strange and random happenstance: Lesley May

Lies Sleeping by Ben Aaronovitch
Published by: Gollancz
Publication Date: November 20th, 2018
Format: Paperback, 406 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

Martin Chorley and his co-conspirator Lesley May will be run to ground and made to pay for all their crimes. Which are numerous. Operations Tinker, Wentworth, Carthorse, Cartwheel, and Marigold were all separate investigations into their crimes, now combined under the aegis of the Folly and Operation Jennifer. The Folly is groaning under the influx of police officers, but Molly seems happy to feed them all, even opening up the dining room. Their only hope of finding Martin Chorley is through his connections to other Little Crocodiles, that Oxford dining club that was more about magic and less about running riot. Which is why Richard Williams is under surveillance. He ticks all the boxes. And soon his heart will tick no more because Chorley is tying up loose ends and as soon as the police approach Richard Williams all hell breaks loose. He doesn't die immediately. But he does die. But they find a clue in his papers. A screenplay for movie set in Roman London called Against the Dark written by Richard Williams and Gabriel Tate from a story by John Chapman. This is right up Chorley's alley. His romantic view of the Dark Ages might just have something to do with his plans, why else would he silence Williams? And Chapman and Tate as it turns out once they hear back from Australia and America. All three people associated with the screenplay being deceased is a dead giveaway that it's integral to Chorley's plans. But the first real lead they get is Richard Williams's interest in bells. He made several visits to the Whitechapel Bell Foundry where they forged a bell for him. He provided them with the materials, some of it nicked from archaeological sites throughout London. The bell draws Peter in and he knows it's magic. This bell is important and could very well be the lure they need. They use the large police presence for Michelle Obama's visit to Whitechapel to make the foundry look unguarded. But Lesley fails to make off with the bell and they all think that despite it's beauty, destroying the bell is a plus because it hobbles Chorley's plans. It won't stop them, he'll just make another bell, but bells take time. And in that time they start to put the pieces together; Roman London, the Temple of Mithras, St. Paul's, The Silmarillion, and last but not least, Mr. Punch. Will this knowledge be enough or will Martin Chorley make myth reality?

Lies Sleeping is the big culmination of, well, basically everything that has come before. The book hits the ground running with all the various MET operations that are folded into one unwieldy operation, Jennifer, that is to deal with all of Martin Chorley's crimes under the remit of the Folly. That means Nightingale is in charge. From the first few pages it feels as if this book is struggling to do too much. I've been reading this series over the last three months so there hasn't been the passage of time that usually occurs between volumes, so, logically, I should know every single little detail, and yet I found myself spending an inordinate about of time on Follypedia. Every police officer that has ever appeared is pulled into this operation. And yeah, apparently I should have remembered who David Carey was but by the time I got to Follypedia I'd forgotten his name. This happened repeatedly. He's very forgettable. So while Aaronovitch does successfully tie together all the loose ends, from Martin Chorley to Lesley May to Mr. Punch to all that stuff I'd rather forget from the comics, I really don't like the comics, it doesn't create a satisfying story. It's just one thing happening after another with what feels like a cast of thousands. The Rivers of London series has always perfectly balanced the character of Peter Grant with the character of London itself. With little moments and asides that feel like lovely character studies. Quiet moments. Here there's no time for those quiet moments. There's no working along with Peter to solve a crime it's just them, and a lot of them, trying to run Chorley to ground. All the characters have become stock figures and the one who suffers the most is Lesley May. I no longer get where she's coming from. Yes, revenge and a return to her life before Mr. Punch has always seemed her motivator, but here, here she has a chance at that and she blows it all up. Yes, Aaronovitch is probably setting her up to be the next Big Bad, but her change seems too out of character. She monologues about her hatred of magical creatures at one point and I couldn't help thinking she's turning into a bit of a bigot but without any reason why. I need the why. But I'll give Aaronovitch the benefit of the doubt, because the ending with Mr. Punch in the very first book felt convoluted and dreamlike, and here Aaronovitch is, seven books later, and he knows he messed up and is trying to set it to right. And as someone who has recently watched all of I, Claudius, I gotta admit he got Roman Britain and the Roman mindset down perfectly, when in doubt kill someone and make them a god.

Posted by Miss Eliza at 12:00 AM 0 comments

Labels: Ben Aaronovitch, Faceless Man, Follypedia, Gods, I Claudius, J.R.R. Tolkien, Lesley May, Lies Sleeping, London Calling, Martin Chorley, Mr. Punch, Nightingale, Peter Grant, Rivers of London, Romans, Whitechapel

Foxglove Summer by Ben Aaronovitch
Published by: DAW
Publication Date: January 6th, 2015
Format: Paperback, 336 Pages
Rating: ★★★
To Buy (different edition than one reviewed)

The disappearance of children has traditionally fallen to the Folly for two reasons, the Fae and dark magic. The Fae and changelings are actually real, and well, dark magic, it's dark for a reason. Which is why Peter is off to Herefordshire. Two eleven-year-old girls, Nicole Lacey and Hannah Marstowe, just walked out of there respective homes one night and didn't return. Nightingale would like Peter to check in on an old colleague in that area, Hugh Oswald, to make sure Hugh can be ruled out as a suspect. The idea that the sleepy old wizard could have kidnapped two rambunctious preteens is laughable to Peter, so one possible theory eliminated, Peter makes himself known to the local investigation team and offers up his help to see if this case might be designated "falcon." With the rise of magic and the police's desire to never use that word supernatural cases are now earmarked as "falcon" to help everyone's delicate sensibilities and to stop the public at large knowing about magic. The country is gripped by the case and the press frenzy is fierce which means that Peter has to step carefully. And for awhile it looks like he will be nothing more than another body on the ground, aiding the police with their inquiries until the girls' cellphones are found. The batteries have been fried. But fried in a very specific way that Peter recognizes as he's lost so many phones in the same manner. Magic fried the phones. But they weren't fried where they were found. So that means there might be a crime scene with vestigia, an imprint of the magic used, and this is the first concrete lead the police have had. Peter is hesitant to declare the case as falcon, he thinks it might be more falcon adjacent, until more and more evidence piles up proving that he is indeed the one man for the job. It would be helpful if Nightingale could come and lend a hand but with Lesley's betrayal the Folly cannot be left unattended, due to that mysterious door in the basement that Peter still hasn't uncovered the secret to. But cavalry arrives in the from of Beverley Brook, a genius loci, who might have ulterior motives for helping, and they involve Peter and getting him to admit there's something between the two of them. Finding the missing girls might be easier than finding out what being Beverley's boyfriend would be like.

Foxglove Summer is a hot mess, with neither word bearing more weight than the other. First, would it kill England to have air conditioners? I mean, how do they survive? Do any cars have cooling features? Because seriously, I thought the majority of the characters might just drop dead due to heat exhaustion. And reading this on a suspiciously hot week did add some verisimilitude, which I could have done with a little less of if I'm honest. Yet one can't really complain about a book that successfully drags you into it to such an extent that you're complaining about fictional weather, so therefore the mess becomes the important part. I just don't know what was going on here. You expect some sort of Broadchurchian mess with the disappearance of children with all the town being suspects and Peter arriving late and playing catch-up, but this was a hot mess, and I'm no longer talking about the weather. Instead of the plot shoring up as the investigation progressed it got more convoluted. That's not how it's supposed to go! I even had a hard time distinguishing between the Lacey and Marstowe families, not surprising giving some of the later obvious reveals, but I should have at least been able to keep the two girls straight and who had the magical unicorn friend and who didn't. But it all merged together in a giant ball of confusion. And here's the thing, Ben Aaronovitch could have saved it in the end and he obviously chose not to. I'm now going to spoil some things, so if you have delicate sensibilities, much like those who don't like to speak the word magic, look away now. So at the end it's revealed that it is the Fae, that there is a changeling involved, and Peter does a hostage swap using himself as collateral assuming that Nightingale will rescue him. Firstly, Peter's naivete that the Fae live on another plain of existence is sheer stupidity for someone so smart, but I will forgive him, he's been through a lot. But after Peter is rescued, the book just ends. Which leaves SO MANY questions unanswered. Why did the Fae take the children in the first place? I mean, yes, it could have been the whole changeling angle, but then why didn't they keep Hannah? What are they going to do with the original Nicole? How did the original Nicole get magical powers? Why did the "gates" to fairy cause the ground to be acidic and grow foxglove? Was the Fae's kidnappings related to the felling of the trees? If not, how can they make sure this doesn't happen again? And would it have killed them to have included a map? I mean, I think the only question I felt was answered at the end of this book was why it was dedicated to Terry Pratchett. Which means The Hanging Tree better start out with some answers.