strange and random happenstance

The Blood Card by Elly Griffiths
Published by: Mariner Books
Publication Date: November 3rd, 2016
Format: Paperback, 384 Pages
Rating: ★★★★
To Buy

Could the death of Edgar and Max's old commander be linked to a plot to undermine the coronation of Queen Elizabeth II? Edgar is investigating the death of a local fortuneteller who worked on the Brighton Peer. His boss wants him to rule it a suicide and move on but her Romany family is convinced it was murder. Meanwhile Max is being a good father by agreeing to appear on television. He knows variety is dying, despite his current two week run in London. But is a throwback television variety special for the coronation really the best way to pay tribute to the world that has been his life since he was young? He knows he's the star attraction and by being on the bill his daughter Ruby will get her big break, and she was born for television, but it just seems so tawdry. Which is why another murder investigation with Edgar is a welcome relief. General Petre from the military comes to alert them to Colonel Cartwright's death and takes them to the crime scene to see if the two of them can pick up on anything the other investigators could have missed. There are several items of interest, an old show flyer that had Tony "The Mind" Mulholland on the bill, a newspaper clipping about a mesmerist in New York who caused a woman to faint, and a playing card, the ace of hearts, most commonly known as the blood card. Their former commander was investigating an anarchist plot against the coronation at the time of his death so really it's Edgar and Max's patriotic duty to investigate what happened. Because of Max's obligations to his audience and his daughter it's up to Edgar to fly off to New York. Strange things are happening in Albany. The mesmerist died just before Edgar arrived and his own life is also threatened. But nothing is as dangerous as the threat to the Queen. It looks like there is a real danger and only Edgar, Max, and their fellow friends and investigators will be able to tie it all together and save lives.

While the clash of the old and the new with regards to the world of variety has been a constant theme in the previous volumes this one really brings it to a head. Anyone who has watched The Crown or Doctor Who knows that the coronation of Queen Elizabeth II is what really brought television into everyone's homes in England. Prince Philip's gamble not only paid off but fundamentally changed British culture, shifting how the British public took in entertainment. The world of variety was already dying and television was the nail in the coffin. Tony "The Mind" Mulholland expounded on television being the future of variety back in the first book, but here we get to see how Max and Ruby will fit into the new world order. This was very reminiscent of "The Reluctant Juggler" episode of The Edwardians. That episode was looking backward and forward simultaneously, being both depressing and nostalgic. But here, during the television special, as on that episode, for one moment the old and the new live in harmony. The question remains though if Max will be put out to pasture so the new generation embodied by Ruby will flourish or will Max find a way to succeed. Besides this overarching theme about variety there were lots of other interesting conversations to be had about diverse subjects from subliminal advertising to the treatment of those interned during the war. Some of these got to play out fully, but I felt that not only was the idea of subliminal advertising mishandled and misunderstood by otherwise bright characters but it could have been so much more than a red herring. But no book is perfect and this one isn't an exception, especially in regard to Edgar's trip to Albany. I'm sure us Americans get this wrong when we write about Britain, and the opposite is very true here. I couldn't help but wonder if Elly Griffiths had actually ever been to the United States. Everything was just off. It was like The Twilight Zone. It was supposed to be America but it just wasn't. Also, Brits really have no idea about distances in the United States. We are FAR larger than you can imagine. Albany wouldn't have signs to Canada. It's almost two-hundred miles from Albany to Canada! It would be like Madison having signs to Minneapolis! Which we don't.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Coronation, Doctor Who, Edgar Stephens, Elly Griffiths, Magic Men, Max Mephisto, Murder Most Foul, New York, Prince Philip, Queen Elizabeth, Television, The Blood Card, The Crown, The Edwardians, Variety

The Glass Hotel by Emily St. John Mandel
Published by: Knopf
Publication Date: March 24th, 2020
Format: Hardcover, 320 Pages
To Buy

The official patter:
"From the award-winning author of Station Eleven, an exhilarating novel set at the glittering intersection of two seemingly disparate events-a massive Ponzi scheme collapse and the mysterious disappearance of a woman from a ship at sea.

Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby's glass wall: "Why don't you swallow broken glass." High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients' accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan's wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call.

In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives."

I've been really looking forward to this book, but now all I can think about is her other book Station Eleven and how I DO NOT want the to be the reality we're heading towards. 

The City We Became by N.K. Jemisin
Published by: Orbit
Publication Date: March 24th, 2020
Format: Hardcover, 448 Pages
To Buy

The official patter:
"Three-time Hugo Award-winning and New York Times bestselling author N.K. Jemisin crafts her most incredible novel yet, a story of culture, identity, magic, and myths in contemporary New York City.

In Manhattan, a young grad student gets off the train and realizes he doesn't remember who he is, where he's from, or even his own name. But he can sense the beating heart of the city, see its history, and feel its power.

In the Bronx, a Lenape gallery director discovers strange graffiti scattered throughout the city, so beautiful and powerful it's as if the paint is literally calling to her.

In Brooklyn, a politician and mother finds she can hear the songs of her city, pulsing to the beat of her Louboutin heels.

And they're not the only ones.

Every great city has a soul. Some are ancient as myths, and others are as new and destructive as children. New York? She's got six."

It's time to think of positive New York stories versus what we're seeing in the news...

Murder in the Bookshop by Carolyn Wells
Published by: Collins Crime Club
Publication Date: March 24th, 2020
Format: Hardcover, 256 Pages
To Buy

The official patter:
"Book 50 in the Detective Club Crime Classics series is Carolyn Wells' Murder in the Bookshop, a classic locked room murder mystery which will have a special resonance for lovers and collectors of Golden Age detective fiction. Includes a bonus murder story: 'The Shakespeare Title-Page Mystery'.

When Philip Balfour is found murdered in a New York bookstore, the number one suspect is his librarian, a man who has coveted Balfour's widow. But when the police discover that a book worth $100,000 is missing, detective Fleming Stone realises that some people covet rare volumes even more highly than other men's wives, and embarks on one of his most dangerous investigations.

A successful poet and children's author, Carolyn Wells discovered mystery fiction in her forties and went on to become one of America's most popular Golden Age writers. Penning 82 detective novels between 1909 and her death in 1942, she was mourned in 1968 by the great John Dickson Carr as one of mystery fiction's 'lost ladies now well lost', and remains undeservedly neglected 50 years later. Murder in the Bookshop is a story laced with criminality, locked rooms and bookish intricacies that any bibliophile will find irresistible.

This Detective Club hardback is introduced by award-winning writer and authority on Golden Age detective fiction, Curtis Evans, and includes 'The Shakespeare Title-Page Mystery', a murderous tale of literary shenanigans that was one of the last pieces of detective fiction which Carolyn Wells ever published."

A classic whodunit AND a locked room mystery in one? My ideal reading at the moment! 

Dark Hedges, Wizard Island, and Other Magical Places that Really Exist by L. Rader Crandall
Published by: Running Press Kids
Publication Date: March 24th, 2020
Format: Hardcover, 128 Pages
To Buy

The official patter:
"From a lost city in the desert to a cave alight with thousands of glowworms, learn about some of the most unusual places on earth and the myths, legends, and history behind each of them!

Looking at places like The Skeleton Coast in Namibia, Wizard Island in the United States, and The Fairy Tale Route in Germany, The Dark Hedges and Other Magical Places that Really Exist takes young readers on a journey around the world to real places that sound straight out of fantasy. Featuring both natural and man-made wonders, this travel book combines history and storytelling to explore the far reaches of the earth."

Because magical places DO exist outside of books! Even if this is a book published to prove that...

The Empress of Salt and Fortune by Nghi Vo
Published by: Tor.com
Publication Date: March 24th, 2020
Format: Paperback, 120 Pages
To Buy

The official patter:
"With the heart of an Atwood tale and the visuals of a classic Asian period drama, Nghi Vo's The Empress of Salt and Fortune is a tightly and lushly written narrative about empire, storytelling, and the anger of women.

A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.

Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece."

And damn, this might be my favorite cover in a LONG time.

Lola: A Ghost Story by J. Torres and Elbert Or
Published by: Oni Press
Publication Date: March 24th, 2020
Format: Paperback, 120 Pages
To Buy

The official patter:
"J. Torres and Elbert Or celebrate 10 years of Lola: A Ghost Story, the critically-acclaimed graphic novel that explores family, grief and Filipino folklore in an all-new edition that includes a revised ending and updated illustrations.

Jesse didn’t really know his Lola (the Tagalog word for grandmother), but he remembers that she tried to drown him as a baby. Strange stories surround Lola: she had visions, she fought off monsters straight out of Filipino folklore, and, according to some, she may have even seen ghosts. Now Jesse is struggling with the same visions Lola had, but Lola's not around anymore, and the rest of his family are too tied up in their own personal demons to help. Personal demons that Lola might have helped with, if she were still alive. As Jesse explores his new abilities, he realizes that he might be the one who needs to step into that role - and that helping others might just help him, too."

So many things here I love, but most importantly, ancestral ghosts!

Nonsense! The Curious Story of Edward Gorey by Lori Mortensen and Chloe Bristol
Published by: Versify
Publication Date: March 24th, 2020
Format: Hardcover, 40 Pages
To Buy

The official patter:
"A beautifully illustrated and lyrical picture-book biography of eccentric and beloved writer and artist Edward Gorey.

In this lyrical biography of one of literature’s most creepily creative authors and illustrators, kids will learn about the inspiration behind a generation of creators, from Lemony Snicket to Tim Burton.

Known for, among other things, wearing a large fur coat wherever he went, storyteller Edward Gorey was respected for both his brilliance and his eccentricity. As a child, he taught himself to read and skipped several grades before landing at Harvard (after a brief stint in the army). Then he built a name for himself as a popular book illustrator. After that, he went on to publish well over one hundred of his own books, stories that mingled sweetness and innocence, danger and darkness, all mixed with his own brand of silliness. Illustrated with Gorey-like humor and inspiration by Chloe Bristol, this stunning picture book biography about this beloved creator is the first for children."

What intrigues me most about this book is that I don't know if they can successfully tell his story in an illustrated fashion that isn't HIS style... will be awhile until I find out now that the library has closed and this was where I was getting my copy... 

Lady in Waiting by Anne Glenconner
Published by: Hachette Books
Publication Date: March 24th, 2020
Format: Hardcover, 336 Pages
To Buy

The official patter:
"An extraordinary memoir of drama, tragedy, and royal secrets by Anne Glenconner - a close member of the royal circle and lady-in-waiting to Princess Margaret. As seen on Netflix's The Crown.

Anne Glenconner has been at the center of the royal circle from childhood, when she met and befriended the future Queen Elizabeth II and her sister, the Princess Margaret. Though the firstborn child of the 5th Earl of Leicester, who controlled one of the largest estates in England, as a daughter she was deemed "the greatest disappointment" and unable to inherit. Since then she has needed all her resilience to survive court life with her sense of humor intact.

A unique witness to landmark moments in royal history, Maid of Honor at Queen Elizabeth's coronation, and a lady in waiting to Princess Margaret until her death in 2002, Anne's life has encompassed extraordinary drama and tragedy. In Lady in Waiting, she will share many intimate royal stories from her time as Princess Margaret's closest confidante as well as her own battle for survival: her broken-off first engagement on the basis of her "mad blood"; her 54-year marriage to the volatile, unfaithful Colin Tennant, Lord Glenconner, who left his fortune to a former servant; the death in adulthood of two of her sons; a third son she nursed back from a six-month coma following a horrific motorcycle accident. Through it all, Anne has carried on, traveling the world with the royal family, including visiting the White House, and developing the Caribbean island of Mustique as a safe harbor for the rich and famous-hosting Mick Jagger, David Bowie, Raquel Welch, and many other politicians, aristocrats, and celebrities.

With unprecedented insight into the royal family, Lady in Waiting is a witty, candid, dramatic, at times heart-breaking personal story capturing life in a golden cage for a woman with no inheritance."

Ever since Anne Glenconner was on Graham Norton this season I've been dying for this book to be released stateside!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: Anne Glenconner, Carolyn Wells, Edward Gorey, Elbert Or, Emily St. John Mandel, J. Torres, L. Rader Crandall, N.K.Jemisin, Nghi Vo, Station Eleven, The City We Became, The Crown, The Glass Hotel

The Handmaid's Tale
Based on the book by Margaret Atwood
Starring: Elisabeth Moss, O-T Fagbenle, Jordana Blake, Samira Wiley, Yvonne Strahovski, Joseph Fiennes, Amanda Brugel, Max Minghella, Ann Dowd, Madeline Brewer, Alexis Bledel, Tattiawna Jones, Nina Kiri, Jenessa Grant, Bahia Watson, Ever Carradine, Stephen Kunken, Zabryna Guevara, and Christian Barillas
Release Date: April 26th, 2017 - June 14th, 2017
Rating: ★
To Watch

Offred was once called June. She was married to Luke. They had a daughter called Hannah. When the Sons of Jacob felled the US government and established Gilead June and her family attempted to escape. She and Hannah were caught and she believes Luke was killed. Hannah is the proof that she is fertile in these times of sterility and therefore she was trained to become a handmaid. She was sent to a Commander's house, assumed his name, and once a month "participates" in the ceremony that will hopefully bring forth a child to his family. The ceremony is nothing more than sanctioned systematic rape. Yet Commander Waterford wants Offred to be happy, as does his wife Serena Joy. They think that this is not just an acceptable life but a good life for Offred. Yet Offred doesn't understand the game Commander Waterford is playing, and it is literally a game. He calls her into his study when his wife isn't around to play Scrabble. Such luxury to play with lettered tiles, to form words, to read when women are no longer allowed to. Yet who knows what Serena Joy would do if this aberrant behavior in her husband were discovered. The two of them literally helped write the rules of Gilead, yet Serena herself is willing to bend them a little if she could get a child, having Offred couple with her husband's driver, Nick. Yet she would never violate them outright no matter how stifled she feels now that she's nothing more than a Commander's wife dressed in blue. But if anyone is stifled, if anyone should be revolting, it's Offred. She makes contact through a fellow handmaid with the Mayday resistence group, but then her contact Ofglen is gone one day. But through her new daring Offred learns that Luke is alive, as is her best friend Moira. She now has even more reasons to fight. She is June and they will not destroy her.

I genuinely went into watching The Handmaid's Tale with high expectations. I mean it won ALL the Emmys so it had to be good right? Wrong! I think voting for The Handmaid's Tale was like a protest vote, it says the right things but in truth Westworld should have won. But I would have also taken The Crown or Strangers Things as acceptable substitutes. And the thing is, I'm not sure if I'm alone or not in this dislike. The people I know who liked the miniseries haven't read the book and those whose opinion I trust haven't watched it because they in turn trust my opinion. On paper the show sounds great, even if you're not a fan of Elizabeth Moss like I am. But the execution was just self-indulgent television that felt like it was done by a student filmmaker. While I can understand certain changes, moving all the big events that are excruciatingly paced throughout hundreds of pages of reminiscences into the first episode makes sense. You HAVE to hook the viewers right away. There can't be an entire episode with Offred deliberating about telling the Marthas about the arrival of oranges in the shops because no one would watch that and yet it's over fifty pages in the book. So I'm being generous here, I get these changes, even if it means you've wasted almost all the good plot points in the first episode, it was necessary. But there's the fact that with all the directors there is no fixed style. It's so varying that there is one episode that literally spends the entire hour with only Offred's eye in focus. What student level BS is this? But what I won't ever forgive is the annoyingly repetitious sound design. Low, ominous noises drawn out for what felt like eons. Or a musical cord or strident sound played over and over for entire blocks of the show. If this show wanted to go for sound design over music look to how David Lynch did the revival of Twin Peaks, that is masterful, this is shit. And yet the sound design is NOTHING compared to the music choices. Each episode had some classic used inappropriately or mashed up in some horrific way, WTF was that "Heart of Glass" remix? At the start of every episode I kept wondering, which classic song is going to be ruined in this hour? The answer is whatever song they used.    

Yet the use of the songs from "Don't You (Forget About Me)" to "You Don't Own Me" underscore a larger problem in the series. The book has a timelessness to it, and the soundtrack, no matter how "appropriate" the title or the lyrics date the show. In making this show NOW they made everything too definite. Yes, whatever time you make a series in dates it to an extent, but just because our political climate is so similar at the moment doesn't mean the series should be set in the moment. It might give it immediacy, but will it give it longevity? I don't think so. By giving such specifics, even down to making sure we know all the characters real names, there's a universality that has been taken away. Though oddly there is one thing that is less emphasized amongst all this specificity that further strips any meaning out of the narrative. This story is set in Cambridge and Boston. It's very clear in the book but it's not very clear in the show because they didn't film it on location, instead they took the benefits that Atwood's country gives in tax breaks and damn the consequences the show was filmed in Canada. The problem is NO town can be a substitute for the Boston area. It has a very specific look and use of red bricks that when gone, well, you notice it. What's more is that by having the story set in and around Harvard, there's symbolism attached to having the bodies of the traitors hung on the University's wall that can never have the same impact by just having some bodies on a wall next to a river. This is a MAJOR statement about how the current regime views education and betrayal and here it's just gone, entirely lost. What's more, Boston is the cradle of America! This is where the revolution started! This is where Paul Revere made his midnight ride! To have that which created us under the yoke of an evil regime? That is a statement that can only be said by seeing Boston on the screen! 

Going back to the specificity that this adaptation has embraced when it's convenient to them Offred herself is just too specific, she's too defined. Yes, Atwood's book gives us a lot of information about Offred's previous life, but at the same time she is generic enough, she can be the everywoman she's supposed to be. You can scarily see yourself in her shoes because she could be you! She's a passive vehicle for the atrocities of Gilead to flow through. Here with Elisabeth Moss's portrayal of Offred we see a woman who is not going to just lay back and take things, she's going to stand up and fight. She's going to hold onto her name, she's going to hold onto her memories, she's going to hold onto hope. She is going to be the rallying point for the rebellion. Offred here is not so much just one of the handmaids, she is front and center, punching and kicking during the punishment, helping in the birth, she's June goddammit and she's going to talk other handmaid's off the ledge and be a force for change. And THAT is a big change from the book. There suicide was an option because hope had run out, here hope never runs out. There is a far more optimistic bent here because Offred is willing to show when she's pissed off or sullen or sulky, she's not the blank vessel for her Commander. She doesn't always follow the rules, and while perhaps we can root her on, I don't think we can relate as much. I totally think there's a time when hope does run out, but for some reason this show was unwilling to embrace this fact. Yes, I know that all this makes sense when switching from one medium to another, but I think more than that this was done in an effort make this more than just an adaptation of the book and more an expansion of the story. This is just the beginning of the series, one that will be full of rebellion, whereas Offred's story in the book is just the beginning of the horrors of Gilead, her rebellion in that context would have meant nothing, would have had no impact, she was just the voice of the oppressed with no actual impact expect for historians.   

Yet as much as I don't like the changes to Offred I have to say they occasionally got it so right that I was, for the moment, happy. In fact I will begrudgingly admit that Elisabeth Moss is the perfect actress for this version of Offred, which is understandable given how much creative control she had in this instance. Therefore I have partially forgiven her for all the times I've hated her in the past, burn in hell Peggy Olson! OK, back to The Handmaid's Tale, in episode two "Birth Day" the handmaids attend the labor of Janine, Ofwarren. Offred goes downstairs to inform the wives of the commanders how things are progressing and one of them asks if she'd like a cookie. Of course this decision is in the hands of her mistress, Serena Joy. Serena asks Offred if she would like a cookie, in the way you'd ask a very small child. There's this big beautiful tower of macaroons and the range of emotions on Elisabeth Moss's face is exquisite. You can see how much she does want that cookie but simultaneously how much it pains her not only to have to ask but to ask it of these women. What's more, she's not even given a choice about asking, because once the suggestion is out there she must do as they say. All this is embodied in this one simple scene, and for once I thought, maybe they get it, maybe they get what Margaret Atwood's story was all about, but then Offred goes to the bathroom and I can see they didn't. Because what happens in the bathroom is that Offred spits out the cookie, but in the biggest act of rebellion she just leave it there, so that those women will know what she's done. Therefore I guess you could say this one scene embodied both what the book was about and likewise the rebellious nature this adaptation is going to take. Yet I have to say it, that at this point it's not the adaptation that is drawing me in no matter the level of acting, it's the expansion. I want to see where this goes. Offred so far has been too omnipresent, she needs to step back out of our faces and let the other characters have the spotlight for once.

Speaking of some other non-Offred characters, let's talk about Commander Fred Waterford and his wife, Serena Joy. In the book the Commander is a bit of a silver fox and Serena a washed up televangelist. In other words, 70s to 80s age range given the timeline. Here we have Joseph Fiennes and Yvonne Strahovski, 47 and 35 respectively. In fact Elisabeth Moss is the same age as Yvonne Strahovski. Now there are two ways to take this change, one is good, one is bad. Let's start with the bad. The bad is that this is Hollywood and they couldn't have an unattractive elderly man raping Elisabeth Moss, so instead we have the beautiful though perfectly brooding Joseph Fiennes who is only a mere 12 years older than her. In an aside, am I the only one who wonders if the Fiennes brothers used to spend their time trying to see who could be more menacing? So vanity wins even in the darkest of stories in this interpretation. Perhaps Elisabeth Moss even insisted on a pretty face to act to? This is Hollywood, weird things are the norm. The unlikely "dark" yet infinitely better interpretation is that by making Offred's oppressors young and beautiful we can see the true horror of what they are doing. Because somehow it would be more understandable if the Commander and his wife had no way of having kids because of their age and an old guy barely getting it up isn't as much of a threat? Also here the crisis of infertility is also brought home by this beautiful couple. This really pushes the message on the inability to procreate which kind of gets lost in the horror of oppression and rape. But going beyond this, going back to the whole infertility crisis, one thing that I just don't get is this need of all the women to have children. I understand the biological imperative what with the fact that the world could end without procreation, I just don't understand this sickening need to have a baby. Is it because it's all that the men have left them? But that's something that needs to be thought on more... biological clocks and imperatives and parental desires can not be covered in a paragraph or two, you need a book, like The Handmaid's Tale, not just some series you can stream and be done with in a few hours.

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: David Lynch, Dystopian, Dystopian Drama, Elisabeth Moss, Gilead, Harvard, Hulu, Joseph Fiennes, Margaret Atwood, Offred, Rape, Stranger Things, The Crown, The Handmaid's Tale, Twin Peaks, Westworld, Yvonne Strahovski

Night Shift by Charlaine Harris
Published by: Ace
Publication Date: May 3rd, 2016
Format: Hardcover, 320 Pages
To Buy

The official patter:
"From the #1 New York Times bestselling author of the Sookie Stackhouse novels - “the Mark Twain of things that live under your bed” - comes a new novel of Midnight, Texas, the town where some secrets will never see the light of day...

At Midnight’s local pawnshop, weapons are flying off the shelves - only to be used in sudden and dramatic suicides right at the main crossroads in town.

Who better to figure out why blood is being spilled than the vampire Lemuel, who, while translating mysterious texts, discovers what makes Midnight the town it is. There’s a reason why witches and werewolves, killers and psychics, have been drawn to this place.

And now they must come together to stop the bloodshed in the heart of Midnight. For if all hell breaks loose - which just might happen - it will put the secretive town on the map, where no one wants it to be..."

I have kind of fallen for Midnight, Texas and don't want this to be the last volume! 

Doctor Who: A Matter of Life and Death by George Mann
Published by: Titan Comics
Publication Date: May 3rd, 2016
Format: Hardcover, 128 Pages
To Buy

The official patter:
"Collects the complete Eighth Doctor Mini-Series.

Eerie Victorian magic shows, living paintings, mysterious lost books, crystalline life-forms, space-barges crammed with the undead... Embrace all the Gothic Romance and interstellar terror of the Eighth Doctor in this new series starring the most-requested past incarnation!"

Of course I've been buying the individual issues of my friend George's foray into Doctor Who Comics, but now I can have them all in a pretty book too!

The Crown by Kiera Cass
Published by: HarperTeen
Publication Date: May 3rd, 2016
Format: Hardcover, 288 Pages
To Buy

The official patter:
"Kiera Cass’s #1 New York Times bestselling Selection series has captured the hearts of readers from its very first page. Now the end of the journey is here. Prepare to be swept off your feet by The Crown—the eagerly awaited, wonderfully romantic fifth and final book in the Selection series.

In The Heir, a new era dawned in the world of The Selection. Twenty years have passed since America Singer and Prince Maxon fell in love, and their daughter is the first princess to hold a Selection of her own.

Eadlyn didn’t think she would find a real partner among the Selection’s thirty-five suitors, let alone true love. But sometimes the heart has a way of surprising you…and now Eadlyn must make a choice that feels more difficult—and more important—than she ever expected."

Yeah, another year and I still haven't started this series. Shame on me.

A Fine Imitation by Amber Brock
Published by: Crown
Publication Date: May 3rd, 2016
Format: Hardcover, 304 Pages
To Buy

The official patter:
"Set in the glamorous 1920s, A Fine Imitation is an intoxicating debut that sweeps readers into a privileged Manhattan socialite's restless life and the affair with a mysterious painter that upends her world, flashing back to her years at Vassar and the friendship that brought her to the brink of ruin.

Vera Bellington has beauty, pedigree, and a penthouse at The Angelus--the most coveted address on Park Avenue. But behind the sparkling social whirl, Vera is living a life of quiet desperation. Her days are an unbroken loop of empty, champagne-soaked socializing, while her nights are silent and cold, spent waiting alone in her cavernous apartment for a husband who seldom comes home.

Then Emil Hallan arrives at The Angelus to paint a mural above its glittering subterranean pool. The handsome French artist moves into the building, shrouds his work in secrecy, and piques Vera's curiosity, especially when the painter keeps dodging questions about his past. Is he the man he claims to be? Even as she finds herself increasingly drawn to Hallan's warmth and passion, Vera can't suppress her suspicions. After all, she has plenty of secrets, too--and some of them involve art forgers like her bold, artistically talented former friend, Bea, who years ago, at Vassar, brought Vera to the brink of catastrophe and social exile.

When the dangerous mysteries of Emil's past are revealed, Vera faces an impossible choice--whether to cling to her familiar world of privilege and propriety or to risk her future with the enigmatic man who has taken her heart. A Fine Imitation explores what happens when we realize that the life we've always led is not the life we want to have."

Not only did this intrigue me, but a friend I trust read an ARC and recommends it as well! Also 1920s!

Posted by Miss Eliza at 12:00 AM 0 comments  

Labels: 1920s, A Fine Imitation, Amber Brock, ARCs, Charlaine Harris, Comics, Doctor Who, George Mann, Kiera Cass, Midnight Texas, Night Shift, The 8th Doctor, The Crown, The Selection, Tuesday Tomorrow