strange and random happenstance

Baring A Christmas Carol, Great Expectations is probably Charles Dickens most adapted story. Pip growing up and becoming disillusioned with the world has played out time and time again. And I have never really liked a single one of them. Pip, whether played by actors I love like Ioan Gruffudd or those I respect like Michael York, has always struck me as a prissy prig. He's holier than thou and thinks he has some divine right to the life he's been given. In my opinion the world would have been a lot better off without Pip in it. So how did Steven Knight trick me into watching another adaptation other than being Steven Knight? Matt Berry. That's right folks, I watched this entire adaptation just to see Matt Berry's backside. I didn't know I'd get to see his backside, it was just an amusing bonus. Though even if I hadn't tuned in for Matt Berry I would have been sad to have missed this adaptation because it is the best "adaptation" of Great Expectations ever. The quotes are there because while much was made in the press about Matt Berry's backside being supported by the text, the truth of the matter is Steven Knight kind of threw the text out the window. Of the three "stages" of Pip's life the first one is the only one to actually remain true in this telling, after that it's a free for all. And I for one am here for it! Miss Havisham obviously holding a quartet captive in her house since her wedding day so she can have mood music wherever she wants? While I'm only positing that that is how they're there, I am so here for this that I can't tell you how much I loved it. The fact that Miss Havisham gets to live AND give Pip a parting shot worthy of any eighties action star? Oh yes, more of this, this is the Miss Havisham of Jasper Fforde! Lord Larys leaving the Red Keep to disgustingly sniff snuff? I didn't know Matthew Needham was so comically gifted! But above all what makes this entire adaptation work is that Steven Knight was obviously sick of waiting around on Tom Hardy to make season two of Taboo, AKA the best television series that has ever been created, and decided to make his version of Great Expectations into Taboo 2.0. This is literally Taboo minus Tim Hardy with a veneer of Dickens and Matt Berry. In fact, can someone check to see if Jaggers is wearing Tom Hardy's coat from Taboo? Because I have my suspicions. And specking of Jaggers, he really is the star of this adaptation, and that's saying something because David Suchet has also played this role. Jaggers brings to the fore all the issues that Steven Knight finds the 19th century plagued with that he obsessively explores; slavery, inequality, maritime law, and revenge. This might ostensibly be Pip's story, but Jaggers is the star. But the biggest question at the end of the day is how does Steven Knight make maritime law interesting? Because I assure you he does.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Adaptation, And the Emmy Goes To, Charles Dickens, David Suchet, Great Expectations, Ioan Gruffudd, Jaggers, Jasper Fforde, Maritime Law, Matt Berry, Matthew Needham, Michael York, Steven Knight, Taboo, Tom Hardy

The thing about Wuthering Heights is I always really want to like it but never do. I've seen more adaptations than I can count all hoping that one would strike a cord in me. I chased down old productions for actors I liked just in the vain hope that maybe, just maybe, having say, Matthew Macfadyen in it would improve it. He did not. Hell, he didn't even speak as far as I can remember. In fact the introduction on that old VHS tape from the library was more interesting than the production itself. Thank you Russell Baker for explaining exactly why I hated the Laurence Olivier one so much! Most of the novel was cast aside in favor of a "happy" ending for the 1939 film. Yes. They tried to make Wuthering Heights have a happy ending! The mind boggles. Therefore I didn't have much hope for this new version staring that guy who was good in The Virgin Queen, that guy from The Walking Dead and Love Actually (a film I detest), and Owen from Torchwood. And yes, this is exactly how I categorized it in my head. Well, my lack of expectations led me, late one Sunday night, to find the first version of Wuthering Heights I enjoyed. No, enjoyed is too milquetoast, I was enraptured by it. Yes, it has a grim beginning with Tom Hardy as Heathcliff disinterring Catherine's skeleton while wearing a really bad wig, Tom, not the skeleton. But as I'm sure everyone else who's seen Tom Hardy act will agree, there's just something so magnetic about him, you can't look away. He became Heathcliff. What's more, Charlotte Riley was so perfectly cast as Catherine that she and Tom fell in love. You can feel their attraction through the screen. This is real. This is emotional. This is what Catherine and Heathcliff should always be. That heat, that passion, that tragedy. Thankfully in real life they are living a happily ever after and Tom isn't out back digging a grave where he will later cradle her corpse. But this didn't just become my all time favorite Wuthering Heights adaptation, if forever made me fans of Tom Hardy and Charlotte Riley, who while perfection in this, are even better in Taboo and Jonathan Strange and Mr Norrell respectively.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Catherine Earnshaw, Charlotte Riley, Fifty Years a Masterpiece, Heathcliff, Jonathan Strange and Mr. Norrell, Laurence Olivier, Matthew MacFadyen, Russell Baker, Taboo, Tom Hardy, Torchwood, Wuthering Heights

The Dark Days Pact by Alison Goodman
Published by: Speak
Publication Date: January 21st, 2017
Format: Paperback, 512 Pages
Rating: ★★★★★
To Buy

After being caught in her bedroom with Lord Carlston on the night of her ball Lady Helen has been tossed out by her uncle. If only she could tell her family it's not what they think! But her duties as a Reclaimer come first and that means only those in the Dark Days Club can know what really happened that night in her bedroom; that she killed the rogue Reclaimer Benchley and lost her chance of ever having a normal life. She has luckily clung to respectability by the discretion of all involved and by being whisked away to Brighton for the rest of the season. While it might seem odd that she has withdrawn to Brighton "for her health" with her new acquaintances, Lady Margaret and her brother Mr. Hammond, they at least lend her an air of respectability while helping to train her in her duties as a Reclaimer. As Lord Carlston's aides the siblings are helping Lady Helen in Lord Carlston's grand scheme to disguise her as a man for her Reclaimer duties. A task that sounds easier than it's turning out to be as she must unlearn all that is feminine in order to be masculine. Add to that that she must also maintain the life expected of Lady Helen and there's barely time to sleep. Though her sleepless nights might be more the memory of an embrace shared with Lord Carlston and worrying over his declining mental health than trying to maintain two separate lives simultaneously.

Due to the rigors of the job and the demands on their bodies Reclaimers at some point have to retire before going completely mad. Yet Lord Carlston seems to be getting rapidly worse. A fact that must be kept from the bureaucratic arm of the Dark Days Club. Mr. Pike would relish the chance to put Lord Carlston out to pasture or in the ground because he was going the way of Benchley. So it is rather disconcerting when Mr. Pike arrives in Brighton. Though he's not just there to monitor Lord Carlston, he's there to force Helen to swear her allegiance to the government and to assign her a mission which she must accomplish without her full training and with only the help of Mr. Hammond. Benchley's Terrene Lowry claims to have a journal that his Reclaimer kept written in the blood of his victims that Mr. Pike is desperate to get his hands on. Only when Helen confronts Lowry his price is unacceptable to her. She must find another way to get the journal, which becomes more desperate when a Deceiver, the Comte d'Antraigues, tells Lord Carlston that the journal is the only thing that will cure his madness. Lady Helen is caught between her duty and her desire and either outcome could prove fatal.

The first book in Lady Helen's series, The Dark Days Club, for all it's darkness in showing the seamy underbelly of Regency England was still nestled in the comfortable world of Jane Austen with the drawing rooms and balls and Dukes plighting their troth. Here that life is gone. Lady Helen is no longer ensconced in society but clinging to the edges as best she can. This is a darker world from the one she was cast out from. There are whore houses catering to all tastes. Cruelty, depravity, sexual congress, all that which Lady Helen was shielded from her entire life is now on full display as she walks through Brighton disguised as a man. She was raised to arrange dinner parties not cavort around in men's garb in back allies. Yet she readily accepts the change as the duties of a Reclaimer. I fully embraced this darker tale, it's kind of like comparing an adaptation of Jane Austen to the Tom Hardy series Taboo, both take place during the same time period, but both show such radically different views of that time period. And the thing I've noticed with me, as I get older, I'm less inclined to the happily ever after and more drawn to the ambiguous, darker endings. To me they feel more real, like they're reflecting the world as it is versus how we want it to be.

And poor Helen, she is trying so hard to fit herself into this new world order but underneath it all you can see she is struggling. The scene that I think best exemplifies this is when she's told that she's getting a radical new haircut. While I've never been a girl who longs for the long hair, there is that connection between gorgeously flowing hair and femininity, more so during earlier time periods. Think how much of an impact O. Henry's The Gift of the Magi had? Or when Fantine has to sell her hair in Les Misérables? Yet for how revolutionary she is being in embracing this new life and the challenges that it presents I think she occasionally is willing to fall back on her upbringing a little too much. She was raised to listen to her Uncle, listen to men, they know what's right, so as soon as Mr. Pike swoops in with all his horrid ideas that he says she must follow she follows them when instead she should tell him to STFU. She questions Pike in her mind yet there's a part of her that just follows him blindly despite disagreeing with everything he says and does. This just shows the larger problem endemic to society and that's women should obey because they are nothing more than property. They are to do what is expected, they can not color outside the lines. Helen might be a Reclaimer, but to her brethren she is just there for their use not her opinions.

Now, to get off my high horse, let's talk about something else, let's talk about the Deceivers. So Deceivers, if they are acting in accord to the compact they have with Reclaimers they skim energy off of people without them knowing it. They are taking a little bit of their life force in order to survive. When I started reading this series I had just been on a day trip to Chicago after which one of my friend's credit cards got a fraud warning. My other friend was convinced that the number had just been swiped by an unscrupulous waitress at the restaurant we had ate at, which wasn't at all the case, because the card had never once left my friend's wallet and had been scanned with a RFID reader. The scanner takes all your vital information and gives it to the thief without you even knowing until you get a ping on your credit card. They can take away your entire life without you knowing it and as I was explaining this a light went off above my head and I realized that is what an Deceiver does! Here was a real life example of the supernatural elements in the book and it made me appreciate Alison Goodman's worldbuilding even more. To be able to explain a supernatural element in terms that those who don't necessarily get fantasy can understand made me so happy! Now I just have to convince everyone I know to read this series and invest in RFID wallets.

In another real world and book world colliding incident I'm going to shift to Mr. Hammond. I know I've talked about this in another review before but seeing as I tend to dream cast books as I read them when an aspect of my dream casting and an aspect of the character come together it's fascinating and a little unnerving and is therefore worth repeating. From the second Mr. Hammond entered this story I have pictured him as Lord Alfred Paget from Victoria. There's something just so sweet and reassuring about this character as he threads his way through the politics and paramours of the royal household that his caring and concern rang true to who Mr. Hammond is. In season two of Victoria Lord Alfred falls in love with Edward Drummond, the Private Secretary to the Prime Minister, which was doomed from the beginning and oh so heartbreaking. When Alison Goodman, through the deplorable Mr. Pike, reveals that Mr. Hammond is homosexual I had a moment of confusion. Had I totally, through my dream casting, learned a secret part of Mr. Hammond's character without even realizing I was doing it? I'm not sure, but it sure looks that way! Whatever the case is, whether I was subconsciously picking up on something or I just can somehow predict the future, I don't know, but it was simultaneously spooky and cool.

Putting my uncanny abilities aside there was an aspect of this story that just warmed the cockles of my heart, and that was to do with Delia Cransdon. Poor Delia who was ruined by a Deceiver who then killed himself to body jump when surrounded by Reclaimers and has since been under lock and key at her parents estate with the asylum looming ever larger. Her parents estate is close to Brighton and Helen views it as her duty to at least tell Delia what she can so that Delia will know she's not insane. Of course there's lots of back and forth with what can and can not be told but in the end Delia knows all that Helen does and is sworn in as Helen's aide. While the book doesn't go into specifics about how acceptable society views it that Helen is championing Delia, especially as Delia is viewed as rather "loose" at the one party they attend, that doesn't bother me so much as how glad I was to see how honorable Lady Helen is. Even before she knew about this other world Helen wanted to rush to Delia's side. As soon as Helen knew the truth and was shown the door by her relatives she reached out to Delia to ease her mind and also to reaffirm their friendship. If their was still any doubt in Helen's maid Darby's mind about whether Helen is on the side of the angels, this would have been proof enough. Lady Helen, saving the world one friend at a time.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alison Goodman, Brighton, Deceivers, Homosexuality, Lady Helen, Les Misérables, Lord Carlston, O. Henry, Reclaimers, Regency, Regency Magic, Taboo, The Dark Days Pact, The Gift of the Magi, Tom Hardy, Victoria

The Dark Days Pact by Alison Goodman
Published by: Speak
Publication Date: January 21st, 2017
Format: Paperback, 512 Pages
Rating: ★★★★★
To Buy

After being caught in her bedroom with Lord Carlston on the night of her ball Lady Helen has been tossed out by her uncle. If only she could tell her family it's not what they think! But her duties as a Reclaimer come first and that means only those in the Dark Days Club can know what really happened that night in her bedroom; that she killed the rogue Reclaimer Benchley and lost her chance of ever having a normal life. She has luckily clung to respectability by the discretion of all involved and by being whisked away to Brighton for the rest of the season. While it might seem odd that she has withdrawn to Brighton "for her health" with her new acquaintances, Lady Margaret and her brother Mr. Hammond, they at least lend her an air of respectability while helping to train her in her duties as a Reclaimer. As Lord Carlston's aides the siblings are helping Lady Helen in Lord Carlston's grand scheme to disguise her as a man for her Reclaimer duties. A task that sounds easier than it's turning out to be as she must unlearn all that is feminine in order to be masculine. Add to that that she must also maintain the life expected of Lady Helen and there's barely time to sleep. Though her sleepless nights might be more the memory of an embrace shared with Lord Carlston and worrying over his declining mental health than trying to maintain two separate lives simultaneously.

Due to the rigors of the job and the demands on their bodies Reclaimers at some point have to retire before going completely mad. Yet Lord Carlston seems to be getting rapidly worse. A fact that must be kept from the bureaucratic arm of the Dark Days Club. Mr. Pike would relish the chance to put Lord Carlston out to pasture or in the ground because he was going the way of Benchley. So it is rather disconcerting when Mr. Pike arrives in Brighton. Though he's not just there to monitor Lord Carlston, he's there to force Helen to swear her allegiance to the government and to assign her a mission which she must accomplish without her full training and with only the help of Mr. Hammond. Benchley's Terrene Lowry claims to have a journal that his Reclaimer kept written in the blood of his victims that Mr. Pike is desperate to get his hands on. Only when Helen confronts Lowry his price is unacceptable to her. She must find another way to get the journal, which becomes more desperate when a Deceiver, the Comte d'Antraigues, tells Lord Carlston that the journal is the only thing that will cure his madness. Lady Helen is caught between her duty and her desire and either outcome could prove fatal.

The first book in Lady Helen's series, The Dark Days Club, for all it's darkness in showing the seamy underbelly of Regency England was still nestled in the comfortable world of Jane Austen with the drawing rooms and balls and Dukes plighting their troth. Here that life is gone. Lady Helen is no longer ensconced in society but clinging to the edges as best she can. This is a darker world from the one she was cast out from. There are whore houses catering to all tastes. Cruelty, depravity, sexual congress, all that which Lady Helen was shielded from her entire life is now on full display as she walks through Brighton disguised as a man. She was raised to arrange dinner parties not cavort around in men's garb in back allies. Yet she readily accepts the change as the duties of a Reclaimer. I fully embraced this darker tale, it's kind of like comparing an adaptation of Jane Austen to the Tom Hardy series Taboo, both take place during the same time period, but both show such radically different views of that time period. And the thing I've noticed with me, as I get older, I'm less inclined to the happily ever after and more drawn to the ambiguous, darker endings. To me they feel more real, like they're reflecting the world as it is versus how we want it to be.

And poor Helen, she is trying so hard to fit herself into this new world order but underneath it all you can see she is struggling. The scene that I think best exemplifies this is when she's told that she's getting a radical new haircut. While I've never been a girl who longs for the long hair, there is that connection between gorgeously flowing hair and femininity, more so during earlier time periods. Think how much of an impact O. Henry's The Gift of the Magi had? Or when Fantine has to sell her hair in Les Misérables? Yet for how revolutionary she is being in embracing this new life and the challenges that it presents I think she occasionally is willing to fall back on her upbringing a little too much. She was raised to listen to her Uncle, listen to men, they know what's right, so as soon as Mr. Pike swoops in with all his horrid ideas that he says she must follow she follows them when instead she should tell him to STFU. She questions Pike in her mind yet there's a part of her that just follows him blindly despite disagreeing with everything he says and does. This just shows the larger problem endemic to society and that's women should obey because they are nothing more than property. They are to do what is expected, they can not color outside the lines. Helen might be a Reclaimer, but to her brethren she is just there for their use not her opinions.

Now, to get off my high horse, let's talk about something else, let's talk about the Deceivers. So Deceivers, if they are acting in accord to the compact they have with Reclaimers they skim energy off of people without them knowing it. They are taking a little bit of their life force in order to survive. When I started reading this series I had just been on a day trip to Chicago after which one of my friend's credit cards got a fraud warning. My other friend was convinced that the number had just been swiped by an unscrupulous waitress at the restaurant we had ate at, which wasn't at all the case, because the card had never once left my friend's wallet and had been scanned with a RFID reader. The scanner takes all your vital information and gives it to the thief without you even knowing until you get a ping on your credit card. They can take away your entire life without you knowing it and as I was explaining this a light went off above my head and I realized that is what an Deceiver does! Here was a real life example of the supernatural elements in the book and it made me appreciate Alison Goodman's worldbuilding even more. To be able to explain a supernatural element in terms that those who don't necessarily get fantasy can understand made me so happy! Now I just have to convince everyone I know to read this series and invest in RFID wallets.

In another real world and book world colliding incident I'm going to shift to Mr. Hammond. I know I've talked about this in another review before but seeing as I tend to dream cast books as I read them when an aspect of my dream casting and an aspect of the character come together it's fascinating and a little unnerving and is therefore worth repeating. From the second Mr. Hammond entered this story I have pictured him as Lord Alfred Paget from Victoria. There's something just so sweet and reassuring about this character as he threads his way through the politics and paramours of the royal household that his caring and concern rang true to who Mr. Hammond is. In season two of Victoria Lord Alfred falls in love with Edward Drummond, the Private Secretary to the Prime Minister, which was doomed from the beginning and oh so heartbreaking. When Alison Goodman, through the deplorable Mr. Pike, reveals that Mr. Hammond is homosexual I had a moment of confusion. Had I totally, through my dream casting, learned a secret part of Mr. Hammond's character without even realizing I was doing it? I'm not sure, but it sure looks that way! Whatever the case is, whether I was subconsciously picking up on something or I just can somehow predict the future, I don't know, but it was simultaneously spooky and cool.

Putting my uncanny abilities aside there was an aspect of this story that just warmed the cockles of my heart, and that was to do with Delia Cransdon. Poor Delia who was ruined by a Deceiver who then killed himself to body jump when surrounded by Reclaimers and has since been under lock and key at her parents estate with the asylum looming ever larger. Her parents estate is close to Brighton and Helen views it as her duty to at least tell Delia what she can so that Delia will know she's not insane. Of course there's lots of back and forth with what can and can not be told but in the end Delia knows all that Helen does and is sworn in as Helen's aide. While the book doesn't go into specifics about how acceptable society views it that Helen is championing Delia, especially as Delia is viewed as rather "loose" at the one party they attend, that doesn't bother me so much as how glad I was to see how honorable Lady Helen is. Even before she knew about this other world Helen wanted to rush to Delia's side. As soon as Helen knew the truth and was shown the door by her relatives she reached out to Delia to ease her mind and also to reaffirm their friendship. If their was still any doubt in Helen's maid Darby's mind about whether Helen is on the side of the angels, this would have been proof enough. Lady Helen, saving the world one friend at a time.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Alison Goodman, Brighton, Deceivers, Homosexuality, Lady Helen, Les Misérables, Lord Carlston, O. Henry, Reclaimers, Regency, Regency Magic, Taboo, The Dark Days Pact, The Gift of the Magi, Tom Hardy, Victoria