the tropes and what works better when, she revels in toying with the reader. The use of red herrings in Career of Evil is masterful, because some are made purposefully obvious and others are hidden, but all the while you're thinking, is this a red herring or is this something else? While red herrings are traditionally thought of as just misleading information that has to be worked through in order solve the crime they are also meant as a distraction. Here's something shiny, is it important? And I was like a cat, pouncing on every single one and playing with it, holding it up to the light, wondering, is this a real clue, gnawing on it a bit, and eventually just waiting for the next one to show up and start me thinking all over again. Even the title of the book is a red herring! The song "Career of Evil" by Blue Öyster Cult makes you think that only one of the three suspects that Cormoran has fingered could possibly be the perpetrator, and Galbraith toys with that assumption again and again. For over four hundred pages the three suspects are deftly juggled with red herrings so that you never know where the finger will finally point. This made me devour this book late into the night wanting to know the answer but at the same time hoping it would never end. Thankfully I have Lethal White now lined up...

Posted by Miss Eliza at 12:01 AM 0 comments  

Labels: #MeToo, Blue Öyster Cult, Career of Evil, Cary Elwes, Cormoran Strike, James Patterson, Kiss the Girls, Lethal White, Moonlighting, Red Herrings, Robert Galbraith, Robin Ellacot, Ten Years, The Cuckoo's Calling

Career of Evil by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 20th, 2015
Format: Hardcover, 492 Pages
Rating: ★★★★★
To Buy

Robin Ellacot's life is about to change. It has changed many times over the last year, professionally from taking a job as Cormoran Strike's secretary to gaining his confidence, allowing her to tail clients as a full fledged investigator, and personally, from getting engaged to Matthew to Matthew's mother dying thus resulting in their wedding being postponed. She has swung with the punches and has everything under control. When she arrives at work one day there's a package addressed to her and she's confident it's just another item on her checklist for wedding prep. She couldn't be more wrong. Within the box is a severed woman's leg along with a Blue Öyster Cult quote from "Mistress of the Salmon Salt (Quicklime Girl.)" While the package was addressed to her it is obviously a message for Cormoran. The leg, severed just as his was, the song, a favorite of his mother's. Cormoran has many enemies in his past, but there are four capable of such cruelty and perversity; Terrence 'Digger' Malley, a mobster, Noel Brockbank, a pedophile whom Strike investigated when he was in SIB, Donald Laing, a domestic abuser whom Strike had locked up, and his number one suspect, Jeff Whittaker, his stepfather whom he believes responsible for his mother's death. Who else but his stepfather would quote that specific song?

The police though think the mobster Malley is their number one suspect and don't follow up on the other leads. Which leaves it up to Cormoran and Robin to track down the other three suspects. Because Cormoran knows he's prejudiced to his stepfather he won't eliminate the other two until he has conclusive evidence one way or the other. But that doesn't stop the memories from flooding in. The horror of the bedsit, finding his mother dead, the trial that acquitted Whittaker. Cormoran, Robin, and even Matthew are being haunted by their pasts, but whose past will prove deadly? When Robin starts to become the focus of the killer her inability to step back from the case leads to a rupture with Matthew while simultaneously bringing her and Cormoran closer together. They travel the length and breath of England trying to track down these three disturbed men, yet perhaps the world of body dysmorphia and those who want to be handicapped and amputated is the most disturbing of all. Especially to Cormoran who can't see why anyone wouldn't want two functioning legs. As the bodies pile up the stakes get higher and the danger more immediate. Can they find the killer before he gets to one of them or are all three men guilty of something and will stop at nothing to protect their secrets?

When J.K. Rowling was revealed to be Robert Galbraith the first book in the Cormoran Strike series, The Cuckoo's Calling, instantly moved up my to be read list, though I take a little bit of pride in the fact that it was on my to be read list prior to the reveal. The first book introduces us to her cast of characters and a crime that needs to be solved, but it's quickly apparent that Rowling is more interested in the characters than the crime. Which is fine, as long as the balance is correct. There needs to be enough of a connection between the characters and the crime in order for them to jointly propel the narrative. This balance wasn't achieved until Career of Evil, the third book in the series. The first two books deal with celebrity and the literary world, which is personal, for Rowling, only tangentially so for Strike. Therefore to have such a personal story, a crime so entangled with Cormoran and Robin, the series not only reached it's zenith, it reached it's full potential. To have fallen in love with these two characters over the course of this series but to have that feeling that their journey could be so much more, to feel the wasted potential, it was almost painful to read. But if I were to compare this series to Rowling's far more famous wizarding series, there too the third volume is where it all clicked for me. So in the future, if Rowling ever starts another series under her own or another name, remind me to give her until the third installment to pass judgment.

Cormoran's relationship with Robin has benefited from this slow burn of narrative construction. In the very first book, almost from the second Cormoran meets Robin, he says to himself that their relationship can only ever be platonic, despite her looks, her talents, and that dress he got her. She is with Matthew, and that is that. Therefore as a reader you also put it out of your mind. They are colleagues nothing more. They will not fall prey to the "Moonlighting Effect!" Yet having just watched all of Moonlighting again, you can clearly see how they failed. The constant bait and switch, the characters acting out of character, and finally just trying to deny there ever was any chemistry to begin with. Here we have seen strangers become friends become colleagues and maybe, one day, they will become something more. When Robin temporarily breaks things off with Matthew and is more and more with Cormoran, she wonders, he wonders, we all wonder, could this be the first step? So while there has been a little of that Moonlighting frisson sprinkled into this latest installment, I kind of do and don't want something to happen. But what I did want was to luxuriate in each and every page as I went on this journey with a couple who might never become a couple...

Because Robin has a complicated past. Long hinted at and finally revealed. I applaud that Robin's assault in college shows what a strong person she is. Yes, she dropped out of college and retreated into herself and stays with Matthew because he's "safe." Yet at the same time she was able to pay attention when she was attacked and come forward and be the key witness to send the rapist to prison. This is such a key insight into Robin's personality. She preservers despite whatever odds are stacked against her. She wants to fight for what is right, she wants to catch the bad guys, she wants to be there, at Cormoran's side, not hiding away in a bedroom staring at the same four walls day in and day out. Despite being published three years before the launch of the #MeToo movement, Robin's story shows us strength through pain. She has taken what many still unjustly view as a stigma and didn't let it define her but let it inform who she became. Before this revelation of hers I didn't so much wonder why she left college, there are myriad reasons for people to do so, but I did often wonder what Robin the psychologist would have been like. Would she have been able to help people in as tangible a method as she does with Cormoran? Or did her attack lead her to the life she was meant to lead? Of course, this is a book so it's all staged to be fate, but to me, Robin is real, and she's a survivor who has come into her own.

Switching gears, for all those people out there who don't read books and instead wait for them to be adapted into movies or TV series I have to really restrain myself from beating them about the head and instead I will take the higher ground and tell them why sometimes books are better for certain narrative techniques. There are things you can do in a book that just don't work in a visual medium. For example the trope of seeing through a killer's eyes works so much better in prose versus tricky POV shots and shaky camera angles on screen where we see their lair or their next victim between some foliage. It's not just that it's a cliche, it's that sometimes it plays the final hand without the filmmakers really realizing it. I will take the movie Kiss the Girls as an example. Now hopefully you won't get mad at me for spoiling a film that came out over twenty years ago based on a book by James Patterson from 1995, but you've had ample chances to watch it before now and if you're honest with yourself, you would have seen it sometime in the last twenty years if you really wanted to. So, my mom was watching the opening of the movie and the killer is narrating, and I said, "I didn't know Cary Elwes was in the movie." So the ending was ruined because I recognized the killer's voice... That can't happen in books! There's so much more tension not knowing and not inadvertently spoiling it for yourself. Books for the win!

Also, Rowling, I mean, Galbraith, doesn't just know the tropes and what works better when, she revels in toying with the reader. The use of red herrings in Career of Evil is masterful, because some are made purposefully obvious and others are hidden, but all the while you're thinking, is this a red herring or is this something else? While red herrings are traditionally thought of as just misleading information that has to be worked through in order solve the crime they are also meant as a distraction. Here's something shiny, is it important? And I was like a cat, pouncing on every single one and playing with it, holding it up to the light, wondering, is this a real clue, gnawing on it a bit, and eventually just waiting for the next one to show up and start me thinking all over again. Even the title of the book is a red herring! The song "Career of Evil" by Blue Öyster Cult makes you think that only one of the three suspects that Cormoran has fingered could possibly be the perpetrator, and Galbraith toys with that assumption again and again. For over four hundred pages the three suspects are deftly juggled with red herrings so that you never know where the finger will finally point. This made me devour this book late into the night wanting to know the answer but at the same time hoping it would never end. Thankfully I have Lethal White now lined up...

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: #MeToo, Blue Öyster Cult, Career of Evil, Cary Elwes, Cormoran Strike, James Patterson, Kiss the Girls, Lethal White, Moonlighting, Red Herrings, Robert Galbraith, Robin Ellacot, The Cuckoo's Calling

The Cuckoo's Calling (Cormoran Strike Book 1) by Robert Galbraith aka J.K. Rowling
Published by: Mulholland Books
Publication Date: April 30th, 2013
Format: Hardcover, 464 Pages
Rating: ★★
To Buy

Cormoran Strike's day starts in free fall. Charlotte and him have been on and off for years. After he returned wounded from Afghanistan she walked right into the hospital and back into his life. But this breakup is different. For the first time it was Cormoran's decision. This signals the end. And at his little office, now his home, if things don't pick up this will also signal the end of his career as a PI. He has one client and one stalker and had hoped to have no assistant, having given the previous temp the heave-ho. But in walks Robin, his new temp, which he can't afford. But then in walks a lifeline. A new client. A new client who has money and is willing to pay double. Cormoran knew John Bristow's brother Charlie when they were little. Charlie died in a tragic accident over the Easter holidays and Cormoran viewed it as yet another loss in a life full of them. John has come to Cormoran because his other sibling has died and John won't accept the police verdict of suicide. He needs Cormoran's help.

Lula Landry was a world famous supermodel when she plunged to her death on a cold night in January. Even Cormoran had heard about the tragedy. Another shooting star that burned too bright and died too young. It's almost baffling that the myopic man in front of him was related to the angelic Lula. But Lula, like John and Charlie, was adopted. Cormoran feels a kinship with John over his unconventional family, Cormoran being the bastard of a famous rock musician with famous siblings strewn all over the world. John's belief in Lula convinces Cormoran to take the case. He is soon shoved into the shadowy world of celebrities and their hangers-on. Where paparazzi blind you with their flashes at every chance. This is a world Cormoran's siblings know well, one he has always studiously avoided. But the deeper he digs he starts to have the same conviction as John. Lula didn't jump, she was pushed. Which means there's a killer out there who might strike again...

For someone who doesn't just love, but adores the Harry Potter books as much as I, it's kind of shocking to admit that I've never read any of Rowling's other books. Oh, don't get me wrong, I have them all ready to read, The Casual Vacancy, the next two Cormoran Strike books after this one, I've just never gotten around to them. I think there's a bit of the fear of the next. When you love an author who has written a series the first time they step outside that comfort zone, be it your comfort zone or theirs, it's a seismic shift. It's something entirely new. That new could be good or it could be bad, but one thing is certain, it will be different. Which I think is one of the reasons that Rowling tried to step back and release The Cuckoo's Calling under a pen name. She was harshly judged for The Casual Vacancy and she just wanted to write a book to write a book and avoid the PR machine that would swing into action. In fact I actually had this book on my "to be read" list long before it was revealed who the true author is. But reading this book I was struck by one thing, I think you NEED to know that Rowling is the author to get the full impact.

What I mean by this is that the celebrity of Lula has an extra punch because Rowling wrote her story. Rowling is, let's face it, the most famous author in the world. Just the hype building up to a play set in the world of Harry Potter is causing mass hysteria. If an unknown author had actually written The Cuckoo's Calling the viciousness of the paparazzi couldn't have been as viscerally real and accurate. You the reader get that Rowling is exorcising some of her demons, giving the press a little bit back of what they've done to her over the years. This isn't some imagined horror of what the press could do, but what they have actually done, and done to her. The sad fact is this practice continues. We still have paparazzi hounding people because their readers just have to know every detail of famous people's lives. To me, this world that Cormoran is shoved into in his investigation, a world where paparazzi can hound celebrities to death, is what grounds this book. This is what I connected to. Would I have connected to it as strongly had I read this without knowing Rowling had written it? I don't think I would, because I think I would have doubted the veracity. I know that this world exists, but it's something more to read about it from someone who has experienced it firsthand.

Yet beyond this grounding I was expecting something more. The Cuckoo's Calling was billed as a Neo-Noir. Hence I thought the book would be dark and mysterious. The book isn't. And that's letting you down easy. Yes, it has the building blocks of Noir. We have the down and out protagonist with a bad history with women, or in this case, a woman. We have the starlet who died too young. We have the world of celebrities and it's seamy underbelly. Heck, I almost sound like I'm writing a loose outline for my favorite movie, L.A. Confidential. But it just falls short. The sheer number of cigarettes smoked can't ever bridge the gap between what it is and what it wants to be. Noir needs that something more. We connect to Cormoran, but we don't really get true insight into his mind and thought processes. This I think is where it fails on the Noir front. We understand who he is and what he is like, but not really what he's thinking, what he's figuring out. There's just a void where we need to connect to him on a visceral level, to key into his feelings, his ups and downs, and instead we like him, but we just don't quite get him. Noir is never about liking, it's about understanding.

This in fact is the fatal flaw of the entire book. While the way the characters are written give us people we like and make them real in our eyes there's just too much character development. Now this makes sense for a long series, because the groundwork is being laid and it's best to have a solid foundation, BUT for the initial outing it's so overlong that the mystery suffers at the expense of making these characters fully rounded human beings. There needed to be a balance between character and forward momentum. I am honest when I say I fully love Robin and her lifelong desire to basically be Nancy Drew and Cormoran and the complete mess he is because of his childhood and his injuries, both physical and mental, but this needed to be either trimmed down or balanced by the case of Lula. I picked up this book expecting a twisty-turny murder mystery, instead I got a really well written character study. In fact a lot of my friends think it's sacrilegious the rating I gave this book, but it's how I felt. If I adjust my expectations for the rest of the series, perhaps I'll come to love these books, but my love of the characters can't forgive the narrative all it's flaws.

And boy does this narrative have it's flaws. More than any other genre mystery books have to have a constant forward momentum. That desire to keep turning the page long into the night until you're shocked that there are birds chirping and the sun is actually cresting the horizon. Now I'm not going to be all superior and say that I had figured out the mystery in five minutes and the solution was a foregone conclusion, because I actually didn't. I had one key aspect early on, but by the time that Rowling actually planted the final two pieces of evidence that were essential to solving the death of Lula I no longer cared. I was bored by the mystery. The plot just limped along while the characters were luxuriated with detail. As time went on it got harder and harder for me to pick up this book because I just didn't care anymore. Obviously Cormoran and Robin lived to fight another day, seeing as there's another book, and they were all that mattered to me, so why should I care about the murderer? Why should I pick up to book again? The final thirty pages took me almost two days to get through because it didn't seem pressing. For me to willingly put aside a book... right there is the answer as to why I thought it was just meh.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Backlog Bonanza, Character, Cormoran Strike, Harry Potter, J.K. Rowling, L.A. Confidential, Mystery, Noir, Paparazzi, Robert Galbraith, The Casual Vacancy, The Cuckoo's Calling