Showing posts with label Magician. Show all posts
Showing posts with label Magician. Show all posts

Wednesday, April 19, 2023

Book Review - Stephanie Burgis's Snowspelled

Snowspelled by Stephanie Burgis
Published by: Five Fathoms Press
Publication Date: September 4th, 2017
Format: Paperback, 168 Pages
Rating: ★★★
To Buy

Cassandra Harwood had everything. She was the only female magician in Angland. She was betrothed to Rajaram Wrexham, the best magician in Angland, after herself that is. But things weren't going to plan. Letting her have an education was all well and good, but giving her a job? No, that wasn't the done thing. What was all that work for if she's not allowed to do something? So she felt the need to prove herself as she'd been forced to time and time again and things did not go well. She over-extended herself. Her old life is no more. No magic and no Wrexham. Two months ago she felt she had to drive him away to save them both. Though she's the only one who believes this. Her sister-in-law Amy is convinced that Cassandra and Wrexham just need a chance to reconnect and what better opportunity than at a week-long house party in the elven dales? Cosgrave Manor will be filled to bursting with bickering magicians and ruthless lady politicians as the Boudiccate prepares for their Winter Solstice Ceremony to reaffirm the human's peace treaty with the elves. There will be more than enough alcoves to compromise Wrexham in if Cassandra would just admit how much she misses him. What could be more romantic than being snowbound with the love of your life? More importantly it will get Cassandra out of the house where she's become a recluse and out of the rut she's worked herself into that's half pity half self flagellation. But things don't go according to plan. The weather is abysmal, snow so thick it's almost unnatural, and when they arrive at their destination their hostess, Lady Honoria Cosgrave, is worried about her young cousin's party. Miss Fennell and Miss Banks should have arrived by now but are missing. Cassandra agrees to help in the search, which was her first mistake. Her second was walking on a troll. Her third was accidentally making a binding promise to an elf-lord. So now she has to figure out who is behind the unnatural weather or forfeit her future to the elves. And all this just when she'd finally found something to live for again, and Wrexham is only part of that future.

Snowspelled wasn't the book I was expecting. When I read "trapped in a snowbound house party" I got certain ideas in my head. Ideas that are much more common in locked-room mysteries. So I'm not here damning with faint praise, I'm here going, this will be a book I will be glad to re-read with my expectations in check. Expectations that aren't typical of my usual holiday fare. I seriously read too many murder mysteries around the holidays. I wanted more country house party less protective heat bubbles with people wandering about in bespelled snow. Seriously, they were outside way too much for being "snowbound." But once I got past my own expectations I found myself falling in love with a wonderful story about finding your path after your old path was taken away from you forever. Oh and evil elves. I seriously love evil elves. Haven't we all had dreams that have come shattering down? We've worked and worked for years and then, just like Cassandra, there's that over-extension and the horrible burst of pain and disbelief and crushing reality. This heroine's journey is atypical and therefore actually made it all the more relatable. Because not everyone gets all their dreams. We have to settle, we have to search, we have to find a new path. One that works with what we are capable of doing. This book is so much more hopeful than traditional fairy tale stories because there it's all laid out until the HEA. Here there's no guarantees. And I have to admit, a fully powered and cocky Cassandra would not have been a good look. I don't think I would have liked her. A humbled Cassandra is relatable. She's able to find a HEA with how her life has turned out. It might not have been how she expected it in the least, but the managing of expectations is a powerful lesson. Find your HEA in your own way. In a way that you can handle. Don't let anyone tell you you aren't worth it no matter how many setbacks you've faced. Everyone deserves happiness.

Wednesday, November 16, 2022

Book Review - Elly Griffiths's The Vanishing Box

The Vanishing Box by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: November 2nd, 2017
Format: Kindle, 368 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Max Mephisto and his daughter Ruby may be top billing at the Brighton Hippodrome for the holiday season but if Max ever wanted a clear sign that variety is on it's way out he need look no further than the rest of the bill. To be on the bill with a tawdry tableau act of "living statues" perfectly posed so as to skirt the nudity laws is lowering to say the least. But the salacious act might have one benefit, in the very attractive Florence Jones. There's no doubt about it, she's turned Max's head with her Cleopatra tableau and her forthright attitude. She's the type of woman who is the total package, a woman who has Max thinking about the future and marriage. He has been comfortably ensconced with Mrs. M since he left the cold attic room of his landlady's house for her bed but Florence is the type of woman whom you have passionate sex with at a hotel under assumed names in the middle of the day while contemplating the future. They might both be entangled with others, Florence being a kept woman to her show's producer, Vic Cutler, and Max with Mrs. M, but their attraction goes beyond what they are both getting out of their current relationships. In other relationship news Edgar is starting to drift from Ruby. They have been engaged for so long now that it seems unlikely they will ever be married. Something Emma wouldn't mind in the least. But affairs of the heart will have to take a backseat to murder. A young florist named Lily has been slain. Two of the girls from the tableau show were sharing digs with her. What the police don't want people to know is that Lily was posed. Like a classical tableau. In fact, she was posed like a famous painting. But she wasn't in show business despite her digs. In fact it was Lily's mother who was in show business and recommended the digs to her daughter. Could Lily's murder have something to do with the show at the Hippodrome? When Vic Cutler turns up dead it seems a foregone conclusion. Which means, who could be next? Are Ruby and Max in danger? Or someone closer to Edgar's heart?

The Vanishing Box is the turning point for this series. What was predominately a male dominated series is shifting to a female dominated series and in order for that transition to be complete the Emma and Ruby problem has to be laid to rest. Which means it's time for a showdown. Ever since she first appeared on the page I've been rooting for Emma, we've all been rooting for Emma. She's the perfect match for Edgar. Ruby is glamorous, standoffish, and keeps Edgar at a remove, never confirming a date for their wedding or even admitting they are engaged because she knows her life goals are so different from his. So obviously they were never going to work and Emma and Edgar are endgame. What I took issue with was here Elly Griffiths backpedals on Edgar and Ruby's true feelings for each other. We're supposed to believe that deep down Edgar has always loved Emma and that Ruby actually deeply cares about Edgar and is sad their relationship has come to an end? I don't know what books the author thought she was writing, but this wasn't what was going on. Yes, humanizing Ruby is necessary. She can't live up on that pedestal forever, but she could have locked down Edgar at any time and she chose not to. That was her choice. Don't rewrite it mawkishly to be some sort of unrequited or doomed love affair because I am not buying it. Especially with the bigger themes at play here. The Emma and Ruby dynamic feeds into how women are viewed by society. With the tableau we are shown a world in which women are nothing more than objects. They are there to be looked at and lusted after. But they don't have any agency. Whereas Emma is a woman with nothing but agency. She has a job and goals and is breaking away for societal expectations. With the humanization of Ruby we see her moving from an ideal, in particular Edgar's ideal, to an actual living and breathing person who is more similar to Emma than Emma would probably like to admit. The Vanishing Box fits perfectly into it's era and women's liberation. Women are no longer just the focus of men's gazes. They are cops and magicians and florists and writers and on and on. Yet the killer views them as the feminine ideal. The male feminine ideal. Which is why I love when the women take over the tableau show. They were exploited by men, but now, in control, they say what is and isn't permissible. Women finally have the power. But does that mean we have to say goodbye to Edgar and Max? Only time will tell.

Wednesday, January 19, 2022

Book Review 2021 #4 - Elly Griffiths's The Vanishing Box

The Vanishing Box by Elly Griffiths
Published by: Houghton Mifflin Harcourt
Publication Date: November 2nd, 2017
Format: Kindle, 368 Pages
Rating: ★★★★★
To Buy (different edition than one reviewed)

Max Mephisto and his daughter Ruby may be top billing at the Brighton Hippodrome for the holiday season but if Max ever wanted a clear sign that variety is on it's way out he need look no further than the rest of the bill. To be on the bill with a tawdry tableau act of "living statues" perfectly posed so as to skirt the nudity laws is lowering to say the least. But the salacious act might have one benefit, in the very attractive Florence Jones. There's no doubt about it, she's turned Max's head with her Cleopatra tableau and her forthright attitude. She's the type of woman who is the total package, a woman who has Max thinking about the future and marriage. He has been comfortably ensconced with Mrs. M since he left the cold attic room of his landlady's house for her bed but Florence is the type of woman whom you have passionate sex with at a hotel under assumed names in the middle of the day while contemplating the future. They might both be entangled with others, Florence being a kept woman to her show's producer, Vic Cutler, and Max with Mrs. M, but their attraction goes beyond what they are both getting out of their current relationships. In other relationship news Edgar is starting to drift from Ruby. They have been engaged for so long now that it seems unlikely they will ever be married. Something Emma wouldn't mind in the least. But affairs of the heart will have to take a backseat to murder. A young florist named Lily has been slain. Two of the girls from the tableau show were sharing digs with her. What the police don't want people to know is that Lily was posed. Like a classical tableau. In fact, she was posed like a famous painting. But she wasn't in show business despite her digs. In fact it was Lily's mother who was in show business and recommended the digs to her daughter. Could Lily's murder have something to do with the show at the Hippodrome? When Vic Cutler turns up dead it seems a foregone conclusion. Which means, who could be next? Are Ruby and Max in danger? Or someone closer to Edgar's heart?

The Vanishing Box is the turning point for this series. What was predominately a male dominated series is shifting to a female dominated series and in order for that transition to be complete the Emma and Ruby problem has to be laid to rest. Which means it's time for a showdown. Ever since she first appeared on the page I've been rooting for Emma, we've all been rooting for Emma. She's the perfect match for Edgar. Ruby is glamorous, standoffish, and keeps Edgar at a remove, never confirming a date for their wedding or even admitting they are engaged because she knows her life goals are so different from his. So obviously they were never going to work and Emma and Edgar are endgame. What I took issue with was here Elly Griffiths backpedals on Edgar and Ruby's true feelings for each other. We're supposed to believe that deep down Edgar has always loved Emma and that Ruby actually deeply cares about Edgar and is sad their relationship has come to an end? I don't know what books the author thought she was writing, but this wasn't what was going on. Yes, humanizing Ruby is necessary. She can't live up on that pedestal forever, but she could have locked down Edgar at any time and she chose not to. That was her choice. Don't rewrite it mawkishly to be some sort of unrequited or doomed love affair because I am not buying it. Especially with the bigger themes at play here. The Emma and Ruby dynamic feeds into how women are viewed by society. With the tableau we are shown a world in which women are nothing more than objects. They are there to be looked at and lusted after. But they don't have any agency. Whereas Emma is a woman with nothing but agency. She has a job and goals and is breaking away for societal expectations. With the humanization of Ruby we see her moving from an ideal, in particular Edgar's ideal, to an actual living and breathing person who is more similar to Emma than Emma would probably like to admit. The Vanishing Box fits perfectly into it's era and women's liberation. Women are no longer just the focus of men's gazes. They are cops and magicians and florists and writers and on and on. Yet the killer views them as the feminine ideal. The male feminine ideal. Which is why I love when the women take over the tableau show. They were exploited by men, but now, in control, they say what is and isn't permissible. Women finally have the power. But does that mean we have to say goodbye to Edgar and Max? Only time will tell.

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