Showing posts with label Hogfather. Show all posts
Showing posts with label Hogfather. Show all posts

Saturday, April 25, 2015

Pink Carnation Spotlight - Michelle Dockery (Laura Grey)

From the moment I first delved into Laura Grey's story in The Orchid Affair there was only one actress in my mind who could bring this character to life. Someone with the looks, the attitude, and the acting chops.

Name: Michelle Dockery

"Dream" Character Casting for the Lauren Willig Miniseries: Laura Grey

First Impression: The first thing I ever saw Michelle in was her second ever screen credit in the adaptation of Terry Pratchett's Hogfather. She literally killed it as Susan, DEATH's granddaughter and a governess, and by it I mean the monsters under the bed disturbing her charges with a poker. Quite literally the definition of stoic and unshakable governess.

Why they'd be the perfect actor for the Lauren Willig Miniseries: Well, aside from the whole governess angle, she has this ability to appear perfectly calm and collected, like she's wearing a mask or armor, but when she starts to soften, you realize all the emotions that mask was hiding. I can't think of anyone who can portray that stoic resolve that melts when she finds love. Plus, she's good with a poker.

Lasting Impression: Seriously, Hogfather people. There was no way it was anything but memorable and awesome, even if Going Postal is still the best Pratchett adaptation out there.

What else you've seen them in: Um Downton Abbey anyone? Most popular British import show to the US ever? Michelle has also been in a few crime shows like Waking the Dead, Heatbeat, and Dalziel and Pascoe, but for those of the Masterpiece Theatre fandom, you've most likely seen her in The Hollow Crown, Anna Karenina, Return to Cranford, or The Turn of the Screw. Only some of those I'd recommend... but at least The Turn of the Screw was a little more inventive then most adaptations and didn't tease you with Colin Firth.

Can't believe it's them: Michelle has a little role in Fingersmith, which isn't the best adaptation of the book, but it was fun to see her first role on screen.

Wish they hadn't: Seriously, this is a hard choice between Red Riding and Return to Cranford. Red Riding was just all around bleak with almost indecipherable accents loosely following events around the Yorkshire Ripper. But I think the crown goes to Return to Cranford, which was just atrocious. All the characters had personality transplants from the first series and the book, and then both Michelle AND Tom Hiddleston were underused, both with ridiculous haircuts to boot, see the picture above.

Bio: Michelle seems to have been made for the stage, starting young and then going to the Guildhall School of Music and Drama in London, getting her first television job the year after she graduated in the adaptation of Sarah Waters's Fingersmith. But she's never fully left the stage, appearing in such wide ranging productions as His Dark Materials, Pygmalion, and Hamlet. She is often on stage for singing as well, being a jazz singer who has performed and collaborated with her Downton Abbey co-star, Elizabeth McGovern and her band, Sadie and the Hotheads. But it's was truly her role as Lady Mary in Downton Abbey that launched her to fame in 2010. At least fame hasn't damped her sense of humor, as you can see in this fabulous Lady Mary spoof, Tough Justice.

Friday, September 3, 2010

Book Review - Terry Pratchett's Hogfather Redux

Hogfather by Terry Pratchett
Published by: Harper Torch
Publication Date: 1996
Format: Paperback, 354 Pages
Rating: ★★★★★
To Buy
In the 20th installment of Terry Pratchett's Discworld, we once again see old friends and meet some new acquaintances. Though perhaps I should have read this in December, seeing as it's about Hogswatch, Discworld's equivalent to Christmas, I still found it vastly enjoyable during the summer heat. The rouges gallery that Pratchett has assembled for us this time around are the Wizards of UU (that's Unseen University to those not in the know), DEATH, his granddaughter Susan, various other holiday or occupational manifestations in corporeal form, the assassin Mister Teatime (pronounced Teh-ah-tim-eh) and some inept villains, I would say thieves, but they are not licensed.

The core of the book is about belief. What would happen if someone was actually able to kill Santa Clause/The Fat Man/The Hogfather, insert name here, by destroying belief? Could the world actually function if The Hogfather died and what would happen with the extra belief that then seeped into the world? Would random manifestations like a Veruca Goblin or a God of Hangovers actually come into or back into existance to fill the void? Do we, as humans really need to believe the more fantastical lies of youth in order to function later in life? What I find wonderful about Terry Pratchett is that while his books have a flawless veneer of humor that may have you laughing out loud, he truly understands human nature.

I also find it fascinating that, like Neil Gaiman, he tackles the issues of what happens to gods over time. While in American Gods, Neil Gaiman has the new gods and the old gods battle it out for their piece of belief, whereas in Hogfather, we have old gods who do new jobs. Just because The Hogfather is all modern and Santa-esque with the sleigh pulled by giant pigs in his red kit doesn't mean that before that or even at the same time he's from an older age of blood and ice and fire. You need to evolve with faith and belief not to be outmoded and made obsolete.

Finally I would just like to say I think Susan is perfectly matched against Mister Teatime. She is no nonsense, monsters who threaten her or her charges will get the poker. I kind of admire her for her take no prisoners, nothing can faze me attitude, though having DEATH as your granddad probably teaches you the harsh realities rather fast. Against her Pratchett has placed Mister Teatime "who saw things differently from other people, and one of the ways that he saw things differently from other people was in seeing other people as things." A terrifying assassin who's own guild is trying to oust him. The struggle between the two is a great read, but it should be no surprise as to who wins in the end.

So go out and read this book! In fact, read all of Discworld, it's a place striding across time and space on the backs of four giant elephants atop the space turtle Great A'Tuin, that you'll want to stay in for quite awhile, and luckily for you as of this month there are 38 novels in that wondrous land.

Friday, April 9, 2010

Going Postal Pratchett Style

I really don't think I could love Terry Pratchett more, I am in a Pratchett Reading Challenge after all. He's a comic genius and each and every book he writes has subtle layer upon subtle layer of context and meaning, along with the odd pie in the face, and you better hope that it is not one of Dibbler's pies. Sky TV has been adapting his books for the last few years now. They tentatively started with Hogfather, which I thought was a fair adaptation that did lack some of the subtlety of the original. After their resounding success, ie, fans didn't pelt them with aforementioned pies, they went on to adapt the first two Discworld Novels, The Color of Magic and The Light Fantastic, which I think would have be a resounding success if not for Tim Curry's bad costume, but more importantly, the dreadful miscasting of David Jason as Rincewind. Is David Jason in his 30-40s? Is he skinny and lank and able to run fast? Not in the least! Now, while for some bizarre reason I see a young Bruce Campbell as Rincewind, there really is no explaining my mind, I suggest, due to his recently hanging up his screwdriver we bring another David into the role of Pratchett's favorite Wizzard. I'm talking David Tennant here people! Lithe, almost overly so, and we know he can run. Allonsy!

But back to the matter at hand. We have, what I view as possibly the best adaptation on the horizon. Going Postal! Now it's not so much the characters of Moist Von Lipwig and Lord Vetinari, it's the actors. The cast! OMG! David Suchet, Charles Dance, Tamsin Greig, Clare Foy, and I leave my favorite to last... Richard Coyle. Ah Jeff from Coupling, I have missed you. Season 4 was a piece of shit without you. So now I have my Jeff and my Pratchett combined into one wonderful package. So what's the down side? It's not going to air till May! Originally slatted for the Easter weekend, the intimidation of a Doctor Who launch is surely what pushed it back. But until then, a trailer! Huzzah!

Friday, December 4, 2009

Hogfather Adaptation

Hogfather
Based on the book by Terry Pratchett
Release Date: December 17th, 2006
Starring: Ian Richardson, David Jason, Michelle Dockery, Marc Warren, Nigel Planer, Tony Robinson, Terry Pratchett
Rating: ★★★
To Buy

Having just finished reading Terry Pratchett's Hogfather awhile back, I decided it was time to give the miniseries another chance. I'd only ever watched the first part of the two part adaptation and felt a little lost, having only just started reading Discworld. Then after the dreadful adaptation of The Color Magic (dreadful for the horrendous miscasting of Rincewind, he's supposed to be young-ish, tall and skinny, in other words, not David Jason, aka a short 69 year old). I was hesitant to watch Hogfather in the chance that something would really piss me off (still bitter about David Jason, especially because I thought Sean Astin would be awful and he turned out to be good). But overall this was wonderfully cast and perfectly done if not for DEATH. The problem is technical, nothing else. Ian Richardson was superb as the voice of DEATH, it's DEATH's appearance I have qualms with. In my mind, my interpretation of Terry Pratchett's DEATH is very nebulous, lots of cloak and a vague creepy chilling sensation that overcomes you. Yes he's a seven foot tall skeleton, but the less seen, the creepier, like Jaws. The fact that you can never quite put your finger on what bothers you when you're in his presence, just that you want to get away. Taking a character that I akin to something you see out of the corner of your eye and literally making him a seven foot tall kind of cartoony skeleton does not work. It looks comical and not in the least bit scary. The rest of the cast, in particular Marc Warren as Teatime and Michelle Dockery as Susan were so perfectly cast you feel they ARE the characters.

Aside from DEATH, I just had the feeling that this was a sub-par adaptation of one of the best Pratchett books. But the thing is, upon reflection, I don't think there really is a way to make a successful Pratchett adaptation. The way his books are written don't lend themselves to a visual translation that's to be broadcast fortnightly. I think this might be the lack of overall narrative exhibited in his writing. There is an arc and an end point but it's the little side journeys that matter, the little revelations he makes along the way that are culled for an adaptation. And the thing is, once all these little moments are cut here and there the overall feel is different, the lose of faith and the need for belief that are so integral to this book seems almost non existent in the miniseries. It was ok, just not the brilliance one associates with Pratchett. Although not to fully discount the adaptation, there was one moment of perfection which had me on the floor laughing. But first a history lesson, so you can fully appreciate the joke and not think I'm insane, anymore than you already do: Ian Richardson's most famous role ever was Frances Urquhart in the House of Cards trilogy. His most famous line: "You might think that, but I could not possibly comment." You can only imagine my glee when DEATH said this to his faithful henchman Albert! Brilliant! Look for it, it's in part one.

Wednesday, August 26, 2009

Book Review - Terry Pratchett's Hogfather

Hogfather by Terry Pratchett
Published by: Harper Torch
Publication Date: 1996
Format: Paperback, 354 Pages
Rating: ★★★★★
To Buy

In the 20th installment of Terry Pratchett's Discworld, we once again see old friends and meet some new acquaintances. Though perhaps I should have read this in December, seeing as it's about Hogswatch, Discworld's equivalent to Christmas, I still found it vastly enjoyable during the summer heat. The rouges gallery that Pratchett has assembled for us this time around are the Wizards of UU (that's Unseen University to those not in the know), DEATH, his granddaughter Susan, various other holiday or occupational manifestations in corporeal form, the assassin Mister Teatime (pronounced Teh-ah-tim-eh) and some inept villains, I would say thieves, but they are not licensed.

The core of the book is about belief. What would happen if someone was actually able to kill Santa Clause/The Fat Man/The Hogfather, insert name here, by destroying belief? Could the world actually function if The Hogfather died and what would happen with the extra belief that then seeped into the world? Would random manifestations like a Veruca Goblin or a God of Hangovers actually come into or back into existance to fill the void? Do we, as humans really need to believe the more fantastical lies of youth in order to function later in life? What I find wonderful about Terry Pratchett is that while his books have a flawless veneer of humor that may have you laughing out loud, he truly understands human nature.

I also find it fascinating that, like Neil Gaiman, he tackles the issues of what happens to gods over time. While in American Gods, Neil Gaiman has the new gods and the old gods battle it out for their piece of belief, whereas in Hogfather, we have old gods who do new jobs. Just because The Hogfather is all modern and Santa-esque with the sleigh pulled by giant pigs in his red kit doesn't mean that before that or even at the same time he's from an older age of blood and ice and fire. You need to evolve with faith and belief not to be outmoded and made obsolete.

Finally I would just like to say I think Susan is perfectly matched against Mister Teatime. She is no nonsense, monsters who threaten her or her charges will get the poker. I kind of admire her for her take no prisoners, nothing can faze me attitude, though having DEATH as your granddad probably teaches you the harsh realities rather fast. Against her Pratchett has placed Mister Teatime "who saw things differently from other people, and one of the ways that he saw things differently from other people was in seeing other people as things." A terrifying assassin who's own guild is trying to oust him. The struggle between the two is a great read, but it should be no surprise as to who wins in the end.

So go out and read this book! In fact, read all of Discworld, it's a place striding across time and space on the backs of four giant elephants atop the space turtle Great A'Tuin, that you'll want to stay in for quite awhile, and luckily for you as of October there are 37 novels in that wondrous land.

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