Season 40 - The 39 Steps (2010)
The first time I ever heard of The 39 Steps was when my mom got her complete set of The Franklin Library of Mystery Masterpieces. I spent hours pouring over the covers of the books. The one that fascinated and intrigued me the most was The 39 Steps. It was a pen and ink drawing of what appeared to be a giant black cloud or rock hovering over a staircase going down the side of a cliff. It was unnerving and strange so it should come as no surprise that it was done by Edward Gorey. At the time I was not yet an avid reader so books were all about their outward aesthetic and this one has always stayed with me. Which is why when I started to get into film, and in particular Alfred Hitchcock, I was really excited to watch his adaptation of The 39 Steps. Hitchcock, especially in his early films, is very hit or miss. I feel like 1940 and Rebecca was his turning point. Therefore The 39 Steps, made five years earlier, suffers. It doesn't help that a lot of outdoor scenes were filmed on sound stages. This is something that is a personal pet peeve of mine, primarily because of Hitchock's Suspicion. Therefore when it was announced that there was a new version of The 39 Steps coming out staring Rupert Penry-Jones I was more than a little excited. He is Captain Wentworth in my favorite version of Persuasion, so I was all in, even if he wouldn't reach the pinnacle of his career until a year after The 39 Steps with Whitechapel. When creating this adaption they wanted to go all in on the Bond meets Bourne vibes, but I think of it more as Lord Peter Wimsey meets Indiana Jones. There's an elegance to Penry-Jones as Hannay that is more upper class English gentleman than Bond ever was. He's also just reacting to situations he's thrust into, much like Bourne, but oh so British. Bond was almost always in control and too cool a customer. This was just a thrilling adventure with some of the best of British television stars where sadly David Haig was playing against type as the baddie. Which is why I feel it's more in the territory of Indiana Jones. This could be an exciting serial at the cinema back in the day. And much like Professor Jones, I objected to some of Hannay's more sexist attitudes towards women. But by the end his partner in crime, Victoria Sinclair, had more than corrected all of his attitudes with her competence and cunning. The fact that a woman with eidetic memory saves the day really warmed my cold embittered heart. Yet the highlight for me, and for Rupert Penry-Jones according to interviews, is that they totally did the crop duster scene from North by Northwest. Now you might think they just added this as a little nod to Hitchcock's film but that isn't the only reason why. In the book when he arrives in Scotland Hannay's pursuers use a plane to find him. So maybe Hitchcock liked the scene from the book so much that instead of using it in his adaptation he kept it to use on a later film? I'm just saying it's a possibility. But the biggest possibility I wished for this movie hasn't come to pass, and that's a sequel. As I mentioned before it has that vibe of adventure serials which inspired Indiana Jones, and it's not like John Buchan wrote only one Richard Hannay adventure. He appears in eight books! Why can't we just have more fun shows like this? Well, probably because of all the people bitching about the wrong make and model of cars in this and not just taking it as it is.... But I can't blame them too much, I'm a pedant too depending on the topic.
James Bond is an evergreen. Just look how excited people are about the scant pieces of information that have been released about the next film. I know we don't yet know who will be Bond, unless there's been some major announcement since I typed this and it posted, but the Steven Knight news has me very excited even if he should be working on season two of Taboo. Nothing should take presidence over that. I've been waiting for eight years! Yes yes, Great Expectations and A Thousand Blows has numbed the pain, but it's still there. It feels like it will always be there. Anyway, Bond is the gold standard of spycraft, but with shows like Killing Eve and Slow Horses, espionage and hired killers are making a big comeback. Especially if they're slightly inept. The Jackal is not inept. But things really don't go his way. And he's so committed to his job, he holds a grudge so tightly, that, well, he'll do what he promised to do. Eventually. At any cost. Whilst also enacting sweet sweet vengeance. This is a wonderful modernization of the de Gaulle-heavy book which utilizes modern advancements in weaponry and subterfuge coupled with Eddie Redmayne's chameleonic acting abilities. I mean he's no Jodie Comer, but he'll do. And while you don't like this cool character, you root for him. You do not want him to be caught. You want him to live another day and take his cute little suitcase that transforms into a deadly weapon and just kill all the people that are causing trouble in the world. Of course, being such a renowned assassin means he has operatives obsessed with finding him. That obsessed operative is Bianca Pullman played by Lashana Lynch. The two of them are in an interesting dance. They are almost symbiotic. There lives are eerily similar. They both have partners that suspect that they have secrets and who know, deep down, that if forced to choose they will choose their work over their family. The job is everything to both of them. They have blinders on to everything else. And, like The Jackal, you don't like Bianca. The Jackal doesn't have a moral compass, but Bianca wants to believe she does. So the way that she exploits people to get what she wants is reprehensible. I know this is a bit of a conundrum. What I like about The Jackal I don't like about Bianca. But it all comes down to flair. He has flair and she's just flailing. He can pull off Edward Fox's iconic look from the 1973 adaptation and she always looks like she's lying. Which she is. Though that doesn't matter anymore now does it? Because if you've watched the show you know that she fails and dies at the hands of The Jackal. She has found him, tracked him all the way to his home, and in the end, that tiny bit of humanity is probably what did her in. No. That's being too kind to her. She just wasn't quite good enough. She didn't deserve to succeed. And the very fact that she failed is what made this series work. Her death justifies it all. I knew that he'd survive to kill another day as they are doing a second season and this isn't an anthology, but her death was a blessed surprise. It showed that she was a failure. Something the viewers believed, deep down, since the first episode. She was a wreck and belonged with Jackson Lamb. Yet the show built the two of them up to be a great showdown of colossi, so one of them couldn't have feet of clay could they? Well, they both had their weakness. At least the writers didn't hesitate to pull the trigger on the weaker one.
The Rook by Daniel O'Malley
So I'm an AMC Insider. Why you might ask as I don't watch many shows on AMC, well, the reason I first signed up wasn't for the lovely gift card drawing, that was a recent edition, I mainly signed up because they asked questions about BBC America programing and I wanted to clearly state that BBC America should be showing actual British shows not filling their schedule with The X-Files and whatever Star Trek they feel like at the moment. Star Trek is a "little" understandable because of Patrick Stewart, but The X-Files!?! In between stating all my outrage and answering questions about my favorite Dirk Gently characters I started to get all these surveys about the upcoming show Killing Eve. The initial promos had me entirely uninterested, because they were vague and I had no idea what the show was about. After probably the tenth promo I watched I realized it was an espionage driven game of cat and mouse starring Sandra Oh and Jodie Comer and I decided to give it a try. Plus, Jodie Comer was really great in The White Princess so for me she was the real draw and the fact that only Oh got an Emmy nomination is shocking because I discovered in that first episode what many people came to realize as they joined the bandwagon late, Killing Eve is an exquisite dark comedy about two women on opposites sides inextricably drawn to each other where Comer is amazing in her instability. I was so desperate for more that I picked up Luke Jennings's compilation of Villanelle novellas, Codename Villanelle, to get more of a fix. But this adaptation is one of those rare occasions where it's better than the source material. Instead of a female James Bond with a hyperactive sex drive where everything is laid bare from the beginning, we're given a twisty tale that will keep you guessing until the very end and thanking whatever deity you believe in that it was renewed for a second series. 
Azur Like It by Wendy Holden
