Showing posts with label Sexism. Show all posts
Showing posts with label Sexism. Show all posts

Wednesday, July 22, 2026

Season 46 - The Durrells in Corfu (2016)

The Durrells in Corfu is a series whose existence defies explanation other than a starring vehicle for Keeley Hawes, which I would normally wholy agree with, just not in this case. The thing is, in 2005 Simon Nye wrote the delightful movie, My Family and Other Animals, adapting the book of the same name by Gerald Durrell. A mere decade later he revisited the exact same subject matter but made it into a series. It's the same team just with prettier actors! Embrace the glow up! Imelda Staunton is out, Keeley Hawes is in! And while I would have liked to have spent four seasons with the cast of the movie, I did not enjoy spending four seasons with this iteration of the Durrells. The overwhelming problem is that this show boils down to two concepts; English exceptionalism and mom needing a man. Time and time again the Durrells think they know best, and while they are proven wrong over and over again, they don't grow from their experiences, instead by the end they are putting on a show of how much they've learned from Corfu when really it's just patronizing the locals. And it is oh so painful to watch. This show smacks of jingoism and now I get why the Queen said it was her favorite television show. But moving beyond the racism, there's the sexism. Oh dear lord. While it might be funny to have the writer Lawrence Durrell, who wrote rather racy literature, to boil all of one's problems down to sex, I just couldn't stand it. Not a second went by in this show where he didn't declaim that all of his mother's problems would just evaporate if she just got herself a man. While yes, during this period in history, a lot of a woman's financial stability relied on having a husband, I think Louisa was doing the best that she could. Why would she burden herself with another male? She has two sons who are insufferable asses, aside from being misogynistic, a self-centered daughter, and only one child who is delightful and his only crime is curiosity. I honestly do not get how people not only liked this show but loved it. I could barely get through it. There are literally only two episodes I can think on fondly, all the rest I want to pretend I never saw. Each and every single episode created a new aspect of these characters for me to despite. Let's take Leslie played by Callum Woodhouse who went on to play a slightly tamer version of the same character on All Creatures Great and Small. So his girlfriend gets pregnant and he fully gaslights her. It's not his, she couldn't be pregnant, is she sure she's pregnant, oh, it's totally not his. And the story is framed in such a way that we are to find it humorous and to side with Leslie. A man during this time could walk away from his responsibilities and just pick up his life elsewhere, whereas a woman would be destroyed. And yet we are to side with the man!?! The more I watched this show the more I thought that Simon Nye himself has to be sexist because how could you even write this if you didn't believe it? I just, ugh, I can't with this show. I am an anglophile and this was just too in your face about the greatness of England. I mean, they are on Corfu, maybe celebrate Corfu a little!?! Don't always deride it. But then, if this show was boiled down to one concept it is derision. Derision of women, derision of others, and, even derision of the audience because they don't give a shit about wasting your time.

Wednesday, December 21, 2022

Book Review - Robert Galbraith's Troubled Blood

Troubled Blood by Robert Galbraith
Published by: Mulholland Books
Publication Date: September 15th, 2020
Format: Hardcover, 944 Pages
Rating: ★
To Buy

Cormoran Strike and Robin Ellacott are presented with an intriguing case. Margot Bamborough disappeared in 1974. She was never found. Forty years later her daughter Anna just wants answers. She hires Cormoran and Robin to investigate the disappearance. If they turn up nothing within a year Anna has promised her wife that she will accept that she will never know what happened to her mother and move on with her life. The reason Anna reached out to Cormoran in particular is that him being a "celebrity" private investigator he might be able to interview the prime suspect in Margot's disappearance, Dennis Creed. Dennis Creed, known my the sobriquet The Essex Butcher, abducted, imprisoned, raped, and murdered at least seven women between 1968 and 1976. Margot's disappearance falling during his active years before his subsequent arrest and imprisonment in Broadmoor has always made him a person of interest. But he doesn't do interviews and he definitely doesn't answer questions. That might change if the person talking to him were famous. Creed loves publicity. But getting clearance to see Creed is going to take a while so Cormoran and Robin start by tracking down every single person directly and tangentially connected to the disappearance. This takes time as it's been over forty years. They also find leads that the cops missed, such as a connection to organized crime. But there are only so many times you can poor over the pages of The Demon of Paradise Park before you have to resort to sheer luck that a new clue will land in your lap. What's more is that Cormoran and Robin's personal lives are more out of control than ever before. Cormoran is often having to hare off to Cornwall at a moment's notice because his Aunt Joan, the woman who was more a mother to him than his own mother, is dying of Cancer. And as for his ex Charlotte, if she has her way she will really be out of his life for good this time. As for Robin, what should have been a fairly straightforward divorce from Matthew, seeing as he cheated on her, is turning into a nightmare. She wants to move on, get her money from the sale of their home, find a new signature scent, and start fresh. Will the two investigators find closure for themselves and their client or will they always be left wondering what went wrong?

When the initial buzz quickly rose to a clamor for Troubled Blood and it looked like J.K. Rowling was going all in on being a TERF I was willing to withhold my judgement until I had read the book. I fully admit she's a horrible human being but perhaps that didn't translate to her writing. Perhaps? Ever since I was young and first learned about Lewis Carroll I have been able, to an extent, to separate a book I love from the author. Of course it helps that in his case he's not profiting off my purchases. So I approached Troubled Blood with an open mind and quickly saw that all the reviews I've read have gotten it wrong. Yes, this book is transphobic. Yet the transphobia in this instance is a common murder mystery trope that needs to be retired wherein to lure in female victims a male will dress as a female so they feel safe until the realize they're not. Far more troubling to me was the homophobia, sexism, sexual harassment, and exploitation of the mentally handicapped. But again, while the way these topics were handled in the book physically repulsed me this isn't what we need to be talking about when we talk about this book. Because there's no way calling this book out on these atrocities will actually make J.K. Rowling sit up and take notice. She is unrepentant in her hate. So while yes, this book needs to be called out, she won't listen and just say it's part of "cancel culture." Therefore I want to change the narrative. This book isn't bad because of the deplorable author spewing her hate, it's just a badly written book and everything else is just extra shit piled on top. I have this feeling that when this book arrived at her publishers they realized she had finally gone all in on being a deplorable and no editor touched this book. They didn't want to wade into the cesspit that is everything about this book. The plot is boring. There is no driving force what with the case being a cold case. There is no jeopardy. Months go by between any developments and the plot just plods along. Also, why is Robin so obsessed with finding a new "signature scent?" I get that she's trying to leave her life with Matthew behind, but she's a PI, she's tailing people all the time, don't you think that a PI shouldn't announce their presence with a whiff of perfume? For an author and series I loved it took me over a month to force my way to the meandering finish. So please, hate on this book not just for the hate but for the bad writing, it's deserving of both.

Wednesday, August 18, 2021

Clarice

Firstly, a shout-out to the Fanibals who got #HannibalDeservesMore trending every Thursday when Clarice aired because this is a statement which I will never disagree with. But, the good news for Fanibals is that Clarice would in no way contradict or conflict with the continuation of Hannibal because this show doesn't take place in the present, like Hannibal, but right after the events of The Silence of the Lambs film, placing it firmly in 1992. So now that I've gotten those concerns addressed, lets talk Starling! From beginning to end this show had me on a roller coaster of emotions. There was a lot of bait and switch going on. You kind of expect a show following on the heels of The Silence of the Lambs to be about serial killers, and when at the end of the first episode they pull the rug out and are like, nope, it's about whistleblowers, it took me a few more episodes to lean into this new arc. Because this show doesn't really do "monster of the week." Each episode ties into the greater arc of what is going on with VICAP's investigation into Alastor Pharmaceuticals. So I had to embrace the whistleblowers and I heartily did. Because this isn't just relevant to now, but relevant to then. This was when Erin Brockovich was raising the alarm! And seriously, why have we stopped talking about Flint, Michigan, it's not like that magically got fixed? But Clarice also does an excellent job of discussing other issues of import that still matter, from sexism, to racism, to trauma, to transphobia. And what it did was eloquently handle transphobia. If you think about it, the original movie did a lot to make a monster out of Buffalo Bill because he was trans and as the trans character Julia Lawson played by Jen Richards puts it, this did a lot to hurt the trans community. Not just in the world of the show but in the real world. Her character arc over the three episodes she's on felt like an apology that we've been waiting a long time for and I applaud the show for leaning into the problematic source material versus just pretending it didn't exist. I do hope that this show is somehow able to continue because it is continually breaking down preconceptions and that makes it unique. Though I have to say circling back round to a serial killer by the end felt a little messy. If it wasn't for the amazing acting of Douglas Smith, previously killing it as Marcus Isaacson on The Alienist, it just wouldn't have worked.

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