Season 21 - Adam Bede (1991-1992)
For about six years in the late eighties and early nineties everyone seemed to fall under the mass delusion that Patsy Kensit could act. She was everywhere. I don't know if it's because of her music career with Eighth Wonder or the, to me, completely baffling successful of Absolute Beginners, but she was the "it girl" of the moment. As an aside, if a movie stars David Bowie and I buy it for a dollar at Half Price Books yet am never able to bring myself to finish watching it, that is the definition of a bad movie. In fact Robert Altman takes the piss out of it in the first few minutes of The Player. Now that is a movie worth watching. As for Adam Bede, the only reason I have this on DVD is because it was included in The George Eliot Collection and it was cheaper to buy the whole set than to buy Middlemarch separately, and I needed my Rufus Sewell. I know you know what I'm talking about. When I got the set ironically the first adaptation I watched was Adam Bede because I was in the mood for some Iain Glen. This was long before Game of Thrones and therefore the reason I was mildly obsessed with him was because of Wives and Daughters. You know I really think Mr. Preston and Cynthia could have made a go of it. But that wasn't to be. And ironically Adam Bede is just another Iain Glen doesn't get the girl story. And yes, it's a recurring theme. The only lasting impression I have of that first viewing is thinking how depressing it was. I also remember that I had some disappointment that Patsy Kensit survived. I mean, if she's going to darken my door the least she could do is slump over and expire on the stoop. What annoys me most about her casting is this is peak early nineties casting, Iain Glenn, James Wilby, Susannah Harker, and Alan Cox! Think how good this could have been without her? Especially when the supporting roles are played by Jean Marsh, Julia McKenzie, Freddie Jones, Patsy Byrne, and George Innes. Oh, and George Innes, he is fabulous. Most known for his roles in The Italian Job and Upstairs, Downstairs, he has only one scene where he's in the witness box and he describes the dead child Patsy Kensit's character has left under a bush, and it's just heartbreaking. Even if she wasn't guilty as sin, for being Patsy Kensit AND for abandoning the child James Wilby got her with, I would have convicted her just due to the testimony against her. To have one actor outshine everyone made you realize how pedestrian this adaptation is. It's nothing more than a girl being seduced by the lord of the manor and getting with child, thus destroying the good village boy who truly loved her. AKA Iain Glenn not getting the girl. Again. So therefore I maybe shouldn't lay all the blame on Patsy Kensit? I mean, her casting technically just adds to the peak early nineties vibe... And it's not like this rather pedestrian story could have been improved. At the end of the day her character was transported to Australia and the much nicer girl played by Susannah Harker got the boy. So, win win in the end? Or maybe it was a Pyrrhic victory?
