Showing posts with label Jodhi May. Show all posts
Showing posts with label Jodhi May. Show all posts

Wednesday, June 17, 2026

Season 37 - The Amazing Mrs Pritchard (2007)

What most of us turn to Masterpiece for is a good old fashioned period drama. Yes, there have been modern shows here and there, and many quite exceptional, but for most of us it's all about the period drama. Well, watching The Amazing Mrs. Pritchard now, it feels like a period drama. Looking back on a simpler time in politics before Trump and Brexit it feels so long ago that it's a different era. Plus with the cast, Steven Mackintish, Jodhi May, Janet McTeer, Carey Mulligan, Geraldine James, Tom Mison, Siobhan Finneran, and Harry Hadden-Paton to name a few, it is like the best of the best from British period dramas are represented here. Then factor in the Downton-esque music by John Lunn playing over several characters from Downton Abbey, and well, it might be modern but it feels like Masterpiece to me. Though it's an odd little miniseries, written by Sally Wainwright who has gone on to create the procedurals Scott and Bailey and Happy Valley, the feel good Last Tango in Halifax, and the sensational period lesbian romp Gentleman JackThe Amazing Mrs. Pritchard never really finds it's feet and ends on an abrupt note, and that note was only on the DVD at that. Ros Pritchard is a woman with no political experience who ends up Prime Minister by just telling it like it is and vowing to never lie. While I adore Jane Horrocks, she doesn't have the heft needed for the role and is outclassed by everyone around her. But more importantly, I couldn't figure out the message of the miniseries. What was it trying to say? It is oddly pro-Brexit before Brexit happened with a bizarre streak of British exceptionalism. Also Ros's Purple party is almost all women, is this a commentary on women in traditional male roles and how they succeed or fail based on how much of the traditional female roles they're willing to give up, like motherhood? Also, while this was obviously written about a fake election it seems prophetic. I mean, look what we're living through here in the States! A person entirely ignorant of government being elected to the highest position in the land. Again! But in reality there have tons and tons of deaths and concentration camps instead of everyone banding together and riding a bus. So yeah... it now cuts a little too close to the bone... The Amazing Mrs. Pritchard just doesn't understand the implications of what it's attempting and failing to say. 

Wednesday, April 21, 2021

Season 29 - The Turn of the Screw (1999-2000)

One night back in undergrad two of my friends and I decided to go rent a movie. Remember video stores? Full of all those wonderful films yet somehow kind of grubby. We were walking from Rivendell (no really, my friend Matt lived in a big purple housing co-op named Rivendell) to the local video store a few blocks away. On the way there we found over $20 in cash on the ground that some drunk college student had obviously dropped. So dinner and a movie was on said drunk college student who was probably pissed in more ways than one when they found out. Four Star Video was known for it's rather indie pics. You could find basically anything there that was offbeat. After much toing and froing we decided on the Ethan Hawke/Kyle MacLachlan version of Hamlet and The Turn of the Screw, because Colin Firth. I'm not sure how far we got into Hamlet before it was ejected, but could have been twenty minutes could have been a thousand years. And that, my friends, is why you always rent two movies when you go out in case one is an absolute stinking pile of shit. Well, we didn't fair that well with The Turn of the Screw either. None of us had actually read the story, so we were all unprepared for the whole evil wins ending. What's more, and in fact more to the point of why it failed to meet our expectations is that Colin Firth was in the first five minutes and then never seen again. That's false advertising that is putting his name first! And yes, after this debacle my friends said I should pay them for having to sit through videos dubbed my choices... but they were free! And more importantly we did put it to a vote! But looking back, while The Turn of the Screw isn't my favorite ghost story out there this is the best direct adaptation there is, because at least they didn't throw in a weird insane asylum/murder conviction plotline like the 2009 version with Michelle Dockery did. So if you're looking for a faithful adaptation of The Turn of the Screw you can't go wrong with Jodhi May and Pam Ferris who are superb actors, but if you're looking for the best adaptation out there check out The Haunting of Bly Manor instead.       

Wednesday, March 24, 2021

Season 37 - The Amazing Mrs Pritchard (2007)

What most of us turn to Masterpiece for is a good old fashioned period drama. Yes, there have been modern shows here and there, and many quite exceptional, but for most of us it's all about the period drama. Well, watching The Amazing Mrs. Pritchard now it feels like a period drama. Looking back on a simpler time in politics before Trump and Brexit it feels so long ago that it's a different era. Plus with the cast, Steven Mackintish, Jodhi May, Janet McTeer, Carey Mulligan, Geraldine James, Tom Mison, Siobhan Finneran, and Harry Hadden-Paton to name a few, it is like the best of the best from British period dramas are represented here. Then factor in the Downton-esque music by John Lunn playing over several characters from Downton Abbey, and well, it might be modern but it feels like Masterpiece to me. Though it's an odd little miniseries, written by Sally Wainwright who has gone on to create the procedurals Scott and Bailey and Happy Valley, the feel good Last Tango in Halifax, and the sensational period lesbian romp Gentleman JackThe Amazing Mrs. Pritchard never really finds it's feet and ends on an abrupt note, and that note was only on the DVD at that. Ros Pritchard is a woman with no political experience who ends up Prime Minister by just telling it like it is and vowing to never lie. While I adore Jane Horrocks, she doesn't have the heft needed for the role and is outclassed by everyone around her. But more importantly, I couldn't figure out the message of the miniseries. What was it trying to say? It is oddly pro-Brexit before Brexit happened with a bizarre streak of British exceptionalism. Also Ros's Purple party is almost all women, is this a commentary on women in traditional male roles and how they succeed or fail based on how much of the traditional female roles they're willing to give up, like motherhood. Also, while this was obviously written about a fake election it seems prophetic. I mean, look what we've just lived through here in the States! A person entirely ignorant of government being elected to the highest position in the land. But in reality there were tons and tons of deaths instead of everyone banding together and riding a bus. So yeah... it now cuts a little too close to the bone... The Amazing Mrs. Pritchard just doesn't understand the implications of what it's attempting and failing to say. 

Wednesday, November 18, 2009

Another Emma Adaptation

Emma
Based on the book by Jane Austen
Release Date: November 30th, 2009 (Region 2), TBD (Region 1)
Starring: Romola Garai, Johnny Lee Miller, Michael Gambon, Jodhi May, Tamsin Greig, Blake Ritson, Christina Cole
Rating: ★★★★
To Buy (UK)

You may remember back in August I had a mini rant about the Andrew Davies Emma Adaptation. This was a very flawed adaptation, but I don't think anyone could have succeeded given only 90 minutes to tell the story and labored with a creepy Mr. Knightly. But lucky for us Austen fans the BBC loves to constantly redo the classics. Therefore we've finally been given an adaptation of Emma which had the time to tell the story! Four glorious episodes, four glorious hours so that they don't relegate Mr. Woodhouse to a chair and only vaguely reference him (which once you cast Michael Gambon, you'd be hard pressed to do!) I think that this adaptation was the best so far, and for all you naysayers out there, it's an adaptation, of course they're allowed to fiddle with it! And you know what? The little bit of fiddling made Emma that little bit more relatable without deviating from the Austen script.

I'm going to ruminate a little here before becoming lazy and just doing a bullet point yeah/nay list. While every adaptation has Emma as her own little queen of the castle, a spoiled brat who always gets her way and views people as her own private dolls, none have really addressed how this came to be. This adaptation tackled more the psychological impacts of great events on the characters. All around the same time, the Bateses lost all their money, the first Mrs. Churchill died and Emma's own mother died. While we learn about this stuff in the book, more as just bare facts, they never really go into the impact. The Bateses, besides losing everything, loose the little girl they love. Frank is sent away from the person who loves him most and Emma and her sister become shut-ins due to their father's paralyzing fear that he might loose them too. These are all profoundly sad incidents that are pushed aside in most adaptations because Emma's a little scheming matchmaker. But the loneliness of these events shape the rest of their lives. Then when Emma, through her own doing, loses Mrs. Weston, the woman who became her mother, she is truly alone. She might be the queen of the castle, but it's a sad castle with a shut-in she loves dearly, but a shut-in none the less. This adaptation brings a little humanity to Emma by showing her as coping bravely with the loneliness of her life by being outgoing and scheming. While Austen purists might say "but that's not the book." Who's to say really? There is nothing done in this adaptation that isn't supported by the text! Emma, despite her youth, never leaves home, never leaves her father, so she has never seen anything but her own little world consisting of Highbury. A lonely existence no matter how little there was to distress or vex her. I can't help but also wonder about how much Jane Austen actually put of herself in Emma. A character Austen was quoted as saying: "no one but myself will much like." Perhaps she, in her close family circle was very much like Emma, all show with an undercurrent of sadness.

Things I loved:
Mr Woodhouse's clothing. He looked like Frank Lloyd Wright ready to brave the elements. Totally hilarious.

Johnny Lee Miller. He's a quite, kind of goofy Mr. Knightly. But you really believe he would take care of his estate and property, as well as his people well.

Romola Garai's smile. Just infectious, mischievous and totally Emma!

When Harriett, as a Greek maiden, steals Elton's pencil while trying to maintain her pose. So funny, plus she's so selfconscious while also trying to be unobserved.

Mr. Elton. Blake Ritson was able to out smarm Alan Cumming! That alone is worth the watching of this miniseries.

The actress Christina Cole's (Mrs. Elton's) character was murdered in the TV Show Hex by the actress who plays Jane Fairfax... too, too funny... and yet somehow completely appropriate!

Mr. Woodhouse and Doctor Perry's scene with the cake at the Weston wedding. And to think Doctor Perry took the leftovers home!?!

Box Hill. Never has there been a more awkward outing!

I want the Woodhouse's house. The gardens in back are so pretty and just a little Georgian.

Mrs. E on a donkey! Don't need to say more, it's just that. Mrs. E + Donkey = Hilarity!

Problems:
Christina Cole as Mrs. E. She could have pushed it further, but I think this problem was all in the writing.

Mrs. Weston's clothes. They were very boxy and stiff. I'm not sure if this was due to how she would "fill out" later on or just to show her lower rank.

Mr. John Knightly...funny, yes, slightly mean, most definitely.

Mr. Knightly dances with Harriet. This was just not set up right, like the slight on her was not so obvious and therefore tried to compensate with a few too many significant glances.

Mrs. Bates. One line at the end? What the hell? She was like a piece of furniture, never used but always lugged around. More of a prop piece for her belabored daughter than a character in the show.

People who complain the vernacular was too modern (this being a problem I have with other bloggers and reviewers!) It was the book's dialogue people! Like those people I sat behind in the theater when I went to the Gwyneth version of Emma, "that ending was SOOO Hollywood!" WTF! It's so Austen!

And a final note, it has been confirmed that this is part of the 2010 Masterpiece Classic lineup!

Sunday, October 4, 2009

Your Favorite Books Brought to Life - BBC Minseries News

Since last writing, I have more Emma news as well as some information on a few exciting new series that will hopefully (rather briskly one can dream) make their way across the pond. The first episode of Emma airs tonight in England! That's right! Those lucky, lucky Brits will be just finishing watching episode one right about now...or seven minutes ago to be precise...and I can't help wondering how it will stack up to the previous adaptations ...Personally I think this is one of the best casts the BBC could have assembled, especially now that I learn Jodhi May and Tamsin Greig are also part of the cast! Jodhi May is best known as Mirah, the girl who get's Daniel, Hugh Dancy, in Daniel Deronda, beating out her Emma costar, Romola Garai. Plus she also turned down Jamie Bamber! She was literally beating them off with sticks in that spectacular Andrew Davies adaptation! But who I'm really excited about is Tamsin Greig. I personally don't think anyone could ever beat Sophie Thompson's (Emma's little sister's) performance, but I gotta say, I love this casting. Tamsin is most recently known for the hit or miss show Love Soup, but I will always think of her as Fran. Bernard's best friend and cohort in debauchery and drunkenness on Black Books, possibly the best British sitcom to ever be made. Can't you her Bernard yelling for her right now? No wait, that's Manny he's yelling for...

There is also a new adaptation of The Turn of the Screw, by the same people bringing us Emma. Michelle Dockery, whom you might know from Sky Tv's adaptation of Terry Pratchett's Hogfather. She was brilliantly cast as Death's granddaughter Susan in that miniseries, and now she will star as the young Governess. In fact, the last adaptation the BBC did was back in 1999 and stared the aforementioned Jodhi May, with Colin Firth as her employer. I am very excited to see that Michelle is on her way to becoming a staple of BBC Miniseries, we will also be seeing her this winter in the next installment of Cranford!

The same production team (did the BBC just give them the keys to Broadcasting House or what?) is also doing an adaptation of Kay Mellor's A Passionate Woman, starting Billie Piper. Billie Piper, love her or hate her, personally I like her just fine, she's her to stay. Set in the 1950s (by chance because of how good she looks in period dresses in the Doctor Who episode "The Idiot's Lantern"?) she will not being doing a big period stretch, for those who didn't like her in Mansfield Park. It also stars Joe Armstrong, best known for either marrying Cullie Barnaby on Midsomer Murders, or perhaps as the sometimes turncoat Alan a Dale on Robin Hood.

But it doesn't end there! Helena Bonham Carter stars as Enid Blyton with Matthew Macfadyen and Denis Lawson in Enid. Anne-Marie Duff (that little racist from The Way We Live Now) stars as Margot Fonteyn, one of the greatest dancers of our time in Margot. Jane Horrocks plays singer and comedienne Gracie Fields in a romantic comedy, Gracie! set in the 1930s. (Yes, the BBC is apparently into series this fall of just the lead character's name). There is also an adaptation of Small Islands staring Ruth Wilson from Jane Eyre, a new period court drama, Garrow's Law, an art forgery tale starring Eve Myles, aka Gwen Cooper from Torchwood. We also have new Sarah Jane Adventures, and by the years end...a new Doctor. This season promises to be beyond amazing, and I'm sure once it reaches the States it will sweep the awards shows, you saw how much Little Dorrit won at the Emmys right?

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