Showing posts with label Jonestown. Show all posts
Showing posts with label Jonestown. Show all posts

Wednesday, December 1, 2021

Book Review - Camilla Sten's The Lost Village

The Lost Village by Camilla Sten
Published by: Minotaur Books
Publication Date: April 4th, 2019
Format: Kindle, 336 Pages
Rating: ★
To Buy (different edition than one reviewed)

Her whole life Alice has heard stories of Silvertjärn. But she isn't like everyone else in Sweden, obsessed with the town where in 1959 the residents disappeared overnight; leaving behind a newborn in the nurse's office of the school and a woman stoned to death in the town square. She has a personal connection. Her grandmother was from Silvertjärn. The day the residents disappeared Alice's grandmother lost her family. Alice has poured over the letter's her Aunt Aina sent her grandmother again and again. The people of Silvertjärn are real to her in a way that she wants to share with the world. Which is why she is trying to make a documentary about the lost village. She has assembled a small crew to go in for a few days in April and get enough footage so that they can lure in investors and then go back in in August and film the documentary, during the time of year when the disappearance happened sixty years earlier. Her crew consists of Max, the backer, Emmy, her ex-best friend, Emmy's boyfriend Robert, and Tone. Only Max and Alice know Tone's secret, she is the daughter of the baby found in 1959. So for two of the crew this is a coming home of sorts. It's unnerving stepping into the town and seeing it for the very first time. Pictures don't exist of the village anywhere so it comes as a shock to see how normal yet eerie it is. They set up camp and go over their plan of attack. Some places of interest are the school, the church, the railway station, and Alice's grandmother's house. Therefore the next morning Alice and Tone set off to investigate the school. Alice has spent a lot of time reading online about the best ways to enter old buildings in the safest manner possible. Therefore it's disheartening when Tone's ankle becomes badly injured on the stairs. She claims she heard something below them. Emmy and Robert also say that they heard noises on their walkie talkies. Could there be someone else here? What really happened to the villagers who were under the thrall of a charismatic preacher? As unsettling incidents start to pile up and one of their own goes missing, the question has to be asked, will any of them make it out of this remote location alive or are they the newest victims of Silvertjärn?

I think The Lost Village is a case in which I should have really paid attention to the blurb. But it was recommended to me by someone whose taste I trust so I kind of didn't notice the whole "The Blair Witch Project meets Midsommar." Of course I'd say it's more Jonestown meets Midsommar... but I really should have had a red flag go up at the mention of Midsommar. Let me make this crystal clear, I HATED Midsommar. It is the worst film I have ever seen in my entire life. Keep in mind at one point I was considering a Communication Arts degree but ended up with a BS in Art and a second in Theatre so I've seen a heck of a lot of movies and experimental films and performance pieces that nearly broke me. Yes, I did have a panic attack during a documentary about logging, but I would watch that documentary again if I could somehow expunge the pretentious piece of shit that was Midsommar from my memory. It wanted to be something big and meaningful but was nothing but dreck. So take it as read that I am affirming that this book is like Midsommar and therefore was never going to be the book for me. But ironically this wasn't what I hated most about the book. Yeah, that's actually a surprising statement to see written out given my hated of Midsommar. This book is just badly written. I don't know if this is because the book was lost in translation or the text was actually this clunky to begin with but Camilla Sten is horrible at describing, well, anything, from locations that have not aged as badly as they should have, to people. She often contradicts herself too. Tone goes from being hulking to petite. Everyone has a thin mouth like a dash. Seriously!?! Everyone!?! Oh, and don't get me started on how obvious that ending was. It was so obvious that there was no jeopardy or peril. Things that were supposed to be spooky weren't in the least. The only thing she got infinitesimally right was what it feels like for a friendship to fall apart. The "shock and rage and sadness" that hits you when you see that friend again. But what little inroads she made with that insight she destroyed by making her mentally ill characters nothing more than cliched tropes. I thought there was going to be some perception, instead it was more of the same shit. So that's what I came away with. Shit.

Friday, November 3, 2017

Movie Review - The Circle

The Circle
Based on the book by Dave Eggers
Starring: Emma Watson, Ellar Coltrane, Glenne Headly, Bill Paxton, Karen Gillan, Nate Corddry, Tom Hanks, John Boyega, Amie McCarthy Winn, Eve Gordon, Patton Oswalt, Smith Cho, Amir Talai, Elvy Yost, Ellen Wong, Poorna Jagannathan, Judy Reyes and Beck
Release Date: April 28th, 2017
Rating: ★★
To Buy

Mae's life isn't going well, her car breaking down and forcing her to call her ex Mercer to fix it is just the latest indignity. In fact her parents talk more about Mercer and all the help he's given around the house what with Mae's father having MS than they actually talk about Mae. But her luck is about to change. Her friend Annie has gotten her an interview at the groundbreaking tech company The Circle. Mae gets a job in Customer Experience, and it may not be the job to fulfill her fear of wasted potential, but it's where everyone starts at The Circle. Yet her start is rockier than most. She's not participating as much as the organization would like. She's not reaching out instead she's focusing inwards and escaping in a kayak whenever she can. Late one night after visiting her parents she snaps and takes a kayak out on the bay which she's "borrowed" from her regular rental place after they've closed. Ironically it's tech from The Circle that catches her malfeasance but also saves her life. She is brought before two of the three founders, Eamon Bailey and Tom Stenton who decide to not punish her but use her as an example. Make her the face of a new initiative. Mae is going transparent. Everything she does, every move she makes, can be watched by millions of people worldwide. Because sharing is caring and knowledge not shared is a crime. Yet as Mae is scaling to new heights in the company her friend Annie is spiraling downwards. Mae doesn't know the end game of The Circle or how transparency is another method of control blindly loving her fame. As she gets in deeper she will be forced to make hard decisions and witness horrors that could change everything. It's up to her to stop The Circle, but will she?

"They're Watching You!" With those simple, musical, almost whispered words while waiting for Tom Hiddleston in Kong: Skull Island in a darkened theater I was instantly sold on The Circle. Of course previews are designed specifically to get asses in seats so despite my love of the preview I waited for reviews and in the meantime picked up the book. For years I knew who Dave Eggers is, more for his founding of McSweeney's, the west coast's answer to The New Yorker, than for his book A Heartbreaking Work of Staggering Genius, but I'd never actually read his work. Ironically the book gave me more hope for the movie, until the abysmal reviews came in. I mean, 16% "fresh" on Rotten Tomatoes is one of the worst scores I've seen in recent years, but on the bright side I hear the film will do well at The Razzies. So there's always a silver lining. Going into this movie with low, in fact almost no expectations was interesting. Yes, I was still frustrated when they got something so right only to follow it up with such a colossal misinterpretation of the text, but those were things I was able to laugh off. Sometimes knowing you're watching a dud gives you freedom to enjoy it for what it is. That's not to say I didn't have major issues, I still have criticisms aplenty, they're just from a more zen place. A place where Emma Watson seemingly single-handedly destroyed a film with an otherwise near-perfect cast. But it can't all be blamed on her, oh wait, it can, because all the changes, the taking a dark satire and spinning it into a thriller, all of that seemed in service of making the character of Mae more in line with Watson's values than as she was written. Because Watson is someone who would never drink the Kool-Aid. Do the people who made this film know about Jonestown?  

So let's go into Emma Watson's Razzie worthy performance. I really can't think of anyone more miscast than Watson as Mae. Mae is ambitious, manipulative, sexual, clever, and instead here she is atonal, flat, passionless, sexless. Look at how they clothe her! She's wearing all these sweaters that fully cover her body so that not an inch of skin is visible. For years now I've had friends who hate Watson's acting. I've always been indifferent to her. She's not how I see Hermione, but then the movies aren't how I see the world of Harry Potter at all. She has a funny cameo in This Is the End, but The Bling Ring was so boring I have tried to excise it from my mind, as for Beauty and the Beast, we are not going there. But I do respect her and I do follow what she does, especially with regards to not just her stance on feminism but on reading as well. So the fact that she plays Mae as someone with no charisma, someone who literally NO ONE would follow isn't just baffling to me, it takes the punch out of the whole movie. I don't know if I can accurately state how bad she is. The lines she delivers feel as if she's reading them off cue cards and is being forced to do so and is therefore coming off as harassed and with just the whiff of pissed off teenager being forced to say hi to company. Was there even a director? Because ANY sensible person in charge should have been like, "Hey Emma, can we get some emoting or acting here? You are an actress right?" Mae is stripped bare, but not literally because God forbid Emma shows some skin, and made boring. When Annie tells Mae she's perfect, I had the biggest laugh. Annie, that's the speed talking! 

Yet the biggest changes that were wrought happen in the movie's climax. When Mae does a presentation on how Circle technology can be used to find anyone on earth things spiral out of control and her ex Mercer dies. This is true in both the movie and the book. Only in the book, a dark dystopian comedy, Mae is the instigator, she's egging the Circlers on. She's releasing drones like flying monkeys and that's the moment in the book when you realize that Mae is one of them. But here, oh no, the sexless Emma Watson couldn't be seen as causing someone's death. So instead she's pushing against hunting down Mercer. She's hemming and hawing and Tom Hanks as Eamon Bailey steps out and drives Mercer literally to his death. Um, WTF is this? Bailey is the papa bear of The Circle, if anything Patton Oswalt should have been behind this brutal manslaughter. This moment is the moment, for me, that the book gelled and also the moment when I realized Holllywood just didn't get it. James Ponsoldt, a director and writer whom I've never heard of aside from his David Foster Wallace movie which I'm now probably never going to watch, just didn't get it. The Circle isn't about a near miss, a disaster avoided, this is about a technological Utopia being thrust on us with forced adaption to this secretly totalitarian regime, not something with a happily ever after. And again, I don't know if this was to preserve the "nice" imagine that Watson has built up or because they thought the ending was too bleak. Here's the thing, the bleak ending is more real. The reason the book drew me in is because at the end Mae wasn't the savior, she was Judas!

Though Ty turns out to be the character most changed. In fact, I'm surprised they actually got John Boyega at all with how minimal the role is. In the book "Ty" is a mysterious stranger who Mae is drawn to and has relations with only to eventually find out he is one of the three founders of the company. Yes, I do admit that drawing out that reveal, even in the book, pushes credulity, but to go the opposite way and have him just as exposition and then a deus ex machina is a waste of his talents. While I wasn't all on the Boyega train to begin with I've seen him enough now to know that he is criminally wasted here. He actually has no point other than to fill the plot holes. Plus, can we talk about that hasty ending? You're not going to watch this film, trust me, you're not, so here are some spoilers, in fact all the spoilers. Mae turns against the company and in a lecture she's giving during the talk, thanks to Ty, all the "secret" correspondence of the other two founders is leaked. In the book this is actually what Ty WANTS Mae to do but as I've said before, she goes deliciously Judas and that's the end of Ty. Instead the data destroys the founders yet somehow The Circle survives and Mae's out kayaking... about the only thing they got right is Mae and that stupid kayak. I just don't get it. I mean, just why!?! This book was a bestseller and then you go and do all these tweaks and twists and add a HEA and you think you're going to get a blockbuster movie? That's not how things work. Create a good adaptation OR a good reinterpretation. Don't give us muck. Audiences don't like it, as Rotten Tomatoes has clearly shown.

But the most nonsensical thing to me is something that probably I and only other graphic designers would notice, and that's The Circle's logo. The Circle's logo as seen on the right hand of the image above is ubiquitous in the film and is just plain boring and derivative. Like Apple redoes The Criterion Collection's logo. You might be wondering why this would bother me so much, and the answer is Jessica Hische. Jessica Hische is an amazing designer noted for her typography skills. Seriously, check her out and you'll realize you've been loving her stuff for years without even knowing it. As she said about The Circle on her website: "After working with Dave Eggers on Hologram for the King I was pumped to be brought on board to design his new book, The Circle. It was especially fun to design this cover, as I’ve spent the last two years living in San Francisco surrounded by the tech industry (my husband works for Facebook) and the story is set in an influential social media company. I also had to design a logo for the fictitious company, The Circle, and was inspired by the interweaving connectivity of social media sites and also knots that once tight are difficult to untie." The logo she designed is perfection. I don't know if Eggers' description or her design came first but it captures what the book is about 100%. But should I be surprised that a movie would trash the work of a talented designer and start over with something bland and unoriginal when that is what they did with the whole narrative? I guess not. But I can still grumble about it.

Tuesday, August 30, 2011

Book Review - Tom Perrotta's The Leftovers

The Leftovers by Tom Perrotta
Published by: St. Martin's Press
Publication Date: August 30th, 2011
Format: Paperback, 355 Pages
Rating: ★
To Buy


The Rapture has happened. Or at least an event that looks so much like the rapture that it makes no difference, except to those who are offended by the choices made as to those taken. How could they take the idolaters and not the true believers? Yet one thing is certain, with so many people now gone, everyones life has changed. Kevin Garvey's wife has left him to go and be a part of the new cult The Guilty Remnant, where she keeps silent and smokes all day while accusing her fellow citizens with her mere presence. Their daughter Jill has sunk into sex and drugs with her sexy new friend Aimee who walks around the Garvey house in almost nothing. Their son has joined another cult, the Healing Hug Movement, that seems to put a lot of stock into their holy leader, Wayne. Yet Nora Durst is the one suffering most, as she lost her husband and her children. While the town gathers to mourn those who have left, each of these people will continue on their own painful journey while the world seems to be in limbo, allowing grief to rule the day years later. Yet their journeys will cross, and in those brief moments, maybe they can try to move on.

The concept of this book is genius, the execution is another thing. Instead of finding the humor in his topic, Perrotta seems to have thought the book was an excuse to wallow in a midlife crisis and dwell overly long on grief. Add to that characters that are so shallow they verge on being less then one dimensional, especially the women, whose only way to deal with grief or their emotional traumas is to do something to their hair. Because obviously, all women are superficial and only skin deep. Whereas the male lead, Kevin Garvey, is living, in my opinion, Perrotta's dream life. His family has all deserted him, he has his daughter's hot friend living in the house, obviously every woman wants him because he has power as the mayor, and therefore his life is good. If Perrotta had been skewering this perception of male wish fulfilment, that might have been something, but it appears to be in earnest.

That's the whole problem in the book. It's earnest. Instead of lampooning weird end of days cults and the new mentality of the human race, we get people who have been given an excuse to wallow in their grief. Hundreds of pages of shallow wallowing. Because nothing is ever analysed, it just is. Nora Durst lost her family, so here's a hundred pages of her riding a bike and not thinking about the tragedy. Jill ditches school and does some tame drugs, oh, now that's a totally revolutionary way for a teenager to revolt now isn't it? This book is so shallow that if I were to throw it into the deep end of a pool it would come out without even moisture on it.

The Guilty Remnant and Holy Wayne with his Healing Hug Movement seemed to have potential, but instead it's basically Jim Jones and his "Kool-Aid" at work. Though there is no analysis of the parallels, no plugging into the zeitgeist that makes such organizations form. Everything is just surface. If you actually want humor and Jim Jones, go read Armistead Maupin's third Tales of the City book, Further Tales of the City. In fact, thinking of Maupin has now made me sadder, because there is a true comedic American writer and I'm sure given the same basic plot of this book he could have written a satire that pierced the American way of life while also tackling grief.

Needless to say this will be the first and last book by Perrotta that I ever read. He is mostly known for the book the classic Reese Witherspoon movie Election is based on, a fact that he himself is mighty proud of in his Q&A at the end of the book. Well Mr. Perrotta, you shouldn't be that full of yourself. You wrote a superficial little novel that reads as a pathetic roman a clef of yourself. I've seen into you and you are a trifling writer of meagre and bland talents and you have wasted my time with a book that was unable to deliver on it's premise. Also, just as a final note, if you only "rapture" up a small number of the population of the earth, there really can't be that many people missing from one small town in New Jersey now can there? Just saying, basic math!

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