Showing posts with label Time Travel. Show all posts
Showing posts with label Time Travel. Show all posts

Wednesday, July 30, 2025

Book Review - Olivie Blake's The Atlas Paradox

The Atlas Paradox by Olivie Blake
Published by: Tor Books
Publication Date: October 25th, 2022
Format: Kindle, 397 Pages
Rating: ★★
To Buy

Knowledge is carnage, you can't have it without sacrifice. They were meant to kill one of their own. So obviously it was going to be Callum. He's too dangerous and too annoying. The problem is, the sacrifice had to actually mean something, which meant that Tristan was to do the deed. And he just couldn't. Callum really meant something to him. Which didn't fit in with Atlas Blakely's plans. Callum was chosen from the very beginning to die. He was the sacrifice. But instead Libby died. So the library got it's pound of flesh and the six became five. Though they're all having trouble trusting each other what with the fallout from the murder plot. Old alliances were destroyed and new alliances were forged. And Atlas's plans imploded all because of Libby's ex Ezra Fowler. Ezra, unbeknownst to Libby, can travel in time and is technically a lot older than her. He was one of the six candidates chosen the year Atlas was an initiate. They were the best of friends and to this day he is Atlas's confidant. They thought the same and shared the same goals, to take down the society from within and replace it with an organization that would allow access to all. To let the knowledge be widely distributed not hoarded away. Once they learned that one of their number would have to die the two of them formulated their plan. They would fake Ezra's death and he would jump forward in time while Atlas worked from the inside. Only without a sacrifice there were unintended consequences. Everyone in their year died. Except Atlas and Ezra. Ezra was safely in the future and Atlas pleased the library by becoming it's caretaker and therefore it let him live. The flaw in their plan soon became obvious. Atlas grew over the intervening years and changed what he wished to do. Whereas Ezra was still the Ezra that was first approached by the Alexandrian Society. When Ezra realizes that Atlas no longer cares about access and wants to undo the past, something Ezra knows is impossible, he fakes Libby's death and secrets her away in 1989. He does not want the Society to destroy the world, which is very much something that could happen if Atlas gets his way. But Ezra doesn't count on Libby's tenacity and her friends' obsession with finding her. Nico would know in his bones if she were dead, they are two halves of a whole. He never fell for her "death" and has been determined to find her. And, eventually, they do. She's been busy in the past. The only problem is to bring her home would come at the loss of many lives. Can Libby live with herself if she does what she needs to do? Can the world survive if they reunite and listen to Atlas? And will the library claim it's pound of flesh now that they are all still alive in the present?

So, after reading the first volume I kind of thought that there is no way this series is going to turn out to be as divisive as I kept hearing. I will fully admit I was wrong. The decline in quality between The Atlas Six and The Atlas Paradox is almost incomprehensible. What had some structure now is nothing more than fanfics colliding at the speed of light, here's some Outlander, here's some Dark Materials, here's some Dark Phoenix. Oh, and just for fun, here's some pretentious preaching reminiscent of the worst parts of Sophie's World. And yet, it might have worked. Maybe. Possibly. I'm trying to not trash fanfic or fanfic adjacent here because if you're a good writer you can make that work. You just have to have the right characters and the right plot and not you know almost four pages of nothing. Here's the thing. I truly believe this in my heart of hearts and it's my personal headcanon. When Tor was negotiating the rights to publish this series it was originally written as a duology. But Tor went, hey Olivie Blake, we're only buying trilogies at the moment and she promptly said, I can do that! And what followed is four hundred pages where nothing happens. OK, that's a little unfair. There's angst and philosophy and moral dilemmas but that's just the air of ennui this series exudes. For actual plot points Libby gets back to the present. Oh and Ezra tries to kill the remaining five of the six, but that's so half-hearted that I don't know why I'm mentioning it. So the entire plot is get Libby back to the present. That could have been handled into a single chapter. Maybe, possibly two. In other words, it could have happened at the end of The Atlas Six or, if you wanted to maintain the cliffhanger, at the beginning of The Atlas Complex. The Atlas Paradox does not need to exist. Wait, is that the paradox of the book? No. It couldn't be. That would be too clever and I won't give the author that much credit. Though lovers of this book, the two of you out there, will say that we needed this book so we could have Libby Rhodes's corruption arc. She had to go all evil villain. AKA Dark Phoenix. And, I'm sorry. But no. It was stupid. She chose herself and her potential over countless lives. She could have stayed in the past, but it was her potential in the future, at that point in time with those people that was more important than the lives lost. She blew up a nuclear power plant to get home. She's a bitchier Oppenheimer, destroyer of worlds. And ironically she's going into the future to destroy worlds as well with Altas's plan. But then again, this book is all about people choosing ignorance over knowledge and the six are the most ignorant of all.

Friday, October 18, 2024

Bodies

Netflix isn't afraid to do high concept science fiction adaptations, just look to their recent success with 3 Body Problem. Bodies also fits strongly into this category, relying on a strange admixture of the grandfather paradox and the song made famous, in my mind, by The Muppets, "I'm My Own Grandpa." And it's a really clever conceit, the same body shows up in four different time periods, 1890, 1941, 2023, and 2053, and detectives in each time period have to find a way to work across the eras without being sure that their work will pay off and stop an extinction level event that Stephen Graham's character Elias Mannix triggers in 2023. Bodies obviously wants to be Blade Runner meets From Hell with a hefty dose of The Prestige and Line of Duty, and if you replaced Blade Runner with The Fifth Element but with bad prosthetics, you're spot on. Because no matter how good the acting is the failure of the prosthetics give it a slight cheese factor. Amaka Okafor aged up has this weird neck that looks like it's almost all peeling glue. As for Stephen Graham's various looks? I mean, the least said the soonest forgotten. And I think at this point they actually realized it was working against them and tried to keep him out of frame on his deathbed as much as possible. Though, even with these dodgy looks having such a strong cast leads you to care for all the detectives in all the different eras. Kyle Soller, can I give you a special shout out and say you are killing it recently? You TOTALLY deserved that Peabody for Andor. Occasionally one era's storyline will pull you in a little more, hello again Kyle, and you're dying for them to go back to it but then something will happen in another time and then that's all you care about. It's a balancing act that, while occasionally frustrating, pays off in the end because everything comes together in a perfect bow. It's self-contained. It's a miniseries that draws you in, answers the questions, and leaves you satisfied but still hoping for a little more. But where it really got me is how easy it is to have the world just slide into Fascism. The Executive that controls Britain in the aftermath of the attack with the haunting motto "know you are loved" is too plausible. And what's sad is that at the heart of this horrible movement is just a lost boy who thought he was never loved. Maybe that's what's happening in America right now... All these people who've never felt loved just screaming into the void. But not realizing that violence, that Fascism, that control, isn't the answer. That isn't love. That will never be love. Repeating to yourself that you are loved while in some instances is self-affirming, here is delusional. A lonely boy wants love and fabricates it but with just the hint that it's an illusion everything falls apart. If only more things could be saved with a seed of doubt and a hug.

Wednesday, May 6, 2015

Book Review - Michael Cricton's Timeline

Timeline by Michael Crichton
Published by: Alfred A. Knopf
Publication Date: November 16th, 1999
Format: Hardcover, 444 Pages
Rating: ★★
To Buy (different edition than one reviewed)

Robert Doniger and his company ITC make components for MRI machines. Or at least that's what everyone thinks. ITC though has a vast portfolio of different investments, one of them is an archaeological site in the south of France on the Dordogne River. The site is lead by Professor Edward Johnston and his team; André Marek, a man who wishes he lived in the period he studies, Chris Hughes, who is like a son to Johnston and specializes in studying mills, Kate Erickson, an architect student who has transferred to the study of history, and David Stern, their resident geek. The site is thrown into uproar when a representative from ITC comes to do the yearly inspection of the site and makes references to things that the researchers themselves don't even know about. Johnston demands an audience with Doniger and returns with the representative to New Mexico.

Days go by and Professor Johnston isn't in communication with his team when in the ruins of the monastery they find a note from him saying that he is in 1357 and needs help. Everyone thinks it's a joke until all the tests prove that it is legit. Marek contacts ITC to question them about this development and he is told to pack his bags and pick three other team members, they are to be on a plane to New Mexico in the next hour. With Chris, Kate, and David all onboard, they are let into the big secret that ITC has been carefully guarding. ITC has developed time travel, of a sort. Really it's traveling to different times in parallel dimensions, but that is how they knew so much about the site in southern France, they'd been there when the castles weren't ruins; and due to a little accident, Professor Johnston is there now and has no way back. ITC thought it prudent to send back the only people who know the site and know what the Professor would be doing, aka his team. ITC convinces them to go on this rescue mission, but they cleverly omit the dangers and risks that the team will face and the fact that not everyone might come back alive or at all.

By 1999 I was a true Michael Crichton junky. I had powered through his whole back catalog and aside from a few blips here and there I adored every single volume. Sadly, having read all his books I could do nothing but re-read my favorites while waiting for the next book to come out. And when Timeline came out in November of 1999 I didn't see it for what it was; the beginning of the end. While two of his future books would come to be my most hated of all Crichton's books, Timeline was the one that started the slide in quality. By all accounts I should have loved this book. It's time travel, it's knights, it's amazing new technology, it's a snooze. I remember struggling through this book. Over a month after I had bought it as I unwrapped my Christmas presents I asked my parents to be excused from going to the relatives for our traditional holiday festivities. I was damned if I would waste more time on this book so I resolved to power through it all Christmas day so that at the end of it I could revel in my new books and move on. I curled up on my couch and before my parents even got home I had finally finished Timeline. And in 2004 before the movie came out I struggled through it again. And now, despite my history with this book, I braved it's pages once more and can say that yes, it doesn't improve. Even a decade didn't improve it one little bit, aside from reaffirming my desire to never be transported via beams or lasers. In fact, I think I found Timeline even more annoying this time around.

The overall problem with this book is that it hinges on a faulty premise. There is NO REASON for the grad students to rescue their professor. What's in it for them? Up until his disappearance into the past he's had a total of about two lines and we're supposed to believe that these four students are willing to sacrifice their lives for him? Why? Is he really that awesome? Chris, who views him as a father figure might have some reason, and he's the most hesitant! But other then that there is NO REASON. Stern made the right choice. Stay behind, survive. But the lack of character development isn't just in Professor Johnston, though he is the most obvious. None of the characters are developed in any tangible way. They are astonishingly ignorant and two dimensional, so much so that I have no idea how they even got into grad school. Here's the evil English warlord, here's the female grad student who can be independent, but when a man rescues her she'll swoon and think about marriage and happily ever afters. There is no depth, no development, no reason to root for these characters and hope they make it back to their own time.

The two dimensionality extends into the worldbuilding, as in, here's a cookie cutter Medieval World, go play in it. For all the trash talk of Disney and immersive experiences, I gotta say, I think Disney would do a better job then Doniger and ITC. Disney would at least have a PROPER MAP! I mean, I thought that I had misremembered and that my compass disorientation was because I wasn't paying attention to the included map, but I was wrong! It's the book, not me! At one point the Green Chapel is in the woods to the east about two miles, later it's only a quarter mile to the north? Geographic orientation be damned! Plus how are they getting so easily across the river when there aren't that many boats? Plus all the knights and lords are so basic you can't tell one apart from the other. Plus which castle is which? Their names are bandied about and switched so much that not only is this novel really really flat, but also confusing as hell. It's just adding problems one on top of the other for readers, plus, plus, plus. Plus for the first hundred or so pages, it just made my head hurt.

Re-reading this book after so long I realized it's like a really bad episode of Doctor Who without The Doctor; but not cool like "Blink" but lame like "Love and Monsters." Oh, and give him the worst companions ever, lets say Mickey, Adric, and Peri. So, it's Mickey, Adric, and Peri wandering around and killing people left and right and getting no closer to saving The Doctor because their combined stupidity is so staggering you are blown away. But even if The Doctor wasn't present look at the name of the show, Doctor Who! He is the driving force, much like Professor Johnston should be but isn't. Yes, this book came out in 1999, but the thing is time travel and science fiction already had set expectations for a narrative that had nothing to do with re-launching Doctor Who. The readers of this genre are smart and savvy. We expect the best out of a book we're expending our time on. The thing that struck me most is that this is really time travel for dummies. It's like The Da Vinci Code, written with the masses in mind, not bothering with those readers who might actually have an intellect.

Which brings me to the fact that I am capable of independent thought and therefore I will now poke holes in Crichton's theory of time travel. Can we really call it time travel? He even says it's more like space travel, because you are not going back along your own timeline, but you're crossing over into a parallel dimension that is almost but not quite the same. Which means we get into a paradox of parallel universes. How do they know that they can effect their timeline? If they aren't in their universe how can they A) be sure it's historically accurate and B) get the note from the professor. To tackle A, let's look at the mill. Chris is surprised to see the mill has four not three wheels as he thought. What if the difference between our universe and the one they go to is just that there's one more water wheel? Chris, hard as it may be to believe, might be right. As for B, how exactly did the professor know they were going to find his note for help? He's in another freakin' universe! The fact is small differences in dimensions would really add up which in turn makes the book not add up. Yes, I am probably over thinking this, but I just want it to be better, to be so much more, not Medieval Dan Brown! But I think I have proven beyond a doubt that re-reading Timeline can't magically change what's written.

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