Book Review - Tomi Adeyemi's Children of Blood and Bone
Published by: Anchor
Publication Date: March 6th, 2018
Format: Paperback, 496 Pages
Rating: ★★
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In Orïsha King Saran put an end to the maji. He didn't just find a way to stop the flow of magic he also murdered all divîners over the age of thirteen to protect his land. A decade later divîners are still persecuted. Maligned, taxed, and looked down on, they are second-class citizens. Zélie is a powerless divîner still mourning the murder of her mother. But she trains with Mama Agba so that she will be able to protect her family should King Saran send anyone else to finish the job he already started a decade ago. On the day of her graduation royal guards descend on the fishing village of Ilorin and levy an increase in taxes. One Zélie and her family can ill afford. Zélie and her brother Tzain decide to go to the capital city of Lagos to sell a rare fish at market to pay the new taxes. While they are successful in making money they also run into a heap of trouble, the Princess Amari. She has stolen a scroll from her father after he used it to awaken the powers of Amari's one and only friend whom she then witnessed him murder. Hiding Amari in Ilorian will put the entire village at risk, especially as Amari's brother Inan is the commander of the Royal Army and will do anything to prove his loyalty to his father, even hunt down his own sister and burn a village of innocents to the ground. It's Mama Agba who tells Zélie, Tzain, and Amari that they must travel to the ancient temple of Chândomblé to restore magic. Their journey will not be an easy one with Inan on their tail. Especially as it turns out he is a maji who can infiltrate Zélie's dreams. It is his self-loathing that drives him to carry out his father's wishes. At the temple Zélie's powers are awakened, though it leaves her in a weakened state. Once again escaping the clutches of Inan they realize that he isn't the only risk as Orïsha is rife with those who wish them harm from corrupt guards to nefarious nobles. Battles, kidnappings, corruption, the trio are hunted but occasionally they find help from those who want magic restored and the balance of power to shift. But can they succeed when the odds are stacked against them? Will Zélie be able to forge a link with her ancestors back to the Sky Mother and save Orïsha? Only time will tell.
I read this book when it was released and the one thing that I hoped would come of it is that it would open the door to similar, though better written, literature. Which if you peruse the shelves of your local bookstore or library you will see it has done. Because without it's legacy this book is nothing. It doesn't even feel like a finished book. It needed to be more polished, more refined, and the errors definitely had to be removed. And don't get me started on how rough the worldbuilding is. Orïsha doesn't work, compass points are all over the map. And not figuratively. This feels like it was rushed to print. They saw their chance to label Tomi Adeyemi the next J.K. Rowling and went for it. A label that hasn't aged well. At all. In fact with the big climactic scenes it almost felt as if this was a treatment for a movie. Tomi Adeyemi would just fill in the details later with the VFX people and not bother to put it on the page now. But seeing as the film adaptation has been in production limbo for years now, perhaps the time could have been taken to tighten up the book? Because, shocking as it may be to some people, a book can be the final form of a story, not everything has to be adapted into a film or television show. In fact some people don't want their favorite books adapted to appease the masses. And who is this book really written for? The sheer amount of tropes strung together to faintly resemble a story shows Adeyemi to be an immature writer. The story is told through different character's voices and you could not tell the voices apart. When I really lost it though was when I found lines in this book that were in a "Which YA Trope Do You Hate?" Quiz that I took online. The most notable being "she released the breath she didn't know she was holding." Though in fairness, a lot of authors stumble into that one. It was more the cumulative effect that got to me. The lack of originality, the warring evolutionary progress of different people, and the fact that she did high seas Hunger Games. That one was just a step too far. A desert town wastes ALL there clean water to have a battle to the death on boats? Um, why!?! I mean, really, why!?! In the end this book had me wondering what the actual fuck. But at least reading other reviews I don't feel alone. Everyone was confused. Well almost everyone. Those few who weren't were this book's target audience.
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