Showing posts with label Vampire. Show all posts
Showing posts with label Vampire. Show all posts

Wednesday, December 31, 2025

Book Review - Seana Kelly's The Slaughter Lamb Bookstore and Bar

The Slaughtered Lamb Bookstore and Bar by Seana Kelly
Published by: NYLA
Publication Date: October 13th, 2020
Format: Kindle, 296 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Despite her past Sam Quinn has made a pretty decent life for herself. She owns and operates The Slaughtered Lamb Bookstore and Bar in San Francisco, because everyone needs a good book and a stiff drink. Her establishment welcomes all, vampires, wicches, demons, selkies, dwarves, fae, what have you. But Sam is the only werewolf allowed. No exceptions. See traumatic past. Situated magically beneath Land's End nestled into the cliff face at the waterline the killer views of the bay, both above and below the waterline during high tide, are about to get even deadlier as a body slams into the glass. Female, naked, torn up. The body is slashed. That could have easily happened because of the rocks in the bay. Who knows how long she was in the water. But the scars match Sam's own. What's more, the victim was a werewolf. Which means Sam needs to call her Uncle Marcus. Someone she does not want to talk to. See traumatic past. She is literally feels she is a lone wolf and has no one to turn to. But someone has to know who this woman was. Which becomes a secondary concern once Sam's very survival is at risk. After closing she's attacked. She barely escapes with her life. And she can't even catch a break in her subconscious which is the next stop on Sam's Repressed Horrors Roundup. And then her brain turns against her while awake with a deadly vision. Seven years of hiding and learning has led her to this moment and she's rescued by a vampire. Clive. She was a sitting duck but thankfully he sensed her danger. He used his blood to save her from the waking nightmare. Now if only he can save her from whatever she's gotten into, seeing as he's appointed himself her personal bodyguard. But Sam is used to danger. She spent her life with her mother moving from place to place, looking over their shoulders. She never understood their situation until her mother died and the unthinkable happened. All Sam has left of her mother is a necklace that was broken in the recent attack. As the visions keep ensnaring her she doesn't know where the threat is coming from; be it the past or the present, she is in danger from someone. In fact, given her luck, it's probably more than one person gunning for her. Luckily she surprisingly has a bunch of friends and a sexy vampire at her side. Here's hoping it's enough.

The Slaughtered Lamb Bookstore and Bar is a solid start to Seana Kelly's Sam Quinn series that is wonderfully more inclusive than most urban fantasy series. As in we've got gorgons, we've got demons, we've got selkies, it's not just werewolves, vampires, and witches. Though don't worry, they all make an appearance as well. The problem I had was why does every poor female shifter have to have a tragic backstory? After her mother's death when Sam went to visit her Uncle Marcus, whom she didn't know was a werewolf, she'd been attacked, tortured, raped, and turned. Thankfully not by her Uncle, but given the backstory of most urban fantasy heroines, that was a strong possibility. I just have an unease with this connection between trauma and change. Can't you be a supernatural badass without the baggage? Is sexual assault a prerequisite to be the protagonist of an urban fantasy series? I mean Sookie Stackhouse and Mercy Thompson are probably the biggest survivors out there, but they are not alone. And yes, the statistics bear that so so many women are victims of sexual assault, it's just so uncommonly high within the supernatural community that I feel like we need to stage an intervention. If you're an author thinking of writing an urban fantasy book how much does your book need a traumatized protagonist? Because, if you said it totally has to, well, I'd think again. At least there's redemption in that Sam saves herself, but, did she have to battle her own demons as well as the actual ones? It seems like overkill. But that's just one trope in The Slaughtered Lamb Bookstore and Bar. The other is a very particular pet peeve of mine. So, you know when a book or a show or a movie has a bookish character they just love books. All books. They are indiscriminate about their love of books. Well. I'm bookish and that's just not how we role. It's not realistic. The worst example of this trope is Rory Gilmore. Rory loves books. She loves all books. Sure, I agree, books are great. But for all bookish people in the world can I say that the only authors in the world aren't Jane Austen and J.R.R. Tolkien. Rory is endemic of bookish characters. She is not discerning. She loves books. Books, books, books. Here's a thing, I love books too. And yes, I love Austen and Tolkien, but I also have specific authors and subgenres I love. Historical fantasy? That's catnip to me. I don't think Rory or Sam know about subgenres. It's not their fault. It's the role that they play. They are there to be the nerdy girl with her head buried in a good book. The problem is, it's rarely been thought out beyond that. Yes, Rory shows some interest in Russian literature and Sam knows I Am Legend. But whether it's the Richard Matheson book or the movie is up for debate. I just want my bookish buds to embrace all the books out there and find their joy. And have the answer be more than "I like books."

Friday, May 26, 2023

Book Review - H.G. Parry's A Declaration on the Rights of Magicians

A Declaration of the Rights of Magicians by H.G. Parry
Published by: Redhook
Publication Date: June 23rd, 2020
Format: Hardcover, 544 Pages
Rating: ★★★
To Buy

France is on the brink of revolution. In a small room in Arras Maximilien Robespierre has a dream. The dream is of the worst night of his life. His mother was taken away by the Knights Templar because she was a necromancer. The truth is more complicated. She might have had the magic in her blood but she actually is taken away to the Bastille to face execution because Robespierre was the one who, in his childish innocence, brought his pet bird back to life, and she is protecting her child. Only this time there's a stranger in his dream. A man who will become his benefactor. He will amplify Robespierre's powers, help Robespierre to mesmerize his audiences with his oratories on how the aristocracy is using their power to destroy their fellow man. How magic, which could save lives, is punished when used. And Robespierre's audience listens. Once he gets to Paris he and his friends, Camille Desmoulins and George Danton, light a fire in the population. They storm the Bastille, they form a new government, they fight for the rights of man and magician. While across the water in England William Pitt the Younger and his dear friend William Wilberforce are also fighting for the rights of man after formative years consisting of drinking cheap wine in a seedy hostelry in France. While Pitt hopes to one day live in a world where those with magic aren't punished, he sees what's happening in France and knows now is not the time. Whereas Wilberforce has more specific rights he wishes to fight. He wants to end the horror that is the slave trade. Magic is used to bind and control slaves. They can't even move a muscle without being told to. They are trapped within their own minds and can't even scream. Wilberforce views the end of slavery as his purpose on this Earth. A noble cause. A noble cause that catches the eye of Robespierre's benefactor. But then, the benefactor is interested in anything to do with France and William Pitt. And Wilberforce's abolitionist ideals could threaten the French colony of Saint-Domingue. A colony that is soon to rise up. And one slave, Fina, will hear the voice across the water and be called. And the voice she hears is Robespierre's benefactor. What could this voice want? From William Pitt's perspective it looks like he wants the world to burn.

Much like the small groups of friends going from their formative years to integral figures in history this book starts as a small ember and bursts into a conflagration. It interweaves real history with magic in a dizzying Dickensian detailed tome. H.G. Parry has not just created a fascinating alternate historical fantasy but a believable magic system. But then she outdoes herself by creating an entirely new mythology for vampires that works within the framework of her magic system due to blood magic. Which means I get to add this book to my vampires shelf. And of course I have a vampires shelf. Though the vampirism is perhaps my main sticking point in A Declaration of the Rights of Magicians. Not it's existence but the way Robespierre's benefactor who is a vampire turns Robespierre into his Renfield. This makes me question again and again if H.G. Parry is somehow trying to redeem Robespierre. Here's the thing, yes, Robespierre in actuality, like in the book, has the best of intentions and believes in rights for all but does that really matter when your actions lead to the death of seventeen thousand people? Sure he might have started out on the right side of history but he ended up firmly on the wrong side of history. Seventeen thousand dead proves my point. Oh, and let's not forget killing his monarchs. Here his benefactor is egging him on. Animate one corpse or I won't help you. Kill the King or I won't help you. Form an army of the dead or I won't help you. And time and time again Robespierre bows down to the demands because he really believes that the ends will justify the means. Here's the thing, they don't. They really don't. Each time he agrees his way to hell is paved a little further. But the problem is his benefactor. By having him push Robespierre it's taking away Robespierre's accountability. The mob hold him accountable but we as readers are meant to feel something else. That perhaps he was just a pawn. Yes, in real life, perhaps the mob mentality pushed him to his evil acts, but here it was a vampire. And I don't know if I'm OK with questioning my feelings towards him. But that's what A Declaration of the Rights of Magicians does time and time again, it makes me question weighty issues from slavery to abolition to accountability to basic human rights. There may be magic but you won't find a more human novel out there.

Friday, March 19, 2021

Season 38 - Northanger Abbey (2008)

I unabashedly adore Northanger Abbey. This is something that took me quite a long time to discover. I had actually never re-read Northanger Abbey after first reading it right after high school when I was too naive to get the Gothic parody aspect and therefore ranked it as Austen's worst novel. Older, and hopefully wiser, I reevaluted the novel and adored it for it's humor. And as for Henry Tilney? He instantly became my favorite Austen hero. Why? Because he is a fully rounded character, not some ideal. He has a sense of humor, he loves to read, and well, he's not perfect and somehow that makes him perfect. Which brings me to the masterful portrayal of Henry Tilney by J.J. Feild. In fact, I'm sure that my reconsideration of Henry was in no small part helped by J.J. There's only so much a book can do until you can affix a visual to a character, which is why I often dream cast books as I read them. I couldn't have done better than J.J. for Henry Tilney. The humor? The arch looks? He's perfection. He nails the comedy but he can combine it with pathos and stern censor yet all coming from the heart. He became my heartthrob. I've watched everything he's been in since, yes, even Captain America. I even tried my hardest to like TURN with his little rat tail, but even he couldn't elevate that show. But while I'll always point to Northanger Abbey as the true beginning of my crush, the zenith is Austenland. Though I do wonder if the little Gothic fantasies of Catherine might supersede the perfection of Austenland. These are not only hilarious, I think they are the key to the dramatization of Northanger Abbey. It's not just seeing Catherine actually dressed up as the heroine she wishes herself to be pursued by villains, it's that these overacted vignettes show perfectly her overactive imagination and how she is later able to suspect Henry's father of murder. What's more they perfectly capture the tone Austen was aiming for in her parodying of Gothic literature. Northanger Abbey was written from a place of mocking love, you can see Austen herself has read and devoured these novels from Mrs. Radcliffe and Lewis, how else could she know them so well to then poke fun of them? And J.J. as a "vampire?" Really, that's all I should need to say for this entire review, J.J. is a sexy vampire. The end.

Tuesday, March 17, 2020

Book Review - Patricia Briggs's Smoke Bitten

Smoke Bitten by Patricia Briggs
Published by: Ace
Publication Date: March 17th, 2020
Format: Hardcover, 352 Pages
Rating: ★★★★★ 
To Buy

Things have been rough since the witches, but that's nothing new. Things are always rough for Mercy. Yet Adam has always been there to share the load. Now he's remote and has shut down their mating bond. Mercy needs to find out why but at the same time she's scared as to what this could mean. Perhaps he doesn't want her anymore as his mate what with trouble always showing up on her doorstep. The newest trouble being their neighbors. They have died of an apparent murder-suicide. Only Mercy knows this couldn't be the case, especially once she sees a bite on the husband's arm. A bite that looks like it could be from a jackrabbit. When Mercy and Adam go out in search of this jackrabbit they come across two additional unsettling discoveries; there are unknown werewolves in their territory and the vampire Wulfe has taken to stalking Mercy as his new hobby. Though Wulfe turns out to be the least of their concerns, which in itself is concerning, because he saves Mercy from the effects of the jackrabbit's bite. She has no doubt that Wulfe's quick actions combined with her weird reactions to magic are the only things that saved her. And her survival has pissed off her attacker. So the pack congregate and formulate a plan. A plan that is having to constantly be reformulated and intensified as the threats and the imminent danger get closer and closer. If only Mercy was sure everything would be all right with Adam at the end of the day this fight would be so much easier; but Mercy's life isn't easy.   

At this point it's getting hard to write reviews about Patricia Briggs' Mercy Thompson series because I feel like there's nothing more to say about how much I love them without repeating myself. This series is hands down the best female driven urban fantasy series out there. Period. Every March I can't wait to get my hands on the newest book in Briggs' universe always wondering what creature will be the big band this time around. Because Briggs does tend to concentrate on a specific threat, Vampire, Fae, Werewolf, Witch, they rotate as the ultimate evil with occasional surprises thrown in. What makes Smoke Bitten so different is that instead of addressing just one big bad Mercy is addressing them all, showing not just the depth and range of Briggs' storytelling abilities to juggle many plot points but also underlining how complicated Mercy's life has become as protector of her plot of land. This makes Smoke Bitten feel not just a more ambitious book, but a more fully rounded book. You can't just pick and choose one crisis to deal with at a time, life isn't that accommodating. Therefore it feels like Mercy has grown up, she's able to handle it all, and in the end she saves the day as she always does, but never without sacrifice and never without her friends by her side. Friends, from Bran to Zee to Wulfe, who be they enemy or throne in the side, feel like my family.

Tuesday, March 11, 2014

Book Review - Patricia Briggs's Night Broken

Night Broken by Patricia Briggs
Published by: Ace
Publication Date: March 11th, 2014
Format: Hardcover, 352 Pages
Rating: ★★★★
To Buy

Mercy might be facing the worst monster she has come up against, her husband Adam's ex-wife, Christy. Christy's having a little problem with an over amorous ex of her own and she decides that the only safe place for her is with her ex and his pack. In fact, thinking things through, she might just want to be by Adam's side on a more permanent basis again. This delusion of Christy's rankles Mercy, but she knows that her and Adam are one and Christy is no threat to their love. So the only thing to be done is grin and bare it while solving Christy's problem with as much haste as is seemly. Of course things get complicated when Christy's stalker isn't your run of the mill human... but that's not something unusual in Mercy's world.

The problem with long running series is you reach a point that if you don't go back and re-read the earlier volumes there's something missing when you pick up the new book. Whether it's a running joke that has started to fade in your memory or if it's just that you're starting to mix up the characters, there's a point when you need to go backwards to keep going forwards. And I really need to go backwards for a little while. I'm still enjoying the books and the characters, but there's just something missing. I feel like I'm losing my connection to Mercy and I don't want this to happen. Of course the opportunity to sit and re-read seven books is a luxury I haven't had the time for yet, but I think I really need to make the time.

The aspect I love of Briggs's writing is that she won't stick to tropes. If there's a convention, instead of going the party line, she'll subvert it. Sometimes this works perfectly, and sometimes if doesn't. If I seriously have to read about yet another kidnapping in this series I might just go crazy. I mean, quite literally, can one person or one group of persons be kidnapped this much? Because it is in almost every single book now and it's getting really old. Though all my worries were more on the ex-wife showing up. With Christy arriving in the Tri-Cities and ostensibly making a play to get Adam back I was worried that it would play out like every ex-wife trope in every book, movie, or television show ever. Thankfully I was wrong.

Instead of being a typical threat, as in making a rift develop between Mercy and Adam, she is a threat because of her stalker. I am so glad, firstly, that Briggs didn't try to put a wedge between Mercy and Adam and that there love is as strong as ever, but secondly, I loved that it was Christy bringing the threat. So not only was she unwelcome but she was also a danger. Yeah, she's a really bad ex-wife and it makes me smile. But in how the pack and Adam treats Christy it shows the strength of their characters. Instead of just fobbing her off and telling her to save herself they decided to help her. To rise above all the crap and still view someone as family and worthy of help, that just makes me love all these fictional people all the more. Though I will qualify that I don't want to be in their pack because seriously, I don't think I could survive the day.

As I've said before what is helping this series in it's longevity is that instead of like in the earlier books when the threat would alternate between the Fae and the Vampires Briggs is bringing "others" into the mix. We already have had the appearance of Coyote, a mythological figure that turns out to be very real in this and previous installments. But here we get a God! And not just a nameless faceless God without motive, we get a God we can understand and feel sorry for. To make evil somewhat sympathetic or at least understandable is a great feat, and Briggs does it flawlessly. But then again, this is a woman who was able to make a walking stick perhaps one of my most favorite characters in a book ever, so should I be surprised with what she can do with real "people"? No, I shouldn't.

But there's a part of me who now has to play devil's advocate. With all of the Mercy-verse, I'm including Charles and Anna's series too here, how long can it really last? Charles and Anna are able to switch it up with different locations and characters in each installment, but Mercy is at the mercy (haha) of being with her pack in the Tri-Cities. How much longer can this go on without becoming stale? Because truthfully, while I love the cast and the pack there's a threshold of how many kidnappings I can take, hint, we've already passed it; and there's only so much pack politics I can take before I get bored. The little switch ups she tried to add, like having Adam's POV, haven't really worked. So while we don't get a new Mercy next year, maybe that's a good thing and will give Briggs time to think about the long term and how to keep this series fresh and exciting. Long live Mercy (as long as the quality is maintained)!

Wednesday, August 17, 2011

Charlaine Harris

Back in the fall of 2006 when Charlaine Harris came to Madison to our little mystery themed bookstore she had not become THE NAME she is today. She was very popular for her mystery series, which sadly had only a few of the books remaining in print. Her Sookie books where finally starting to get noticed, with the previous three books making the leap from paperback to hardcover in an indication of the publishers faith in the series. She had also started a new series. The Harper Connelly series, which has taken a lot of criticism for the relationship between the two main characters, was instantly a favorite with me. The first book, Grave Sight, was a nice diversion from the writings of Harris I had previously read, more mystery, less supernatural sex. Plus, the spin the character of Harper puts on a "ghost whisperer" was intriguing. Instead of a sexually abused character who can read minds due to genetics, here we have a psychically handicapped girl who has the power to see the last minutes of the dead due to a lightning strike. Yes, it does sound a little silly, but the first book had me riveted, and when the second book came out I was first at the bookstore that day for the signing. Oddly enough the bookstore had not gotten their shipment of books so the store owners had to run across the street and buy out the stock and Borders. I was one of the few to get stock that wasn't from Borders. Yes, that was a random aside, but it's the odd details that stick with one that should be told.

Charlaine was exactly as she seems in interviews, a sweet Southern lady who really likes her gore. I found it interesting that the one thing she allows herself since her fame is that she can buy any book she wants, being a voracious reader. I totally would also adopt this if I where ever to become famous, but with the caveat, and the shelf space to store and display them. A lot of the talk was about her Aurora Teagarden and Lily Bard series, which I had not read (ie, see the note about them being out of print), but I did know who Lily Bard is because of her brief cameo in one of the Sookie books, which was repeated in the most recent installment. So, while fun to site and listen, I was at times a bit lost. But the signing was totally worth it, because when she was signing my books, all of which she personalized (!), I got to talk to her a bit about Sookie. I was saying how I found her books when in a desperate need for Vampire literature due to the end of Buffy, which is how I found out she was such a fan of Buffy. Although she likes the music to Angel far more, though she could never really get into it. I left the bookstore a happy girl clutching my books and went to pick up our new VCR/DVD player at Best Buy. The electronics have long since failed me, but this memory and those signed books are a possession I prize, especially as her signings are hundreds upon hundreds of people now versus the cozy little crowd gathered that fall day.

Sunday, May 23, 2010

Vampires of Venice

Can I just say how much I'm in love with Toby Whithouse. Not only did he give us the wonderful Being Human, but now "Vampires of Venice!" He is likly to become the British Joss Whedon, he is the vampire man. But enough gushing about Toby, there's also the on location filming and the outfits and the guest stars. I think this might just be my favorite episode this season. It had an amazing filmic quality and the adding of Rory did not bog down the storyline, but added a humorous companion and allowed The Doctor to jump out of a cake instead of a stripper, who is diabetic. As is usually the case, nothing is as it appears. We have yet another race of stranded aliens who appear to be vampires, who only want to survive. What's interesting is this new Doctor is far less accommodating than Tennant's Doctor, and also a little more blase about the death's in his wake. Not that The Doctor has become callus, but that he has shielded himself more.... Also the performances of Helen McCrory as the leader and Alex Price, who was seen in Whithouse's Being Human, are so diabolically perfect. And the image of the Vampire Girls... I just am rambling, but this episode was wonderful. What did you think?

Saturday, January 30, 2010

Could I Not Just Have One Good Thing in My Life?

Yes you can! Great News for Paranormal Fans! Being Human has been renewed for a third season! Piers Wenger, the lovely producer of Doctor Who and Sarah Jane, as well as the current head of Drama at BBC Wales announced yesterday that Being Human will be back. This is good news for fans, who in a few short weeks, will be going through withdrawal as the second season comes to a close. Being a huge fan of the show, this is good news and comes just at the right time, mainly after the second season's third and best episode. This season got off to a rocky start with our favorite werewolf, vampire and ghost involved in their own little dramas of girlfriends, vampire coup repercussions and gainful employment for the deceased, without realising the threat of some unknown scientific institution that was brought to their existence by Owen at the end of the first season. But thankfully, by episode three, it was back on track. It wasn't anything major, just a subtle shift wherein the characters acknowledged their growing separation and called a house meeting. This also resulted in the funniest scene ever in the show. I can't do it justice, so here it is in it's entirety thanks to YouTube (don't worry, no spoilers).

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