Showing posts with label Nac Mac Feegles. Show all posts
Showing posts with label Nac Mac Feegles. Show all posts

Wednesday, May 29, 2019

Book Book of 2010 - Terry Pratchett's I Shall Wear Midnight

I Shall Wear Midnight (Discworld Book #38) by Terry Pratchett
Published by: Corgi
Publication Date: September 2nd, 2010
Format: Paperback, 419 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Need not want. That's the way of the witch. You are respected and well regarded, but not really liked. Who indeed would like the person who knows all your dirty little secrets and does what needs to be done? There is also a certain amount of fear underneath, because though a witch's job has little to do with magic, there's always the threat of it. Worn to the bone by the needs of the people of the Chalk Tiffany doesn't have time for sleep, especially when the rough music starts. Mr. Petty has been singled out by the villagers, an abusive man; he has taken things too far this time with his daughter Amber. While Tiffany doesn't necessary support or condemn the villagers and their plan to oust Mr. Petty, she knows one thing, evil though he may be, Mr. Petty doesn't deserve to die. After dealing with Mr. Petty and having another sleepless night, Tiffany is called to the home of the Baron. Once everyone thought that one day she would be the mistress of the manner when Roland inherited. But being the two "different" people didn't mean they were the two "right" people for each other and Roland is deep in preparations for his wedding to Letitia while his father slips away. When Roland goes away to the great city of Ankh Morpork, his father, the Baron, finally dies peacefully.

The Baron's nurse, a vengeful and hateful woman, claims that Tiffany killed him for his wealth. Tiffany, being unable to deal with these absurd accusations leaves to find Roland and break the news to him. Telling Roland doesn't go as she had planned, instead she ends up in prison with her faithful Nac Mac Feegles. But there is one thing to say about prison, it's safe. There in Ankh Morpork she felt the rising fear and hatred she's been feeling for weeks. People are starting to believe the old stories of evil witches and gingerbread cottages, of the cacklers, of the theory that "thou shalt not suffer a witch to live." But there was a stench of rotting and hatred and a man in black only she could see. A man with holes where his eyes should be. Tiffany soon learns that this Cunning Man must be stopped. Her own life could be in danger as Roland himself turns against her. But she soon learns she has unexpected allies, who, even if they did inadvertently release the Cunning Man, are willing to help watch him burn. Because if he doesn't, everyone else will.

Tiffany has grown up. She has seen the best and the worst of mankind and she takes care of them all. Just because a person appears beyond redemption doesn't mean they aren't worth fighting for, that way leads cackling. She takes everyone's pain away and leaves no comfort for herself. This is a far darker and more disturbing tale of Discworld then has been seen in the annals of Tiffany Aching. But then, the Cunning man is one of the most terrifying villains seen yet. Sure Tiffany kissed the Winter away and walked in the lands of fairies and DEATH, but those creatures were more creatures of myth and fairy tale than a man who through his own hatred and his own dark past is able to corrupt and despoil those who come in contact with him, though he is long dead. Because, deep down, I Shall Wear Midnight shows that the true danger isn't magic, it is man. The Cunning man was once a man like all others. And when Tiffany struggles to quickly save Mr. Petty she is not only saving him from himself, but from his fellow townsfolk. The people that Tiffany grew up around, those she cares for and trusts, when the rough music starts the true danger is your fellow man, and that is a terrifying truth. Even your best friend or neighbor could spell your end.

Yet Tiffany learns more than the cruelty of fellow man as she's grown up. She has more responsibility on her shoulders than ever before. No longer a naive young girl she lives in a world of sleepless nights. Nights spent caring for those who probably don't give her a second thought. The truth of the world is open to her and it shows her that the world is made up of assumptions based solely on appearances. Her and Roland were to marry because that's how it looked to outsiders. Witches are evil old ladies who live alone in the woods. And girls like Letitia with their typical fairy-tale-princess looks and pretty gowns are destined for a happily ever after. Whereas the truth is Tiffany and Roland were never fated to marry, they were too different. The poor old lady killed in the woods years ago was nothing but a poor old lady, not an ounce of witch about her; unlike Letitia who dreams of being a witch and nothing would please her more than a wart or two. Truth can never be found on the surface. Appearances are deceiving. The genius of Pratchett is that he takes concepts that are so ingrained in our culture that they have reached the point of being a cliche, but then he shows it to us in a new light, in the vulnerability of an old lady and her cat, and we realize the importance of this truth that led to it being a cliche.

And while showing us the worst humanity has to offer, Pratchett also shows us those moments of grace. We have been raised to fear DEATH. That when the time comes it is always too soon and too painful. What should be a sad moment, when Roland's father dies, instead we are given a death with dignity. The pain is taken away and a happy memory brought forward. His death wasn't just a release, it was beautiful. That is what Pratchett does time and time again. He takes what we expect and gives it back to us in another way, turned and twisted about to get at the heart of the matter. He takes the concept of the wicked witch, turns it on its head and makes us see that these women of fairy tale who are feared are the ones who have it right. You must care for them that can't. You don't burn down old ladies' houses and kill their cats, you don't run people out of town, you show kindness, even if it must be said in a stern tone of voice. I can not say enough how Pratchett's writing shows such a unique thought process, a great mind that was willing to question everything and in that quest gave us a new way to look at the world. Life happens not as you expect because maybe that's what is needed.

Re-reading this book was bittersweet in the wake of Pratchett's own death. While this book turned out not to be the final Tiffany Aching book, Tiffany did end Discworld with The Shepherd's Crown. But to me, this should be the end of Tiffany's story. She might have other adventures, but here... here she is glorious. This story is so perfect that there was no way to capture that sense of completion by writing yet another tale, it was unnecessary. Though with the love and care Pratchett obviously felt for Tiffany, it is no wonder that he wanted his last book to be with the character he loved most. And despite all the characters he has created over his prolific career, I find it amazing that so many people have identified with Tiffany; a rather obstinate, forthright girl, who just happens to be a witch. She's a character the likes of which will be echoed in countless other characters for a long time to come. Yet in the end, she's uniquely herself and uniquely Pratchett. And of all her tales, this one is uniquely perfect. It's rare that a book ends on just the right note, but Pratchett has succeeded perfectly. The absolute right note which has a bite of a susurration to it.

Wednesday, November 2, 2016

Discworld Reminiscence

I love to think back to the North American Discworld Convention in 2011 as the short time I physically lived in Discworld. Terry Pratchett's books have transported me there many times, but to have a physical passport and walk among people who were living the same immersion experience I was, well, that was truly unique. As an added bonus a few of my other favorite authors were along for the journey. There was Esther Friesner, Patrick Rothfuss, Stephen Baxter, and the rumors of Neil Gaiman. Since day one of the con the rumors had been spreading that the reason the Good Omens panel had been moved from it's scheduled time on Saturday to Sunday was because Neil himself would be coming. To have Neil Gaiman and Terry Pratchett in the same room together would be ecstasy. This seemed like it was literally too good to be true yet the whispers continued. I started to get swept up in the anticipation of possibly FINALLY seeing Neil Gaiman. My mind was making pro/con lists and I kept hoping that the pro of Neil actually living in Wisconsin would tip the scales. I couldn't concentrate on making my Sock Mac Feegle, I couldn't keep my lunch down. I was like an overexcited small child who was destined for a tantrum and in need of a nap.

That afternoon the crush to get into the main hall was epic. I wasn't the only one who was willing to believe in rumors and hearsay. But as it happens, sometimes there are glittering moments in your life when everything aligns and rumors are true. The cheers, which must have been heard blocks away, started before I could even see them. People were soon on their feet as Neil and Terry came into view. Then just hearing Neil speak. That voice! It was just enough to hear his voice. The panel was oddly voyeuristic. I felt like I was sitting watching Neil and Terry just chatting in their living room. They recounted many stories about how Good Omens was written, many of the anecdotes I'd read about before, but it was different seeing them reminisce. They also upheld the belief that at one point the book started writing itself because there is one line they both love but they swear neither of them wrote. They also discussed taking the picture for the back cover of the book. Terry remembers thinking how cool the "black and white" look would be, only Neil laid claim to the black so he was nice and warm in this cemetery, in winter, in England. While Terry was wearing a pair of very lightweight cricket pants and all the cricket accoutrement, being the only white clothes they could find at that time of year. Therefore you have the cool laid back Gaiman who spent the day climbing on tombstones, and a cold Pratchett huddling in the meager warmth of the mausoleum.

At one point they sang a bit of a They Might be Giants song and at another point, while recounting meeting a crazy person who wanted to buy the rights to the book demonstrated their "escape plan." They where to employ the code word "Biggles." But this lady was so beyond Biggles levels they both started to pretend to fly, in a move the fictional pilot would heartily approve. When Neil, near the end of the wondrous hour, got up and stood at the podium near me, he realized just how big the room was. Literally everyone from the convention came... well, they kept telling us not to miss it? And have I said... rumors? Here was Neil going, "Wow, there's people over here." It was nice to finally see his face and not just his dulcet tones. The podium had a purpose, of which Terry was suspicious. Turns out Neil was there to present the 2010 Andre Norton Award for Young Adult Science Fiction and Fantasy to Terry for I Shall Wear Midnight, a serious contender for my favorite Terry Pratchett book ever. Terry was very humble with his short speech: "About Bloody Time." I don't know if any author event or panel could ever live up to this. Since then Terry is sadly gone and Neil doesn't do as many events. But at least I can say I was there. Also, it wasn't the only time I was destined to see Neil.

Friday, January 15, 2016

Book Review 2015 #5 - Terry Pratchett's I Shall Wear Midnight

I Shall Wear Midnight (Discworld Book #38) by Terry Pratchett
Published by: Corgi
Publication Date: September 2nd, 2010
Format: Paperback, 419 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Need not want. That's the way of the witch. You are respected and well regarded, but not really liked. Who indeed would like the person who knows all your dirty little secrets and does what needs to be done? There is also a certain amount of fear underneath, because though a witch's job has little to do with magic, there's always the threat of it. Worn to the bone by the needs of the people of the Chalk, Tiffany doesn't have time for sleep, especially when the rough music starts. Mr. Petty has been singled out by the villagers, an abusive man; he has taken things too far this time with his daughter Amber. While Tiffany doesn't necessary support or condemn the villagers and their plan to oust Mr. Petty, she knows one thing, evil though he may be, Mr. Petty doesn't deserve to die. After dealing with Mr. Petty and having another sleepless night, Tiffany is called to the home of the Baron. Once everyone thought that one day she would be the mistress of the manner when Roland inherited. But being the two "different" people didn't mean they were the two "right" people for each other and Roland is deep in preparations for his wedding to Letitia while his father slips away. When Roland goes away to the great city of Ankh Morpork, his father, the Baron, finally dies peacefully.

The Baron's nurse, a vengeful and hateful woman, claims that Tiffany killed him for his wealth. Tiffany, being unable to deal with these absurd accusations leaves to find Roland and break the news to him. Telling Roland doesn't go as she had planned, instead she ends up in prison with her faithful Nac Mac Feegles. But there is one thing to say about prison, it's safe. There in Ankh Morpork she felt the rising fear and hatred she's been feeling for weeks. People are starting to believe the old stories of evil witches and gingerbread cottages, of the cacklers, of the theory that "thou shalt not suffer a witch to live." But there was a stench of rotting and hatred and a man in black only she could see. A man with holes where his eyes should be. Tiffany soon learns that this Cunning Man must be stopped. Her own life could be in danger as Roland himself turns against her. But she soon learns she has unexpected allies, who, even if they did inadvertently release the Cunning Man, are willing to help watch him burn. Because if he doesn't, everyone else will.

Tiffany has grown up. She has seen the best and the worst of mankind and she takes care of them all. Just because a person appears beyond redemption doesn't mean they aren't worth fighting for, that way leads cackling. She takes everyone's pain away and leaves no comfort for herself. This is a far darker and more disturbing tale of Discworld then has been seen in the annals of Tiffany Aching. But then, the Cunning man is one of the most terrifying villains seen yet. Sure Tiffany kissed the Winter away and walked in the lands of fairies and DEATH, but those creatures were more creatures of myth and fairy tale than a man who through his own hatred and his own dark past is able to corrupt and despoil those who come in contact with him, though he is long dead. Because, deep down, I Shall Wear Midnight shows that the true danger isn't magic, it is man. The Cunning man was once a man like all others. And when Tiffany struggles to quickly save Mr. Petty she is not only saving him from himself, but from his fellow townsfolk. The people that Tiffany grew up around, those she cares for and trusts, when the rough music starts the true danger is your fellow man, and that is a terrifying truth. Even your best friend or neighbor could spell your end.

Yet Tiffany learns more than the cruelty of fellow man as she grows up. She has more responsibility on her shoulders than ever before. No longer a naive young girl she lives in a world of sleepless nights. Nights spent caring for those who probably don't give her a second thought. The truth of the world is open to her and it shows her that the world is made up of assumptions based solely on appearances. Her and Roland were to marry because that's how it looked to outsiders. Witches are evil old ladies who live alone in the woods. And girls like Letitia with their typical fairy-tale-princess looks and pretty gowns are destined for a happily ever after. Whereas the truth is Tiffany and Roland never were fated to marry, they were too different. The poor old lady killed in the woods years ago was nothing but a poor old lady, not an ounce of witch about her; unlike Letitia who dreams of being a witch and nothing would please her more than a wart or two. Truth can never be found on the surface. Appearances are deceiving. The genius of Pratchett is that he takes concepts that are so ingrained in our culture that they have reached the point of being a cliche, but then he shows it to us in a new light, in the vulnerability of an old lady and her cat, and we realize the importance of this truth that led to it being a cliche.

And while showing us the worst humanity has to offer, Pratchett also shows us those moments of grace. We have been raised to fear DEATH. That when the time comes it is always too soon and too painful. What should be a sad moment, when Roland's father dies, instead we are given a death with dignity. The pain is taken away and a happy memory brought forward. His death wasn't just a release, it was beautiful. That is what Pratchett does time and time again. He takes what we expect and gives it back to us in another way, turned and twisted about to get at the heart of the matter. He takes the concept of the wicked witch, turns it on its head and makes us see that these women of fairy tale who are feared are the ones who have it right. You must care for them that can't. You don't burn down old ladies' houses and kill their cats, you don't run people out of town, you show kindness, even if it must be said in a stern tone of voice. I can not say enough how Pratchett's writing shows such a unique thought process, a great mind that was willing to question everything and in that quest gave us a new way to look at the world. Life happens not as you expect because maybe that's what is needed.

Re-reading this book was bittersweet in the wake of Pratchett's own death. While this book turned out not to be the final Tiffany Aching book, Tiffany did end Discworld with The Shepherd's Crown. But to me, this should be the end of Tiffany's story. She might have other adventures, but here... here she is glorious. This story is so perfect that there was no way to capture that sense of completion by writing yet another tale, it was unnecessary. Though with the love and care Pratchett obviously felt for Tiffany, it is no wonder that he wanted his last book to be with the character he loved most. And despite all the characters he has created over his prolific career, I find it amazing that so many people have identified with Tiffany; a rather obstinate, forthright girl, who just happens to be a witch. She's a character the likes of which will be echoed in countless other characters for a long time to come. Yet in the end, she's uniquely herself and uniquely Pratchett. And of all her tales, this one is uniquely perfect. It's rare that a book ends on just the right note, but Pratchett has succeeded perfectly. The absolute right note which has a bite of a susurration to it.

Wednesday, October 19, 2011

My Third Day in Discworld

Since day one rumors had been spreading that the reason the Good Omens panel had been moved from Saturday to Sunday was because Neil himself would be coming. To have Neil Gaiman and Terry Pratchett in the same room together would be ecstasy. This was literally too good to be true. Yet the rumors continued. To bide our time, in a totally fun and not at all arduous manner, Jess and I went to the Patrick Rothfuss reading. This was a rare occasion to be in a small venue with the great author, seeing as his booksingings now have upwards of 600 people showing up. We where such a small group that he handed out copies of his book, The Princess and Mr. Whiffle, which we read as a group. I have never had a more fun experience. Having the book read aloud while we turned page by page, but never before Patrick's command. It gave a whole new level to the work, I was sad to hand back my book, even if I had one at home, it would have been a memento forever. He also read an Edda (aka old Norse poetry) that he wrote for an anthology starring Will Wheaton. It was beyond funny and everyone should go get it now! Though, I will share the best line: "While beneath the bass of a murderous mewing, Came the thunderous thrum of Proud Petrifax purring." So, you're by now going, ok, Rothfuss isn't Pratchett, no matter how awesome he is... so back to the con...

I stepped into the auction for a few minutes, where items from/about/loosely connected to Discworld where being auctioned off, some for insane amounts of money. I did not win what I wanted because I don't know if I missed it or not... a few people had sheets about the auction lots, but it was the least organized of the events and left me slightly miffed. Auction, grumble, grumble... and after lunch my stomach was doing the grumble, grumble. Lunch, it did not agree with me... so the making of the Sock Mac Feegles was not so much, making, as harvesting the supplies for a later assembly. Also it was total chaos with no instruction and people who hadn't paid wandering in. Best to hit the bathroom... and then get in line to see if rumors can be true.

As it happens, rumors where true! The cheers for Neil and Terry walking in together must have been heard blocks away! Our seats where close, but not the best, all front row seats being "reserved"... we couldn't really see their faces, but just to hear Neil's voice was enough! It was a very odd voyeuristic Q&A where you felt like you where sitting watching Neil and Terry just chatting in their living room. They recounted many stories about how Good Omens was written, many of the anecdotes in the back of the newest paperback edition. They also upheld the belief that at one point the book started writing itself because there is one line they both love but they swear neither of them wrote it. They also discussed taking the picture for the back of the book (see above). Terry remembers thinking how cool the "black and white" look would be, only Neil laid claim to the black so he was nice and warm in this cemetery, in winter, in England. While Terry was wearing a pair of very lightweight cricket pants and all the cricket accoutrement, being the only white clothes they could find at that time of year. Therefore you have the cool laid back Gaiman who spent the day climbing on tombstones, and a cold Pratchett huddling in the meager warmth of the mausoleum.

At one point they sang a bit of a They Might be Giants song and at another point, while recounting meeting a crazy person who wanted to buy the rights to the book demonstrated their "escape plan." They where to employ the code word "Biggles." But this lady was so beyond Biggles levels, they both started to pretend to fly.

When Neil, near the end of the wondrous hour, got up and stood at the podium near us, he realized just how big the room was. Literally everyone from the convention came... well, they kept telling us not to miss it? And have I said... rumors? Here is Neil going, "Wow, there's people over here." It was nice to finally see his face and not just his dulcet tones.

The podium had a purpose, of which Terry was suspicious. Turns out, Neil was there to present the 2010 Andre Norton Award for Young Adult Science Fiction and Fantasy to Terry for I Shall Wear Midnight (which is one of my favorite books.)

Terry was very humble, with his short speech: "About Bloody Time."

After the glory of the Good Omens panel, the rest of the night could never compare. We went to the Gala Banquet hosted by the Duke and Duchess of Quirm. Appropriate because Wisconsin knows it's cheeses like Quirm does (note Terry's "Native Attire.") Of course, having a Vegan with you to a cheese extravaganza meant she ate much mushrooms and leafy greens. The food was decent, nothing to rave about, but nothing to complain about like the other people at our table did. At least they wheren't dressed up, because if we had been at some of the other tables... we would have felt very out of place. Terry was very genuine in his toast and seemed to be warming up to Wisconsin... but that couldn't keep us past the bizarre and appallingly bad comedy sports team that was there for "our entertainment." Going home, putting on PJs and watching Big Bang Theory was more our line of entertainment.

Wednesday, September 29, 2010

Book Review - Terry Pratchett's I Shall Wear Midnight

I Shall Wear Midnight (Discworld Book #38) by Terry Pratchett
Published by: Harper Collins
ARC Provided by Harper Collins
Publication Date: September 28th, 2010
Format: Hardcover, 368 Pages
Challenge: Terry Pratchett, Fantasy
Rating: ★★★★★
To Buy
Need not want. That's the way of the witch. You are respected and well regarded, but not really liked. Who would like the person who knows all your dirty little secrets and does what needs to be done? There is also a certain amount of fear underneath, because though a witch's job has little to do with magic, there's always the threat of it. Worn to the bone by the needs of the People of the Chalk, Tiffany doesn't have time for sleep, especially when the rough music starts. Mr. Petty has been singled out by the villagers, an abusive man; he has taken things too far this time with his daughter Amber. While Tiffany doesn't necessary support or condemn the villagers and their plan to oust Mr. Petty, she knows one thing, evil though he may be, Mr. Petty doesn't deserve to die and die he will in this environment of fear and hate. She must help him escape. The day after the incident with Mr. Petty, Tiffany is called to the home of the Baron. Once everyone thought that one day she would be the mistress of the manner. But being the two different people didn't mean they were the two right people for each other and Roland is deep in preparations for his wedding to Letitia while his father slips away. Letitia of the typical fairy-tale-princess-looks and the pretty gowns and the jewels, not that Tiffany is jealous or anything. But while Roland is away in the great city of Ankh Morpork, his father, the Baron, finally dies peacefully. But his nurse, a vengeful and hateful woman claims that Tiffany killed him for his wealth. Tiffany, being unable to deal with these absurd accusations leaves to find Roland and break the news to him. Telling Roland doesn't go as she had planned, instead she ends up in prison with her faithful Nac Mac Feegles. But there is one thing to say about prison, it's safe. There in Ankh Morpork she felt the rising fear and hatred she's been feeling for weeks. People are starting to believe the old stories of evil witches and gingerbread cottages, of the cacklers, of the fact "thou shalt not suffer a witch to live." But there was a stench of rotting and hatred and a man in black only she could see. A man with holes where his eyes should be. Tiffany soon learns that this Cunning Man must be stopped or soon more hatred, fear and suspicion will spread. Her own life could be in danger as Roland himself turns against her. But she soon learns she has unexpected allies, who, even if they did inadvertently release the Cunning Man, are willing to help watch him burn. Because if he doesn't, everyone else will.

Tiffany has grown up. She has seen the best and the worst of mankind and she takes care of them all. Just because a person appears beyond redemption doesn't mean they aren't worth fighting for, that way leads cackling. She takes everyone's pain away and leaves no comfort for herself. This is a far darker and more disturbing tale of Discworld then has been seen in the annals of Tiffany Aching. But then, the Cunning man is one of the most terrifying villains seen yet. Sure she kissed the Winter away and walked in the lands of fairies and DEATH, but those creatures were more creatures of myth and fairy tale than a man who through his own hatred and his own dark past is able to corrupt and despoil those who come in contact with him, though he is long dead. While it was bittersweet reading this book, in that it is the end of Tiffany's story, I couldn't help feeling a sense of completion. It's rare that a book ends on just the right note, but Pratchett has succeeded perfectly, the right note which is a bite of a susurration. While I was sad not to see more of the other witches, I think it was key that the final tale was Tiffany's and Tiffany's alone. We have passing vignettes of favorite characters, but in the end it's only Tiffany and her actions that matter. Actions both past, present and future. The Cunning Man brings out the worst of humanity; he preys on man's treatment of man and their fear of the unknown. The evils of the past are bound to repeat, there will always be witch hunts, even if they aren't literally so. But the genius of Pratchett is that he has taken the concept of the wicked witch, turned it on its head and made us see that these women of fairy tale who are feared are the ones who have it right. You must care for them that can't. You don't burn down old ladies' houses and kill their cats, you don't run people out of town, you show kindness, even if it must be said in a stern tone of voice. If we were all to act as the witches did, if we were to learn not to repeat the past and practice a little kindness, the world might be a better place, and that is indeed great magic.

Friday, September 24, 2010

Book Review - Terry Pratchett's Wintersmith

Wintersmith (Discworld Book #35) by Terry Pratchett
Published by: Harper Teen
Publication Date: 2006
Format: Paperback, 450 Pages
Challenge: Terry Pratchett, Fantasy
Rating: ★★★★
To Buy
Tiffany has been assigned to Miss Treason. After the oddity that is Miss Level, with her two bodies, one person, a blind witch who will use your eyes to see and is into all the trappings of what a witch should appear to be, Tiffany doesn't have too many issues. Issues that drove every other young witch ever to leave Miss Treason, sometimes before the first night was out. But Tiffany understands Miss Treason. The crone with the skulls and the clock that is her own heart, plus the profusion of cobwebs, they all seem to be feeding into the mysticism of witches. They are in fact, pure Boffo! Miss Treason, at the young age of 113, knows that what sells a witch is the stories that have formed around her, and she's worked damn hard to make up some good ones! To the villagers she tends it's pride, my witch is witchier than your witch. So when Miss Treason tells Tiffany that she will be dead soon, after all, 113 is getting up there, the opening of her steading becomes a hotly debated issue among all the witches. Despite Tiffany's young age, she knows the area, and all the other witches think this will lead to Granny Weatherwax bestowing her vote on Tiffany... but of course, Annagramma is the senior witch, so it should go to her. What better way for Granny Weatherwax to prove her point of Tiffany's suitability than by letting Annagramma take over and fail, or rely heavily on Tiffany and the other young witches. But the dispute of a witch's steading is not that important to Tiffany at the moment. One night in the woods she did something beyond foolish and stupid. She went with Miss Treason to watch a dance, because it had to be witnessed. The key is witnessed, not participated in. The Dark Morris is the dance of winter. It lacks the bells and good cheer that bring about summer. As it rightly should, this dance brings about the cold and the snow. The Wintersmith dances while there is a hole for the lady of summer, a hole that Tiffany thinks she'd fit quite nicely into... well actually, she didn't think, she just leaped and spun and danced. Summer and winter never meet, but Tiffany has disrupted this. The Wintersmith thinks that he has found his lady walking above the frozen ground. The Discworld itself starts to think the same as her tread on the earth brings forth new growth, as she's able to see other gods and goddesses, and she gets a very nice cornucopia, which can at least feed everyone while the winter goes on without end. Because the Wintersmith has decided to show Tiffany that not only is he all powerful, but that he can be the man for her... with iron enough to make a man. But if Tiffany cannot defeat the Wintersmith and end eternal snow, that just happens to have snow flakes that resemble her, people are going to die, through cold or starvation, and as for the little lambs down on the chalk, they don't stand a chance. With the help of the Nac Mac Feegle and the Baron's son, Roland, hopefully Spring will return.

Tiffany is growing up. Besides her responsibilities as a witch, which do tend to age one rather fast, she is getting into uncharted territory, mainly boys. Now while many witches retain the "Miss" their whole life, it's not a hard a fast rule. Look at Nanny Ogg, she has had, what, three husbands so far. Coupled with the fact this Wintersmith doesn't know what it's like to be human, let alone a boyish swain, and things get complicated fast. When infatuation brings about blizzards and death, it's a hard row to hoe. And there won't be another harvest ever again if the Withersmith has his way. The Nac Mac Feegle, in their direct and logical way, realize that a hero is needed, someone close to Tiffany's heart. There really is only one choice, Roland. Tiffany and him have always had a connection because of their differences to all others. So what's a little epic myth making thrown in when Roland must go down to the underworld to retrieve Summer. But to me, it's not this teenage angst that is the thread that holds this story together, but the thread of story weaving itself. More than the previous books I love that this story centers on what makes something worthy of myth and legend. It's not how you are, but the legends and lore you weave about yourself. You create your perception of yourself, and it's this that people latch onto. A witch must be a hag, with skulls and cobwebs, if not, she's not much of a witch is she? To prove your love you must battle through the underworld like Orpheus in search of Eurydice. You must make the leap and do that which is epic. Gather enough iron to make a man. You must kiss the winter and bring forth the sun. If at the same time you're able to cheat DEATH and annoy him a little, that's all the better.

Wednesday, September 22, 2010

Book Review - Terry Pratchett's A Hat Full of Sky

A Hat Full of Sky (Discworld Book #32) by Terry Pratchett
Published by: Doubleday
Publication Date: 2004
Format: Hardcover, 349 Pages
Challenge: Terry Pratchett, Fantasy
Rating: ★★★★
To Buy(different edition than one reviewed)

Tiffany is leaving her beloved chalk behind. She is off to the mountains to learn the witching. Little does she know, she does not travel alone. There is a dangerous creature following her. The Hiver senses her great power and is drawn inexorably closer. The Feegles are also drawn inexorably closer, but just cause they like watching out for their hag. She has been placed in the house of  Miss Level, both of her, with her OCD ghost. Tiffany has never been away from home and soon the longing for familiar surroundings is almost overwhelming. But soon the local "coven" extends her an invitation. If a bunch of young witches being bossed around by one of their own, Annagramma, could be considered a coven and not just a gathering for say Annagramma to exert control. But Tiffany is not really made welcome, and soon she is questioning why she wanted to be a witch, after all there's not much magic, and a lot of helping the poor, sick and elderly, and no one could see her invisible hat that was given to her by Granny Weatherwax. In fact, her belief was all that made the hat exist, and once that is gone The Hiver has it's invitation. Through the centuries, inhabiting the strongest, the most powerful, the Hiver has used up their lives and discarded their husks behind in a wake of evil. Tiffany is his newest shell. A wonderful, powerful flesh casing. The Hiver tortures and torments those around Tiffany, with only the littlest bit of Tiffany still remaining to watch on in horror, especially during those broomstick rides, Tiffany has never been a fan of heights, or as they should be rightly called, depths. But, as luck would have it, she's able to gain control of her body again and cast the Hiver out. But that only solves the immediate problem. The Hiver is not in Tiffany, which means where has the Hiver gone? How can Tiffany defeat the undefeatable? Can she fight this creature unto the domains of death himself and gain back her faith in herself with all the witches watching and wondering? But the final question is, what does the Hiver want?

This book is the book that made me irrevocably love Tiffany Aching and Terry Pratchett when I first read it. While on one level it is about growing up and not fitting in all while trying to find your calling in life. With the girls in their little exclusive club not looking favorably on the newcomer with a talent for making cheese. There is so much more. The witches in Discworld, while capable of the magics, show that having power and using it are two different things. The greatest power is caring and nurturing and seeing to them that can't. A witch is someone who sees the greater picture and knows that caring for your fellow man is the most powerful magic of all. But Pratchett has this knack, this amazing ability to balance these weightier issues with sheer comic genius. The Feegles are one of the best literary characters around. They have fierce loyalty in Tiffany all in the face of their busy schedule of the fighting and the drinking. But a peculiarity of theirs is that they have a fear of the written word, mainly because if their names are written down it's on a summons to appear in court. But the Feegles are willing to learn, if they are forced to. So begins the feegles sojourn with the alphabet. Rob Anybody views his battle with words as such, a battle. When he overcomes each letter, it's a major victory deserving of high fives all around. Leave it to Pratchett to take the struggle of illiteracy, the thing that is the bane and nightmare of every writer, and make it into the funniest scenes in his book. Because when battling with life and death, a good combat with the letter 'R' can surely lighten the tone of the book. A book like this can be read on so many levels, you really do need to open your eyes and then open them again.

Friday, September 17, 2010

Book Review - Terry Pratchett's The Wee Free Men

The Wee Free Men (Discworld Book #30) by Terry Pratchett
Published by: Harper Collins
Publication Date: 2003
Format: Hardcover, 264 Pages
Challenge: Terry Pratchett, Fantasy,1st in Series
Rating: ★★★★
To Buy
Tiffany Aching has grown up on the chalk surrounded by sheep. She's never quite trusted the fairy stories that show the princesses as blond and blue eyed and the witches as all being evil and likely to entice you into a candy covered cottage. First off, being a brunette, she's not exactly princess material, secondly, ever since the day a harmless little old lady was killed because she was suspected of being a witch, Tiffany decided she'd grow up to be a witch and prove those fairy tales wrong. Because if her grandmother was still alive she would have protected the little old lady, because them that can has to stand up to them that can't. The thing is, nobody told Tiffany that witches aren't bred on the chalk, it's not proper steading. But it seems that, despite what other witches think, the chalk views Tiffany as a witch. After an encounter with a rather nasty water sprite, wherein Tiffany uses her brother Wentworth as bait, she has gotten the attention of the local critters, in particular the Nac Mac Feegle, a fierce little blue warrior clan with bemusing accents, little being the operative word as they're only six inches high. When Tiffany's little brother disappears, just as the baron's son did a few years earlier, all signs point to mystical mischief. With the help of the Nac Mac Feegle she learns from their ruler, the Kelda, that the Queen of the Fairies has taken Wentworth, as she took the baron's son before. The Queen lives in a land of cold and nightmares, a land where the Feegles are no longer welcome, they caused a bit too much mischief. And the Queen sense a weakness in the chalk and decides perhaps it's time to strike. The Kelda on her deathbed appoints Tiffany the clan's new Kelda so she will have unswerving loyalty in the fight to rescue her brother and save this world from that of fairy. Armed with a frying pan and a posse of little blue men they set forward into the land of snow. Where nightmares become manifest, where paintings are reality and the label on a pouch of tobacco can be entered into and hounds have razors for teeth. It's up to this little girl who wants to be a witch to save the world.

The first book in the Tiffany Aching series is the beginning of one of my favorite arcs in the Discworld oeuvre of Terry Pratchett. Tiffany is a girl as hard as flint and with a mind made to solve problems. Plus, she's a fellow book nerd, she read the dictionary straight through because no one ever told her not to. While the basic plot is akin to any coming of age story where a girl learns her responsibility to her family but also her own strength, thus drawing comparisons to Labyrinth, especially as there is a scene very reminiscent of the ballroom scene in that film, it is so much more. And in the more I'm speciafically referring to the Nac Mac Feegle. I don't think I love anyone in fiction as much as I love these pictsies with there lawless ways, their fear of lawyers and their stubborn loyalty. You want to read their lines aloud to revel in their dialect of half Scottish half absurd, where ships are the wooly things that eat grass and go baa, not to be mistaken for the other. If the book could be said to have a failing it would be that of the impossibility of properly building a nonsensical world. There has only been one person, in my mind, who has ever built a 100% believable world of absurdity, and that would be Lewis Carroll. Terry Pratchett does far far better than most, but a dream world of no logic based on memories, dreams and nightmares is a hodge-podge world wherein the plot gets chunky and doesn't flow. It makes it sectional and not cohesive. But in the end, it's a great start for one of my favorite witches. It's almost like reading about a young Esme Weatherwax, with all her future still to come.

Wednesday, September 15, 2010

Book Review - Terry Pratchett's Carpe Jugulum

Carpe Jugulum (Discworld Book #23) by Terry Pratchett
Published by: Harper Torch
Publication Date: 1998
Format: Paperback, 378 Pages
Challenge: Terry Pratchett, Fantasy
Rating: ★★★★★
To Buy
Up in Lancre there is a big to do. King Verance and his Queen, Magrat, have had their first child and a party is called for. In his attempt at dragging Lancre into the Century of the Fruit Bat, Verance has invited people from all over the Disc to celebrate the naming of his daughter. So what if he really didn't think it through when sending the invites to Ubervald and the Magpyrs. This is diplomacy, and you can't not invite vampires because they are vampires now can you? But while Verance has sent out the invites to all the wrong sorts, the most important person has not received hers. While Nanny Ogg and Agnes are at the castle dealing with Mightily-Praiseworthy-Are-Ye-Who-Exalteth-Om Oats, who, while presiding over the naming, comes from a church that used to burn witches, which Nanny Ogg can't abide, Granny Weatherwax is mysteriously absent. She who is going to be the princess' godmother is missing. Or more importantly, her invite is missing, and she is never one to go where she isn't invited or wanted. Who knows, in Granny Weatherwax's mind she might have been made obsolete... she was always the crone, and now with Magrat has become a mother, Nanny Ogg becomes the crone and Esme is just pushed aside. But when the Magpyrs decide to stay permanently in Lancre, usurping Vernance's thrown, they need Granny Weatherwax more than anything. Because these vampires seem to have everyone under their spell... except Agnes, who's always in two minds about things, the second mind being Perdita, who the vampires seem unable to entrance, and Oats, whose religion seems to actually make him immune. With a convenient "spontaneous" mob, they hope to force the Magpyrs and their "new" ideas about vampirism out. But instead they bite Granny Weatherwax and the witches take to the road, ending up in Ubervald, hopefully the last place the vampires will look for them. Of course, with a few little blue men lurking about, there's no knowing how this will end up. Crivens!

The thing that I love about Pratchett is, that, while on the outside it looks like a simple science fiction story about witches and vampires, it is about so much more. From the human mentality to want a leader, if said leader stays within preconceived notions of leadering, to faith, and how it's not so much the God, but the faith behind it. To the idea of evil, and how those who behave evil and admit it are at least not trying to hide what they are behind progress and the common good. Evil is so much easier to handle in an evil package. Pratchett understands the underlying psychology of people and how they want their leaders to be leaders and their evil to be evil, but with a dash of dark humor. Plus, in today's world of all these "good vampires" it's a surprisingly current book, even though twelve years old. Here we have "mainstreaming" vampires! They actually think they're good and not evil! But savagely attacking strangers in the night is nowhere near as bad as lining up your peasants to be drained, even if you did give the town a nice new clock tower. But even amongst the weightier issues, it's the witches that drive this story. Granny Weatherwax, Nanny Ogg, Magrat and Agnes are some of my favorite characters in all of Discworld. They are just as messed up as everyone else, but they are able to see the big picture and understand how people think. As Granny Weatherwax would say, it's all Headology, and somehow these witches know how to get into my head and make the world a little better through their being present. Plus, no harm can be made by throwing in some Nac Mac Feegle, my little six inch tall swearing blue Scotsmen. Ah, how I love you fighting and drinking and fighting while drinking, you brighten my day as well, only please, don't drop by, I don't have any good whiskey.

Wednesday, September 1, 2010

A Plethora of Pratchett

Well, August has come and gone, which means it's now time for another themed month, again one with a little alliteration. One of my most favorite authors is Terry Pratchett, so it's natural for me to devote an entire month to him, even if he didn't have a new book coming out, which he does! His books are witty, wonderful, and have a way of taking the fantasy and science fiction genre and making it funnier yet more relevant than any other author I know. While he has many characters to celebrate on his flat land of Discworld, there is one that holds a special place in my heart. That person is Tiffany Aching. While you people over in England are probably already devouring this latest book, us here in the United States have a few more weeks to wait for I Shall Wear Midnight. But this final month is well worth the wait. Any book by Terry Pratchett is worth the wait, but a new Tiffany Aching book!?! I've been waiting a long time, and let me tell you, it's worth the final few weeks. But I will of course attempt to fill your time with plenty of Pratchett, I have been hoarding reviews so that I could inundate you with book after book. So hopefully time will fly... and of course there's a giveaway. What would a themed month be without I themed prize I ask you? Well a shame is what I say. So while waiting for the new release, let's see if you've got the numbers in your favor to win you some books!


THIS GIVEAWAY IS NOW CLOSED
The Prize:
The Terry Pratchett book of your choice, found here, or use the widget on the left hand side.

The Rules:
1. Open to EVERYONE, just because you haven't been following me all along doesn't mean you don't matter, you just get more entries if you prove you love me by following.

2. Please make sure I have a way to contact you if your name is drawn, either your blogger profile or a link to your website/blog or you could even include your email address with your comment(s) or email me.

3. Contest ends Thursday, September 30th at 11:59PM CST

4. How to enter: Just comment in the space below!

5. And for those addicted to getting extra entries:

+1 for answering the question: Who is your favorite inhabitant of Discworld?

+2 for becoming a follower

+10 if you are already a follower

+10 for each time you advertise this contest - blog post, sidebar, twitter (please @MzLizard), etc. (but you only get credit for the first post, so tweet all you like, and I thank you for it, but you'll only get the +10 once). Also please leave a link!

Good luck!

Wednesday, January 20, 2010

I Shall Wear Midnight

Could this possibly be the image for the cover of the new Terry Pratchett book I Shall Wear Midnight? All signs point to yes! About ten seconds after finishing Wintersmith, the third in Pratchett's popular Tiffany Aching series and the thirty-fifth Discworld book, I was clamoring for the next. Well this fall, that wait will be over. And as is the case when you're impatient like me, you tend to surf the net looking for any information you can... well tonight I stumbled on this gem. Bill Mayer, the artist behind the Wintersmith cover and the covers of the re-releases of Wee Free Men and A Hat Full of Sky happened to have this picture in his flickr stream... Sadly his website is under construction, so it's hard to find out any more corroborating evidence, though this was captioned: "New Terry Pratchett book cover!" Oh, I'm so happy to see this and can't wait to see what the British cover by Paul Kidby looks like, because, while I love this, it's heading in the fantasy headless torso direction like the previous Wintersmith cover, though the Nac Mac Feegles do help in that regard. Sadly Paul Kidby doesn't have anything up yet, but he is working on new covers for the first three books which will be re-issued when I Shall Wear Midnight comes out in September. Till then, I guess we must wait to find out if the rumors of Esk's reappearance are true... ah Terry, I wish you could write faster, but then a book a year is pretty awesome as it is.

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